{
  "schema_version": 1,
  "id": "hanon",
  "title": "The Virtuoso-Pianist",
  "work_title": "The Virtuoso-Pianist",
  "reader_title": "The Virtuoso-Pianist",
  "author": "Charles-Louis Hanon",
  "share_attribution": "Charles-Louis Hanon · The Virtuoso-Pianist",
  "source_language": "en",
  "source_label": "Original English",
  "reading_versions": [
    "en"
  ],
  "status": "complete-review-draft",
  "verification_status": "needs-review",
  "visibility": "public",
  "playback_tempo": "score",
  "edition_note": "AI review draft, not yet reviewed by a person. Historical source scans remain authoritative. Exercises1–20 derive from the Mutopia edition by Steve Taylor and Javier Ruiz-Alma (Mutopia-2015/07/23-2037), CC BY-SA4.0; adapted notation retains that licence. Local OMR assisted exercises21–60, with source comparison and explicit correction records. Original PDFs, LilyPond and MIDI are preserved unchanged.",
  "notation_note": "Original/Rendered changes the view. Playback follows the notation, encoded repeats and source starting tempos throughout the book. Original Mutopia MIDI remains available as a download. Source pages retain packed adjacent examples and all boundary markings. Rendered cross-staff fingerings and footnote markers can move; use Original to confirm their printed placement. Source ambiguities and explicit editorial readings appear beside affected examples.",
  "source_sha256": "2387c55d95b6c81b3594633b63ba0525223ceb8602dfed047908edc973808139",
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      "id": "hanon-text-0000",
      "reading_order": 1,
      "type": "heading",
      "english": "Preface.",
      "original": "Preface.",
      "sources": [
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          "source_image": "source-pages/p-001.jpg"
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      "heading_level": 1
    },
    {
      "id": "hanon-text-0001",
      "reading_order": 2,
      "type": "paragraph",
      "english": "The study of the piano is now-a-days so general, and good pianists are so numerous, that mediocrity on this instrument is no longer endured. In consequence, one must study the piano eight or ten years before venturing to perform a piece of any difficulty, even at a gathering of amateurs. Now, how few persons are in a position to devote so many years to this study! It often happens, therefore, that for want of sufficient practice the playing is uneven and incorrect. The left hand gives out in passages of slight difficulty; the fourth and fifth fingers are almost useless for lack of special exercises for these fingers, which are always weaker than the rest; and when passages in octaves, in tremolo or trills occur, they are usually executed only by dint of exertion and fatigue, so that the performance is very incorrect and wholly wanting in expression.",
      "original": "The study of the piano is now-a-days so general, and good pianists are so numerous, that mediocrity on this instrument is no longer endured. In consequence, one must study the piano eight or ten years before venturing to perform a piece of any difficulty, even at a gathering of amateurs. Now, how few persons are in a position to devote so many years to this study! It often happens, therefore, that for want of sufficient practice the playing is uneven and incorrect. The left hand gives out in passages of slight difficulty; the fourth and fifth fingers are almost useless for lack of special exercises for these fingers, which are always weaker than the rest; and when passages in octaves, in tremolo or trills occur, they are usually executed only by dint of exertion and fatigue, so that the performance is very incorrect and wholly wanting in expression.",
      "sources": [
        {
          "pdf_page": 1,
          "printed_label": "Preface",
          "source_image": "source-pages/p-001.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0002",
      "reading_order": 3,
      "type": "paragraph",
      "english": "For several years we have labored to overcome this state of affairs, making it our aim to unite in one work special exercises which render possible a complete course of pianistic study in far less time.",
      "original": "For several years we have labored to overcome this state of affairs, making it our aim to unite in one work special exercises which render possible a complete course of pianistic study in far less time.",
      "sources": [
        {
          "pdf_page": 1,
          "printed_label": "Preface",
          "source_image": "source-pages/p-001.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0003",
      "reading_order": 4,
      "type": "paragraph",
      "english": "To attain this end, it sufficed to find the solution of the following problem:",
      "original": "To attain this end, it sufficed to find the solution of the following problem:",
      "sources": [
        {
          "pdf_page": 1,
          "printed_label": "Preface",
          "source_image": "source-pages/p-001.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0004",
      "reading_order": 5,
      "type": "paragraph",
      "english": "If all five fingers of the hand were absolutely equally well trained, they would be ready to execute anything written for the instrument, and the only question remaining would be that of fingering, which could be readily solved.",
      "original": "If all five fingers of the hand were absolutely equally well trained, they would be ready to execute anything written for the instrument, and the only question remaining would be that of fingering, which could be readily solved.",
      "sources": [
        {
          "pdf_page": 1,
          "printed_label": "Preface",
          "source_image": "source-pages/p-001.jpg"
        }
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      "heading_level": 2
    },
    {
      "id": "hanon-text-0005",
      "reading_order": 6,
      "type": "paragraph",
      "english": "We have found the solution of this problem in our work \"The Virtuoso-Pianist, in 60 Exercises,\" etc. In this volume will be found the exercises necessary for the acquirement of agility, independence, strength and perfect evenness in the fingers, as well as suppleness of the wrists—all indispensable qualities for fine execution; furthermore, these exercises are calculated to render the left hand equally skilful with the right. Excepting a few exercises, to be found in several methods, the entire book is our personal work. These exercises are interesting, and do not fatigue the student like the generality of five-finger exercises, which are so dry that one requires the perseverance of a true artist to summon up courage to study them.",
      "original": "We have found the solution of this problem in our work \"The Virtuoso-Pianist, in 60 Exercises,\" etc. In this volume will be found the exercises necessary for the acquirement of agility, independence, strength and perfect evenness in the fingers, as well as suppleness of the wrists—all indispensable qualities for fine execution; furthermore, these exercises are calculated to render the left hand equally skilful with the right. Excepting a few exercises, to be found in several methods, the entire book is our personal work. These exercises are interesting, and do not fatigue the student like the generality of five-finger exercises, which are so dry that one requires the perseverance of a true artist to summon up courage to study them.",
      "sources": [
        {
          "pdf_page": 1,
          "printed_label": "Preface",
          "source_image": "source-pages/p-001.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0006",
      "reading_order": 7,
      "type": "paragraph",
      "english": "These exercises are written in such a manner that, after having read them a few times, they can be played in quite a rapid movement; they thus become excellent practice for the fingers, and one loses no time in studying them. If desired, any of these exercises may be played on several pianos simultaneously, rousing a spirit of emulation among the students, and habituating them to ensemble-playing.",
      "original": "These exercises are written in such a manner that, after having read them a few times, they can be played in quite a rapid movement; they thus become excellent practice for the fingers, and one loses no time in studying them. If desired, any of these exercises may be played on several pianos simultaneously, rousing a spirit of emulation among the students, and habituating them to ensemble-playing.",
      "sources": [
        {
          "pdf_page": 1,
          "printed_label": "Preface",
          "source_image": "source-pages/p-001.jpg"
        },
        {
          "pdf_page": 2,
          "printed_label": "Preface",
          "source_image": "source-pages/p-002.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0007",
      "reading_order": 8,
      "type": "paragraph",
      "english": "All descriptions of difficulties will be met with. The exercises are so arranged, that in each successive number the fingers are rested from the fatigue caused by the one preceding. The result of this combination is, that all mechanical difficulties are executed without effort or weariness; and, after such practice, the fingers attain to astonishing facility of execution.",
      "original": "All descriptions of difficulties will be met with. The exercises are so arranged, that in each successive number the fingers are rested from the fatigue caused by the one preceding. The result of this combination is, that all mechanical difficulties are executed without effort or weariness; and, after such practice, the fingers attain to astonishing facility of execution.",
      "sources": [
        {
          "pdf_page": 2,
          "printed_label": "Preface",
          "source_image": "source-pages/p-002.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0008",
      "reading_order": 9,
      "type": "paragraph",
      "english": "This work is intended for all piano-pupils. It may be taken up after the pupil has studied about a year. As for more advanced students, they will study it in a very short time, and will thereafter never experience the stiffness which may have been previously felt in fingers or wrists; this will render them capable of surmounting the principal mechanical difficulties.",
      "original": "This work is intended for all piano-pupils. It may be taken up after the pupil has studied about a year. As for more advanced students, they will study it in a very short time, and will thereafter never experience the stiffness which may have been previously felt in fingers or wrists; this will render them capable of surmounting the principal mechanical difficulties.",
      "sources": [
        {
          "pdf_page": 2,
          "printed_label": "Preface",
          "source_image": "source-pages/p-002.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0009",
      "reading_order": 10,
      "type": "paragraph",
      "english": "Pianists and teachers who cannot find time for sufficient practice to keep up their playing, need only to play these exercises a few hours in order to regain all the dexterity of their fingers.",
      "original": "Pianists and teachers who cannot find time for sufficient practice to keep up their playing, need only to play these exercises a few hours in order to regain all the dexterity of their fingers.",
      "sources": [
        {
          "pdf_page": 2,
          "printed_label": "Preface",
          "source_image": "source-pages/p-002.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0010",
      "reading_order": 11,
      "type": "paragraph",
      "english": "This entire volume can be played through in an hour; and if, after it has been thoroughly mastered, it be repeated daily for a time, difficulties will disappear as if by enchantment, and that beautiful, clear, clean, pearling execution will have been acquired which is the secret of distinguished artists.",
      "original": "This entire volume can be played through in an hour; and if, after it has been thoroughly mastered, it be repeated daily for a time, difficulties will disappear as if by enchantment, and that beautiful, clear, clean, pearling execution will have been acquired which is the secret of distinguished artists.",
      "sources": [
        {
          "pdf_page": 2,
          "printed_label": "Preface",
          "source_image": "source-pages/p-002.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0011",
      "reading_order": 12,
      "type": "paragraph",
      "english": "Finally, we offer this work as giving the key to all mechanical difficulties. We therefore consider that we are rendering a real service to young pianists, to teachers, and to the directors of boarding-schools, in proposing their adoption of our work, \"The Virtuoso-Pianist.\"",
      "original": "Finally, we offer this work as giving the key to all mechanical difficulties. We therefore consider that we are rendering a real service to young pianists, to teachers, and to the directors of boarding-schools, in proposing their adoption of our work, \"The Virtuoso-Pianist.\"",
      "sources": [
        {
          "pdf_page": 2,
          "printed_label": "Preface",
          "source_image": "source-pages/p-002.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-exercise-001",
      "reading_order": 13,
      "type": "heading",
      "english": "Exercise 1",
      "original": "Exercise 1",
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          "printed_page": 3,
          "source_image": "source-pages/p-004.jpg"
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      "heading_level": 2
    },
    {
      "id": "hanon-text-0013",
      "reading_order": 14,
      "type": "heading",
      "english": "The Virtuoso-Pianist.",
      "original": "The Virtuoso-Pianist.",
      "sources": [
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          "pdf_page": 3,
          "printed_page": 2,
          "source_image": "source-pages/p-003.jpg"
        }
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    {
      "id": "hanon-text-0014",
      "reading_order": 15,
      "type": "heading",
      "english": "Part I.",
      "original": "Part I.",
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        {
          "pdf_page": 3,
          "printed_page": 2,
          "source_image": "source-pages/p-003.jpg"
        }
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    {
      "id": "hanon-text-0015",
      "reading_order": 16,
      "type": "heading",
      "english": "Preparatory Exercises for the Acquirement of Agility, Independence, Strength and Perfect Evenness in the Fingers.",
      "original": "Preparatory Exercises for the Acquirement of Agility, Independence, Strength and Perfect Evenness in the Fingers.",
      "sources": [
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    {
      "id": "hanon-text-0016",
      "reading_order": 17,
      "type": "paragraph",
      "english": "Stretch between the fifth and fourth fingers of the left hand in ascending, and the fifth and fourth fingers of the right hand in descending.",
      "original": "Stretch between the fifth and fourth fingers of the left hand in ascending, and the fifth and fourth fingers of the right hand in descending.",
      "sources": [
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    },
    {
      "id": "hanon-text-0017",
      "reading_order": 18,
      "type": "paragraph",
      "english": "For studying the 20 exercises in this First Part, begin with the metronome set at 60, gradually increasing the speed up to 108; this is the meaning of the double metronome-mark at the head of each exercise.",
      "original": "For studying the 20 exercises in this First Part, begin with the metronome set at 60, gradually increasing the speed up to 108; this is the meaning of the double metronome-mark at the head of each exercise.",
      "sources": [
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          "printed_page": 2,
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    },
    {
      "id": "hanon-text-0018",
      "reading_order": 19,
      "type": "paragraph",
      "english": "Lift the fingers high and with precision, playing each note very distinctly.",
      "original": "Lift the fingers high and with precision, playing each note very distinctly.",
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          "pdf_page": 3,
          "printed_page": 2,
          "source_image": "source-pages/p-003.jpg"
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    {
      "id": "hanon-text-0019",
      "reading_order": 20,
      "type": "paragraph",
      "english": "C. L. HANON.",
      "original": "C. L. HANON.",
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      "id": "hanon-001-caption",
      "reading_order": 21,
      "type": "caption",
      "english": "Exercise 1",
      "original": "Exercise 1",
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          "label": "Download unchanged Mutopia MIDI",
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    {
      "id": "hanon-text-0022",
      "reading_order": 23,
      "type": "footnote",
      "english": "(1) For brevity, we shall henceforward indicate only by their figures those fingers which are to be specially trained in each exercise; e. g., 3–4 in No. 2; 2–3–4 in No. 3, etc.",
      "original": "(1) For brevity, we shall henceforward indicate only by their figures those fingers which are to be specially trained in each exercise; e. g., 3–4 in No. 2; 2–3–4 in No. 3, etc.",
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    {
      "id": "hanon-text-0023",
      "reading_order": 24,
      "type": "paragraph",
      "english": "Observe that, throughout the book, both hands are continually executing the same difficulties; in this way the left hand becomes as skilful as the right. Besides, the difficulties executed by the left hand in ascending, are exactly copied by the same fingers of the right hand in descending; this new style of exercise will cause the hands to acquire perfect equality.",
      "original": "Observe that, throughout the book, both hands are continually executing the same difficulties; in this way the left hand becomes as skilful as the right. Besides, the difficulties executed by the left hand in ascending, are exactly copied by the same fingers of the right hand in descending; this new style of exercise will cause the hands to acquire perfect equality.",
      "sources": [
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          "pdf_page": 3,
          "printed_page": 2,
          "source_image": "source-pages/p-003.jpg"
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    {
      "id": "hanon-text-0024",
      "reading_order": 25,
      "type": "paragraph",
      "english": "As soon as Ex. 1 is mastered, go on to Ex. 2 without stopping on this note.",
      "original": "As soon as Ex. 1 is mastered, go on to Ex. 2 without stopping on this note.",
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    {
      "id": "hanon-exercise-002",
      "reading_order": 26,
      "type": "heading",
      "english": "Exercise 2",
      "original": "Exercise 2",
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      "heading_level": 2
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    {
      "id": "hanon-text-0026",
      "reading_order": 27,
      "type": "paragraph",
      "english": "(3–4) When this exercise is mastered, recommence the preceding one, and play both together four times without interruption; the fingers will gain considerably by practising these exercises, and those following, in this way.",
      "original": "(3–4) When this exercise is mastered, recommence the preceding one, and play both together four times without interruption; the fingers will gain considerably by practising these exercises, and those following, in this way.",
      "sources": [
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          "printed_page": 3,
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    {
      "id": "hanon-002-caption",
      "reading_order": 28,
      "type": "caption",
      "english": "Exercise 2",
      "original": "Exercise 2",
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      "english": "",
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          "label": "Download unchanged Mutopia MIDI",
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    {
      "id": "hanon-text-0029",
      "reading_order": 30,
      "type": "footnote",
      "english": "(1) The fourth and fifth fingers being naturally weak, it should be observed that this exercise, and those following it up to No. 31, are intended to render them as strong and agile as the second and third.",
      "original": "(1) The fourth and fifth fingers being naturally weak, it should be observed that this exercise, and those following it up to No. 31, are intended to render them as strong and agile as the second and third.",
      "sources": [
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    {
      "id": "hanon-exercise-003",
      "reading_order": 31,
      "type": "heading",
      "english": "Exercise 3",
      "original": "Exercise 3",
      "sources": [
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          "printed_page": 4,
          "source_image": "source-pages/p-005.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0031",
      "reading_order": 32,
      "type": "paragraph",
      "english": "(2–3–4) Before beginning to practise No. 3, play through the preceding exercises once or twice without stopping. When No. 3 is mastered, practise No. 4, and then No. 5, and as soon as they are thoroughly learned play through all three at least four times without interruption, not stopping until the last note on page 6. The entire work should be practised in this manner. Therefore, when playing the numbers in the First Part, stop only on the last note on pp. 3, 6, 9, 12, 15, 18, and 21.",
      "original": "(2–3–4) Before beginning to practise No. 3, play through the preceding exercises once or twice without stopping. When No. 3 is mastered, practise No. 4, and then No. 5, and as soon as they are thoroughly learned play through all three at least four times without interruption, not stopping until the last note on page 6. The entire work should be practised in this manner. Therefore, when playing the numbers in the First Part, stop only on the last note on pp. 3, 6, 9, 12, 15, 18, and 21.",
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      "id": "hanon-003-caption",
      "reading_order": 33,
      "type": "caption",
      "english": "Exercise 3",
      "original": "Exercise 3",
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      "reading_order": 34,
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    {
      "id": "hanon-exercise-004",
      "reading_order": 35,
      "type": "heading",
      "english": "Exercise 4",
      "original": "Exercise 4",
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    {
      "id": "hanon-text-0035",
      "reading_order": 36,
      "type": "paragraph",
      "english": "(3–4–5) (1) Special exercise for the 3rd, 4th and 5th fingers of the hand.",
      "original": "(3–4–5) (1) Special exercise for the 3rd, 4th and 5th fingers of the hand.",
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      "id": "hanon-004-caption",
      "reading_order": 37,
      "type": "caption",
      "english": "Exercise 4",
      "original": "Exercise 4",
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-004.mid"
        }
      ]
    },
    {
      "id": "hanon-text-0038",
      "reading_order": 39,
      "type": "paragraph",
      "english": "Edition note: The first (1) reference belongs to bar1 in the source. The renderer may place it above bar11; consult Original for its printed position.",
      "original": "Edition note: The first (1) reference belongs to bar1 in the source. The renderer may place it above bar11; consult Original for its printed position.",
      "sources": [
        {
          "pdf_page": 6,
          "printed_page": 5,
          "source_image": "source-pages/p-006.jpg"
        }
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    {
      "id": "hanon-exercise-005",
      "reading_order": 40,
      "type": "heading",
      "english": "Exercise 5",
      "original": "Exercise 5",
      "sources": [
        {
          "pdf_page": 7,
          "printed_page": 6,
          "source_image": "source-pages/p-007.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0040",
      "reading_order": 41,
      "type": "paragraph",
      "english": "(1–2–3–4–5) We repeat, that the fingers should be lifted high, and with precision, until this entire volume is mastered.",
      "original": "(1–2–3–4–5) We repeat, that the fingers should be lifted high, and with precision, until this entire volume is mastered.",
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          "pdf_page": 7,
          "printed_page": 6,
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    {
      "id": "hanon-005-caption",
      "reading_order": 42,
      "type": "caption",
      "english": "Exercise 5",
      "original": "Exercise 5",
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      "id": "hanon-005-figure",
      "reading_order": 43,
      "type": "music",
      "english": "",
      "original": "",
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          "pdf_page": 7,
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-005.mid"
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    {
      "id": "hanon-text-0043",
      "reading_order": 44,
      "type": "footnote",
      "english": "(1) Preparation for the trill with the 4th and 5th fingers of the right hand.",
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          "pdf_page": 7,
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      "id": "hanon-exercise-006",
      "reading_order": 45,
      "type": "heading",
      "english": "Exercise 6",
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          "pdf_page": 8,
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    {
      "id": "hanon-text-0045",
      "reading_order": 46,
      "type": "paragraph",
      "english": "(5) To obtain the good results which we promise those who study this work, it is indispensable to play daily, at least once, the exercises already learned.",
      "original": "(5) To obtain the good results which we promise those who study this work, it is indispensable to play daily, at least once, the exercises already learned.",
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          "pdf_page": 8,
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          "source_image": "source-pages/p-008.jpg"
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    {
      "id": "hanon-006-caption",
      "reading_order": 47,
      "type": "caption",
      "english": "Exercise 6",
      "original": "Exercise 6",
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        {
          "pdf_page": 8,
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      "id": "hanon-006-figure",
      "reading_order": 48,
      "type": "music",
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      "original": "",
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          "pdf_page": 8,
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-006.mid"
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    {
      "id": "hanon-exercise-007",
      "reading_order": 49,
      "type": "heading",
      "english": "Exercise 7",
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        {
          "pdf_page": 9,
          "printed_page": 8,
          "source_image": "source-pages/p-009.jpg"
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      "id": "hanon-text-0049",
      "reading_order": 50,
      "type": "paragraph",
      "english": "(3–4–5) Exercise of the greatest importance for the 3rd, 4th and 5th fingers.",
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        {
          "pdf_page": 9,
          "printed_page": 8,
          "source_image": "source-pages/p-009.jpg"
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    {
      "id": "hanon-007-caption",
      "reading_order": 51,
      "type": "caption",
      "english": "Exercise 7",
      "original": "Exercise 7",
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        {
          "pdf_page": 9,
          "printed_page": 8,
          "source_image": "source-pages/p-009.jpg"
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      "id": "hanon-007-figure",
      "reading_order": 52,
      "type": "music",
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      "original": "",
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        {
          "pdf_page": 9,
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          "source_image": "source-pages/p-009.jpg"
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-007.mid"
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    {
      "id": "hanon-exercise-008",
      "reading_order": 53,
      "type": "heading",
      "english": "Exercise 8",
      "original": "Exercise 8",
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        {
          "pdf_page": 10,
          "printed_page": 9,
          "source_image": "source-pages/p-010.jpg"
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    {
      "id": "hanon-text-0053",
      "reading_order": 54,
      "type": "paragraph",
      "english": "(1–2–3–4–5) Very important exercise for all five fingers.",
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      "sources": [
        {
          "pdf_page": 10,
          "printed_page": 9,
          "source_image": "source-pages/p-010.jpg"
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    {
      "id": "hanon-008-caption",
      "reading_order": 55,
      "type": "caption",
      "english": "Exercise 8",
      "original": "Exercise 8",
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        {
          "pdf_page": 10,
          "printed_page": 9,
          "source_image": "source-pages/p-010.jpg"
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      "id": "hanon-008-figure",
      "reading_order": 56,
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        {
          "pdf_page": 10,
          "printed_page": 9,
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-008.mid"
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    {
      "id": "hanon-exercise-009",
      "reading_order": 57,
      "type": "heading",
      "english": "Exercise 9",
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          "pdf_page": 11,
          "printed_page": 10,
          "source_image": "source-pages/p-011.jpg"
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    {
      "id": "hanon-text-0057",
      "reading_order": 58,
      "type": "paragraph",
      "english": "Extension of the 4th and 5th, and general finger-exercise.",
      "original": "Extension of the 4th and 5th, and general finger-exercise.",
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        {
          "pdf_page": 11,
          "printed_page": 10,
          "source_image": "source-pages/p-011.jpg"
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    {
      "id": "hanon-009-caption",
      "reading_order": 59,
      "type": "caption",
      "english": "Exercise 9",
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        {
          "pdf_page": 11,
          "printed_page": 10,
          "source_image": "source-pages/p-011.jpg"
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      "id": "hanon-009-figure",
      "reading_order": 60,
      "type": "music",
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      "original": "",
      "sources": [
        {
          "pdf_page": 11,
          "printed_page": 10,
          "source_image": "source-pages/p-011.jpg"
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      "asset_refs": [
        "hanon-009"
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-009.mid"
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    {
      "id": "hanon-exercise-010",
      "reading_order": 61,
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      "english": "Exercise 10",
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          "pdf_page": 12,
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          "source_image": "source-pages/p-012.jpg"
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    {
      "id": "hanon-text-0061",
      "reading_order": 62,
      "type": "paragraph",
      "english": "(3–4) Preparation for the trill, for the 3rd and 4th fingers of the left hand in ascending (1); and for the 3rd and 4th of the right, descending (2).",
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      "sources": [
        {
          "pdf_page": 12,
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          "source_image": "source-pages/p-012.jpg"
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    {
      "id": "hanon-010-caption",
      "reading_order": 63,
      "type": "caption",
      "english": "Exercise 10",
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        {
          "pdf_page": 12,
          "printed_page": 11,
          "source_image": "source-pages/p-012.jpg"
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      "id": "hanon-010-figure",
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          "pdf_page": 12,
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-010.mid"
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    {
      "id": "hanon-text-0064",
      "reading_order": 65,
      "type": "paragraph",
      "english": "Edition note: The first (1) reference belongs to bar1 in the source. The renderer may place it above bar11; consult Original for its printed position.",
      "original": "Edition note: The first (1) reference belongs to bar1 in the source. The renderer may place it above bar11; consult Original for its printed position.",
      "sources": [
        {
          "pdf_page": 12,
          "printed_page": 11,
          "source_image": "source-pages/p-012.jpg"
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    {
      "id": "hanon-exercise-011",
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      "english": "Exercise 11",
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          "pdf_page": 13,
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          "source_image": "source-pages/p-013.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0066",
      "reading_order": 67,
      "type": "paragraph",
      "english": "(3–4–5) Another preparation for the trill, for the 4th and 5th fingers.",
      "original": "(3–4–5) Another preparation for the trill, for the 4th and 5th fingers.",
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        {
          "pdf_page": 13,
          "printed_page": 12,
          "source_image": "source-pages/p-013.jpg"
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    {
      "id": "hanon-011-caption",
      "reading_order": 68,
      "type": "caption",
      "english": "Exercise 11",
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          "pdf_page": 13,
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          "source_image": "source-pages/p-013.jpg"
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      "id": "hanon-011-figure",
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          "pdf_page": 13,
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-011.mid"
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      "id": "hanon-exercise-012",
      "reading_order": 70,
      "type": "heading",
      "english": "Exercise 12",
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          "pdf_page": 14,
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          "source_image": "source-pages/p-014.jpg"
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    {
      "id": "hanon-text-0070",
      "reading_order": 71,
      "type": "paragraph",
      "english": "Extension of 1–5, and exercise for 3–4–5.",
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        {
          "pdf_page": 14,
          "printed_page": 13,
          "source_image": "source-pages/p-014.jpg"
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    {
      "id": "hanon-012-caption",
      "reading_order": 72,
      "type": "caption",
      "english": "Exercise 12",
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        {
          "pdf_page": 14,
          "printed_page": 13,
          "source_image": "source-pages/p-014.jpg"
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      "id": "hanon-012-figure",
      "reading_order": 73,
      "type": "music",
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        {
          "pdf_page": 14,
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          "source_image": "source-pages/p-014.jpg"
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        "hanon-012"
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-012.mid"
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    {
      "id": "hanon-exercise-013",
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      "type": "heading",
      "english": "Exercise 13",
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          "pdf_page": 15,
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          "source_image": "source-pages/p-015.jpg"
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      "id": "hanon-text-0074",
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      "type": "paragraph",
      "english": "(3–4–5)",
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    {
      "id": "hanon-013-caption",
      "reading_order": 76,
      "type": "caption",
      "english": "Exercise 13",
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          "pdf_page": 15,
          "printed_page": 14,
          "source_image": "source-pages/p-015.jpg"
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      "id": "hanon-013-figure",
      "reading_order": 77,
      "type": "music",
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      "original": "",
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        {
          "pdf_page": 15,
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          "source_image": "source-pages/p-015.jpg"
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        "hanon-013"
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-013.mid"
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    {
      "id": "hanon-exercise-014",
      "reading_order": 78,
      "type": "heading",
      "english": "Exercise 14",
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        {
          "pdf_page": 16,
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          "source_image": "source-pages/p-016.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0078",
      "reading_order": 79,
      "type": "paragraph",
      "english": "(3–4) Another preparation for the trill, for the 3rd and 4th fingers.",
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          "pdf_page": 16,
          "printed_page": 15,
          "source_image": "source-pages/p-016.jpg"
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      "id": "hanon-014-caption",
      "reading_order": 80,
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      "english": "Exercise 14",
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          "pdf_page": 16,
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          "source_image": "source-pages/p-016.jpg"
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      "id": "hanon-014-figure",
      "reading_order": 81,
      "type": "music",
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          "pdf_page": 16,
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-014.mid"
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      "id": "hanon-exercise-015",
      "reading_order": 82,
      "type": "heading",
      "english": "Exercise 15",
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          "pdf_page": 17,
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      "heading_level": 2
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    {
      "id": "hanon-text-0082",
      "reading_order": 83,
      "type": "paragraph",
      "english": "Extension of 1–2, and exercise for all 5 fingers.",
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        {
          "pdf_page": 17,
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          "source_image": "source-pages/p-017.jpg"
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      "reading_order": 84,
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          "pdf_page": 17,
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      "id": "hanon-015-figure",
      "reading_order": 85,
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          "pdf_page": 17,
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          "label": "Download unchanged Mutopia MIDI",
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      "id": "hanon-exercise-016",
      "reading_order": 86,
      "type": "heading",
      "english": "Exercise 16",
      "original": "Exercise 16",
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          "pdf_page": 18,
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      "heading_level": 2
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    {
      "id": "hanon-text-0086",
      "reading_order": 87,
      "type": "paragraph",
      "english": "Extension of 3–5, and exercise for 3–4–5.",
      "original": "Extension of 3–5, and exercise for 3–4–5.",
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        {
          "pdf_page": 18,
          "printed_page": 17,
          "source_image": "source-pages/p-018.jpg"
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      "id": "hanon-016-caption",
      "reading_order": 88,
      "type": "caption",
      "english": "Exercise 16",
      "original": "Exercise 16",
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        {
          "pdf_page": 18,
          "printed_page": 17,
          "source_image": "source-pages/p-018.jpg"
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      "id": "hanon-016-figure",
      "reading_order": 89,
      "type": "music",
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      "original": "",
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          "pdf_page": 18,
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          "source_image": "source-pages/p-018.jpg"
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-016.mid"
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    {
      "id": "hanon-exercise-017",
      "reading_order": 90,
      "type": "heading",
      "english": "Exercise 17",
      "original": "Exercise 17",
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          "pdf_page": 19,
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          "source_image": "source-pages/p-019.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0090",
      "reading_order": 91,
      "type": "paragraph",
      "english": "Extension of 1–2, 2–4, 4–5, and exercise for 3–4–5.",
      "original": "Extension of 1–2, 2–4, 4–5, and exercise for 3–4–5.",
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        {
          "pdf_page": 19,
          "printed_page": 18,
          "source_image": "source-pages/p-019.jpg"
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    {
      "id": "hanon-017-caption",
      "reading_order": 92,
      "type": "caption",
      "english": "Exercise 17",
      "original": "Exercise 17",
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        {
          "pdf_page": 19,
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          "source_image": "source-pages/p-019.jpg"
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      "id": "hanon-017-figure",
      "reading_order": 93,
      "type": "music",
      "english": "",
      "original": "",
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        {
          "pdf_page": 19,
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          "source_image": "source-pages/p-019.jpg"
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          "label": "Download unchanged Mutopia MIDI",
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    {
      "id": "hanon-exercise-018",
      "reading_order": 94,
      "type": "heading",
      "english": "Exercise 18",
      "original": "Exercise 18",
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      "id": "hanon-text-0094",
      "reading_order": 95,
      "type": "paragraph",
      "english": "(1–2–3–4–5)",
      "original": "(1–2–3–4–5)",
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        {
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          "source_image": "source-pages/p-020.jpg"
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    {
      "id": "hanon-018-caption",
      "reading_order": 96,
      "type": "caption",
      "english": "Exercise 18",
      "original": "Exercise 18",
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        {
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      "id": "hanon-018-figure",
      "reading_order": 97,
      "type": "music",
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      "original": "",
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          "pdf_page": 20,
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          "label": "Download unchanged Mutopia MIDI",
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    {
      "id": "hanon-exercise-019",
      "reading_order": 98,
      "type": "heading",
      "english": "Exercise 19",
      "original": "Exercise 19",
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          "pdf_page": 21,
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      "id": "hanon-text-0098",
      "reading_order": 99,
      "type": "paragraph",
      "english": "(1–2–3–4–5)",
      "original": "(1–2–3–4–5)",
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          "source_image": "source-pages/p-021.jpg"
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    {
      "id": "hanon-019-caption",
      "reading_order": 100,
      "type": "caption",
      "english": "Exercise 19",
      "original": "Exercise 19",
      "sources": [
        {
          "pdf_page": 21,
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          "source_image": "source-pages/p-021.jpg"
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      "id": "hanon-019-figure",
      "reading_order": 101,
      "type": "music",
      "english": "",
      "original": "",
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        {
          "pdf_page": 21,
          "printed_page": 20,
          "source_image": "source-pages/p-021.jpg"
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          "label": "Download unchanged Mutopia MIDI",
          "path": "source/music/hanon-019.mid"
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    {
      "id": "hanon-exercise-020",
      "reading_order": 102,
      "type": "heading",
      "english": "Exercise 20",
      "original": "Exercise 20",
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          "pdf_page": 22,
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      "id": "hanon-text-0102",
      "reading_order": 103,
      "type": "paragraph",
      "english": "Extension of 2–4, 4–5, and exercise for 2–3–4.",
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    {
      "id": "hanon-020-caption",
      "reading_order": 104,
      "type": "caption",
      "english": "Exercise 20",
      "original": "Exercise 20",
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          "pdf_page": 22,
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      "id": "hanon-020-figure",
      "reading_order": 105,
      "type": "music",
      "english": "",
      "original": "",
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          "pdf_page": 22,
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      "id": "hanon-text-0105",
      "reading_order": 106,
      "type": "heading",
      "english": "End of Part I.",
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      "id": "hanon-text-0106",
      "reading_order": 107,
      "type": "paragraph",
      "english": "After having mastered this First Part, play it through once or twice daily for some time before commencing the study of the Second (“transcendent”) Part; by so doing, one is sure to obtain every possible advantage that this work promises. Complete mastery of Part I gives the key to the difficulties found in Part II.",
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      "id": "hanon-exercise-021",
      "reading_order": 108,
      "type": "heading",
      "english": "Exercise 21",
      "original": "Exercise 21",
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        {
          "pdf_page": 24,
          "printed_page": 23,
          "source_image": "source-pages/p-024.jpg"
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      "heading_level": 2
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      "id": "hanon-text-0108",
      "reading_order": 109,
      "type": "heading",
      "english": "The Virtuoso-Pianist. Part II",
      "original": "The Virtuoso-Pianist. Part II",
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          "pdf_page": 24,
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          "source_image": "source-pages/p-024.jpg"
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      "id": "hanon-text-0109",
      "reading_order": 110,
      "type": "heading",
      "english": "Transcendent Exercises for Preparing the Fingers for the Virtuoso Exercises.",
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          "pdf_page": 24,
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      "id": "hanon-text-0110",
      "reading_order": 111,
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      "english": "Observe, that the work done by the 3rd, 4th and 5th fingers of the left hand in the first beat of each measure (A) is repeated inversely by the same fingers of the right hand in the third beat of the same measure (B).",
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          "pdf_page": 24,
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          "source_image": "source-pages/p-024.jpg"
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      "id": "hanon-text-0111",
      "reading_order": 112,
      "type": "paragraph",
      "english": "Practise the exercises in Part II, like those in Part I, with the metronome at 60; similarly practise all the following exercises where the tempo is not indicated, and gradually increase the speed to 108. Wherever a different tempo is required, it will be indicated at the head of the exercise.",
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          "pdf_page": 24,
          "printed_page": 23,
          "source_image": "source-pages/p-024.jpg"
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      "id": "hanon-text-0112",
      "reading_order": 113,
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      "english": "Having fully mastered this exercise, go on to the next without stopping on this note.",
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          "pdf_page": 24,
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          "source_image": "source-pages/p-024.jpg"
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      "id": "hanon-021-caption",
      "reading_order": 114,
      "type": "caption",
      "english": "Exercise 21",
      "original": "Exercise 21",
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          "pdf_page": 24,
          "printed_page": 23,
          "source_image": "source-pages/p-024.jpg"
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      "reading_order": 115,
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          "pdf_page": 23,
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      "id": "hanon-exercise-022",
      "reading_order": 116,
      "type": "heading",
      "english": "Exercise 22",
      "original": "Exercise 22",
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          "pdf_page": 26,
          "printed_page": 25,
          "source_image": "source-pages/p-026.jpg"
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      "id": "hanon-text-0116",
      "reading_order": 117,
      "type": "paragraph",
      "english": "Same object as No. 21. (3–4–5)",
      "original": "Same object as No. 21. (3–4–5)",
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          "pdf_page": 26,
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          "source_image": "source-pages/p-026.jpg"
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      "id": "hanon-text-0117",
      "reading_order": 118,
      "type": "paragraph",
      "english": "Practise the exercises of this Second Part as we directed for Part I (top of p. 4); thus, in playing through the exercises, stop only on the last notes on pp. 24, 29, 33, 37, 41, 44, 46, and 49.",
      "original": "Practise the exercises of this Second Part as we directed for Part I (top of p. 4); thus, in playing through the exercises, stop only on the last notes on pp. 24, 29, 33, 37, 41, 44, 46, and 49.",
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          "pdf_page": 26,
          "printed_page": 25,
          "source_image": "source-pages/p-026.jpg"
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      "id": "hanon-022-caption",
      "reading_order": 119,
      "type": "caption",
      "english": "Exercise 22",
      "original": "Exercise 22",
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        {
          "pdf_page": 26,
          "printed_page": 25,
          "source_image": "source-pages/p-026.jpg"
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      "reading_order": 120,
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          "pdf_page": 25,
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      "id": "hanon-exercise-023",
      "reading_order": 121,
      "type": "heading",
      "english": "Exercise 23",
      "original": "Exercise 23",
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          "pdf_page": 27,
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          "pdf_page": 28,
          "printed_page": 27,
          "source_image": "source-pages/p-028.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0121",
      "reading_order": 122,
      "type": "paragraph",
      "english": "(3–4–5)",
      "original": "(3–4–5)",
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          "pdf_page": 27,
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        {
          "pdf_page": 28,
          "printed_page": 27,
          "source_image": "source-pages/p-028.jpg"
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      "id": "hanon-023-caption",
      "reading_order": 123,
      "type": "caption",
      "english": "Exercise 23",
      "original": "Exercise 23",
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        {
          "pdf_page": 28,
          "printed_page": 27,
          "source_image": "source-pages/p-028.jpg"
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      "id": "hanon-023-figure",
      "reading_order": 124,
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      "original": "",
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          "pdf_page": 27,
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          "source_image": "source-pages/p-027.jpg"
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          "pdf_page": 28,
          "printed_page": 27,
          "source_image": "source-pages/p-028.jpg"
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    {
      "id": "hanon-exercise-024",
      "reading_order": 125,
      "type": "heading",
      "english": "Exercise 24",
      "original": "Exercise 24",
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          "pdf_page": 29,
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        {
          "pdf_page": 30,
          "printed_page": 29,
          "source_image": "source-pages/p-030.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0125",
      "reading_order": 126,
      "type": "paragraph",
      "english": "(3–4–5)",
      "original": "(3–4–5)",
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          "pdf_page": 29,
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        {
          "pdf_page": 30,
          "printed_page": 29,
          "source_image": "source-pages/p-030.jpg"
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    {
      "id": "hanon-024-caption",
      "reading_order": 127,
      "type": "caption",
      "english": "Exercise 24",
      "original": "Exercise 24",
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          "pdf_page": 29,
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        {
          "pdf_page": 30,
          "printed_page": 29,
          "source_image": "source-pages/p-030.jpg"
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      "id": "hanon-024-figure",
      "reading_order": 128,
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          "pdf_page": 29,
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          "pdf_page": 30,
          "printed_page": 29,
          "source_image": "source-pages/p-030.jpg"
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    {
      "id": "hanon-exercise-025",
      "reading_order": 129,
      "type": "heading",
      "english": "Exercise 25",
      "original": "Exercise 25",
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          "pdf_page": 32,
          "printed_page": 31,
          "source_image": "source-pages/p-032.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0129",
      "reading_order": 130,
      "type": "paragraph",
      "english": "(1–2–3–4–5)",
      "original": "(1–2–3–4–5)",
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        {
          "pdf_page": 32,
          "printed_page": 31,
          "source_image": "source-pages/p-032.jpg"
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      "id": "hanon-025-caption",
      "reading_order": 131,
      "type": "caption",
      "english": "Exercise 25",
      "original": "Exercise 25",
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          "pdf_page": 32,
          "printed_page": 31,
          "source_image": "source-pages/p-032.jpg"
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      "id": "hanon-025-figure",
      "reading_order": 132,
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      "original": "",
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          "pdf_page": 31,
          "printed_page": 30,
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          "pdf_page": 32,
          "printed_page": 31,
          "source_image": "source-pages/p-032.jpg"
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    {
      "id": "hanon-exercise-026",
      "reading_order": 133,
      "type": "heading",
      "english": "Exercise 26",
      "original": "Exercise 26",
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          "pdf_page": 33,
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        {
          "pdf_page": 34,
          "printed_page": 33,
          "source_image": "source-pages/p-034.jpg"
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      "heading_level": 2
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    {
      "id": "hanon-text-0133",
      "reading_order": 134,
      "type": "paragraph",
      "english": "(1–2–3–4–5)",
      "original": "(1–2–3–4–5)",
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          "pdf_page": 33,
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          "source_image": "source-pages/p-033.jpg"
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        {
          "pdf_page": 34,
          "printed_page": 33,
          "source_image": "source-pages/p-034.jpg"
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      "id": "hanon-026-caption",
      "reading_order": 135,
      "type": "caption",
      "english": "Exercise 26",
      "original": "Exercise 26",
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          "pdf_page": 33,
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        {
          "pdf_page": 34,
          "printed_page": 33,
          "source_image": "source-pages/p-034.jpg"
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      "id": "hanon-026-figure",
      "reading_order": 136,
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      "original": "",
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          "pdf_page": 33,
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          "pdf_page": 34,
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    {
      "id": "hanon-exercise-027",
      "reading_order": 137,
      "type": "heading",
      "english": "Exercise 27",
      "original": "Exercise 27",
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          "pdf_page": 35,
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          "pdf_page": 36,
          "printed_page": 35,
          "source_image": "source-pages/p-036.jpg"
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      "heading_level": 2
    },
    {
      "id": "hanon-text-0137",
      "reading_order": 138,
      "type": "paragraph",
      "english": "(1–2–3–4–5): Prepares the 4th and 5th fingers for the trill given further on.",
      "original": "(1–2–3–4–5): Prepares the 4th and 5th fingers for the trill given further on.",
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          "pdf_page": 35,
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        {
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      "english": "Turning the thumb under the 4th finger.",
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      "english": "Edition note: Bar 6, LH, note 6: Primarysource shows5 whereprecedingpatternbars show3; preserved withoutnormalization. printedfingering5",
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      "english": "Another example of turning the thumb under.",
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      "english": "Special exercise for turning the thumb under.",
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      "english": "Play this whole exercise with the two thumbs only.",
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      "reading_order": 195,
      "type": "paragraph",
      "english": "Preparatory exercise for the study of scales.",
      "original": "Preparatory exercise for the study of scales.",
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      "type": "caption",
      "english": "Exercise 38",
      "original": "Exercise 38",
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      "reading_order": 198,
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      "english": "Exercise 39",
      "original": "Exercise 39",
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          "source_image": "source-pages/p-052.jpg"
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        {
          "pdf_page": 53,
          "printed_page": 52,
          "source_image": "source-pages/p-053.jpg"
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        {
          "pdf_page": 54,
          "printed_page": 53,
          "source_image": "source-pages/p-054.jpg"
        },
        {
          "pdf_page": 55,
          "printed_page": 54,
          "source_image": "source-pages/p-055.jpg"
        },
        {
          "pdf_page": 56,
          "printed_page": 55,
          "source_image": "source-pages/p-056.jpg"
        },
        {
          "pdf_page": 57,
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          "source_image": "source-pages/p-057.jpg"
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        {
          "pdf_page": 58,
          "printed_page": 57,
          "source_image": "source-pages/p-058.jpg"
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        {
          "pdf_page": 59,
          "printed_page": 58,
          "source_image": "source-pages/p-059.jpg"
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        {
          "pdf_page": 60,
          "printed_page": 59,
          "source_image": "source-pages/p-060.jpg"
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        {
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          "printed_page": 60,
          "source_image": "source-pages/p-061.jpg"
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      "id": "hanon-text-0198",
      "reading_order": 199,
      "type": "heading",
      "english": "The 12 Major Scales, and the 12 Minor Scales.",
      "original": "The 12 Major Scales, and the 12 Minor Scales.",
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      "id": "hanon-text-0199",
      "reading_order": 200,
      "type": "paragraph",
      "english": "Each major scale is followed by its relative minor.",
      "original": "Each major scale is followed by its relative minor.",
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      "reading_order": 201,
      "type": "paragraph",
      "english": "There are two ways of playing the minor scale; we thought it best to give them here after each major scale, leaving it to the instructor to teach them as he sees fit. We mark by a figure 1 the first (modern) minor scale, also termed the “harmonic minor scale;” and by a figure 2 the second (ancient) minor scale, also called the “melodic minor scale.”",
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      "id": "hanon-text-0201",
      "reading_order": 202,
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      "english": "We know, that the modern or harmonic minor scale has a minor sixth and the leading-note both ascending and descending; whereas the ancient or melodic minor scale has a major sixth and the leading-note in ascending, and a minor seventh and minor sixth in descending.",
      "original": "We know, that the modern or harmonic minor scale has a minor sixth and the leading-note both ascending and descending; whereas the ancient or melodic minor scale has a major sixth and the leading-note in ascending, and a minor seventh and minor sixth in descending.",
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      "reading_order": 203,
      "type": "caption",
      "english": "C major. Practice range: quarter note = 60–120.",
      "original": "C major. Practice range: quarter note = 60–120.",
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      "english": "1. A minor, relative to C major. Practice range: quarter note = 60–120.",
      "original": "1. A minor, relative to C major. Practice range: quarter note = 60–120.",
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      "english": "2. A minor, relative to C major. Practice range: quarter note = 60–120.",
      "original": "2. A minor, relative to C major. Practice range: quarter note = 60–120.",
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      "type": "caption",
      "english": "F major. Practice range: quarter note = 60–120.",
      "original": "F major. Practice range: quarter note = 60–120.",
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          "source_image": "source-pages/p-052.jpg"
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      "type": "music",
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      "original": "",
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      "english": "1. D minor. Practice range: quarter note = 60–120.",
      "original": "1. D minor. Practice range: quarter note = 60–120.",
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          "source_image": "source-pages/p-052.jpg"
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      "original": "2. D minor. Practice range: quarter note = 60–120.",
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      "type": "caption",
      "english": "B♭ major. Practice range: quarter note = 60–120.",
      "original": "B♭ major. Practice range: quarter note = 60–120.",
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      "type": "music",
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      "type": "caption",
      "english": "1. G minor. Practice range: quarter note = 60–120.",
      "original": "1. G minor. Practice range: quarter note = 60–120.",
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      "type": "music",
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      "english": "2. G minor. Practice range: quarter note = 60–120.",
      "original": "2. G minor. Practice range: quarter note = 60–120.",
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    {
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      "type": "caption",
      "english": "E♭ major. Practice range: quarter note = 60–120.",
      "original": "E♭ major. Practice range: quarter note = 60–120.",
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    {
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      "type": "music",
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      "id": "hanon-039-c-harmonic-minor-caption",
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      "english": "1. C minor. Practice range: quarter note = 60–120.",
      "original": "1. C minor. Practice range: quarter note = 60–120.",
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      "english": "2. C minor. Practice range: quarter note = 60–120.",
      "original": "2. C minor. Practice range: quarter note = 60–120.",
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      "id": "hanon-039-c-melodic-minor-figure",
      "reading_order": 226,
      "type": "music",
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      "original": "",
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    {
      "id": "hanon-039-ab-major-caption",
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      "type": "caption",
      "english": "A♭ major. Practice range: quarter note = 60–120.",
      "original": "A♭ major. Practice range: quarter note = 60–120.",
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          "source_image": "source-pages/p-055.jpg"
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    {
      "id": "hanon-039-ab-major-figure",
      "reading_order": 228,
      "type": "music",
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      "original": "",
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      "english": "1. F minor. Practice range: quarter note = 60–120.",
      "original": "1. F minor. Practice range: quarter note = 60–120.",
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      "original": "2. F minor. Practice range: quarter note = 60–120.",
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      "english": "D♭ major. Practice range: quarter note = 60–120.",
      "original": "D♭ major. Practice range: quarter note = 60–120.",
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      "english": "1. B♭ minor. Practice range: quarter note = 60–120.",
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      "english": "G♭ major. Practice range: quarter note = 60–120.",
      "original": "G♭ major. Practice range: quarter note = 60–120.",
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      "original": "",
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      "english": "2. E♭ minor. Practice range: quarter note = 60–120.",
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      "english": "B major. Practice range: quarter note = 60–120.",
      "original": "B major. Practice range: quarter note = 60–120.",
      "sources": [
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    {
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      "reading_order": 247,
      "type": "caption",
      "english": "1. G♯ minor. Practice range: quarter note = 60–120.",
      "original": "1. G♯ minor. Practice range: quarter note = 60–120.",
      "sources": [
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          "pdf_page": 58,
          "printed_page": 57,
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    },
    {
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      "reading_order": 248,
      "type": "music",
      "english": "",
      "original": "",
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      "id": "hanon-039-gsharp-melodic-minor-caption",
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      "type": "caption",
      "english": "2. G♯ minor. Practice range: quarter note = 60–120.",
      "original": "2. G♯ minor. Practice range: quarter note = 60–120.",
      "sources": [
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          "pdf_page": 58,
          "printed_page": 57,
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      "original": "",
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    {
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      "english": "E major. Practice range: quarter note = 60–120.",
      "original": "E major. Practice range: quarter note = 60–120.",
      "sources": [
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    },
    {
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      "type": "music",
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      "original": "",
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    {
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      "type": "caption",
      "english": "1. C♯ minor. Practice range: quarter note = 60–120.",
      "original": "1. C♯ minor. Practice range: quarter note = 60–120.",
      "sources": [
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    {
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      "type": "music",
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      "original": "",
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    {
      "id": "hanon-039-csharp-melodic-minor-caption",
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      "type": "caption",
      "english": "2. C♯ minor. Practice range: quarter note = 60–120.",
      "original": "2. C♯ minor. Practice range: quarter note = 60–120.",
      "sources": [
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      "original": "",
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    {
      "id": "hanon-039-a-major-caption",
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      "type": "caption",
      "english": "A major. Practice range: quarter note = 60–120.",
      "original": "A major. Practice range: quarter note = 60–120.",
      "sources": [
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          "printed_page": 59,
          "source_image": "source-pages/p-060.jpg"
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    },
    {
      "id": "hanon-039-a-major-figure",
      "reading_order": 258,
      "type": "music",
      "english": "",
      "original": "",
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    {
      "id": "hanon-039-fsharp-harmonic-minor-caption",
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      "type": "caption",
      "english": "1. F♯ minor. Practice range: quarter note = 60–120.",
      "original": "1. F♯ minor. Practice range: quarter note = 60–120.",
      "sources": [
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          "pdf_page": 60,
          "printed_page": 59,
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    {
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      "type": "music",
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      "type": "caption",
      "english": "2. F♯ minor. Practice range: quarter note = 60–120.",
      "original": "2. F♯ minor. Practice range: quarter note = 60–120.",
      "sources": [
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    {
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      "english": "D major. Practice range: quarter note = 60–120.",
      "original": "D major. Practice range: quarter note = 60–120.",
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    {
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      "type": "paragraph",
      "english": "Edition note: Printed bar7LH finalE2 has fingering1 below its beam, immediately above another1 belonging to followingBminor scale. Both glyphs inspected in enlarged context; retain the first1 onE2, despite unusual fingering. Independent source review should recheck this site.",
      "original": "Edition note: Printed bar7LH finalE2 has fingering1 below its beam, immediately above another1 belonging to followingBminor scale. Both glyphs inspected in enlarged context; retain the first1 onE2, despite unusual fingering. Independent source review should recheck this site.",
      "sources": [
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      ]
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      "type": "caption",
      "english": "1. B minor. Practice range: quarter note = 60–120.",
      "original": "1. B minor. Practice range: quarter note = 60–120.",
      "sources": [
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      "english": "2. B minor. Practice range: quarter note = 60–120.",
      "original": "2. B minor. Practice range: quarter note = 60–120.",
      "sources": [
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    {
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      "english": "G major. Practice range: quarter note = 60–120.",
      "original": "G major. Practice range: quarter note = 60–120.",
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      "english": "1. E minor. Practice range: quarter note = 60–120.",
      "original": "1. E minor. Practice range: quarter note = 60–120.",
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      "original": "2. E minor. Practice range: quarter note = 60–120.",
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      "heading_level": 2
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    {
      "id": "hanon-text-0276",
      "reading_order": 277,
      "type": "heading",
      "english": "Chromatic Scales.",
      "original": "Chromatic Scales.",
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      "id": "hanon-text-0277",
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      "type": "paragraph",
      "english": "M. M. 60 to 120.",
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    {
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      "type": "caption",
      "english": "Exercise 40 — Chromatic scales at an octave Practice range: quarter note = 60–120. AI review draft.",
      "original": "Exercise 40 — Chromatic scales at an octave Practice range: quarter note = 60–120. AI review draft.",
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      "english": "Exercise 40 — At a minor third Practice range: quarter note = 60–120. AI review draft.",
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    {
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      "type": "caption",
      "english": "Exercise 40 — At a major sixth Practice range: quarter note = 60–120. AI review draft.",
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    {
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      "english": "Exercise 40 — At a minor sixth Practice range: quarter note = 60–120. AI review draft.",
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      "type": "caption",
      "english": "Exercise 40 — In contrary motion, beginning on the octave. Practice range: quarter note = 60–120. AI review draft.",
      "original": "Exercise 40 — In contrary motion, beginning on the octave. Practice range: quarter note = 60–120. AI review draft.",
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      "english": "Exercise 40 — In contrary motion, beginning on the minor third. Practice range: quarter note = 60–120. AI review draft.",
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      "english": "Exercise 40 — In contrary motion, beginning on the major third. Practice range: quarter note = 60–120. AI review draft.",
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    {
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      "english": "Exercise 40 — Another fingering, which we particularly recommend for legato passages. Practice range: quarter note = 60–120. AI review draft.",
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      "id": "hanon-text-0347",
      "reading_order": 348,
      "type": "paragraph",
      "english": "M. M. quarter note = 60 to 120.",
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      "english": "Exercise 42 — Extension (stretching) of the fingers in chords of the diminished seventh, in arpeggios. Practice range: quarter note = 60–120. AI review draft.",
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      "id": "hanon-text-0350",
      "reading_order": 351,
      "type": "paragraph",
      "english": "Edition note: Printed LH fingering below first note of F-root descending bar16 is heavily damaged/inked; no digit invented. Original source remains authoritative.",
      "original": "Edition note: Printed LH fingering below first note of F-root descending bar16 is heavily damaged/inked; no digit invented. Original source remains authoritative.",
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      "id": "hanon-exercise-043",
      "reading_order": 352,
      "type": "heading",
      "english": "Exercise 43",
      "original": "Exercise 43",
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      "id": "hanon-text-0352",
      "reading_order": 353,
      "type": "heading",
      "english": "Extension of the fingers in chords of the dominant seventh, in arpeggios.",
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      "id": "hanon-text-0353",
      "reading_order": 354,
      "type": "paragraph",
      "english": "M. M. quarter note = 60 to 120.",
      "original": "M. M. quarter note = 60 to 120.",
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      "english": "Exercise 43 — Extension of the fingers in chords of the dominant seventh, in arpeggios. Practice range: quarter note = 60–120. AI review draft.",
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          "pdf_page": 72,
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      "id": "hanon-text-0356",
      "reading_order": 357,
      "type": "heading",
      "english": "End of Part II.",
      "original": "End of Part II.",
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          "pdf_page": 72,
          "printed_page": 71,
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      "id": "hanon-text-0357",
      "reading_order": 358,
      "type": "paragraph",
      "english": "Parts I and II of this work being the key to the difficulties in Part III, it is evidently very important that they should be thoroughly mastered before commencing the virtuoso studies contained in Part III.",
      "original": "Parts I and II of this work being the key to the difficulties in Part III, it is evidently very important that they should be thoroughly mastered before commencing the virtuoso studies contained in Part III.",
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          "pdf_page": 72,
          "printed_page": 71,
          "source_image": "source-pages/p-072.jpg"
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      "english": "Exercise 44",
      "original": "Exercise 44",
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          "pdf_page": 74,
          "printed_page": 73,
          "source_image": "source-pages/p-074.jpg"
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    {
      "id": "hanon-text-0359",
      "reading_order": 360,
      "type": "heading",
      "english": "The Virtuoso-Pianist. Part III",
      "original": "The Virtuoso-Pianist. Part III",
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          "pdf_page": 73,
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          "source_image": "source-pages/p-073.jpg"
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        {
          "pdf_page": 74,
          "printed_page": 73,
          "source_image": "source-pages/p-074.jpg"
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    {
      "id": "hanon-text-0360",
      "reading_order": 361,
      "type": "heading",
      "english": "Virtuoso Exercises, for Obtaining a Mastery over the Greatest Mechanical Difficulties.",
      "original": "Virtuoso Exercises, for Obtaining a Mastery over the Greatest Mechanical Difficulties.",
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          "pdf_page": 73,
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          "source_image": "source-pages/p-073.jpg"
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          "pdf_page": 74,
          "printed_page": 73,
          "source_image": "source-pages/p-074.jpg"
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      "id": "hanon-text-0361",
      "reading_order": 362,
      "type": "paragraph",
      "english": "Lift the fingers high and with precision, without raising hand or wrist. As soon as the first four measures are well learned, take up the rest of the exercise.",
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          "pdf_page": 74,
          "printed_page": 73,
          "source_image": "source-pages/p-074.jpg"
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    {
      "id": "hanon-044-caption",
      "reading_order": 363,
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      "english": "Notes repeated in groups of three.",
      "original": "Notes repeated in groups of three.",
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          "pdf_page": 74,
          "printed_page": 73,
          "source_image": "source-pages/p-074.jpg"
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      "english": "Exercise 45",
      "original": "Exercise 45",
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          "source_image": "source-pages/p-076.jpg"
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      "id": "hanon-text-0365",
      "reading_order": 366,
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      "english": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
      "original": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
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          "pdf_page": 75,
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          "source_image": "source-pages/p-075.jpg"
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    {
      "id": "hanon-text-0366",
      "reading_order": 367,
      "type": "paragraph",
      "english": "Accent the first of each pair of slurred notes.",
      "original": "Accent the first of each pair of slurred notes.",
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          "source_image": "source-pages/p-075.jpg"
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      "id": "hanon-045-fingering1-caption",
      "reading_order": 368,
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      "english": "Notes repeated in groups of two, by all five fingers. — 1st fingering.",
      "original": "Notes repeated in groups of two, by all five fingers. — 1st fingering.",
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      "id": "hanon-text-0369",
      "reading_order": 370,
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      "english": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
      "original": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
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          "pdf_page": 75,
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      "id": "hanon-text-0370",
      "reading_order": 371,
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      "english": "Accent the first of each pair of slurred notes.",
      "original": "Accent the first of each pair of slurred notes.",
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      "id": "hanon-045-fingering2-caption",
      "reading_order": 372,
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      "english": "Notes repeated in groups of two, by all five fingers. — 2d fingering.",
      "original": "Notes repeated in groups of two, by all five fingers. — 2d fingering.",
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      "id": "hanon-text-0373",
      "reading_order": 374,
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      "english": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
      "original": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
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          "pdf_page": 75,
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    {
      "id": "hanon-text-0374",
      "reading_order": 375,
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      "english": "Accent the first of each pair of slurred notes.",
      "original": "Accent the first of each pair of slurred notes.",
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      "id": "hanon-045-fingering3-caption",
      "reading_order": 376,
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      "english": "Notes repeated in groups of two, by all five fingers. — 3d fingering.",
      "original": "Notes repeated in groups of two, by all five fingers. — 3d fingering.",
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      "id": "hanon-045-fingering3-figure",
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      "id": "hanon-text-0377",
      "reading_order": 378,
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      "english": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
      "original": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
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          "pdf_page": 76,
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    {
      "id": "hanon-text-0378",
      "reading_order": 379,
      "type": "paragraph",
      "english": "Accent the first of each pair of slurred notes.",
      "original": "Accent the first of each pair of slurred notes.",
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      "id": "hanon-045-fingering4-caption",
      "reading_order": 380,
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      "english": "Notes repeated in groups of two, by all five fingers. — 4th fingering.",
      "original": "Notes repeated in groups of two, by all five fingers. — 4th fingering.",
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    {
      "id": "hanon-045-fingering4-figure",
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    {
      "id": "hanon-text-0381",
      "reading_order": 382,
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      "english": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
      "original": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
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    {
      "id": "hanon-text-0382",
      "reading_order": 383,
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      "english": "Accent the first of each pair of slurred notes.",
      "original": "Accent the first of each pair of slurred notes.",
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      "id": "hanon-045-fingering5-caption",
      "reading_order": 384,
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      "english": "Notes repeated in groups of two, by all five fingers. — 5th fingering.",
      "original": "Notes repeated in groups of two, by all five fingers. — 5th fingering.",
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    {
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    {
      "id": "hanon-text-0385",
      "reading_order": 386,
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      "english": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
      "original": "Study the first fingering until it is thoroughly mastered; practise similarly each of the five following fingerings then play through the whole exercise without stopping.",
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          "pdf_page": 76,
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    {
      "id": "hanon-text-0386",
      "reading_order": 387,
      "type": "paragraph",
      "english": "Accent the first of each pair of slurred notes.",
      "original": "Accent the first of each pair of slurred notes.",
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      "id": "hanon-045-fingering6-caption",
      "reading_order": 388,
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      "english": "Notes repeated in groups of two, by all five fingers. — 6th fingering.",
      "original": "Notes repeated in groups of two, by all five fingers. — 6th fingering.",
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    {
      "id": "hanon-045-fingering6-figure",
      "reading_order": 389,
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      "id": "hanon-exercise-046",
      "reading_order": 390,
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      "english": "Exercise 46",
      "original": "Exercise 46",
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          "pdf_page": 78,
          "printed_page": 77,
          "source_image": "source-pages/p-078.jpg"
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      "heading_level": 2
    },
    {
      "id": "hanon-text-0390",
      "reading_order": 391,
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      "english": "Practise the first 6 measures until they can be executed in quite a rapid tempo; then practise the rest of the trill. Where the fingering is changed (1), be careful that not the slightest unevenness is apparent.",
      "original": "Practise the first 6 measures until they can be executed in quite a rapid tempo; then practise the rest of the trill. Where the fingering is changed (1), be careful that not the slightest unevenness is apparent.",
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          "pdf_page": 78,
          "printed_page": 77,
          "source_image": "source-pages/p-078.jpg"
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    {
      "id": "hanon-text-0391",
      "reading_order": 392,
      "type": "paragraph",
      "english": "It is of interest to note that Mozart used this exercise for the study of the trill.",
      "original": "It is of interest to note that Mozart used this exercise for the study of the trill.",
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          "pdf_page": 78,
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    },
    {
      "id": "hanon-text-0392",
      "reading_order": 393,
      "type": "paragraph",
      "english": "Thalberg’s trill.",
      "original": "Thalberg’s trill.",
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        {
          "pdf_page": 78,
          "printed_page": 77,
          "source_image": "source-pages/p-078.jpg"
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    {
      "id": "hanon-046-caption",
      "reading_order": 394,
      "type": "caption",
      "english": "The Trill for all five fingers.",
      "original": "The Trill for all five fingers.",
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          "pdf_page": 78,
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          "source_image": "source-pages/p-078.jpg"
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    {
      "id": "hanon-046-figure",
      "reading_order": 395,
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        {
          "pdf_page": 77,
          "printed_page": 76,
          "source_image": "source-pages/p-077.jpg"
        },
        {
          "pdf_page": 78,
          "printed_page": 77,
          "source_image": "source-pages/p-078.jpg"
        }
      ],
      "asset_refs": [
        "hanon-046"
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    },
    {
      "id": "hanon-exercise-047",
      "reading_order": 396,
      "type": "heading",
      "english": "Exercise 47",
      "original": "Exercise 47",
      "sources": [
        {
          "pdf_page": 79,
          "printed_page": 78,
          "source_image": "source-pages/p-079.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0396",
      "reading_order": 397,
      "type": "paragraph",
      "english": "Lift the fingers high and with precision throughout this exercise, without raising hand or wrist. When the first line is mastered, and not before, take up the rest of the exercise.",
      "original": "Lift the fingers high and with precision throughout this exercise, without raising hand or wrist. When the first line is mastered, and not before, take up the rest of the exercise.",
      "sources": [
        {
          "pdf_page": 79,
          "printed_page": 78,
          "source_image": "source-pages/p-079.jpg"
        }
      ]
    },
    {
      "id": "hanon-047-caption",
      "reading_order": 398,
      "type": "caption",
      "english": "Notes repeated in groups of four.",
      "original": "Notes repeated in groups of four.",
      "sources": [
        {
          "pdf_page": 79,
          "printed_page": 78,
          "source_image": "source-pages/p-079.jpg"
        }
      ]
    },
    {
      "id": "hanon-047-figure",
      "reading_order": 399,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 79,
          "printed_page": 78,
          "source_image": "source-pages/p-079.jpg"
        }
      ],
      "asset_refs": [
        "hanon-047"
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    },
    {
      "id": "hanon-exercise-048",
      "reading_order": 400,
      "type": "heading",
      "english": "Exercise 48",
      "original": "Exercise 48",
      "sources": [
        {
          "pdf_page": 80,
          "printed_page": 79,
          "source_image": "source-pages/p-080.jpg"
        },
        {
          "pdf_page": 81,
          "printed_page": 80,
          "source_image": "source-pages/p-081.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0400",
      "reading_order": 401,
      "type": "paragraph",
      "english": "Lift the wrists well after each stroke, holding the arms perfectly quiet; the wrist should be supple, and the fingers firm without stiffness. Practise the first four measures until an easy wrist-movement is obtained; then take up the rest of the exercise.",
      "original": "Lift the wrists well after each stroke, holding the arms perfectly quiet; the wrist should be supple, and the fingers firm without stiffness. Practise the first four measures until an easy wrist-movement is obtained; then take up the rest of the exercise.",
      "sources": [
        {
          "pdf_page": 80,
          "printed_page": 79,
          "source_image": "source-pages/p-080.jpg"
        }
      ]
    },
    {
      "id": "hanon-048-caption",
      "reading_order": 402,
      "type": "caption",
      "english": "Wrist-exercise. Detached Thirds and Sixths.",
      "original": "Wrist-exercise. Detached Thirds and Sixths.",
      "sources": [
        {
          "pdf_page": 80,
          "printed_page": 79,
          "source_image": "source-pages/p-080.jpg"
        }
      ]
    },
    {
      "id": "hanon-048-figure",
      "reading_order": 403,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 80,
          "printed_page": 79,
          "source_image": "source-pages/p-080.jpg"
        }
      ],
      "asset_refs": [
        "hanon-048"
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    },
    {
      "id": "hanon-text-0403",
      "reading_order": 404,
      "type": "paragraph",
      "english": "Same remarks as for the thirds.",
      "original": "Same remarks as for the thirds.",
      "sources": [
        {
          "pdf_page": 81,
          "printed_page": 80,
          "source_image": "source-pages/p-081.jpg"
        }
      ]
    },
    {
      "id": "hanon-048-sixths-caption",
      "reading_order": 405,
      "type": "caption",
      "english": "Detached Sixths.",
      "original": "Detached Sixths.",
      "sources": [
        {
          "pdf_page": 81,
          "printed_page": 80,
          "source_image": "source-pages/p-081.jpg"
        }
      ]
    },
    {
      "id": "hanon-048-sixths-figure",
      "reading_order": 406,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 81,
          "printed_page": 80,
          "source_image": "source-pages/p-081.jpg"
        }
      ],
      "asset_refs": [
        "hanon-048-sixths"
      ]
    },
    {
      "id": "hanon-text-0406",
      "reading_order": 407,
      "type": "paragraph",
      "english": "Edition note: Preparatory lower RH fingering read as serif1; main passage explicitly1/5. Enlarged primary/archive evidence retained for independent review.",
      "original": "Edition note: Preparatory lower RH fingering read as serif1; main passage explicitly1/5. Enlarged primary/archive evidence retained for independent review.",
      "sources": [
        {
          "pdf_page": 81,
          "printed_page": 80,
          "source_image": "source-pages/p-081.jpg"
        }
      ]
    },
    {
      "id": "hanon-exercise-049",
      "reading_order": 408,
      "type": "heading",
      "english": "Exercise 49",
      "original": "Exercise 49",
      "sources": [
        {
          "pdf_page": 82,
          "printed_page": 81,
          "source_image": "source-pages/p-082.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0408",
      "reading_order": 409,
      "type": "paragraph",
      "english": "Very useful for increasing the stretching-capacity of these fingers.",
      "original": "Very useful for increasing the stretching-capacity of these fingers.",
      "sources": [
        {
          "pdf_page": 82,
          "printed_page": 81,
          "source_image": "source-pages/p-082.jpg"
        }
      ]
    },
    {
      "id": "hanon-049-caption",
      "reading_order": 410,
      "type": "caption",
      "english": "Stretches from the 1st to the 4th fingers, and from the 2d to the 5th, in each hand.",
      "original": "Stretches from the 1st to the 4th fingers, and from the 2d to the 5th, in each hand.",
      "sources": [
        {
          "pdf_page": 82,
          "printed_page": 81,
          "source_image": "source-pages/p-082.jpg"
        }
      ]
    },
    {
      "id": "hanon-049-figure",
      "reading_order": 411,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 82,
          "printed_page": 81,
          "source_image": "source-pages/p-082.jpg"
        }
      ],
      "asset_refs": [
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      ]
    },
    {
      "id": "hanon-049-continuation-caption",
      "reading_order": 412,
      "type": "caption",
      "english": "Continuation of the preceding exercise.",
      "original": "Continuation of the preceding exercise.",
      "sources": [
        {
          "pdf_page": 82,
          "printed_page": 81,
          "source_image": "source-pages/p-082.jpg"
        }
      ]
    },
    {
      "id": "hanon-049-continuation-figure",
      "reading_order": 413,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 82,
          "printed_page": 81,
          "source_image": "source-pages/p-082.jpg"
        }
      ],
      "asset_refs": [
        "hanon-049-continuation"
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    },
    {
      "id": "hanon-exercise-050",
      "reading_order": 414,
      "type": "heading",
      "english": "Exercise 50",
      "original": "Exercise 50",
      "sources": [
        {
          "pdf_page": 83,
          "printed_page": 82,
          "source_image": "source-pages/p-083.jpg"
        },
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0414",
      "reading_order": 415,
      "type": "paragraph",
      "english": "We recommend careful study of this exercise, as Thirds occupy a very important place in difficult music. All notes must be struck evenly and very distinctly.",
      "original": "We recommend careful study of this exercise, as Thirds occupy a very important place in difficult music. All notes must be struck evenly and very distinctly.",
      "sources": [
        {
          "pdf_page": 83,
          "printed_page": 82,
          "source_image": "source-pages/p-083.jpg"
        },
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-050-caption",
      "reading_order": 416,
      "type": "caption",
      "english": "Legato Thirds.",
      "original": "Legato Thirds.",
      "sources": [
        {
          "pdf_page": 83,
          "printed_page": 82,
          "source_image": "source-pages/p-083.jpg"
        },
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-050-figure",
      "reading_order": 417,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 83,
          "printed_page": 82,
          "source_image": "source-pages/p-083.jpg"
        },
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ],
      "asset_refs": [
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    },
    {
      "id": "hanon-text-0417",
      "reading_order": 418,
      "type": "paragraph",
      "english": "It is indispensable to practise scales in legato thirds. To obtain a smooth legato, keep the fifth finger of the right hand for an instant on its note while the thumb and 3d are passing over to the next third; in the left hand, the thumb is similarly held for an instant. Notes to be held are indicated by half-notes.(1) Proceed similarly in the chromatic scale further on, and in all scales in Thirds.",
      "original": "It is indispensable to practise scales in legato thirds. To obtain a smooth legato, keep the fifth finger of the right hand for an instant on its note while the thumb and 3d are passing over to the next third; in the left hand, the thumb is similarly held for an instant. Notes to be held are indicated by half-notes.(1) Proceed similarly in the chromatic scale further on, and in all scales in Thirds.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-050-diatonic-thirds-caption",
      "reading_order": 419,
      "type": "caption",
      "english": "Scales in Legato Thirds.",
      "original": "Scales in Legato Thirds.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-050-diatonic-thirds-figure",
      "reading_order": 420,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ],
      "asset_refs": [
        "hanon-050-diatonic-thirds"
      ]
    },
    {
      "id": "hanon-text-0420",
      "reading_order": 421,
      "type": "paragraph",
      "english": "Edition note: Source half-note heads embedded within beamed sixteenths indicate momentary finger retention, explicitly described as for an instant; no exact release duration given.",
      "original": "Edition note: Source half-note heads embedded within beamed sixteenths indicate momentary finger retention, explicitly described as for an instant; no exact release duration given.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-text-0421",
      "reading_order": 422,
      "type": "paragraph",
      "english": "Edition note: Metrical onsets preserved; duration of instructional holds is not verified. Do not read open heads as metrical half-note sustains.",
      "original": "Edition note: Metrical onsets preserved; duration of instructional holds is not verified. Do not read open heads as metrical half-note sustains.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-050-chromatic-thirds-caption",
      "reading_order": 423,
      "type": "caption",
      "english": "Chromatic scales in minor thirds.",
      "original": "Chromatic scales in minor thirds.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-050-chromatic-thirds-figure",
      "reading_order": 424,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ],
      "asset_refs": [
        "hanon-050-chromatic-thirds"
      ]
    },
    {
      "id": "hanon-text-0424",
      "reading_order": 425,
      "type": "paragraph",
      "english": "Edition note: Instructional finger-retention heads as explained immediately above in Scales in Legato Thirds; source-spelled E#/G# ascending retained.",
      "original": "Edition note: Instructional finger-retention heads as explained immediately above in Scales in Legato Thirds; source-spelled E#/G# ascending retained.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-text-0425",
      "reading_order": 426,
      "type": "paragraph",
      "english": "Edition note: Metrical onsets preserved; unspecified extra hold time is not quantified or realized.",
      "original": "Edition note: Metrical onsets preserved; unspecified extra hold time is not quantified or realized.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ]
    },
    {
      "id": "hanon-exercise-051",
      "reading_order": 427,
      "type": "heading",
      "english": "Exercise 51",
      "original": "Exercise 51",
      "sources": [
        {
          "pdf_page": 85,
          "printed_page": 84,
          "source_image": "source-pages/p-085.jpg"
        },
        {
          "pdf_page": 86,
          "printed_page": 85,
          "source_image": "source-pages/p-086.jpg"
        },
        {
          "pdf_page": 87,
          "printed_page": 86,
          "source_image": "source-pages/p-087.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0427",
      "reading_order": 428,
      "type": "paragraph",
      "english": "The wrists should be very supple, the fingers taking the octaves should be held firmly but without stiffness, and the unoccupied fingers should assume a slightly rounded position.",
      "original": "The wrists should be very supple, the fingers taking the octaves should be held firmly but without stiffness, and the unoccupied fingers should assume a slightly rounded position.",
      "sources": [
        {
          "pdf_page": 85,
          "printed_page": 84,
          "source_image": "source-pages/p-085.jpg"
        },
        {
          "pdf_page": 86,
          "printed_page": 85,
          "source_image": "source-pages/p-086.jpg"
        }
      ]
    },
    {
      "id": "hanon-text-0428",
      "reading_order": 429,
      "type": "paragraph",
      "english": "At first repeat these three first lines slowly until a good wrist-movement is attained, and then accelerate the tempo, continuing the exercise without interruption. If the wrists become fatigued, play more slowly until the feeling of fatigue has disappeared, and then gradually accelerate up to the first tempo.",
      "original": "At first repeat these three first lines slowly until a good wrist-movement is attained, and then accelerate the tempo, continuing the exercise without interruption. If the wrists become fatigued, play more slowly until the feeling of fatigue has disappeared, and then gradually accelerate up to the first tempo.",
      "sources": [
        {
          "pdf_page": 85,
          "printed_page": 84,
          "source_image": "source-pages/p-085.jpg"
        },
        {
          "pdf_page": 86,
          "printed_page": 85,
          "source_image": "source-pages/p-086.jpg"
        }
      ]
    },
    {
      "id": "hanon-text-0429",
      "reading_order": 430,
      "type": "paragraph",
      "english": "See remarks to No.48.",
      "original": "See remarks to No.48.",
      "sources": [
        {
          "pdf_page": 85,
          "printed_page": 84,
          "source_image": "source-pages/p-085.jpg"
        },
        {
          "pdf_page": 86,
          "printed_page": 85,
          "source_image": "source-pages/p-086.jpg"
        }
      ]
    },
    {
      "id": "hanon-051-caption",
      "reading_order": 431,
      "type": "caption",
      "english": "Preparatory Exercise for Scales in Octaves.",
      "original": "Preparatory Exercise for Scales in Octaves.",
      "sources": [
        {
          "pdf_page": 85,
          "printed_page": 84,
          "source_image": "source-pages/p-085.jpg"
        },
        {
          "pdf_page": 86,
          "printed_page": 85,
          "source_image": "source-pages/p-086.jpg"
        }
      ]
    },
    {
      "id": "hanon-051-figure",
      "reading_order": 432,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 85,
          "printed_page": 84,
          "source_image": "source-pages/p-085.jpg"
        },
        {
          "pdf_page": 86,
          "printed_page": 85,
          "source_image": "source-pages/p-086.jpg"
        }
      ],
      "asset_refs": [
        "hanon-051"
      ]
    },
    {
      "id": "hanon-text-0432",
      "reading_order": 433,
      "type": "paragraph",
      "english": "Edition note: Bar 32, LH, note 16: Source ends LH octave D2/D3 while RH ends F4/F5; preserved unequal ending rather than silently matching hands.",
      "original": "Edition note: Bar 32, LH, note 16: Source ends LH octave D2/D3 while RH ends F4/F5; preserved unequal ending rather than silently matching hands.",
      "sources": [
        {
          "pdf_page": 85,
          "printed_page": 84,
          "source_image": "source-pages/p-085.jpg"
        },
        {
          "pdf_page": 86,
          "printed_page": 85,
          "source_image": "source-pages/p-086.jpg"
        }
      ]
    },
    {
      "id": "hanon-051-continuation-caption",
      "reading_order": 434,
      "type": "caption",
      "english": "Preparatory Exercise for Scales in Octaves — continuation.",
      "original": "Preparatory Exercise for Scales in Octaves — continuation.",
      "sources": [
        {
          "pdf_page": 87,
          "printed_page": 86,
          "source_image": "source-pages/p-087.jpg"
        }
      ]
    },
    {
      "id": "hanon-051-continuation-figure",
      "reading_order": 435,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 87,
          "printed_page": 86,
          "source_image": "source-pages/p-087.jpg"
        }
      ],
      "asset_refs": [
        "hanon-051-continuation"
      ]
    },
    {
      "id": "hanon-051-chromatic1-caption",
      "reading_order": 436,
      "type": "caption",
      "english": "Chromatic octaves — pattern1.",
      "original": "Chromatic octaves — pattern1.",
      "sources": [
        {
          "pdf_page": 87,
          "printed_page": 86,
          "source_image": "source-pages/p-087.jpg"
        }
      ]
    },
    {
      "id": "hanon-051-chromatic1-figure",
      "reading_order": 437,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 87,
          "printed_page": 86,
          "source_image": "source-pages/p-087.jpg"
        }
      ],
      "asset_refs": [
        "hanon-051-chromatic1"
      ]
    },
    {
      "id": "hanon-051-chromatic2-caption",
      "reading_order": 438,
      "type": "caption",
      "english": "Chromatic octaves — pattern2.",
      "original": "Chromatic octaves — pattern2.",
      "sources": [
        {
          "pdf_page": 87,
          "printed_page": 86,
          "source_image": "source-pages/p-087.jpg"
        }
      ]
    },
    {
      "id": "hanon-051-chromatic2-figure",
      "reading_order": 439,
      "type": "music",
      "english": "",
      "original": "",
      "sources": [
        {
          "pdf_page": 87,
          "printed_page": 86,
          "source_image": "source-pages/p-087.jpg"
        }
      ],
      "asset_refs": [
        "hanon-051-chromatic2"
      ]
    },
    {
      "id": "hanon-exercise-052",
      "reading_order": 440,
      "type": "heading",
      "english": "Exercise 52",
      "original": "Exercise 52",
      "sources": [
        {
          "pdf_page": 88,
          "printed_page": 87,
          "source_image": "source-pages/p-088.jpg"
        },
        {
          "pdf_page": 89,
          "printed_page": 88,
          "source_image": "source-pages/p-089.jpg"
        },
        {
          "pdf_page": 90,
          "printed_page": 89,
          "source_image": "source-pages/p-090.jpg"
        },
        {
          "pdf_page": 91,
          "printed_page": 90,
          "source_image": "source-pages/p-091.jpg"
        }
      ],
      "heading_level": 2
    },
    {
      "id": "hanon-text-0440",
      "reading_order": 441,
      "type": "paragraph",
      "english": "Scales in Thirds, in the Keys Most Used.",
      "original": "Scales in Thirds, in the Keys Most Used.",
      "sources": [
        {
          "pdf_page": 88,
          "printed_page": 87,
          "source_image": "source-pages/p-088.jpg"
        }
      ]
    },
    {
      "id": "hanon-text-0441",
      "reading_order": 442,
      "type": "paragraph",
      "english": "Play these scales legato, and very evenly; it is highly important to master them thoroughly. See remarks to No. 50.",
      "original": "Play these scales legato, and very evenly; it is highly important to master them thoroughly. See remarks to No. 50.",
      "sources": [
        {
          "pdf_page": 88,
          "printed_page": 87,
          "source_image": "source-pages/p-088.jpg"
        }
      ]
    },
    {
      "id": "hanon-text-0442",
      "reading_order": 443,
      "type": "paragraph",
      "english": "C major.",
      "original": "C major.",
      "sources": [
        {
          "pdf_page": 88,
          "printed_page": 87,
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      "id": "hanon-text-0461",
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      "id": "hanon-text-0464",
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      "id": "hanon-text-0467",
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      "id": "hanon-text-0470",
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      "english": "A minor.",
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      "id": "hanon-text-0473",
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      "english": "D minor.",
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      "english": "Edition note: Exercise52 G minor, LH bar7 start: Editorial bass-clef return encoded at bar7; follows source note positions and octave-doubled third pattern. Added clef is not printed in the primary source.",
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      "english": "Exercise 53",
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      "id": "hanon-text-0481",
      "reading_order": 482,
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      "english": "Scales in Octaves in the 24 Keys.",
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          "pdf_page": 93,
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      "english": "First practise each of these scales until it can be executed with facility; then play through all 24 without interruption.",
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      "english": "We cannot too strongly insist on the absolute necessity of a proper wrist-movement; it is the only means of executing octaves without stiffness, and with suppleness, vivacity and energy.",
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      "id": "hanon-text-0484",
      "reading_order": 485,
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      "english": "See the explanations for Nos 48 and 51.",
      "original": "See the explanations for Nos 48 and 51.",
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      "english": "M. M. ♩ = 40 to 84.",
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      "english": "(1) In all scales in Octaves, the black keys are to be taken with the 4th finger of either hand.",
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      "english": "Exercise 53 — Scales in Octaves in the 24 Keys",
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      "english": "Exercise 54",
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      "english": "The Fourfold Trill in Thirds, for all five fingers.",
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      "id": "hanon-text-0491",
      "reading_order": 492,
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      "english": "Execute this exercise very smoothly and evenly, striking each Third very clearly.",
      "original": "Execute this exercise very smoothly and evenly, striking each Third very clearly.",
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      "english": "Same remark as for No. 54.",
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      "english": "legato.",
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      "english": "This highly important exercise likewise prepares the wrists for the study of the tremolo.",
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      "english": "F minor.",
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      "english": "C♯ minor.",
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      "reading_order": 608,
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      "english": "A major.",
      "original": "A major.",
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      "id": "hanon-057-a-major-figure",
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      "id": "hanon-057-fs-minor-caption",
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      "english": "F♯ minor.",
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      "id": "hanon-057-fs-minor-figure",
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      "reading_order": 612,
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      "english": "D major.",
      "original": "D major.",
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      "id": "hanon-057-d-major-figure",
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      "english": "B minor.",
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      "id": "hanon-057-b-minor-figure",
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      "reading_order": 616,
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      "english": "G major.",
      "original": "G major.",
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      "id": "hanon-057-g-major-figure",
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      "english": "E minor.",
      "original": "E minor.",
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    {
      "id": "hanon-057-e-minor-figure",
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      "type": "heading",
      "english": "Exercise 58",
      "original": "Exercise 58",
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          "printed_page": 107,
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      "heading_level": 2
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      "id": "hanon-text-0620",
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      "english": "Strike the octaves vigorously without lifting the wrists, and hold them down while deftly executing the intermediate notes with a good finger-movement.",
      "original": "Strike the octaves vigorously without lifting the wrists, and hold them down while deftly executing the intermediate notes with a good finger-movement.",
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          "pdf_page": 108,
          "printed_page": 107,
          "source_image": "source-pages/p-108.jpg"
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      "id": "hanon-058-caption",
      "reading_order": 622,
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      "english": "Sustained Octaves, accompanied by detached notes.",
      "original": "Sustained Octaves, accompanied by detached notes.",
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          "pdf_page": 108,
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      "original": "",
      "sources": [
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          "pdf_page": 107,
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      "id": "hanon-exercise-059",
      "reading_order": 624,
      "type": "heading",
      "english": "Exercise 59",
      "original": "Exercise 59",
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      "heading_level": 2
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      "id": "hanon-text-0624",
      "reading_order": 625,
      "type": "paragraph",
      "english": "Neither hand nor wrist should be moved in the least while playing this exercise.",
      "original": "Neither hand nor wrist should be moved in the least while playing this exercise.",
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          "pdf_page": 110,
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      "id": "hanon-text-0625",
      "reading_order": 626,
      "type": "paragraph",
      "english": "Repeat this measure 4 times.",
      "original": "Repeat this measure 4 times.",
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          "pdf_page": 110,
          "printed_page": 109,
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      "id": "hanon-059-caption",
      "reading_order": 627,
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      "english": "Fourfold Trill in Sixths, for the combination of the 1st and 4th, and 2nd and 5th, fingers of each hand.",
      "original": "Fourfold Trill in Sixths, for the combination of the 1st and 4th, and 2nd and 5th, fingers of each hand.",
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      "id": "hanon-059-scale-caption",
      "reading_order": 629,
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      "english": "Fourfold Trill in Sixths — scale continuation.",
      "original": "Fourfold Trill in Sixths — scale continuation.",
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      "id": "hanon-059-leaps-caption",
      "reading_order": 631,
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      "english": "Fourfold Trill in Sixths — alternating-third continuation.",
      "original": "Fourfold Trill in Sixths — alternating-third continuation.",
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      "id": "hanon-exercise-060",
      "reading_order": 633,
      "type": "heading",
      "english": "Exercise 60",
      "original": "Exercise 60",
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          "pdf_page": 112,
          "printed_page": 111,
          "source_image": "source-pages/p-112.jpg"
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          "pdf_page": 113,
          "printed_page": 112,
          "source_image": "source-pages/p-113.jpg"
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          "pdf_page": 114,
          "printed_page": 113,
          "source_image": "source-pages/p-114.jpg"
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          "pdf_page": 115,
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          "source_image": "source-pages/p-115.jpg"
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      "id": "hanon-text-0633",
      "reading_order": 634,
      "type": "paragraph",
      "english": "To properly execute the tremolo, it should be played with the same rapidity as the roll on the drum.",
      "original": "To properly execute the tremolo, it should be played with the same rapidity as the roll on the drum.",
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      "id": "hanon-text-0634",
      "reading_order": 635,
      "type": "paragraph",
      "english": "Practise slowly at first; then gradually accelerate the tempo until the movement indicated (M. M. quarter =72) is reached. Finally, by oscillations of the wrists, the rapidity is still further augmented up to the tempo of the drum-roll. This etude is long and difficult; but the excellent result will fully repay the pianist for the trouble and fatigue encountered. Steibelt made his hearers shiver by his execution of the tremolo.",
      "original": "Practise slowly at first; then gradually accelerate the tempo until the movement indicated (M. M. quarter =72) is reached. Finally, by oscillations of the wrists, the rapidity is still further augmented up to the tempo of the drum-roll. This etude is long and difficult; but the excellent result will fully repay the pianist for the trouble and fatigue encountered. Steibelt made his hearers shiver by his execution of the tremolo.",
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      "id": "hanon-060-caption",
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      "english": "The Tremolo.",
      "original": "The Tremolo.",
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      "english": "Edition note: Split-duration LH bass groups (first occurs bar2 beats3–4): Shared E3 head has opposing32nd/16th stems. Single attack retained; upper tremolo E3 released as32nd; lower A2/C3 retained as16ths. Exact E3 release unspecified by source; no duplicate/invented sustained E3.",
      "original": "Edition note: Split-duration LH bass groups (first occurs bar2 beats3–4): Shared E3 head has opposing32nd/16th stems. Single attack retained; upper tremolo E3 released as32nd; lower A2/C3 retained as16ths. Exact E3 release unspecified by source; no duplicate/invented sustained E3.",
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      "type": "paragraph",
      "english": "Edition note: The renderer may omit dashed continuation lines after cresc. and dim.; the words remain visible. Original and MusicXML retain the complete spans.",
      "original": "Edition note: The renderer may omit dashed continuation lines after cresc. and dim.; the words remain visible. Original and MusicXML retain the complete spans.",
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      "reading_order": 640,
      "type": "heading",
      "english": "Concluding Remarks.",
      "original": "Concluding Remarks.",
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      "english": "Now that the student has practised this entire volume, he is acquainted with the chief mechanical difficulties; but, if he would enjoy the fruit of his toil, and become a real virtuoso, he ought to play this entire book through every day for a certain time; only in this way can he familiarize himself with these great difficulties. An hour is required to play the book through.",
      "original": "Now that the student has practised this entire volume, he is acquainted with the chief mechanical difficulties; but, if he would enjoy the fruit of his toil, and become a real virtuoso, he ought to play this entire book through every day for a certain time; only in this way can he familiarize himself with these great difficulties. An hour is required to play the book through.",
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      "reading_order": 642,
      "type": "paragraph",
      "english": "The greatest artists find it necessary to repeat daily exercises for several hours, merely to “keep up their playing.” We should not, therefore, be accused of exaggerating the matter when we require of a student aspiring to true virtuosity, that he should play these exercises through every day.",
      "original": "The greatest artists find it necessary to repeat daily exercises for several hours, merely to “keep up their playing.” We should not, therefore, be accused of exaggerating the matter when we require of a student aspiring to true virtuosity, that he should play these exercises through every day.",
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      "blockId": "hanon-exercise-031",
      "title": "Exercise 31",
      "group": "Part II",
      "page": 42
    },
    {
      "blockId": "hanon-exercise-032",
      "title": "Exercise 32",
      "group": "Part II",
      "page": 43
    },
    {
      "blockId": "hanon-exercise-033",
      "title": "Exercise 33",
      "group": "Part II",
      "page": 44
    },
    {
      "blockId": "hanon-exercise-034",
      "title": "Exercise 34",
      "group": "Part II",
      "page": 45
    },
    {
      "blockId": "hanon-exercise-035",
      "title": "Exercise 35",
      "group": "Part II",
      "page": 46
    },
    {
      "blockId": "hanon-exercise-036",
      "title": "Exercise 36",
      "group": "Part II",
      "page": 47
    },
    {
      "blockId": "hanon-exercise-037",
      "title": "Exercise 37",
      "group": "Part II",
      "page": 47
    },
    {
      "blockId": "hanon-exercise-038",
      "title": "Exercise 38",
      "group": "Part II",
      "page": 48
    },
    {
      "blockId": "hanon-exercise-039",
      "title": "Exercise 39",
      "group": "Part II",
      "page": 50
    },
    {
      "blockId": "hanon-039-c-major-caption",
      "title": "C major.",
      "group": "Exercise 39",
      "page": 50
    },
    {
      "blockId": "hanon-039-a-harmonic-minor-caption",
      "title": "1. A minor, relative to C major.",
      "group": "Exercise 39",
      "page": 50
    },
    {
      "blockId": "hanon-039-a-melodic-minor-caption",
      "title": "2. A minor, relative to C major.",
      "group": "Exercise 39",
      "page": 50
    },
    {
      "blockId": "hanon-039-f-major-caption",
      "title": "F major.",
      "group": "Exercise 39",
      "page": 51
    },
    {
      "blockId": "hanon-039-d-harmonic-minor-caption",
      "title": "1. D minor.",
      "group": "Exercise 39",
      "page": 51
    },
    {
      "blockId": "hanon-039-d-melodic-minor-caption",
      "title": "2. D minor.",
      "group": "Exercise 39",
      "page": 51
    },
    {
      "blockId": "hanon-039-bb-major-caption",
      "title": "B♭ major.",
      "group": "Exercise 39",
      "page": 52
    },
    {
      "blockId": "hanon-039-g-harmonic-minor-caption",
      "title": "1. G minor.",
      "group": "Exercise 39",
      "page": 52
    },
    {
      "blockId": "hanon-039-g-melodic-minor-caption",
      "title": "2. G minor.",
      "group": "Exercise 39",
      "page": 52
    },
    {
      "blockId": "hanon-039-eb-major-caption",
      "title": "E♭ major.",
      "group": "Exercise 39",
      "page": 53
    },
    {
      "blockId": "hanon-039-c-harmonic-minor-caption",
      "title": "1. C minor.",
      "group": "Exercise 39",
      "page": 53
    },
    {
      "blockId": "hanon-039-c-melodic-minor-caption",
      "title": "2. C minor.",
      "group": "Exercise 39",
      "page": 53
    },
    {
      "blockId": "hanon-039-ab-major-caption",
      "title": "A♭ major.",
      "group": "Exercise 39",
      "page": 54
    },
    {
      "blockId": "hanon-039-f-harmonic-minor-caption",
      "title": "1. F minor.",
      "group": "Exercise 39",
      "page": 54
    },
    {
      "blockId": "hanon-039-f-melodic-minor-caption",
      "title": "2. F minor.",
      "group": "Exercise 39",
      "page": 54
    },
    {
      "blockId": "hanon-039-db-major-caption",
      "title": "D♭ major.",
      "group": "Exercise 39",
      "page": 55
    },
    {
      "blockId": "hanon-039-bb-harmonic-minor-caption",
      "title": "1. B♭ minor.",
      "group": "Exercise 39",
      "page": 55
    },
    {
      "blockId": "hanon-039-bb-melodic-minor-caption",
      "title": "2. B♭ minor.",
      "group": "Exercise 39",
      "page": 55
    },
    {
      "blockId": "hanon-039-gb-major-caption",
      "title": "G♭ major.",
      "group": "Exercise 39",
      "page": 56
    },
    {
      "blockId": "hanon-039-eb-harmonic-minor-caption",
      "title": "1. E♭ minor.",
      "group": "Exercise 39",
      "page": 56
    },
    {
      "blockId": "hanon-039-eb-melodic-minor-caption",
      "title": "2. E♭ minor.",
      "group": "Exercise 39",
      "page": 56
    },
    {
      "blockId": "hanon-039-b-major-caption",
      "title": "B major.",
      "group": "Exercise 39",
      "page": 57
    },
    {
      "blockId": "hanon-039-gsharp-harmonic-minor-caption",
      "title": "1. G♯ minor.",
      "group": "Exercise 39",
      "page": 57
    },
    {
      "blockId": "hanon-039-gsharp-melodic-minor-caption",
      "title": "2. G♯ minor.",
      "group": "Exercise 39",
      "page": 57
    },
    {
      "blockId": "hanon-039-e-major-caption",
      "title": "E major.",
      "group": "Exercise 39",
      "page": 58
    },
    {
      "blockId": "hanon-039-csharp-harmonic-minor-caption",
      "title": "1. C♯ minor.",
      "group": "Exercise 39",
      "page": 58
    },
    {
      "blockId": "hanon-039-csharp-melodic-minor-caption",
      "title": "2. C♯ minor.",
      "group": "Exercise 39",
      "page": 58
    },
    {
      "blockId": "hanon-039-a-major-caption",
      "title": "A major.",
      "group": "Exercise 39",
      "page": 59
    },
    {
      "blockId": "hanon-039-fsharp-harmonic-minor-caption",
      "title": "1. F♯ minor.",
      "group": "Exercise 39",
      "page": 59
    },
    {
      "blockId": "hanon-039-fsharp-melodic-minor-caption",
      "title": "2. F♯ minor.",
      "group": "Exercise 39",
      "page": 59
    },
    {
      "blockId": "hanon-039-d-major-caption",
      "title": "D major.",
      "group": "Exercise 39",
      "page": 60
    },
    {
      "blockId": "hanon-039-b-harmonic-minor-caption",
      "title": "1. B minor.",
      "group": "Exercise 39",
      "page": 60
    },
    {
      "blockId": "hanon-039-b-melodic-minor-caption",
      "title": "2. B minor.",
      "group": "Exercise 39",
      "page": 60
    },
    {
      "blockId": "hanon-039-g-major-caption",
      "title": "G major.",
      "group": "Exercise 39",
      "page": 61
    },
    {
      "blockId": "hanon-039-e-harmonic-minor-caption",
      "title": "1. E minor.",
      "group": "Exercise 39",
      "page": 61
    },
    {
      "blockId": "hanon-039-e-melodic-minor-caption",
      "title": "2. E minor.",
      "group": "Exercise 39",
      "page": 61
    },
    {
      "blockId": "hanon-exercise-040",
      "title": "Exercise 40",
      "group": "Part II",
      "page": 62
    },
    {
      "blockId": "hanon-040-octave-caption",
      "title": "Exercise40 — Chromatic scales at an octave",
      "group": "Exercise 40",
      "page": 62
    },
    {
      "blockId": "hanon-040-minor-third-caption",
      "title": "Exercise40 — At a minor third",
      "group": "Exercise 40",
      "page": 62
    },
    {
      "blockId": "hanon-040-major-sixth-caption",
      "title": "Exercise40 — At a major sixth",
      "group": "Exercise 40",
      "page": 63
    },
    {
      "blockId": "hanon-040-minor-sixth-caption",
      "title": "Exercise40 — At a minor sixth",
      "group": "Exercise 40",
      "page": 63
    },
    {
      "blockId": "hanon-040-contrary-octave-caption",
      "title": "Exercise40 — In contrary motion, beginning on the octave.",
      "group": "Exercise 40",
      "page": 64
    },
    {
      "blockId": "hanon-040-contrary-minor-third-caption",
      "title": "Exercise40 — In contrary motion, beginning on the minor third.",
      "group": "Exercise 40",
      "page": 64
    },
    {
      "blockId": "hanon-040-contrary-major-third-caption",
      "title": "Exercise40 — In contrary motion, beginning on the major third.",
      "group": "Exercise 40",
      "page": 64
    },
    {
      "blockId": "hanon-040-legato-fingering-caption",
      "title": "Exercise40 — Another fingering, which we particularly recommend for legato passages.",
      "group": "Exercise 40",
      "page": 64
    },
    {
      "blockId": "hanon-exercise-041",
      "title": "Exercise 41",
      "group": "Part II",
      "page": 65
    },
    {
      "blockId": "hanon-041-c-major-caption",
      "title": "Exercise41 — C major",
      "group": "Exercise 41",
      "page": 65
    },
    {
      "blockId": "hanon-041-a-minor-caption",
      "title": "Exercise41 — A minor, relative to C major",
      "group": "Exercise 41",
      "page": 65
    },
    {
      "blockId": "hanon-041-f-major-caption",
      "title": "Exercise41 — F major",
      "group": "Exercise 41",
      "page": 65
    },
    {
      "blockId": "hanon-041-d-minor-caption",
      "title": "Exercise41 — D minor",
      "group": "Exercise 41",
      "page": 65
    },
    {
      "blockId": "hanon-041-bb-major-caption",
      "title": "Exercise41 — B♭ major",
      "group": "Exercise 41",
      "page": 65
    },
    {
      "blockId": "hanon-041-g-minor-caption",
      "title": "Exercise41 — G minor",
      "group": "Exercise 41",
      "page": 65
    },
    {
      "blockId": "hanon-041-eb-major-caption",
      "title": "Exercise41 — E♭ major",
      "group": "Exercise 41",
      "page": 66
    },
    {
      "blockId": "hanon-041-c-minor-caption",
      "title": "Exercise41 — C minor",
      "group": "Exercise 41",
      "page": 66
    },
    {
      "blockId": "hanon-041-ab-major-caption",
      "title": "Exercise41 — A♭ major",
      "group": "Exercise 41",
      "page": 66
    },
    {
      "blockId": "hanon-041-f-minor-caption",
      "title": "Exercise41 — F minor",
      "group": "Exercise 41",
      "page": 66
    },
    {
      "blockId": "hanon-041-db-major-caption",
      "title": "Exercise41 — D♭ major",
      "group": "Exercise 41",
      "page": 66
    },
    {
      "blockId": "hanon-041-bb-minor-caption",
      "title": "Exercise41 — B♭ minor",
      "group": "Exercise 41",
      "page": 66
    },
    {
      "blockId": "hanon-041-gb-major-caption",
      "title": "Exercise41 — G♭ major",
      "group": "Exercise 41",
      "page": 67
    },
    {
      "blockId": "hanon-041-eb-minor-caption",
      "title": "Exercise41 — E♭ minor",
      "group": "Exercise 41",
      "page": 67
    },
    {
      "blockId": "hanon-041-b-major-caption",
      "title": "Exercise41 — B major",
      "group": "Exercise 41",
      "page": 67
    },
    {
      "blockId": "hanon-041-gs-minor-caption",
      "title": "Exercise41 — G♯ minor",
      "group": "Exercise 41",
      "page": 67
    },
    {
      "blockId": "hanon-041-e-major-caption",
      "title": "Exercise41 — E major",
      "group": "Exercise 41",
      "page": 67
    },
    {
      "blockId": "hanon-041-cs-minor-caption",
      "title": "Exercise41 — C♯ minor",
      "group": "Exercise 41",
      "page": 67
    },
    {
      "blockId": "hanon-041-a-major-caption",
      "title": "Exercise41 — A major",
      "group": "Exercise 41",
      "page": 68
    },
    {
      "blockId": "hanon-041-fs-minor-caption",
      "title": "Exercise41 — F♯ minor",
      "group": "Exercise 41",
      "page": 68
    },
    {
      "blockId": "hanon-041-d-major-caption",
      "title": "Exercise41 — D major",
      "group": "Exercise 41",
      "page": 68
    },
    {
      "blockId": "hanon-041-b-minor-caption",
      "title": "Exercise41 — B minor",
      "group": "Exercise 41",
      "page": 68
    },
    {
      "blockId": "hanon-041-g-major-caption",
      "title": "Exercise41 — G major",
      "group": "Exercise 41",
      "page": 68
    },
    {
      "blockId": "hanon-041-e-minor-caption",
      "title": "Exercise41 — E minor",
      "group": "Exercise 41",
      "page": 68
    },
    {
      "blockId": "hanon-exercise-042",
      "title": "Exercise 42",
      "group": "Part II",
      "page": 69
    },
    {
      "blockId": "hanon-exercise-043",
      "title": "Exercise 43",
      "group": "Part II",
      "page": 70
    },
    {
      "blockId": "hanon-exercise-044",
      "title": "Exercise 44",
      "group": "Part III",
      "page": 72
    },
    {
      "blockId": "hanon-exercise-045",
      "title": "Exercise 45",
      "group": "Part III",
      "page": 74
    },
    {
      "blockId": "hanon-045-fingering1-caption",
      "title": "Notes repeated in groups of two, by all five fingers. — 1st fingering.",
      "group": "Exercise 45",
      "page": 74
    },
    {
      "blockId": "hanon-045-fingering2-caption",
      "title": "Notes repeated in groups of two, by all five fingers. — 2d fingering.",
      "group": "Exercise 45",
      "page": 74
    },
    {
      "blockId": "hanon-045-fingering3-caption",
      "title": "Notes repeated in groups of two, by all five fingers. — 3d fingering.",
      "group": "Exercise 45",
      "page": 74
    },
    {
      "blockId": "hanon-045-fingering4-caption",
      "title": "Notes repeated in groups of two, by all five fingers. — 4th fingering.",
      "group": "Exercise 45",
      "page": 75
    },
    {
      "blockId": "hanon-045-fingering5-caption",
      "title": "Notes repeated in groups of two, by all five fingers. — 5th fingering.",
      "group": "Exercise 45",
      "page": 75
    },
    {
      "blockId": "hanon-045-fingering6-caption",
      "title": "Notes repeated in groups of two, by all five fingers. — 6th fingering.",
      "group": "Exercise 45",
      "page": 75
    },
    {
      "blockId": "hanon-exercise-046",
      "title": "Exercise 46",
      "group": "Part III",
      "page": 76
    },
    {
      "blockId": "hanon-exercise-047",
      "title": "Exercise 47",
      "group": "Part III",
      "page": 78
    },
    {
      "blockId": "hanon-exercise-048",
      "title": "Exercise 48",
      "group": "Part III",
      "page": 79
    },
    {
      "blockId": "hanon-048-caption",
      "title": "Wrist-exercise. Detached Thirds and Sixths.",
      "group": "Exercise 48",
      "page": 79
    },
    {
      "blockId": "hanon-048-sixths-caption",
      "title": "Detached Sixths.",
      "group": "Exercise 48",
      "page": 80
    },
    {
      "blockId": "hanon-exercise-049",
      "title": "Exercise 49",
      "group": "Part III",
      "page": 81
    },
    {
      "blockId": "hanon-049-caption",
      "title": "Stretches from the 1st to the 4th fingers, and from the 2d to the 5th, in each hand.",
      "group": "Exercise 49",
      "page": 81
    },
    {
      "blockId": "hanon-049-continuation-caption",
      "title": "Continuation of the preceding exercise.",
      "group": "Exercise 49",
      "page": 81
    },
    {
      "blockId": "hanon-exercise-050",
      "title": "Exercise 50",
      "group": "Part III",
      "page": 82
    },
    {
      "blockId": "hanon-050-caption",
      "title": "Legato Thirds.",
      "group": "Exercise 50",
      "page": 82
    },
    {
      "blockId": "hanon-050-diatonic-thirds-caption",
      "title": "Scales in Legato Thirds.",
      "group": "Exercise 50",
      "page": 83
    },
    {
      "blockId": "hanon-050-chromatic-thirds-caption",
      "title": "Chromatic scales in minor thirds.",
      "group": "Exercise 50",
      "page": 83
    },
    {
      "blockId": "hanon-exercise-051",
      "title": "Exercise 51",
      "group": "Part III",
      "page": 84
    },
    {
      "blockId": "hanon-051-caption",
      "title": "Preparatory Exercise for Scales in Octaves.",
      "group": "Exercise 51",
      "page": 84
    },
    {
      "blockId": "hanon-051-continuation-caption",
      "title": "Preparatory Exercise for Scales in Octaves — continuation.",
      "group": "Exercise 51",
      "page": 86
    },
    {
      "blockId": "hanon-051-chromatic1-caption",
      "title": "Chromatic octaves — pattern1.",
      "group": "Exercise 51",
      "page": 86
    },
    {
      "blockId": "hanon-051-chromatic2-caption",
      "title": "Chromatic octaves — pattern2.",
      "group": "Exercise 51",
      "page": 86
    },
    {
      "blockId": "hanon-exercise-052",
      "title": "Exercise 52",
      "group": "Part III",
      "page": 87
    },
    {
      "blockId": "hanon-052-c-major-caption",
      "title": "Exercise 52 — C major",
      "group": "Exercise 52",
      "page": 87
    },
    {
      "blockId": "hanon-052-g-major-caption",
      "title": "Exercise 52 — G major",
      "group": "Exercise 52",
      "page": 87
    },
    {
      "blockId": "hanon-052-d-major-caption",
      "title": "Exercise 52 — D major",
      "group": "Exercise 52",
      "page": 87
    },
    {
      "blockId": "hanon-052-a-major-caption",
      "title": "Exercise 52 — A major",
      "group": "Exercise 52",
      "page": 88
    },
    {
      "blockId": "hanon-052-e-major-caption",
      "title": "Exercise 52 — E major",
      "group": "Exercise 52",
      "page": 88
    },
    {
      "blockId": "hanon-052-f-major-caption",
      "title": "Exercise 52 — F major",
      "group": "Exercise 52",
      "page": 88
    },
    {
      "blockId": "hanon-052-b-flat-major-caption",
      "title": "Exercise 52 — B♭ major",
      "group": "Exercise 52",
      "page": 89
    },
    {
      "blockId": "hanon-052-e-flat-major-caption",
      "title": "Exercise 52 — E♭ major",
      "group": "Exercise 52",
      "page": 89
    },
    {
      "blockId": "hanon-052-a-flat-major-caption",
      "title": "Exercise 52 — A♭ major",
      "group": "Exercise 52",
      "page": 89
    },
    {
      "blockId": "hanon-052-a-minor-caption",
      "title": "Exercise 52 — A minor",
      "group": "Exercise 52",
      "page": 90
    },
    {
      "blockId": "hanon-052-d-minor-caption",
      "title": "Exercise 52 — D minor",
      "group": "Exercise 52",
      "page": 90
    },
    {
      "blockId": "hanon-052-g-minor-caption",
      "title": "Exercise 52 — G minor",
      "group": "Exercise 52",
      "page": 90
    },
    {
      "blockId": "hanon-exercise-053",
      "title": "Exercise 53",
      "group": "Part III",
      "page": 91
    },
    {
      "blockId": "hanon-exercise-054",
      "title": "Exercise 54",
      "group": "Part III",
      "page": 95
    },
    {
      "blockId": "hanon-exercise-055",
      "title": "Exercise 55",
      "group": "Part III",
      "page": 96
    },
    {
      "blockId": "hanon-055-main-caption",
      "title": "Exercise55 — The Threefold Trill",
      "group": "Exercise 55",
      "page": 96
    },
    {
      "blockId": "hanon-055-special-1-caption",
      "title": "Special fingerings for the fourfold Trill — legato",
      "group": "Exercise 55",
      "page": 98
    },
    {
      "blockId": "hanon-055-special-2-caption",
      "title": "Special fingerings for the fourfold Trill — another fingering",
      "group": "Exercise 55",
      "page": 98
    },
    {
      "blockId": "hanon-055-special-3-caption",
      "title": "Special fingerings for the fourfold Trill — bass-note study",
      "group": "Exercise 55",
      "page": 98
    },
    {
      "blockId": "hanon-exercise-056",
      "title": "Exercise 56",
      "group": "Part III",
      "page": 98
    },
    {
      "blockId": "hanon-056-c-major-caption",
      "title": "C major.",
      "group": "Exercise 56",
      "page": 98
    },
    {
      "blockId": "hanon-056-a-minor-caption",
      "title": "A minor.",
      "group": "Exercise 56",
      "page": 99
    },
    {
      "blockId": "hanon-056-f-major-caption",
      "title": "F major.",
      "group": "Exercise 56",
      "page": 99
    },
    {
      "blockId": "hanon-056-d-minor-caption",
      "title": "D minor.",
      "group": "Exercise 56",
      "page": 99
    },
    {
      "blockId": "hanon-056-bb-major-caption",
      "title": "B♭ major.",
      "group": "Exercise 56",
      "page": 99
    },
    {
      "blockId": "hanon-056-g-minor-caption",
      "title": "G minor.",
      "group": "Exercise 56",
      "page": 99
    },
    {
      "blockId": "hanon-056-eb-major-caption",
      "title": "E♭ major.",
      "group": "Exercise 56",
      "page": 100
    },
    {
      "blockId": "hanon-056-c-minor-caption",
      "title": "C minor.",
      "group": "Exercise 56",
      "page": 100
    },
    {
      "blockId": "hanon-056-ab-major-caption",
      "title": "A♭ major.",
      "group": "Exercise 56",
      "page": 100
    },
    {
      "blockId": "hanon-056-f-minor-caption",
      "title": "F minor.",
      "group": "Exercise 56",
      "page": 100
    },
    {
      "blockId": "hanon-056-db-major-caption",
      "title": "D♭ major.",
      "group": "Exercise 56",
      "page": 100
    },
    {
      "blockId": "hanon-056-bb-minor-caption",
      "title": "B♭ minor.",
      "group": "Exercise 56",
      "page": 100
    },
    {
      "blockId": "hanon-056-gb-major-caption",
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      "group": "Part III",
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      "source_image": "source-pages/p-107.jpg",
      "published": true
    },
    {
      "pdf_page": 108,
      "printed_page": 107,
      "source_image": "source-pages/p-108.jpg",
      "published": true
    },
    {
      "pdf_page": 109,
      "printed_page": 108,
      "source_image": "source-pages/p-109.jpg",
      "published": true
    },
    {
      "pdf_page": 110,
      "printed_page": 109,
      "source_image": "source-pages/p-110.jpg",
      "published": true
    },
    {
      "pdf_page": 111,
      "printed_page": 110,
      "source_image": "source-pages/p-111.jpg",
      "published": true
    },
    {
      "pdf_page": 112,
      "printed_page": 111,
      "source_image": "source-pages/p-112.jpg",
      "published": true
    },
    {
      "pdf_page": 113,
      "printed_page": 112,
      "source_image": "source-pages/p-113.jpg",
      "published": true
    },
    {
      "pdf_page": 114,
      "printed_page": 113,
      "source_image": "source-pages/p-114.jpg",
      "published": true
    },
    {
      "pdf_page": 115,
      "printed_page": 114,
      "source_image": "source-pages/p-115.jpg",
      "published": true
    },
    {
      "pdf_page": 116,
      "printed_page": 115,
      "source_image": "source-pages/p-116.jpg",
      "published": true
    }
  ],
  "lessons": [],
  "uncertain_readings": [
    {
      "id": "hanon-004-note-0",
      "reason": "The first (1) reference belongs to bar1 in the source. The renderer may place it above bar11; consult Original for its printed position.",
      "sources": [
        {
          "pdf_page": 6,
          "printed_page": 5,
          "source_image": "source-pages/p-006.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-010-note-1",
      "reason": "The first (1) reference belongs to bar1 in the source. The renderer may place it above bar11; consult Original for its printed position.",
      "sources": [
        {
          "pdf_page": 12,
          "printed_page": 11,
          "source_image": "source-pages/p-012.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-028-note-2",
      "reason": "Bar 5, RH, note 14: isolated visible dot centered just above notehead MusicXML notations/articulations/staccato placement=above; provisional source reading archivePDF35 has no correspondingdot",
      "sources": [
        {
          "pdf_page": 37,
          "printed_page": 36,
          "source_image": "source-pages/p-037.jpg"
        },
        {
          "pdf_page": 38,
          "printed_page": 37,
          "source_image": "source-pages/p-038.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-035-note-3",
      "reason": "Bar 6, LH, note 6: Primarysource shows5 whereprecedingpatternbars show3; preserved withoutnormalization. printedfingering5",
      "sources": [
        {
          "pdf_page": 47,
          "printed_page": 46,
          "source_image": "source-pages/p-047.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-039-d-major-note-4",
      "reason": "Printed bar7LH finalE2 has fingering1 below its beam, immediately above another1 belonging to followingBminor scale. Both glyphs inspected in enlarged context; retain the first1 onE2, despite unusual fingering. Independent source review should recheck this site.",
      "sources": [
        {
          "pdf_page": 61,
          "printed_page": 60,
          "source_image": "source-pages/p-061.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-042-note-5",
      "reason": "Printed LH fingering below first note of F-root descending bar16 is heavily damaged/inked; no digit invented. Original source remains authoritative.",
      "sources": [
        {
          "pdf_page": 70,
          "printed_page": 69,
          "source_image": "source-pages/p-070.jpg"
        },
        {
          "pdf_page": 71,
          "printed_page": 70,
          "source_image": "source-pages/p-071.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-048-sixths-note-6",
      "reason": "Preparatory lower RH fingering read as serif1; main passage explicitly1/5. Enlarged primary/archive evidence retained for independent review.",
      "sources": [
        {
          "pdf_page": 81,
          "printed_page": 80,
          "source_image": "source-pages/p-081.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-050-diatonic-thirds-note-7",
      "reason": "Source half-note heads embedded within beamed sixteenths indicate momentary finger retention, explicitly described as for an instant; no exact release duration given.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-050-diatonic-thirds-note-8",
      "reason": "Metrical onsets preserved; duration of instructional holds is not verified. Do not read open heads as metrical half-note sustains.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-050-chromatic-thirds-note-9",
      "reason": "Instructional finger-retention heads as explained immediately above in Scales in Legato Thirds; source-spelled E#/G# ascending retained.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-050-chromatic-thirds-note-10",
      "reason": "Metrical onsets preserved; unspecified extra hold time is not quantified or realized.",
      "sources": [
        {
          "pdf_page": 84,
          "printed_page": 83,
          "source_image": "source-pages/p-084.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-051-note-11",
      "reason": "Bar 32, LH, note 16: Source ends LH octave D2/D3 while RH ends F4/F5; preserved unequal ending rather than silently matching hands.",
      "sources": [
        {
          "pdf_page": 85,
          "printed_page": 84,
          "source_image": "source-pages/p-085.jpg"
        },
        {
          "pdf_page": 86,
          "printed_page": 85,
          "source_image": "source-pages/p-086.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-052-g-minor-note-12",
      "reason": "Exercise52 G minor, LH bar7 start: Editorial bass-clef return encoded at bar7; follows source note positions and octave-doubled third pattern. Added clef is not printed in the primary source.",
      "sources": [
        {
          "pdf_page": 91,
          "printed_page": 90,
          "source_image": "source-pages/p-091.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-054-note-13",
      "reason": "In bars20–22, the renderer places some left-hand fingerings above the upper staff. Their note and hand assignments are retained in MusicXML; consult Original for the printed placement.",
      "sources": [
        {
          "pdf_page": 96,
          "printed_page": 95,
          "source_image": "source-pages/p-096.jpg"
        },
        {
          "pdf_page": 97,
          "printed_page": 96,
          "source_image": "source-pages/p-097.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-060-note-14",
      "reason": "Split-duration LH bass groups (first occurs bar2 beats3–4): Shared E3 head has opposing32nd/16th stems. Single attack retained; upper tremolo E3 released as32nd; lower A2/C3 retained as16ths. Exact E3 release unspecified by source; no duplicate/invented sustained E3.",
      "sources": [
        {
          "pdf_page": 111,
          "printed_page": 110,
          "source_image": "source-pages/p-111.jpg"
        },
        {
          "pdf_page": 112,
          "printed_page": 111,
          "source_image": "source-pages/p-112.jpg"
        },
        {
          "pdf_page": 113,
          "printed_page": 112,
          "source_image": "source-pages/p-113.jpg"
        },
        {
          "pdf_page": 114,
          "printed_page": 113,
          "source_image": "source-pages/p-114.jpg"
        },
        {
          "pdf_page": 115,
          "printed_page": 114,
          "source_image": "source-pages/p-115.jpg"
        },
        {
          "pdf_page": 116,
          "printed_page": 115,
          "source_image": "source-pages/p-116.jpg"
        }
      ],
      "status": "needs-review"
    },
    {
      "id": "hanon-060-note-15",
      "reason": "The renderer may omit dashed continuation lines after cresc. and dim.; the words remain visible. Original and MusicXML retain the complete spans.",
      "sources": [
        {
          "pdf_page": 111,
          "printed_page": 110,
          "source_image": "source-pages/p-111.jpg"
        },
        {
          "pdf_page": 112,
          "printed_page": 111,
          "source_image": "source-pages/p-112.jpg"
        },
        {
          "pdf_page": 113,
          "printed_page": 112,
          "source_image": "source-pages/p-113.jpg"
        },
        {
          "pdf_page": 114,
          "printed_page": 113,
          "source_image": "source-pages/p-114.jpg"
        },
        {
          "pdf_page": 115,
          "printed_page": 114,
          "source_image": "source-pages/p-115.jpg"
        },
        {
          "pdf_page": 116,
          "printed_page": 115,
          "source_image": "source-pages/p-116.jpg"
        }
      ],
      "status": "needs-review"
    }
  ],
  "translator_notes": [],
  "coverage": {
    "total_pdf_pages": 116,
    "published_pdf_pages": [
      1,
      2,
      3,
      4,
      5,
      6,
      7,
      8,
      9,
      10,
      11,
      12,
      13,
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      16,
      17,
      18,
      19,
      20,
      21,
      22,
      23,
      24,
      25,
      26,
      27,
      28,
      29,
      30,
      31,
      32,
      33,
      34,
      35,
      36,
      37,
      38,
      39,
      40,
      41,
      42,
      43,
      44,
      45,
      46,
      47,
      48,
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      91,
      92,
      93,
      94,
      95,
      96,
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      104,
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      106,
      107,
      108,
      109,
      110,
      111,
      112,
      113,
      114,
      115,
      116
    ],
    "complete": true
  },
  "notation_coverage": {
    "exercises": 60,
    "scores": 199,
    "independent_ai_review": true,
    "human_review": false
  },
  "coverage_note": "60/60 exercises authored; 199 score variants. AI review draft."
}
