Pasquale Bona · Third Part · study 108 of 120

Study 108

Play it in the playable edition →

Time: 4/4
Length: 34 bars
Tempo: Adagio

Rhythms in this study

quarter quarter-note beat · bars 1, 2, 3, 4, 5, 6, 8, 11, 13, 15, 16, 17, 18, 20, 22, 23, 24, 31, 32, 34
held eighth, four thirty-seconds quarter-note beat · bars 1, 5, 8, 13, 20, 31
held quarter quarter-note beat · bars 2, 16, 17, 18, 24, 32, 34
quarter rest quarter-note beat · bars 2, 8, 18, 34
held triplet sixteenth, five triplet sixteenths quarter-note beat · bar 3
two eighths quarter-note beat · bars 3, 4, 12, 13, 26, 30
dotted eighth, sixteenth quarter-note beat · bars 3, 4, 6, 11, 16, 19, 21
two sixteenths, four thirty-seconds quarter-note beat · bars 4, 9, 14
eighth, sixteenth rest, sixteenth quarter-note beat · bar 6
six triplet sixteenths quarter-note beat · bars 6, 7, 10, 29
three triplet eighths quarter-note beat · bars 7, 20, 21, 22
five quintuplet sixteenths quarter-note beat · bar 7
seven septuplet sixteenths quarter-note beat · bar 7
eighth, four thirty-seconds quarter-note beat · bars 9, 20
four thirty-seconds, two sixteenths quarter-note beat · bars 9, 14
eight thirty-seconds quarter-note beat · bars 10, 32
two sixteenths, dotted sixteenth, thirty-second quarter-note beat · bar 10
three triplet sixteenths, six triplet thirty-seconds quarter-note beat · bar 10
double-dotted eighth, thirty-second quarter-note beat · bar 11
double-dotted eighth + sixty-fourth, sixty-fourth quarter-note beat · bar 11
held eighth, eighth quarter-note beat · bars 12, 16, 26, 30
sixteenth, two thirty-seconds, sixteenth, two thirty-seconds quarter-note beat · bar 14
sixteenth, two thirty-seconds, three triplet sixteenths quarter-note beat · bar 14
held sixteenth, six thirty-seconds quarter-note beat · bar 15
thirty-second, sixteenth, two thirty-seconds, sixteenth, thirty-second quarter-note beat · bar 15
held sixteenth, eighth, sixteenth quarter-note beat · bars 17, 28, 30, 33
dotted eighth, two thirty-seconds quarter-note beat · bars 19, 21, 27
held quintuplet thirty-second, nine quintuplet thirty-seconds quarter-note beat · bar 22
triplet eighth, eighth, triplet sixteenth quarter-note beat · bar 23
dotted sixteenth, two sixty-fourths, dotted sixteenth, two sixty-fourths quarter-note beat · bar 25
four thirty-seconds, sixteenth, sixteenth rest quarter-note beat · bar 25
four thirty-seconds, dotted sixteenth, thirty-second quarter-note beat · bar 25
eighth + thirty-second, three thirty-seconds quarter-note beat · bar 27
sixteenth, eighth, sixteenth quarter-note beat · bars 28, 33
held sixteenth, sixteenth, four thirty-seconds quarter-note beat · bar 30
16 sixty-fourths quarter-note beat · bar 32
held thirty-second, two sixteenths, three thirty-seconds quarter-note beat · bar 33

More Playable Books

Hanon, The Virtuoso-PianistPractise all 60 exercises with playable notation, original scans and supplied Mutopia playback.
Fux, Gradus ad ParnassumLearn how independent voices work together, one species at a time.
Goetschius, Exercises in Elementary CounterpointBuild independent melodies through graded exercises, with 471 recorded examples.
Goetschius, Counterpoint AppliedStudy imitation, canon, and fugue with 393 recorded examples.
Kitson, Counterpoint for BeginnersStrict counterpoint in two and three parts, species by species, with every example playable.
Prout, Analysis of J. S. Bach’s Forty-Eight FuguesFollow Prout through all 48 fugues of the Well-Tempered Clavier, every example playable.
Rameau, Treatise on HarmonyExplore the foundations of harmony, composition, and accompaniment.
Rimsky-Korsakov, Practical Manual of HarmonyThe classic harmony course, newly translated from the 1910 French edition, with all 640 examples playable.
Tchaikovsky, Guide to the Practical Study of HarmonyTchaikovsky’s Moscow Conservatory harmony course, with playable examples.
Fenaroli, PartimentiSix books of partimenti, with playable basses, contrapuntal exercises, and bilingual rules.
Reger, Supplement to the Theory of ModulationExplore Reger’s modulation method with 100 analyses and 102 playable examples.
Cutter, Harmonic AnalysisLearn to name every chord and non-harmonic tone in real music, from Bach to Wagner, with the passages playable.
Schoenberg, Theory of HarmonyRead all 22 chapters, with the original German beside a new English translation.
Rimsky-Korsakov, Principles of OrchestrationDiscover instrumental colors through scores and orchestral recordings.
Forsyth, OrchestrationA witty, thorough guide to every orchestral instrument, with the original pages.
Forsyth, Choral OrchestrationA whole Te Deum orchestrated bar by bar, with Forsyth’s reasons, the full score and the vocal score playable.
Berlioz, Treatise on InstrumentationBerlioz’s treatise on the orchestra, revised by Richard Strauss, with the original pages.
McKay, Creative OrchestrationRanges, transpositions, texture and balance, taught through projects, with the supplied examples played by orchestral samples.
Sanganeria, ArrivalBuild jazz lines that land, with 30 original playable examples.
Mathews, Standard Graded Course of Studies, Grade IA first year of piano: 136 short pieces by many composers, every one playable, with Mathews’s teaching notes.

← All Playable Books