Pasquale Bona · Second Part · study 94 of 120

Study 94

Time

3/8

Length

36 bars

Rhythms in this study

• three triplet sixteenths eighth-note beat · bars 1, 3, 5, 6, 7, 33, 34
• two sixteenths eighth-note beat · bars 2, 6, 9, 13, 14, 17, 18, 19, 20, 21, 24, 26, 28
• held sixteenth, sixteenth eighth-note beat · bars 2, 7, 17, 18, 21, 22, 26
• dotted sixteenth, thirty-second eighth-note beat · bars 4, 33, 34
• held triplet sixteenth, two triplet sixteenths eighth-note beat · bars 6, 22
• two thirty-seconds, thirty-second + 0.063 of a quarter, 0.063 of a quarter eighth-note beat · bars 7, 23
• eighth eighth-note beat · bars 8, 9, 10, 11, 13, 22, 24, 31, 36
• eighth rest eighth-note beat · bars 8, 36
• sixteenth, two thirty-seconds eighth-note beat · bars 9, 13, 14, 17, 21, 29
• held eighth eighth-note beat · bars 10, 31, 36
• held sixteenth, two thirty-seconds eighth-note beat · bars 11, 19, 20
• sixteenth rest, sixteenth eighth-note beat · bars 12, 31, 32
• sixteenth rest, two thirty-seconds eighth-note beat · bar 12
• sixteenth, sixteenth rest eighth-note beat · bars 12, 20
• thirty-second, sixteenth, thirty-second eighth-note beat · bar 15
• thirty-second rest, sixteenth, thirty-second eighth-note beat · bar 16
• held thirty-second, sixteenth, thirty-second eighth-note beat · bar 16
• sixteenth, thirty-second rest, thirty-second eighth-note beat · bar 23
• two thirty-seconds, sixteenth eighth-note beat · bars 25, 27, 28, 30
• four thirty-seconds eighth-note beat · bar 28
• triplet sixteenth rest, two triplet sixteenths eighth-note beat · bar 35