{ "schema_version": 1, "id": "kitson-counterpoint", "title": "Counterpoint for Beginners", "work_title": "Counterpoint for Beginners", "author": "C. H. Kitson", "reader_title": "Kitson · Counterpoint for Beginners", "share_attribution": "C. H. Kitson · Counterpoint for Beginners", "source_language": "en", "source_label": "English", "reading_versions": [ "en" ], "status": "reflowed-edition", "verification_status": "source-compared-prose", "edition_note": "Reflowed from the 1927 Oxford University Press first printing (University of Rochester, Sibley Music Library copy). Every page was transcribed from the page image and compared with it; source pages remain available. AI source comparison, not independent human proofreading.", "notation_note": "Every example keeps its original engraving. Examples marked playable were read from the print twice, independently, compared note for note, and checked against the original image; others show the original only.", "coverage_note": "114 of 114 source pages; 376 music examples, 376 playable from notation read from the print.", "blocks": [ { "id": "kitson-title", "type": "heading", "heading_level": 2, "english": "Counterpoint for Beginners", "original": "Counterpoint for Beginners", "sources": [], "reading_order": 1 }, { "id": "kitson-byline", "type": "paragraph", "english": "C. H. Kitson · London: Oxford University Press, 1927", "original": "C. H. Kitson · London: Oxford University Press, 1927", "sources": [], "reading_order": 2 }, { "id": "kitson-p001-1", "type": "paragraph", "sources": [ { "pdf_page": 1, "source_image": "source-pages/p-001.jpg", "printed_label": "PDF 1" } ], "english": "Counterpoint for Beginners", "original": "Counterpoint for Beginners", "inline": [ { "text": "Counterpoint " }, { "text": "for", "tag": "em" }, { "text": " Beginners" } ], "reading_order": 3 }, { "id": "kitson-p002-1", "type": "paragraph", "sources": [ { "pdf_page": 2, "source_image": "source-pages/p-002.jpg", "printed_label": "PDF 2" } ], "english": "Oxford University Press", "original": "Oxford University Press", "reading_order": 4 }, { "id": "kitson-p002-2", "type": "paragraph", "sources": [ { "pdf_page": 2, "source_image": "source-pages/p-002.jpg", "printed_label": "PDF 2" } ], "english": "London Edinburgh Glasgow Copenhagen", "original": "London Edinburgh Glasgow Copenhagen", "inline": [ { "text": "London Edinburgh Glasgow Copenhagen", "tag": "em" } ], "reading_order": 5 }, { "id": "kitson-p002-3", "type": "paragraph", "sources": [ { "pdf_page": 2, "source_image": "source-pages/p-002.jpg", "printed_label": "PDF 2" } ], "english": "New York Toronto Melbourne Cape Town", "original": "New York Toronto Melbourne Cape Town", "inline": [ { "text": "New York Toronto Melbourne Cape Town", "tag": "em" } ], "reading_order": 6 }, { "id": "kitson-p002-4", "type": "paragraph", "sources": [ { "pdf_page": 2, "source_image": "source-pages/p-002.jpg", "printed_label": "PDF 2" } ], "english": "Bombay Calcutta Madras Shanghai", "original": "Bombay Calcutta Madras Shanghai", "inline": [ { "text": "Bombay Calcutta Madras Shanghai", "tag": "em" } ], "reading_order": 7 }, { "id": "kitson-p002-5", "type": "paragraph", "sources": [ { "pdf_page": 2, "source_image": "source-pages/p-002.jpg", "printed_label": "PDF 2" } ], "english": "Humphrey Milford Publisher to the University", "original": "Humphrey Milford Publisher to the University", "reading_order": 8 }, { "id": "kitson-p003-1", "type": "heading", "sources": [ { "pdf_page": 3, "source_image": "source-pages/p-003.jpg", "printed_label": "PDF 3" } ], "heading_level": 2, "english": "Counterpoint for Beginners", "original": "Counterpoint for Beginners", "inline": [ { "text": "Counterpoint " }, { "text": "for", "tag": "em" }, { "text": " Beginners" } ], "reading_order": 9 }, { "id": "kitson-p003-2", "type": "paragraph", "sources": [ { "pdf_page": 3, "source_image": "source-pages/p-003.jpg", "printed_label": "PDF 3" } ], "english": "By C. H. Kitson", "original": "By C. H. Kitson", "inline": [ { "text": "By", "tag": "em" }, { "text": " C. H. Kitson" } ], "reading_order": 10 }, { "id": "kitson-p003-3", "type": "paragraph", "sources": [ { "pdf_page": 3, "source_image": "source-pages/p-003.jpg", "printed_label": "PDF 3" } ], "english": "Professor of Music in the University of Dublin", "original": "Professor of Music in the University of Dublin", "inline": [ { "text": "Professor of Music in the University of Dublin", "tag": "em" } ], "reading_order": 11 }, { "id": "kitson-p003-4", "type": "paragraph", "sources": [ { "pdf_page": 3, "source_image": "source-pages/p-003.jpg", "printed_label": "PDF 3" } ], "english": "London", "original": "London", "inline": [ { "text": "London", "tag": "em" } ], "reading_order": 12 }, { "id": "kitson-p003-5", "type": "paragraph", "sources": [ { "pdf_page": 3, "source_image": "source-pages/p-003.jpg", "printed_label": "PDF 3" } ], "english": "Oxford University Press", "original": "Oxford University Press", "reading_order": 13 }, { "id": "kitson-p003-6", "type": "paragraph", "sources": [ { "pdf_page": 3, "source_image": "source-pages/p-003.jpg", "printed_label": "PDF 3" } ], "english": "Humphrey Milford", "original": "Humphrey Milford", "reading_order": 14 }, { "id": "kitson-p003-7", "type": "paragraph", "sources": [ { "pdf_page": 3, "source_image": "source-pages/p-003.jpg", "printed_label": "PDF 3" } ], "english": "1927", "original": "1927", "reading_order": 15 }, { "id": "kitson-p004-1", "type": "paragraph", "sources": [ { "pdf_page": 4, "source_image": "source-pages/p-004.jpg", "printed_label": "PDF 4" } ], "english": "Printed in England", "original": "Printed in England", "inline": [ { "text": "Printed in England", "tag": "em" } ], "reading_order": 16 }, { "id": "kitson-p004-2", "type": "paragraph", "sources": [ { "pdf_page": 4, "source_image": "source-pages/p-004.jpg", "printed_label": "PDF 4" } ], "english": "At the Oxford University Press", "original": "At the Oxford University Press", "inline": [ { "text": "At the", "tag": "em" }, { "text": " Oxford University Press" } ], "reading_order": 17 }, { "id": "kitson-p004-3", "type": "paragraph", "sources": [ { "pdf_page": 4, "source_image": "source-pages/p-004.jpg", "printed_label": "PDF 4" } ], "english": "By John Johnson", "original": "By John Johnson", "inline": [ { "text": "By John Johnson", "tag": "em" } ], "reading_order": 18 }, { "id": "kitson-p004-4", "type": "paragraph", "sources": [ { "pdf_page": 4, "source_image": "source-pages/p-004.jpg", "printed_label": "PDF 4" } ], "english": "Printer to the University", "original": "Printer to the University", "inline": [ { "text": "Printer to the University", "tag": "em" } ], "reading_order": 19 }, { "id": "kitson-p005-1", "type": "heading", "sources": [ { "pdf_page": 5, "source_image": "source-pages/p-005.jpg", "printed_label": "PDF 5" } ], "heading_level": 2, "english": "Preface", "original": "Preface", "reading_order": 20 }, { "id": "kitson-p005-2", "type": "paragraph", "sources": [ { "pdf_page": 5, "source_image": "source-pages/p-005.jpg", "printed_label": "PDF 5" } ], "english": "Like my Elementary Harmony, this book is for beginners, and for students in schools of music who have to learn only a limited amount of Strict Counterpoint, and have a very small amount of time to devote to the subject. I have therefore tried to find the simplest and quickest way of arriving at three-part Combined Florid Counterpoint. For the sake of brevity, I have been compelled to be dogmatic. But those who so desire can verify the statements from my larger Art of Counterpoint. This book goes only as far as Counterpoint in three parts. But there is no further technique to learn, no matter what the number of parts; it is merely a matter of licence as to consecutives. Counterpoint in four or more parts only differs from that in three parts in the increased difficulty of manipulating more parts. I trust therefore that, while the book is intended primarily for beginners, it may also be of service to more advanced students. There are various new features in the book.", "original": "Like my Elementary Harmony, this book is for beginners, and for students in schools of music who have to learn only a limited amount of Strict Counterpoint, and have a very small amount of time to devote to the subject. I have therefore tried to find the simplest and quickest way of arriving at three-part Combined Florid Counterpoint. For the sake of brevity, I have been compelled to be dogmatic. But those who so desire can verify the statements from my larger Art of Counterpoint. This book goes only as far as Counterpoint in three parts. But there is no further technique to learn, no matter what the number of parts; it is merely a matter of licence as to consecutives. Counterpoint in four or more parts only differs from that in three parts in the increased difficulty of manipulating more parts. I trust therefore that, while the book is intended primarily for beginners, it may also be of service to more advanced students. There are various new features in the book.", "inline": [ { "text": "Like my " }, { "text": "Elementary Harmony", "tag": "em" }, { "text": ", this book is for beginners, and for students in schools of music who have to learn only a limited amount of Strict Counterpoint, and have a very small amount of time to devote to the subject. I have therefore tried to find the simplest and quickest way of arriving at three-part Combined Florid Counterpoint. For the sake of brevity, I have been compelled to be dogmatic. But those who so desire can verify the statements from my larger " }, { "text": "Art of Counterpoint", "tag": "em" }, { "text": ". This book goes only as far as Counterpoint in three parts. But there is no further technique to learn, no matter what the number of parts; it is merely a matter of licence as to consecutives. Counterpoint in four or more parts only differs from that in three parts in the increased difficulty of manipulating more parts. I trust therefore that, while the book is intended primarily for beginners, it may also be of service to more advanced students. There are various new features in the book." } ], "reading_order": 21 }, { "id": "kitson-p005-3", "type": "paragraph", "sources": [ { "pdf_page": 5, "source_image": "source-pages/p-005.jpg", "printed_label": "PDF 5" } ], "english": "(1) Simple Counterpoint is studied in two and three parts simultaneously. Good two-part writing is really the result of three-part study. It is only attained when the harmonic implications of two-part work are realized.", "original": "(1) Simple Counterpoint is studied in two and three parts simultaneously. Good two-part writing is really the result of three-part study. It is only attained when the harmonic implications of two-part work are realized.", "reading_order": 22 }, { "id": "kitson-p005-4", "type": "paragraph", "sources": [ { "pdf_page": 5, "source_image": "source-pages/p-005.jpg", "printed_label": "PDF 5" } ], "english": "(2) When the semibreve is the unit, the barring is so arranged as to mark the proper accentuation. (First and Second Species, uncombined.)", "original": "(2) When the semibreve is the unit, the barring is so arranged as to mark the proper accentuation. (First and Second Species, uncombined.)", "reading_order": 23 }, { "id": "kitson-p006-1", "type": "paragraph", "sources": [ { "pdf_page": 6, "source_image": "source-pages/p-006.jpg", "printed_page": 6 } ], "english": "(3) In Chapter VI an attempt is made to arrive at the technique of Combined Florid Counterpoint, without going through the somewhat tedious procedure of working long exercises in the various combinations of species. The difficulties of maintaining definite patterns for ten or twelve bars are not involved in combined florid work. Thus separate Exercises of a bar or two at most are given in combinations that will be required in florid work. The technique covers every possible combination, presented in as systematic a way as I can devise.", "original": "(3) In Chapter VI an attempt is made to arrive at the technique of Combined Florid Counterpoint, without going through the somewhat tedious procedure of working long exercises in the various combinations of species. The difficulties of maintaining definite patterns for ten or twelve bars are not involved in combined florid work. Thus separate Exercises of a bar or two at most are given in combinations that will be required in florid work. The technique covers every possible combination, presented in as systematic a way as I can devise.", "reading_order": 24 }, { "id": "kitson-p006-2", "type": "paragraph", "sources": [ { "pdf_page": 6, "source_image": "source-pages/p-006.jpg", "printed_page": 6 } ], "english": "I have also explained the technique in harmonic terms, which considerably simplifies matters for beginners.", "original": "I have also explained the technique in harmonic terms, which considerably simplifies matters for beginners.", "reading_order": 25 }, { "id": "kitson-p006-3", "type": "paragraph", "sources": [ { "pdf_page": 6, "source_image": "source-pages/p-006.jpg", "printed_page": 6 } ], "english": "C. H. Kitson.", "original": "C. H. Kitson.", "reading_order": 26 }, { "id": "kitson-p007-1", "type": "heading", "sources": [ { "pdf_page": 7, "source_image": "source-pages/p-007.jpg", "printed_label": "PDF 7" } ], "heading_level": 2, "english": "Contents", "original": "Contents", "reading_order": 27 }, { "id": "kitson-p007-2", "type": "paragraph", "english": " Introductory Note 9 Chapter I First Species 13 II Second Species 33 III Third Species 45 IV Fourth Species 61 V Fifth Species 70 VI Two Parts in Fifth Species against the Canto Fermo 78 VII Counterpoint in Triple Time 102 VIII Applied Technique 107", "original": " Introductory Note 9 Chapter I First Species 13 II Second Species 33 III Third Species 45 IV Fourth Species 61 V Fifth Species 70 VI Two Parts in Fifth Species against the Canto Fermo 78 VII Counterpoint in Triple Time 102 VIII Applied Technique 107", "tables": { "en": { "columns": [], "rows": [ [ "", "Introductory Note", "9" ], [ "Chapter I", "First Species", "13" ], [ "II", "Second Species", "33" ], [ "III", "Third Species", "45" ], [ "IV", "Fourth Species", "61" ], [ "V", "Fifth Species", "70" ], [ "VI", "Two Parts in Fifth Species against the Canto Fermo", "78" ], [ "VII", "Counterpoint in Triple Time", "102" ], [ "VIII", "Applied Technique", "107" ] ] } }, "sources": [ { "pdf_page": 7, "source_image": "source-pages/p-007.jpg", "printed_label": "PDF 7" } ], "reading_order": 28 }, { "id": "kitson-p009-1", "type": "heading", "sources": [ { "pdf_page": 9, "source_image": "source-pages/p-009.jpg", "printed_label": "PDF 9" } ], "heading_level": 2, "english": "Introductory Note", "original": "Introductory Note", "reading_order": 29 }, { "id": "kitson-p009-2", "type": "paragraph", "sources": [ { "pdf_page": 9, "source_image": "source-pages/p-009.jpg", "printed_label": "PDF 9" } ], "english": "There can be no argument as to the source of the technique of Strict Counterpoint; but there can be two views as to the reason for studying that technique. One view is that the goal is composition in the style of the sixteenth century. It may be mentioned in passing that the average student will never reach that goal, and does not desire to do so. A second view is that a study of this technique serves as the best preliminary training for modern contrapuntal style. Some one will say, why not make the technique the same as that of harmony, that is to say, free. There is much to say for that argument. But experience shows that discipline is necessary in music as in everything else, and secondly that when the beginner is grappling with the problems of contrapuntal style, he must not at the same time be worried with harmonic problems. In other words, the simpler the resource, the better the contrapuntal results. Good counterpoint is the result of harmonic mastery. Therefore for the beginner, the simpler the harmonic resource, the better will be the counterpoint.", "original": "There can be no argument as to the source of the technique of Strict Counterpoint; but there can be two views as to the reason for studying that technique. One view is that the goal is composition in the style of the sixteenth century. It may be mentioned in passing that the average student will never reach that goal, and does not desire to do so. A second view is that a study of this technique serves as the best preliminary training for modern contrapuntal style. Some one will say, why not make the technique the same as that of harmony, that is to say, free. There is much to say for that argument. But experience shows that discipline is necessary in music as in everything else, and secondly that when the beginner is grappling with the problems of contrapuntal style, he must not at the same time be worried with harmonic problems. In other words, the simpler the resource, the better the contrapuntal results. Good counterpoint is the result of harmonic mastery. Therefore for the beginner, the simpler the harmonic resource, the better will be the counterpoint.", "reading_order": 30 }, { "id": "kitson-p009-3", "type": "paragraph", "sources": [ { "pdf_page": 9, "source_image": "source-pages/p-009.jpg", "printed_label": "PDF 9" }, { "pdf_page": 10, "source_image": "source-pages/p-010.jpg", "printed_page": 10 } ], "english": "But again, some one will say, the technique of Strict Counterpoint was developed before any harmonic period existed. Surely then, the right thing is to begin with Strict Counterpoint. Experience shows that if that method be adopted, progress is amazingly slow. And the reason is not far to seek. By the time of Palestrina, minds were really awakening to the harmonic aspect of music, and composers wrote what was harmonically satisfactory from a really remarkable feeling for the harmonic side of technique. The harmonic aspect of music was about to be brought to the birth. The average student has not much instinct, and the reasons for nearly all his errors in counterpoint are far more easily explained from a harmonic point of view. I am therefore firmly of opinion that before counterpoint is studied, the pupil should have taken a course of harmony up to diatonic sevenths and suspensions, including the use of unessential notes and elementary modulation. This course is presumed in this treatise.", "original": "But again, some one will say, the technique of Strict Counterpoint was developed before any harmonic period existed. Surely then, the right thing is to begin with Strict Counterpoint. Experience shows that if that method be adopted, progress is amazingly slow. And the reason is not far to seek. By the time of Palestrina, minds were really awakening to the harmonic aspect of music, and composers wrote what was harmonically satisfactory from a really remarkable feeling for the harmonic side of technique. The harmonic aspect of music was about to be brought to the birth. The average student has not much instinct, and the reasons for nearly all his errors in counterpoint are far more easily explained from a harmonic point of view. I am therefore firmly of opinion that before counterpoint is studied, the pupil should have taken a course of harmony up to diatonic sevenths and suspensions, including the use of unessential notes and elementary modulation. This course is presumed in this treatise.", "reading_order": 31 }, { "id": "kitson-p010-2", "type": "paragraph", "sources": [ { "pdf_page": 10, "source_image": "source-pages/p-010.jpg", "printed_page": 10 } ], "english": "With this firm harmonic basis, the study of counterpoint may begin with some chance of success.", "original": "With this firm harmonic basis, the study of counterpoint may begin with some chance of success.", "reading_order": 32 }, { "id": "kitson-p010-3", "type": "paragraph", "sources": [ { "pdf_page": 10, "source_image": "source-pages/p-010.jpg", "printed_page": 10 } ], "english": "Putting aside all that, and arguing de novo, we get a formidable array of witnesses against the use of the semibreve Canto Fermo. A ‘fat row of semibreves’ seems to paralyse many minds. My answer to people thus afflicted is, look at the Bach Chorale Prelude in D major, ‘Valet will ich dir geben,’ in which the counterpoint is twelve notes to one. No one would say this was not composition. But the chief argument against the use of the semibreve C. F. is that men in the period did not compose with a C. F. in semibreves. It is news to me that any one ever thought they did, or that technical exercises with the semibreve C. F. represented composition.", "original": "Putting aside all that, and arguing de novo, we get a formidable array of witnesses against the use of the semibreve Canto Fermo. A ‘fat row of semibreves’ seems to paralyse many minds. My answer to people thus afflicted is, look at the Bach Chorale Prelude in D major, ‘Valet will ich dir geben,’ in which the counterpoint is twelve notes to one. No one would say this was not composition. But the chief argument against the use of the semibreve C. F. is that men in the period did not compose with a C. F. in semibreves. It is news to me that any one ever thought they did, or that technical exercises with the semibreve C. F. represented composition.", "inline": [ { "text": "Putting aside all that, and arguing " }, { "text": "de novo", "tag": "em" }, { "text": ", we get a formidable array of witnesses against the use of the semibreve Canto Fermo. A ‘fat row of semibreves’ seems to paralyse many minds. My answer to people thus afflicted is, look at the Bach Chorale Prelude in D major, ‘Valet will ich dir geben,’ in which the counterpoint is twelve notes to one. No one would say this was not composition. But the chief argument against the use of the semibreve C. F. is that men in the period did not compose with a C. F. in semibreves. It is news to me that any one ever thought they did, or that technical exercises with the semibreve C. F. represented composition." } ], "reading_order": 33 }, { "id": "kitson-p010-4", "type": "paragraph", "sources": [ { "pdf_page": 10, "source_image": "source-pages/p-010.jpg", "printed_page": 10 } ], "english": "I have never heard the figured bass, much maligned as it is, criticized because it is not composition. I have never heard the practice of five-finger exercises, scales, arpeggios, and so on, criticized because they did not in themselves constitute a piece of music. The study of technique must be in the first instance separated from its application, and one phase must be studied at a time.", "original": "I have never heard the figured bass, much maligned as it is, criticized because it is not composition. I have never heard the practice of five-finger exercises, scales, arpeggios, and so on, criticized because they did not in themselves constitute a piece of music. The study of technique must be in the first instance separated from its application, and one phase must be studied at a time.", "reading_order": 34 }, { "id": "kitson-p010-5", "type": "paragraph", "sources": [ { "pdf_page": 10, "source_image": "source-pages/p-010.jpg", "printed_page": 10 }, { "pdf_page": 11, "source_image": "source-pages/p-011.jpg", "printed_page": 11 } ], "english": "The first four species of counterpoint are a preparation for the fifth species, for they lay the foundations of that technique. But they are more than that. They are valuable studies in pattern writing. Of course, it will be said that there was no such thing as pattern writing in this period. That is true. But if you are going to study all the possibilities of say four notes to one under one heading—which after all is a sensible thing to do—you must write either separate isolated bars, or else a succession of bars of the combination. That does not mean that you are ever going to write a succession of bars of it in composition in the strict style. But inasmuch as the sole function of the study is not to write motets in sixteenth-century style, these studies have a further use. They are the necessary preparation for free contrapuntal technique in which these things are a salient feature. Experience has, I think, proved this. Let the technique be free as soon as possible, but not at the outset. ‘Strict Counterpoint’ then for the average beginner is a series of technical exercises, based on the sixteenth-century principles in the main, because they are the best means of giving the beginner firm foundations for future development. I have advisedly called this short book ‘Counterpoint for Beginners’. It is not in every detail ‘Strict’ Counterpoint. The following are the deviations:", "original": "The first four species of counterpoint are a preparation for the fifth species, for they lay the foundations of that technique. But they are more than that. They are valuable studies in pattern writing. Of course, it will be said that there was no such thing as pattern writing in this period. That is true. But if you are going to study all the possibilities of say four notes to one under one heading—which after all is a sensible thing to do—you must write either separate isolated bars, or else a succession of bars of the combination. That does not mean that you are ever going to write a succession of bars of it in composition in the strict style. But inasmuch as the sole function of the study is not to write motets in sixteenth-century style, these studies have a further use. They are the necessary preparation for free contrapuntal technique in which these things are a salient feature. Experience has, I think, proved this. Let the technique be free as soon as possible, but not at the outset. ‘Strict Counterpoint’ then for the average beginner is a series of technical exercises, based on the sixteenth-century principles in the main, because they are the best means of giving the beginner firm foundations for future development. I have advisedly called this short book ‘Counterpoint for Beginners’. It is not in every detail ‘Strict’ Counterpoint. The following are the deviations:", "inline": [ { "text": "The first four species of counterpoint are a preparation for the fifth species, for they lay the foundations of that technique. But they are more than that. They are valuable studies in pattern writing. Of course, it will be said that there was no such thing as pattern writing in this period. That is true. But if you are going to study all the possibilities of say four notes to one under one heading—which after all is a sensible thing to do—you must write either separate isolated bars, or else a succession of bars of the combination. That does not mean that you are ever going to write a succession of bars of it in composition in the strict style. But inasmuch as the sole function of the study is not to write motets in sixteenth-century style, these studies have a further use. They are the necessary preparation for free contrapuntal technique in which these things " }, { "text": "are", "tag": "em" }, { "text": " a salient feature. Experience has, I think, proved this. Let the technique be free as soon as possible, but not at the outset. ‘Strict Counterpoint’ then for the average beginner is a series of technical exercises, based on the sixteenth-century principles in the main, because they are the best means of giving the beginner firm foundations for future development. I have advisedly called this short book ‘Counterpoint for Beginners’. It is not in every detail ‘Strict’ Counterpoint. The following are the deviations:" } ], "reading_order": 35 }, { "id": "kitson-p011-2", "type": "paragraph", "english": "(1) The modern major and minor scales are used.\n(2) The principles of the period in reference to consecutives are not generally used, as they are not of permanent value.\n(3) The technique is stated in harmonic terms.", "original": "(1) The modern major and minor scales are used.\n(2) The principles of the period in reference to consecutives are not generally used, as they are not of permanent value.\n(3) The technique is stated in harmonic terms.", "ordered": false, "list_items": [ [ { "text": "(1) The modern major and minor scales are used." } ], [ { "text": "(2) The principles of the period in reference to consecutives are not generally used, as they are not of permanent value." } ], [ { "text": "(3) The technique is stated in harmonic terms." } ] ], "sources": [ { "pdf_page": 11, "source_image": "source-pages/p-011.jpg", "printed_page": 11 } ], "reading_order": 36 }, { "id": "kitson-p011-3", "type": "paragraph", "sources": [ { "pdf_page": 11, "source_image": "source-pages/p-011.jpg", "printed_page": 11 } ], "english": "Experience has proved to me that for the average beginner these slight deviations are wise. If you go back to sixteenth-century technique and outlook in toto, the results will be harmonically crude, because the average beginner has not enough harmonic instinct and a sufficiently musical ear. If, on the other hand, you make the work free, you get contrapuntal chaos.", "original": "Experience has proved to me that for the average beginner these slight deviations are wise. If you go back to sixteenth-century technique and outlook in toto, the results will be harmonically crude, because the average beginner has not enough harmonic instinct and a sufficiently musical ear. If, on the other hand, you make the work free, you get contrapuntal chaos.", "inline": [ { "text": "Experience has proved to me that for the average beginner these slight deviations are wise. If you go back to sixteenth-century technique and outlook " }, { "text": "in toto", "tag": "em" }, { "text": ", the results will be harmonically crude, because the average beginner has not enough harmonic instinct and a sufficiently musical ear. If, on the other hand, you make the work free, you get contrapuntal chaos." } ], "reading_order": 37 }, { "id": "kitson-p011-4", "type": "paragraph", "sources": [ { "pdf_page": 11, "source_image": "source-pages/p-011.jpg", "printed_page": 11 } ], "english": "Though I am of opinion that a study of the combination of the various species is of the highest value, I have not included it in a book for beginners. But I have attempted to reach combined florid work by explaining the various phases, without giving extended technical exercises. This matter is dealt with exhaustively in both Strict and Free styles in my Art of Counterpoint.", "original": "Though I am of opinion that a study of the combination of the various species is of the highest value, I have not included it in a book for beginners. But I have attempted to reach combined florid work by explaining the various phases, without giving extended technical exercises. This matter is dealt with exhaustively in both Strict and Free styles in my Art of Counterpoint.", "inline": [ { "text": "Though I am of opinion that a study of the combination of the various species is of the highest value, I have not included it in a book for beginners. But I have attempted to reach combined florid work by explaining the various phases, without giving extended technical exercises. This matter is dealt with exhaustively in both Strict and Free styles in my " }, { "text": "Art of Counterpoint", "tag": "em" }, { "text": "." } ], "reading_order": 38 }, { "id": "kitson-p011-5", "type": "paragraph", "sources": [ { "pdf_page": 11, "source_image": "source-pages/p-011.jpg", "printed_page": 11 }, { "pdf_page": 12, "source_image": "source-pages/p-012.jpg", "printed_page": 12 } ], "english": "This is an age of destructive criticism. But a destructive policy is futile unless accompanied by a superior constructive one. Those who attempt to dispense with technical study, purely as such, will sooner or later discover their error. And complaints as to Strict Counterpoint generally come from those who cannot do it. It is natural that there should have been a revolt against the misguided teachings of Macfarren and Prout, neither of whom seems to have realized that the principles of Strict Counterpoint had any foundation in practice. If the advanced student wishes to write in sixteenth-century style, then obviously he must study the technique as it was in every detail. This book is not for him. It is for the average student who has to do some counterpoint, whether he likes it or not, whether he has much aptitude or not. And the aim is, by a series of technical exercises, to give him the foundations of contrapuntal writing, and by commencing with this earlier technique, save him from contrapuntal chaos and ruin. I hope that the chapter on Applied Technique will convince the student that his dreary study is not by any means without its immediate practical value.", "original": "This is an age of destructive criticism. But a destructive policy is futile unless accompanied by a superior constructive one. Those who attempt to dispense with technical study, purely as such, will sooner or later discover their error. And complaints as to Strict Counterpoint generally come from those who cannot do it. It is natural that there should have been a revolt against the misguided teachings of Macfarren and Prout, neither of whom seems to have realized that the principles of Strict Counterpoint had any foundation in practice. If the advanced student wishes to write in sixteenth-century style, then obviously he must study the technique as it was in every detail. This book is not for him. It is for the average student who has to do some counterpoint, whether he likes it or not, whether he has much aptitude or not. And the aim is, by a series of technical exercises, to give him the foundations of contrapuntal writing, and by commencing with this earlier technique, save him from contrapuntal chaos and ruin. I hope that the chapter on Applied Technique will convince the student that his dreary study is not by any means without its immediate practical value.", "reading_order": 39 }, { "id": "kitson-p013-1", "type": "heading", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "heading_level": 2, "english": "Chapter I. First Species", "original": "Chapter I. First Species", "reading_order": 40 }, { "id": "kitson-p013-2", "type": "paragraph", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "english": "1. In all purely technical exercises there is a given vocal part in semibreves called the Canto Fermo (fixed song). This begins with Tonic or Dominant, and invariably ends by proceeding from Supertonic to Tonic:", "original": "1. In all purely technical exercises there is a given vocal part in semibreves called the Canto Fermo (fixed song). This begins with Tonic or Dominant, and invariably ends by proceeding from Supertonic to Tonic:", "reading_order": 41 }, { "id": "kitson-p013-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "asset_refs": [ "mus-013-1" ], "reading_order": 42 }, { "id": "kitson-p013-4", "type": "paragraph", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "english": "2. To such a Canto Fermo (termed for short, the C. F.) another vocal part is to be added above or below, as directed, also moving simultaneously in semibreves:", "original": "2. To such a Canto Fermo (termed for short, the C. F.) another vocal part is to be added above or below, as directed, also moving simultaneously in semibreves:", "reading_order": 43 }, { "id": "kitson-p013-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "asset_refs": [ "mus-013-2" ], "reading_order": 44 }, { "id": "kitson-p013-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "asset_refs": [ "mus-013-3" ], "reading_order": 45 }, { "id": "kitson-p013-7", "type": "paragraph", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "english": "This added part is termed the Counterpoint.", "original": "This added part is termed the Counterpoint.", "reading_order": 46 }, { "id": "kitson-p013-8", "type": "heading", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "heading_level": 3, "english": "3. Harmonic intervals available.", "original": "3. Harmonic intervals available.", "inline": [ { "text": "3. " }, { "text": "Harmonic intervals available.", "tag": "em" } ], "reading_order": 47 }, { "id": "kitson-p013-9", "type": "paragraph", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "english": "In writing a Counterpoint to the C. F. in First Species (note against note) the only harmonic intervals available are:", "original": "In writing a Counterpoint to the C. F. in First Species (note against note) the only harmonic intervals available are:", "reading_order": 48 }, { "id": "kitson-p013-10", "type": "paragraph", "english": "(a) Unison; only in the first and last bars.\n(b) Octave.\n(c) Perfect fifth.\n(d) Major or minor third.\n(e) Major or minor sixth.", "original": "(a) Unison; only in the first and last bars.\n(b) Octave.\n(c) Perfect fifth.\n(d) Major or minor third.\n(e) Major or minor sixth.", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Unison; only in the first and last bars." } ], [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Octave." } ], [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Perfect fifth." } ], [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Major or minor third." } ], [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") Major or minor sixth." } ] ], "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "reading_order": 49 }, { "id": "kitson-p013-11", "type": "paragraph", "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "english": "(a), (b), and (c) are termed perfect concords; (d) and (e) are termed imperfect concords.", "original": "(a), (b), and (c) are termed perfect concords; (d) and (e) are termed imperfect concords.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": "), (" }, { "text": "b", "tag": "em" }, { "text": "), and (" }, { "text": "c", "tag": "em" }, { "text": ") are termed perfect concords; (" }, { "text": "d", "tag": "em" }, { "text": ") and (" }, { "text": "e", "tag": "em" }, { "text": ") are termed imperfect concords." } ], "reading_order": 50 }, { "id": "kitson-p014-1", "type": "heading", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "heading_level": 3, "english": "4. The Beginning.", "original": "4. The Beginning.", "inline": [ { "text": "4. " }, { "text": "The Beginning.", "tag": "em" } ], "reading_order": 51 }, { "id": "kitson-p014-2", "type": "paragraph", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "english": "(a) The C. F. will start with Tonic or Dominant, generally the former.", "original": "(a) The C. F. will start with Tonic or Dominant, generally the former.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The C. F. will start with Tonic or Dominant, generally the former." } ], "reading_order": 52 }, { "id": "kitson-p014-3", "type": "paragraph", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "english": "(b) The Counterpoint must form with its first note a Perfect Concord:", "original": "(b) The Counterpoint must form with its first note a Perfect Concord:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") The Counterpoint must form with its first note a Perfect Concord:" } ], "reading_order": 53 }, { "id": "kitson-p014-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "asset_refs": [ "mus-014-1" ], "reading_order": 54 }, { "id": "kitson-p014-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "asset_refs": [ "mus-014-2" ], "reading_order": 55 }, { "id": "kitson-p014-6", "type": "paragraph", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "english": "If the C. F. be the higher part, and if it begins with the Tonic, do not add the fifth below it:", "original": "If the C. F. be the higher part, and if it begins with the Tonic, do not add the fifth below it:", "reading_order": 56 }, { "id": "kitson-p014-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "asset_refs": [ "mus-014-3" ], "reading_order": 57 }, { "id": "kitson-p014-8", "type": "paragraph", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "english": "This would give the impression that the key was F major.", "original": "This would give the impression that the key was F major.", "reading_order": 58 }, { "id": "kitson-p014-9", "type": "heading", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "heading_level": 3, "english": "5. The Ending or Cadence.", "original": "5. The Ending or Cadence.", "inline": [ { "text": "5. " }, { "text": "The Ending or Cadence.", "tag": "em" } ], "reading_order": 59 }, { "id": "kitson-p014-10", "type": "paragraph", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "english": "As the C. F. proceeds from Supertonic to Tonic, the Counterpoint must proceed from Leading Note to Tonic:", "original": "As the C. F. proceeds from Supertonic to Tonic, the Counterpoint must proceed from Leading Note to Tonic:", "reading_order": 60 }, { "id": "kitson-p014-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "asset_refs": [ "mus-014-4" ], "reading_order": 61 }, { "id": "kitson-p014-12", "type": "paragraph", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "english": "Intermediate notes can be harmonized with perfect or imperfect concords. The latter should predominate.", "original": "Intermediate notes can be harmonized with perfect or imperfect concords. The latter should predominate.", "reading_order": 62 }, { "id": "kitson-p014-13", "type": "heading", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "heading_level": 3, "english": "6. Laws of Harmonic Progression.", "original": "6. Laws of Harmonic Progression.", "inline": [ { "text": "6. " }, { "text": "Laws of Harmonic Progression.", "tag": "em" } ], "reading_order": 63 }, { "id": "kitson-p014-14", "type": "paragraph", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "english": "(a) Consecutive octaves or fifths are forbidden:", "original": "(a) Consecutive octaves or fifths are forbidden:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Consecutive octaves or fifths are forbidden:" } ], "reading_order": 64 }, { "id": "kitson-p014-15", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "asset_refs": [ "mus-014-5" ], "reading_order": 65 }, { "id": "kitson-p015-1", "type": "paragraph", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "english": "(b) The octave or fifth should only be approached in similar motion if the higher part moves by step, and if the chords involved are primary triads (I, IV, and V):", "original": "(b) The octave or fifth should only be approached in similar motion if the higher part moves by step, and if the chords involved are primary triads (I, IV, and V):", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") The octave or fifth should only be approached in similar motion if the higher part moves by step, and if the chords involved are primary triads (I, IV, and V):" } ], "reading_order": 66 }, { "id": "kitson-p015-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "asset_refs": [ "mus-015-1" ], "reading_order": 67 }, { "id": "kitson-p015-3", "type": "paragraph", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "english": "(c) If both parts move by step, the interval of the augmented fourth must not occur between them in consecutive chords:", "original": "(c) If both parts move by step, the interval of the augmented fourth must not occur between them in consecutive chords:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") If both parts move by step, the interval of the augmented fourth must not occur between them in consecutive chords:" } ], "reading_order": 68 }, { "id": "kitson-p015-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "asset_refs": [ "mus-015-2" ], "reading_order": 69 }, { "id": "kitson-p015-5", "type": "paragraph", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "english": "(d) Chromatic semitones are not available:", "original": "(d) Chromatic semitones are not available:", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Chromatic semitones are " }, { "text": "not", "tag": "em" }, { "text": " available:" } ], "reading_order": 70 }, { "id": "kitson-p015-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "asset_refs": [ "mus-015-3" ], "reading_order": 71 }, { "id": "kitson-p015-7", "type": "paragraph", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "english": "(e) As a rule not more than three consecutive thirds or sixths should be used in similar motion, else the Counterpoint becomes a mere duplication of the C. F. at another interval:", "original": "(e) As a rule not more than three consecutive thirds or sixths should be used in similar motion, else the Counterpoint becomes a mere duplication of the C. F. at another interval:", "inline": [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") As a rule not more than three consecutive thirds or sixths should be used in similar motion, else the Counterpoint becomes a mere duplication of the C. F. at another interval:" } ], "reading_order": 72 }, { "id": "kitson-p015-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "asset_refs": [ "mus-015-4" ], "reading_order": 73 }, { "id": "kitson-p015-9", "type": "paragraph", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "english": "(f) The parts should not overlap:", "original": "(f) The parts should not overlap:", "inline": [ { "text": "(" }, { "text": "f", "tag": "em" }, { "text": ") The parts should not overlap:" } ], "reading_order": 74 }, { "id": "kitson-p015-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "asset_refs": [ "mus-015-5" ], "reading_order": 75 }, { "id": "kitson-p015-11", "type": "paragraph", "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "english": "(g) The parts may cross in moderation, in order to produce better melody:", "original": "(g) The parts may cross in moderation, in order to produce better melody:", "inline": [ { "text": "(" }, { "text": "g", "tag": "em" }, { "text": ") The parts may cross in moderation, in order to produce better melody:" } ], "reading_order": 76 }, { "id": "kitson-p016-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "asset_refs": [ "mus-016-1" ], "reading_order": 77 }, { "id": "kitson-p016-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "asset_refs": [ "mus-016-2" ], "reading_order": 78 }, { "id": "kitson-p016-3", "type": "paragraph", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "english": "(h) Do not double the Leading Note.", "original": "(h) Do not double the Leading Note.", "inline": [ { "text": "(" }, { "text": "h", "tag": "em" }, { "text": ") Do not double the Leading Note." } ], "reading_order": 79 }, { "id": "kitson-p016-4", "type": "heading", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "heading_level": 3, "english": "7. Laws of Melodic Progression.", "original": "7. Laws of Melodic Progression.", "inline": [ { "text": "7. " }, { "text": "Laws of Melodic Progression.", "tag": "em" } ], "reading_order": 80 }, { "id": "kitson-p016-5", "type": "paragraph", "english": "(a) A part may not leap any interval greater than an octave.\n(b) A part may not leap a seventh.\n(c) A part may not leap a major sixth.\n(d) A part may not leap any diminished or augmented interval.", "original": "(a) A part may not leap any interval greater than an octave.\n(b) A part may not leap a seventh.\n(c) A part may not leap a major sixth.\n(d) A part may not leap any diminished or augmented interval.", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") A part may not leap any interval greater than an octave." } ], [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") A part may not leap a seventh." } ], [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") A part may not leap a major sixth." } ], [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") A part may not leap any diminished or augmented interval." } ] ], "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "reading_order": 81 }, { "id": "kitson-p016-6", "type": "paragraph", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "english": "(e) The leap of an octave or minor sixth should be preceded and followed by a note inside that interval:", "original": "(e) The leap of an octave or minor sixth should be preceded and followed by a note inside that interval:", "inline": [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") The leap of an octave or minor sixth should be preceded and followed by a note inside that interval:" } ], "reading_order": 82 }, { "id": "kitson-p016-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "asset_refs": [ "mus-016-3" ], "reading_order": 83 }, { "id": "kitson-p016-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "asset_refs": [ "mus-016-4" ], "reading_order": 84 }, { "id": "kitson-p016-9", "type": "paragraph", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "english": "(f) More than two consecutive leaps in the same direction should be avoided:", "original": "(f) More than two consecutive leaps in the same direction should be avoided:", "inline": [ { "text": "(" }, { "text": "f", "tag": "em" }, { "text": ") More than two consecutive leaps in the same direction should be avoided:" } ], "reading_order": 85 }, { "id": "kitson-p016-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "asset_refs": [ "mus-016-5" ], "reading_order": 86 }, { "id": "kitson-p016-11", "type": "paragraph", "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 }, { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "english": "(g) The extremities of two consecutive leaps in the same direction may form a minor seventh, if the next move be in the opposite direction:", "original": "(g) The extremities of two consecutive leaps in the same direction may form a minor seventh, if the next move be in the opposite direction:", "inline": [ { "text": "(" }, { "text": "g", "tag": "em" }, { "text": ") The extremities of two consecutive leaps in the same direction may form a " }, { "text": "minor", "tag": "em" }, { "text": " seventh, if the next move be in the opposite direction:" } ], "reading_order": 87 }, { "id": "kitson-p017-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "asset_refs": [ "mus-017-1" ], "reading_order": 88 }, { "id": "kitson-p017-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "asset_refs": [ "mus-017-2" ], "reading_order": 89 }, { "id": "kitson-p017-4", "type": "paragraph", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "english": "(h) Excessive conjunct movement is as bad as excessive disjunct movement. Beware of melodic tautology:", "original": "(h) Excessive conjunct movement is as bad as excessive disjunct movement. Beware of melodic tautology:", "inline": [ { "text": "(" }, { "text": "h", "tag": "em" }, { "text": ") Excessive conjunct movement is as bad as excessive disjunct movement. Beware of melodic tautology:" } ], "reading_order": 90 }, { "id": "kitson-p017-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "asset_refs": [ "mus-017-3" ], "reading_order": 91 }, { "id": "kitson-p017-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "asset_refs": [ "mus-017-4" ], "reading_order": 92 }, { "id": "kitson-p017-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "asset_refs": [ "mus-017-5" ], "reading_order": 93 }, { "id": "kitson-p017-8", "type": "heading", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "heading_level": 3, "english": "8. The harmonic implication of two-part writing.", "original": "8. The harmonic implication of two-part writing.", "inline": [ { "text": "8. " }, { "text": "The harmonic implication of two-part writing.", "tag": "em" } ], "reading_order": 94 }, { "id": "kitson-p017-9", "type": "paragraph", "english": "(a) In First Species Counterpoint only consonances are available.\n(b) Any such intervals in two parts are incomplete forms of triads.", "original": "(a) In First Species Counterpoint only consonances are available.\n(b) Any such intervals in two parts are incomplete forms of triads.", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") In First Species Counterpoint only consonances are available." } ], [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Any such intervals in two parts are incomplete forms of triads." } ] ], "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "reading_order": 95 }, { "id": "kitson-p017-10", "type": "paragraph", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "english": "(c) The triads that are available as consonances are the major or minor common chord with its first inversion, and the first inversion of the diminished triad:", "original": "(c) The triads that are available as consonances are the major or minor common chord with its first inversion, and the first inversion of the diminished triad:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") The triads that are available as consonances are the major or minor common chord with its first inversion, and the first inversion of the diminished triad:" } ], "reading_order": 96 }, { "id": "kitson-p017-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "asset_refs": [ "mus-017-6" ], "reading_order": 97 }, { "id": "kitson-p017-12", "type": "paragraph", "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "english": "(d) It follows that the interval C–E can imply C E G or C E A; the interval C–G can only imply C E G; C–A can only imply C E A; and C–C can imply C E G C, or C E A C.", "original": "(d) It follows that the interval C–E can imply C E G or C E A; the interval C–G can only imply C E G; C–A can only imply C E A; and C–C can imply C E G C, or C E A C.", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") It follows that the interval C–E can imply C E G or C E A; the interval C–G can only imply C E G; C–A can only imply C E A; and C–C can imply C E G C, or C E A C." } ], "reading_order": 98 }, { "id": "kitson-p018-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "asset_refs": [ "mus-018-1" ], "reading_order": 99 }, { "id": "kitson-p018-2", "type": "paragraph", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "english": "(e) Using the term Ia to imply the Tonic common chord in root position Ib, the same in its first inversion, IIa, Supertonic in root position, IIb, the same in its first inversion, &c., the available resource (as consonances) in the major key is:—Ia, Ib, IIa, IIb, [IIIa, IIIb], IVa, IVb, Va, Vb, VIa, VIb, VIIb.", "original": "(e) Using the term Ia to imply the Tonic common chord in root position Ib, the same in its first inversion, IIa, Supertonic in root position, IIb, the same in its first inversion, &c., the available resource (as consonances) in the major key is:—Ia, Ib, IIa, IIb, [IIIa, IIIb], IVa, IVb, Va, Vb, VIa, VIb, VIIb.", "inline": [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") Using the term I" }, { "text": "a", "tag": "em" }, { "text": " to imply the Tonic common chord in root position I" }, { "text": "b", "tag": "em" }, { "text": ", the same in its first inversion, II" }, { "text": "a", "tag": "em" }, { "text": ", Supertonic in root position, II" }, { "text": "b", "tag": "em" }, { "text": ", the same in its first inversion, &c., the available resource (as consonances) in the major key is:—I" }, { "text": "a", "tag": "em" }, { "text": ", I" }, { "text": "b", "tag": "em" }, { "text": ", II" }, { "text": "a", "tag": "em" }, { "text": ", II" }, { "text": "b", "tag": "em" }, { "text": ", [III" }, { "text": "a", "tag": "em" }, { "text": ", III" }, { "text": "b", "tag": "em" }, { "text": "], IV" }, { "text": "a", "tag": "em" }, { "text": ", IV" }, { "text": "b", "tag": "em" }, { "text": ", V" }, { "text": "a", "tag": "em" }, { "text": ", V" }, { "text": "b", "tag": "em" }, { "text": ", VI" }, { "text": "a", "tag": "em" }, { "text": ", VI" }, { "text": "b", "tag": "em" }, { "text": ", VII" }, { "text": "b", "tag": "em" }, { "text": "." } ], "reading_order": 100 }, { "id": "kitson-p018-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "asset_refs": [ "mus-018-2" ], "reading_order": 101 }, { "id": "kitson-p018-4", "type": "paragraph", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "english": "(f) In the minor key, the harmony is normally derived from the harmonic minor scale:", "original": "(f) In the minor key, the harmony is normally derived from the harmonic minor scale:", "inline": [ { "text": "(" }, { "text": "f", "tag": "em" }, { "text": ") In the minor key, the harmony is normally derived from the harmonic minor scale:" } ], "reading_order": 102 }, { "id": "kitson-p018-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "asset_refs": [ "mus-018-3" ], "reading_order": 103 }, { "id": "kitson-p018-6", "type": "paragraph", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "english": "This gives the following resource:", "original": "This gives the following resource:", "reading_order": 104 }, { "id": "kitson-p018-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "asset_refs": [ "mus-018-4" ], "reading_order": 105 }, { "id": "kitson-p018-8", "type": "paragraph", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "english": "Thus if the harmony be derived exclusively from the harmonic minor scale, the notes of this scale will be figured as follows:", "original": "Thus if the harmony be derived exclusively from the harmonic minor scale, the notes of this scale will be figured as follows:", "reading_order": 106 }, { "id": "kitson-p018-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "asset_refs": [ "mus-018-5" ], "reading_order": 107 }, { "id": "kitson-p019-1", "type": "paragraph", "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "english": "The pupil should get a firm grasp of this harmony before utilizing harmony derived from the melodic minor scale, else he will confuse a minor key with its relative major. This is what to our ears happens with the Aeolian Mode, which is the scale of A minor with F♮ and G♮, except that G♯ is used at the Cadence, and C♯ in the final chord (if any C is used at all).", "original": "The pupil should get a firm grasp of this harmony before utilizing harmony derived from the melodic minor scale, else he will confuse a minor key with its relative major. This is what to our ears happens with the Aeolian Mode, which is the scale of A minor with F♮ and G♮, except that G♯ is used at the Cadence, and C♯ in the final chord (if any C is used at all).", "inline": [ { "text": "The pupil should get a firm grasp of this harmony before utilizing harmony derived from the melodic minor scale, else he will confuse a minor key with its relative major. This is what to " }, { "text": "our", "tag": "em" }, { "text": " ears happens with the Aeolian Mode, which is the scale of A minor with F♮ and G♮, except that G♯ is used at the Cadence, and C♯ in the final chord (if any C is used at all)." } ], "reading_order": 108 }, { "id": "kitson-p019-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "asset_refs": [ "mus-019-1" ], "reading_order": 109 }, { "id": "kitson-p019-3", "type": "paragraph", "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "english": "(g) Harmony is derived from the melodic minor scale thus:", "original": "(g) Harmony is derived from the melodic minor scale thus:", "inline": [ { "text": "(" }, { "text": "g", "tag": "em" }, { "text": ") Harmony is derived from the melodic minor scale thus:" } ], "reading_order": 110 }, { "id": "kitson-p019-4", "type": "paragraph", "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "english": "(i) The minor seventh of the scale can be used as a part of a chord if it occurs in a part coming down the scale:", "original": "(i) The minor seventh of the scale can be used as a part of a chord if it occurs in a part coming down the scale:", "reading_order": 111 }, { "id": "kitson-p019-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "asset_refs": [ "mus-019-2" ], "reading_order": 112 }, { "id": "kitson-p019-6", "type": "paragraph", "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "english": "The B♭ is used to avoid the augmented second from B♮ to A♭.", "original": "The B♭ is used to avoid the augmented second from B♮ to A♭.", "reading_order": 113 }, { "id": "kitson-p019-7", "type": "paragraph", "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "english": "B♭ can be harmonized as the root, third, or fifth of a diatonic triad. The next chord but one (bar 4 in above) should, if possible, have the normal V (G B♮ D):", "original": "B♭ can be harmonized as the root, third, or fifth of a diatonic triad. The next chord but one (bar 4 in above) should, if possible, have the normal V (G B♮ D):", "reading_order": 114 }, { "id": "kitson-p019-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "asset_refs": [ "mus-019-3" ], "reading_order": 115 }, { "id": "kitson-p020-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "asset_refs": [ "mus-020-1" ], "reading_order": 116 }, { "id": "kitson-p020-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "asset_refs": [ "mus-020-2" ], "reading_order": 117 }, { "id": "kitson-p020-3", "type": "paragraph", "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "english": "(ii) Similarly the major sixth of the melodic minor scale can be employed, if it is proceeding up the scale:", "original": "(ii) Similarly the major sixth of the melodic minor scale can be employed, if it is proceeding up the scale:", "reading_order": 118 }, { "id": "kitson-p020-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "asset_refs": [ "mus-020-3" ], "reading_order": 119 }, { "id": "kitson-p020-5", "type": "paragraph", "english": "A♮ can be the root of A C E♭ (first inversion only).\nA♮ can be the third of F A C.\nA♮ can be the fifth of D F A.", "original": "A♮ can be the root of A C E♭ (first inversion only).\nA♮ can be the third of F A C.\nA♮ can be the fifth of D F A.", "ordered": false, "list_items": [ [ { "text": "A♮ can be the root of A C E♭ (first inversion only)." } ], [ { "text": "A♮ can be the third of F A C." } ], [ { "text": "A♮ can be the fifth of D F A." } ] ], "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "reading_order": 120 }, { "id": "kitson-p020-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "asset_refs": [ "mus-020-4" ], "reading_order": 121 }, { "id": "kitson-p020-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "asset_refs": [ "mus-020-5" ], "reading_order": 122 }, { "id": "kitson-p020-8", "type": "footnote", "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "english": "(1) Note when the major sixth of the minor scale is in the bass, it can only be harmonized as 6/3. A C E♮ cannot be used, as E♮ does not occur in either forms of the scale. It is only used for the final chord as a Tierce de Picardie.", "original": "(1) Note when the major sixth of the minor scale is in the bass, it can only be harmonized as 6/3. A C E♮ cannot be used, as E♮ does not occur in either forms of the scale. It is only used for the final chord as a Tierce de Picardie.", "reading_order": 123 }, { "id": "kitson-p021-1", "type": "paragraph", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "english": "If the minor seventh of the minor scale be used as a harmony note in any other way than as shown above, presume a modulation to the relative major for a few bars:", "original": "If the minor seventh of the minor scale be used as a harmony note in any other way than as shown above, presume a modulation to the relative major for a few bars:", "reading_order": 124 }, { "id": "kitson-p021-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "asset_refs": [ "mus-021-1" ], "reading_order": 125 }, { "id": "kitson-p021-3", "type": "paragraph", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "english": "But it is unwise to insist upon a rigid adherence to the harmonic implication in the following cases:", "original": "But it is unwise to insist upon a rigid adherence to the harmonic implication in the following cases:", "reading_order": 126 }, { "id": "kitson-p021-4", "type": "paragraph", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "english": "(α) Major Key (C).", "original": "(α) Major Key (C).", "reading_order": 127 }, { "id": "kitson-p021-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "asset_refs": [ "mus-021-2" ], "reading_order": 128 }, { "id": "kitson-p021-6", "type": "paragraph", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "english": "Whatever be the harmonic implication, the combination is a concord, and the effect is good.", "original": "Whatever be the harmonic implication, the combination is a concord, and the effect is good.", "reading_order": 129 }, { "id": "kitson-p021-7", "type": "paragraph", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "english": "(β) Minor Key (C minor).", "original": "(β) Minor Key (C minor).", "reading_order": 130 }, { "id": "kitson-p021-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "asset_refs": [ "mus-021-3" ], "reading_order": 131 }, { "id": "kitson-p021-9", "type": "paragraph", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "english": "If the implied available harmony were completed here, the passage could not stand:", "original": "If the implied available harmony were completed here, the passage could not stand:", "inline": [ { "text": "If the implied " }, { "text": "available", "tag": "em" }, { "text": " harmony were completed here, the passage could not stand:" } ], "reading_order": 132 }, { "id": "kitson-p021-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "asset_refs": [ "mus-021-4" ], "reading_order": 133 }, { "id": "kitson-p021-11", "type": "paragraph", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "english": "But the passage is quite good in effect in two parts: it is technically correct, and one may mentally supply any sounds one pleases. They are not there:", "original": "But the passage is quite good in effect in two parts: it is technically correct, and one may mentally supply any sounds one pleases. They are not there:", "reading_order": 134 }, { "id": "kitson-p021-12", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "asset_refs": [ "mus-021-5" ], "reading_order": 135 }, { "id": "kitson-p021-13", "type": "paragraph", "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "english": "Trouble would arise in three parts.", "original": "Trouble would arise in three parts.", "reading_order": 136 }, { "id": "kitson-p022-1", "type": "heading", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "heading_level": 3, "english": "9. Elementary Principles of Chord Progression.", "original": "9. Elementary Principles of Chord Progression.", "inline": [ { "text": "9. " }, { "text": "Elementary Principles of Chord Progression.", "tag": "em" } ], "reading_order": 137 }, { "id": "kitson-p022-2", "type": "paragraph", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "english": "Good contrapuntal effect depends largely upon the judicious choice of harmony. Thus if the C. F. be the lower part, figure it as a bass in accordance with the resource available. If it be the higher part, add the lower part as a bass and figure it. As it is assumed that the pupil has studied harmony up to diatonic sevenths, including modulation, and the use of diatonic passing and auxiliary notes, this will cause him no difficulty. But it may be well to restate certain important points.", "original": "Good contrapuntal effect depends largely upon the judicious choice of harmony. Thus if the C. F. be the lower part, figure it as a bass in accordance with the resource available. If it be the higher part, add the lower part as a bass and figure it. As it is assumed that the pupil has studied harmony up to diatonic sevenths, including modulation, and the use of diatonic passing and auxiliary notes, this will cause him no difficulty. But it may be well to restate certain important points.", "reading_order": 138 }, { "id": "kitson-p022-3", "type": "paragraph", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "english": "(a) The beginner should avoid IIIa or IIIb unless he is sure of his effects.", "original": "(a) The beginner should avoid IIIa or IIIb unless he is sure of his effects.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The beginner should avoid III" }, { "text": "a", "tag": "em" }, { "text": " or III" }, { "text": "b", "tag": "em" }, { "text": " unless he is sure of his effects." } ], "reading_order": 139 }, { "id": "kitson-p022-4", "type": "paragraph", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "english": "The third of the scale will therefore generally be figured 6, the fifth 5/3. The seventh can only be figured 6.", "original": "The third of the scale will therefore generally be figured 6, the fifth 5/3. The seventh can only be figured 6.", "reading_order": 140 }, { "id": "kitson-p022-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "asset_refs": [ "mus-022-1" ], "reading_order": 141 }, { "id": "kitson-p022-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "asset_refs": [ "mus-022-2" ], "reading_order": 142 }, { "id": "kitson-p022-7", "type": "paragraph", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "english": "(b) VIIb requires care in the choice of a chord to follow it. Follow it by Ia, Ib, or VIa in the major key, by Ia or Ib in the minor key:", "original": "(b) VIIb requires care in the choice of a chord to follow it. Follow it by Ia, Ib, or VIa in the major key, by Ia or Ib in the minor key:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") VII" }, { "text": "b", "tag": "em" }, { "text": " requires care in the choice of a chord to follow it. Follow it by I" }, { "text": "a", "tag": "em" }, { "text": ", I" }, { "text": "b", "tag": "em" }, { "text": ", or VI" }, { "text": "a", "tag": "em" }, { "text": " in the major key, by I" }, { "text": "a", "tag": "em" }, { "text": " or I" }, { "text": "b", "tag": "em" }, { "text": " in the minor key:" } ], "reading_order": 143 }, { "id": "kitson-p022-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "asset_refs": [ "mus-022-3" ], "reading_order": 144 }, { "id": "kitson-p022-9", "type": "paragraph", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "english": "Avoid such progressions as:", "original": "Avoid such progressions as:", "reading_order": 145 }, { "id": "kitson-p022-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "asset_refs": [ "mus-022-4" ], "reading_order": 146 }, { "id": "kitson-p022-11", "type": "paragraph", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "english": "A 5/3 on D is much better in effect.", "original": "A 5/3 on D is much better in effect.", "reading_order": 147 }, { "id": "kitson-p022-12", "type": "paragraph", "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "english": "(c) Roots rising a second (both chords being in root position) are good except when involving III or VII:", "original": "(c) Roots rising a second (both chords being in root position) are good except when involving III or VII:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Roots rising a second (both chords being in root position) are good except when involving III or VII:" } ], "reading_order": 148 }, { "id": "kitson-p023-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "asset_refs": [ "mus-023-1" ], "reading_order": 149 }, { "id": "kitson-p023-2", "type": "paragraph", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "english": "(d) Roots falling a second (both chords being in root position) are poor, except VI to V:", "original": "(d) Roots falling a second (both chords being in root position) are poor, except VI to V:", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Roots falling a second (both chords being in root position) are poor, except VI to V:" } ], "reading_order": 150 }, { "id": "kitson-p023-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "asset_refs": [ "mus-023-2" ], "reading_order": 151 }, { "id": "kitson-p023-4", "type": "footnote", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "english": "(1) could stand in two parts because C–C might imply C E A C. The context must decide such things.", "original": "(1) could stand in two parts because C–C might imply C E A C. The context must decide such things.", "reading_order": 152 }, { "id": "kitson-p023-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "asset_refs": [ "mus-023-3" ], "reading_order": 153 }, { "id": "kitson-p023-6", "type": "paragraph", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "english": "Note here the force of paragraph (a).", "original": "Note here the force of paragraph (a).", "inline": [ { "text": "Note here the force of paragraph (" }, { "text": "a", "tag": "em" }, { "text": ")." } ], "reading_order": 154 }, { "id": "kitson-p023-7", "type": "paragraph", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "english": "(e) Roots rising or falling a third (both chords being in the root position) are good. But again beware of III.", "original": "(e) Roots rising or falling a third (both chords being in the root position) are good. But again beware of III.", "inline": [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") Roots rising or falling a third (both chords being in the root position) are good. But again beware of III." } ], "reading_order": 155 }, { "id": "kitson-p023-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "asset_refs": [ "mus-023-4" ], "reading_order": 156 }, { "id": "kitson-p023-9", "type": "paragraph", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "english": "(f) Roots rising or falling a fourth or fifth are good (both chords being in root position).", "original": "(f) Roots rising or falling a fourth or fifth are good (both chords being in root position).", "inline": [ { "text": "(" }, { "text": "f", "tag": "em" }, { "text": ") Roots rising or falling a fourth or fifth are good (both chords being in root position)." } ], "reading_order": 157 }, { "id": "kitson-p023-10", "type": "paragraph", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "english": "(Root rising a third is the same as root falling a sixth. Root falling a third is the same as root rising a sixth. Root rising a fourth is the same as root falling a fifth. Root falling a fourth is the same as root rising a fifth.)", "original": "(Root rising a third is the same as root falling a sixth. Root falling a third is the same as root rising a sixth. Root rising a fourth is the same as root falling a fifth. Root falling a fourth is the same as root rising a fifth.)", "reading_order": 158 }, { "id": "kitson-p023-11", "type": "paragraph", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "english": "Thus IIIa to VIa is good if properly preceded:", "original": "Thus IIIa to VIa is good if properly preceded:", "inline": [ { "text": "Thus III" }, { "text": "a", "tag": "em" }, { "text": " to VI" }, { "text": "a", "tag": "em" }, { "text": " is good if properly preceded:" } ], "reading_order": 159 }, { "id": "kitson-p023-12", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "asset_refs": [ "mus-023-5" ], "reading_order": 160 }, { "id": "kitson-p024-1", "type": "paragraph", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "english": "In the minor key, if the harmony be first derived from the harmonic minor scale, there is little chance of going astray, as the chords are limited. Thus in C minor the following figuring is fixed:", "original": "In the minor key, if the harmony be first derived from the harmonic minor scale, there is little chance of going astray, as the chords are limited. Thus in C minor the following figuring is fixed:", "reading_order": 161 }, { "id": "kitson-p024-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "asset_refs": [ "mus-024-1" ], "reading_order": 162 }, { "id": "kitson-p024-3", "type": "paragraph", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "english": "10. A note in First Species may be repeated consecutively once. It is generally better to avoid it in the bass, except from a strong to a weak accent:", "original": "10. A note in First Species may be repeated consecutively once. It is generally better to avoid it in the bass, except from a strong to a weak accent:", "reading_order": 163 }, { "id": "kitson-p024-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "asset_refs": [ "mus-024-2" ], "reading_order": 164 }, { "id": "kitson-p024-5", "type": "paragraph", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "english": "11. Diatonic modulation may be used in moderation if the C. F. strongly suggests it:", "original": "11. Diatonic modulation may be used in moderation if the C. F. strongly suggests it:", "reading_order": 165 }, { "id": "kitson-p024-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "asset_refs": [ "mus-024-3" ], "reading_order": 166 }, { "id": "kitson-p024-7", "type": "paragraph", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "english": "12. The good or bad choice of harmony depends to some extent on the accentuation of the chords. Therefore in First Species regard the semibreve as indicating 1/1, and group the progressions in duple or triple time as you think fit.", "original": "12. The good or bad choice of harmony depends to some extent on the accentuation of the chords. Therefore in First Species regard the semibreve as indicating 1/1, and group the progressions in duple or triple time as you think fit.", "reading_order": 167 }, { "id": "kitson-p024-8", "type": "paragraph", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "english": "The example in paragraph 11 will be shown below in three different groupings, the effects in which are not all equally good (– = strong accent; ◡ = weak accent).", "original": "The example in paragraph 11 will be shown below in three different groupings, the effects in which are not all equally good (– = strong accent; ◡ = weak accent).", "reading_order": 168 }, { "id": "kitson-p024-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "asset_refs": [ "mus-024-4" ], "reading_order": 169 }, { "id": "kitson-p024-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "asset_refs": [ "mus-024-5" ], "reading_order": 170 }, { "id": "kitson-p025-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "asset_refs": [ "mus-025-1" ], "reading_order": 171 }, { "id": "kitson-p025-2", "type": "paragraph", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "english": "Note.", "original": "Note.", "inline": [ { "text": "Note.", "tag": "em" } ], "reading_order": 172 }, { "id": "kitson-p025-3", "type": "paragraph", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "english": "(a) The difference in effect between roots rising a third with the accentuation – ◡ and ◡ –. But the differentiation does not always hold good.", "original": "(a) The difference in effect between roots rising a third with the accentuation – ◡ and ◡ –. But the differentiation does not always hold good.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The difference in effect between roots rising a third with the accentuation – ◡ and ◡ –. But the differentiation does not always hold good." } ], "reading_order": 173 }, { "id": "kitson-p025-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "asset_refs": [ "mus-025-2" ], "reading_order": 174 }, { "id": "kitson-p025-5", "type": "paragraph", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "english": "(b) The same in reference to V to VIIb.", "original": "(b) The same in reference to V to VIIb.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") The same in reference to V to VII" }, { "text": "b", "tag": "em" }, { "text": "." } ], "reading_order": 175 }, { "id": "kitson-p025-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "asset_refs": [ "mus-025-3" ], "reading_order": 176 }, { "id": "kitson-p025-7", "type": "paragraph", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "english": "(c) Except at the start the same chord should not be repeated ◡ to –.", "original": "(c) Except at the start the same chord should not be repeated ◡ to –.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Except at the start the same chord should not be repeated ◡ to –." } ], "reading_order": 177 }, { "id": "kitson-p025-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "asset_refs": [ "mus-025-4" ], "reading_order": 178 }, { "id": "kitson-p025-9", "type": "paragraph", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "english": "Exposed fifths or octaves with both parts leaping are harmless between two positions of the same chord:", "original": "Exposed fifths or octaves with both parts leaping are harmless between two positions of the same chord:", "reading_order": 179 }, { "id": "kitson-p025-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "asset_refs": [ "mus-025-5" ], "reading_order": 180 }, { "id": "kitson-p026-1", "type": "heading", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "heading_level": 3, "english": "13. First Species in three parts.", "original": "13. First Species in three parts.", "inline": [ { "text": "13. " }, { "text": "First Species in three parts.", "tag": "em" } ], "reading_order": 181 }, { "id": "kitson-p026-2", "type": "paragraph", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "english": "This will cause no further difficulty.", "original": "This will cause no further difficulty.", "reading_order": 182 }, { "id": "kitson-p026-3", "type": "paragraph", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "english": "Note.", "original": "Note.", "inline": [ { "text": "Note.", "tag": "em" } ], "reading_order": 183 }, { "id": "kitson-p026-4", "type": "paragraph", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "english": "(a) The first chord must be in the root position, and it is sufficient if one part forms a perfect concord with the C. F., which may be at the top, bottom, or in the middle:", "original": "(a) The first chord must be in the root position, and it is sufficient if one part forms a perfect concord with the C. F., which may be at the top, bottom, or in the middle:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The first chord must be in the " }, { "text": "root position", "tag": "em" }, { "text": ", and it is sufficient if one part forms a perfect concord with the C. F., which may be at the top, bottom, or in the middle:" } ], "reading_order": 184 }, { "id": "kitson-p026-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "asset_refs": [ "mus-026-1" ], "reading_order": 185 }, { "id": "kitson-p026-6", "type": "paragraph", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "english": "(b) At the Cadence, if the C. F. be in the bass, the penultimate chord must be a 6/3 on the supertonic:", "original": "(b) At the Cadence, if the C. F. be in the bass, the penultimate chord must be a 6/3 on the supertonic:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") At the Cadence, if the C. F. be in the bass, the penultimate chord must be a 6/3 on the supertonic:" } ], "reading_order": 186 }, { "id": "kitson-p026-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "asset_refs": [ "mus-026-2" ], "reading_order": 187 }, { "id": "kitson-p026-8", "type": "paragraph", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "english": "If the C. F. be a higher part, the penultimate chord must be a 5/3 on the dominant, or 6/3 on the Leading Note. The final chord must always be in root position:", "original": "If the C. F. be a higher part, the penultimate chord must be a 5/3 on the dominant, or 6/3 on the Leading Note. The final chord must always be in root position:", "reading_order": 188 }, { "id": "kitson-p026-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "asset_refs": [ "mus-026-3" ], "reading_order": 189 }, { "id": "kitson-p026-10", "type": "paragraph", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "english": "(c) Make the harmony as complete as is compatible with good melodic lines in each part.", "original": "(c) Make the harmony as complete as is compatible with good melodic lines in each part.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Make the harmony as complete as is compatible with good melodic lines in each part." } ], "reading_order": 190 }, { "id": "kitson-p026-11", "type": "paragraph", "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "english": "In the examples the part in crotchets without a stem shows the working in three parts.", "original": "In the examples the part in crotchets without a stem shows the working in three parts.", "reading_order": 191 }, { "id": "kitson-p027-1", "type": "paragraph", "sources": [ { "pdf_page": 27, "source_image": "source-pages/p-027.jpg", "printed_page": 27 } ], "english": "It is not always possible to avoid an exposed consecutive between a mean and an extreme part with the higher part leaping. It should be avoided if both parts leap, except between two factors of the same chord.", "original": "It is not always possible to avoid an exposed consecutive between a mean and an extreme part with the higher part leaping. It should be avoided if both parts leap, except between two factors of the same chord.", "reading_order": 192 }, { "id": "kitson-p027-2", "type": "paragraph", "sources": [ { "pdf_page": 27, "source_image": "source-pages/p-027.jpg", "printed_page": 27 } ], "english": "14. The acid test of good two-part writing is that a satisfactory third part can be added, producing sound chord progressions.", "original": "14. The acid test of good two-part writing is that a satisfactory third part can be added, producing sound chord progressions.", "reading_order": 193 }, { "id": "kitson-p027-3", "type": "heading", "sources": [ { "pdf_page": 27, "source_image": "source-pages/p-027.jpg", "printed_page": 27 } ], "heading_level": 3, "english": "Examples", "original": "Examples", "reading_order": 194 }, { "id": "kitson-p027-4", "type": "paragraph", "sources": [ { "pdf_page": 27, "source_image": "source-pages/p-027.jpg", "printed_page": 27 } ], "english": "1. Major Key, avoiding the use of IIIa and IIIb:", "original": "1. Major Key, avoiding the use of IIIa and IIIb:", "inline": [ { "text": "1. Major Key, avoiding the use of III" }, { "text": "a", "tag": "em" }, { "text": " and III" }, { "text": "b", "tag": "em" }, { "text": ":" } ], "reading_order": 195 }, { "id": "kitson-p027-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 27, "source_image": "source-pages/p-027.jpg", "printed_page": 27 } ], "asset_refs": [ "mus-027-1" ], "reading_order": 196 }, { "id": "kitson-p027-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 27, "source_image": "source-pages/p-027.jpg", "printed_page": 27 } ], "asset_refs": [ "mus-027-2" ], "reading_order": 197 }, { "id": "kitson-p028-1", "type": "paragraph", "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "english": "2. Major Key, introducing IIIa and IIIb:", "original": "2. Major Key, introducing IIIa and IIIb:", "inline": [ { "text": "2. Major Key, introducing III" }, { "text": "a", "tag": "em" }, { "text": " and III" }, { "text": "b", "tag": "em" }, { "text": ":" } ], "reading_order": 198 }, { "id": "kitson-p028-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "asset_refs": [ "mus-028-1" ], "reading_order": 199 }, { "id": "kitson-p028-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "asset_refs": [ "mus-028-2" ], "reading_order": 200 }, { "id": "kitson-p028-4", "type": "paragraph", "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "english": "3. Minor Key. Harmony derived from harmonic minor scale only:", "original": "3. Minor Key. Harmony derived from harmonic minor scale only:", "reading_order": 201 }, { "id": "kitson-p028-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "asset_refs": [ "mus-028-3" ], "reading_order": 202 }, { "id": "kitson-p028-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "asset_refs": [ "mus-028-4" ], "reading_order": 203 }, { "id": "kitson-p029-2", "type": "paragraph", "sources": [ { "pdf_page": 29, "source_image": "source-pages/p-029.jpg", "printed_page": 29 } ], "english": "4. Minor Key, with some chords derived from the melodic minor scale:", "original": "4. Minor Key, with some chords derived from the melodic minor scale:", "reading_order": 204 }, { "id": "kitson-p029-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 29, "source_image": "source-pages/p-029.jpg", "printed_page": 29 } ], "asset_refs": [ "mus-029-1" ], "reading_order": 205 }, { "id": "kitson-p029-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 29, "source_image": "source-pages/p-029.jpg", "printed_page": 29 } ], "asset_refs": [ "mus-029-2" ], "reading_order": 206 }, { "id": "kitson-p030-1", "type": "paragraph", "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "english": "5. The Counterpoint may defer its entry for a bar or two, and then imitate the C. F. for a few bars at any convenient pitch:", "original": "5. The Counterpoint may defer its entry for a bar or two, and then imitate the C. F. for a few bars at any convenient pitch:", "reading_order": 207 }, { "id": "kitson-p030-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "asset_refs": [ "mus-030-1" ], "reading_order": 208 }, { "id": "kitson-p030-3", "type": "heading", "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 209 }, { "id": "kitson-p030-4", "type": "paragraph", "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "english": "A. Figure the following Bass Canti Fermi, and add (1) Soprano, Alto, or Tenor in First Species, (2) two upper parts in First Species:", "original": "A. Figure the following Bass Canti Fermi, and add (1) Soprano, Alto, or Tenor in First Species, (2) two upper parts in First Species:", "reading_order": 210 }, { "id": "kitson-p030-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "asset_refs": [ "mus-030-2" ], "reading_order": 211 }, { "id": "kitson-p030-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "asset_refs": [ "mus-030-3" ], "reading_order": 212 }, { "id": "kitson-p030-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "asset_refs": [ "mus-030-4" ], "reading_order": 213 }, { "id": "kitson-p031-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "asset_refs": [ "mus-031-1" ], "reading_order": 214 }, { "id": "kitson-p031-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "asset_refs": [ "mus-031-2" ], "reading_order": 215 }, { "id": "kitson-p031-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "asset_refs": [ "mus-031-3" ], "reading_order": 216 }, { "id": "kitson-p031-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "asset_refs": [ "mus-031-4" ], "reading_order": 217 }, { "id": "kitson-p031-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "asset_refs": [ "mus-031-5" ], "reading_order": 218 }, { "id": "kitson-p031-6", "type": "paragraph", "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "english": "B. Add (1) Alto, Tenor, or Bass to the following Canti Fermi in First Species, (2) Alto and Bass in First Species:", "original": "B. Add (1) Alto, Tenor, or Bass to the following Canti Fermi in First Species, (2) Alto and Bass in First Species:", "reading_order": 219 }, { "id": "kitson-p031-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "asset_refs": [ "mus-031-6" ], "reading_order": 220 }, { "id": "kitson-p031-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "asset_refs": [ "mus-031-7" ], "reading_order": 221 }, { "id": "kitson-p032-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "asset_refs": [ "mus-032-1" ], "reading_order": 222 }, { "id": "kitson-p032-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "asset_refs": [ "mus-032-2" ], "reading_order": 223 }, { "id": "kitson-p032-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "asset_refs": [ "mus-032-3" ], "reading_order": 224 }, { "id": "kitson-p032-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "asset_refs": [ "mus-032-4" ], "reading_order": 225 }, { "id": "kitson-p032-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "asset_refs": [ "mus-032-5" ], "reading_order": 226 }, { "id": "kitson-p032-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "asset_refs": [ "mus-032-6" ], "reading_order": 227 }, { "id": "kitson-p033-1", "type": "heading", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "heading_level": 2, "english": "Chapter II. Second Species", "original": "Chapter II. Second Species", "reading_order": 228 }, { "id": "kitson-p033-2", "type": "paragraph", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "english": "1. In this Species, except over the first and last chords, two notes are written in the Counterpoint to one in the C. F.", "original": "1. In this Species, except over the first and last chords, two notes are written in the Counterpoint to one in the C. F.", "reading_order": 229 }, { "id": "kitson-p033-3", "type": "paragraph", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "english": "2. The Counterpoint, after a minim rest, begins with a note forming a perfect concord with the C. F.:", "original": "2. The Counterpoint, after a minim rest, begins with a note forming a perfect concord with the C. F.:", "reading_order": 230 }, { "id": "kitson-p033-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "asset_refs": [ "mus-033-1" ], "reading_order": 231 }, { "id": "kitson-p033-5", "type": "paragraph", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "english": "3. In the Cadence, as in First Species, the last two notes of the Counterpoint must be Leading Note, Tonic. The Cadences are therefore as follows:", "original": "3. In the Cadence, as in First Species, the last two notes of the Counterpoint must be Leading Note, Tonic. The Cadences are therefore as follows:", "reading_order": 232 }, { "id": "kitson-p033-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "asset_refs": [ "mus-033-2" ], "reading_order": 233 }, { "id": "kitson-p033-7", "type": "paragraph", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "english": "4. In all other bars the first minim of the bar must form either a perfect or imperfect concord with the C. F.", "original": "4. In all other bars the first minim of the bar must form either a perfect or imperfect concord with the C. F.", "reading_order": 234 }, { "id": "kitson-p033-8", "type": "paragraph", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "english": "The second minim may be:", "original": "The second minim may be:", "reading_order": 235 }, { "id": "kitson-p033-9", "type": "paragraph", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "english": "(a) Another concord which may be approached and quitted by step or leap:", "original": "(a) Another concord which may be approached and quitted by step or leap:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Another concord which may be approached and quitted by step or leap:" } ], "reading_order": 236 }, { "id": "kitson-p033-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "asset_refs": [ "mus-033-3" ], "reading_order": 237 }, { "id": "kitson-p033-11", "type": "paragraph", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "english": "When two conjunct concords are used in the bar, and a leap is made to the first minim of the next bar, the leap should be in the opposite direction to the conjunct move (see 3 and 4):", "original": "When two conjunct concords are used in the bar, and a leap is made to the first minim of the next bar, the leap should be in the opposite direction to the conjunct move (see 3 and 4):", "reading_order": 238 }, { "id": "kitson-p033-12", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "asset_refs": [ "mus-033-4" ], "reading_order": 239 }, { "id": "kitson-p034-1", "type": "paragraph", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "english": "(b) A discord, which must be approached and quitted by step. In other words, a diatonic passing or auxiliary note (unaccented):", "original": "(b) A discord, which must be approached and quitted by step. In other words, a diatonic passing or auxiliary note (unaccented):", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") A discord, which must be approached and quitted by step. In other words, a diatonic passing or auxiliary note (unaccented):" } ], "reading_order": 240 }, { "id": "kitson-p034-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "asset_refs": [ "mus-034-1" ], "reading_order": 241 }, { "id": "kitson-p034-3", "type": "paragraph", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "english": "5. When the second minim of a progression 5–6, or 6–5, is quitted by step, it may be regarded either as a new harmony note, or as an unessential note:", "original": "5. When the second minim of a progression 5–6, or 6–5, is quitted by step, it may be regarded either as a new harmony note, or as an unessential note:", "reading_order": 242 }, { "id": "kitson-p034-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "asset_refs": [ "mus-034-2" ], "reading_order": 243 }, { "id": "kitson-p034-5", "type": "paragraph", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "english": "The tritone caused by a note which can be regarded as being unessential is of no account (see (a)).", "original": "The tritone caused by a note which can be regarded as being unessential is of no account (see (a)).", "inline": [ { "text": "The tritone caused by a note which can be regarded as being unessential is of no account (see (" }, { "text": "a", "tag": "em" }, { "text": "))." } ], "reading_order": 244 }, { "id": "kitson-p034-6", "type": "paragraph", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "english": "6. Greater latitude may be exercised in using the mediant chord when it precedes or follows tonic or dominant harmony in the same bar:", "original": "6. Greater latitude may be exercised in using the mediant chord when it precedes or follows tonic or dominant harmony in the same bar:", "reading_order": 245 }, { "id": "kitson-p034-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "asset_refs": [ "mus-034-3" ], "reading_order": 246 }, { "id": "kitson-p034-8", "type": "paragraph", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "english": "All these are good.", "original": "All these are good.", "reading_order": 247 }, { "id": "kitson-p034-9", "type": "heading", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "heading_level": 3, "english": "7. Consecutives.", "original": "7. Consecutives.", "inline": [ { "text": "7. " }, { "text": "Consecutives.", "tag": "em" } ], "reading_order": 248 }, { "id": "kitson-p034-10", "type": "paragraph", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "english": "In the music from which the technique and grammar of Strict Counterpoint is derived, an intermediate concord was held to prevent the bad effect of consecutive octaves or fifths.", "original": "In the music from which the technique and grammar of Strict Counterpoint is derived, an intermediate concord was held to prevent the bad effect of consecutive octaves or fifths.", "reading_order": 249 }, { "id": "kitson-p034-11", "type": "paragraph", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "english": "But when using uniform rhythm, as in these exercises, that is a dangerous principle:", "original": "But when using uniform rhythm, as in these exercises, that is a dangerous principle:", "reading_order": 250 }, { "id": "kitson-p034-12", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "asset_refs": [ "mus-034-4" ], "reading_order": 251 }, { "id": "kitson-p034-13", "type": "paragraph", "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "english": "The beginner should keep the following rules:", "original": "The beginner should keep the following rules:", "reading_order": 252 }, { "id": "kitson-p035-1", "type": "paragraph", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "english": "(a) Consecutive octaves or fifths must never be direct:", "original": "(a) Consecutive octaves or fifths must never be direct:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Consecutive octaves or fifths must never be direct:" } ], "reading_order": 253 }, { "id": "kitson-p035-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "asset_refs": [ "mus-035-1" ], "reading_order": 254 }, { "id": "kitson-p035-3", "type": "paragraph", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "english": "(b) They should not occur between the C. F. and the first minims of two consecutive bars:", "original": "(b) They should not occur between the C. F. and the first minims of two consecutive bars:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") They should not occur between the C. F. and the first minims of two consecutive bars:" } ], "reading_order": 255 }, { "id": "kitson-p035-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "asset_refs": [ "mus-035-2" ], "reading_order": 256 }, { "id": "kitson-p035-5", "type": "paragraph", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "english": "(c) Consecutive octaves and fifths may occur between the C. F. and second minims of consecutive bars if both minims are not the highest or lowest in each bar:", "original": "(c) Consecutive octaves and fifths may occur between the C. F. and second minims of consecutive bars if both minims are not the highest or lowest in each bar:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Consecutive octaves and fifths may occur between the C. F. and second minims of consecutive bars if both minims are not the highest or lowest in each bar:" } ], "reading_order": 257 }, { "id": "kitson-p035-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "asset_refs": [ "mus-035-3" ], "reading_order": 258 }, { "id": "kitson-p035-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "asset_refs": [ "mus-035-4" ], "reading_order": 259 }, { "id": "kitson-p035-8", "type": "paragraph", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "english": "The above are equivalent to:", "original": "The above are equivalent to:", "reading_order": 260 }, { "id": "kitson-p035-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "asset_refs": [ "mus-035-5" ], "reading_order": 261 }, { "id": "kitson-p035-10", "type": "paragraph", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "english": "(d) When either of the fifths occurring on the second minim may be regarded as an unessential combination, the writing is good:", "original": "(d) When either of the fifths occurring on the second minim may be regarded as an unessential combination, the writing is good:", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") When either of the fifths occurring on the second minim may be regarded as an unessential combination, the writing is good:" } ], "reading_order": 262 }, { "id": "kitson-p035-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "asset_refs": [ "mus-035-6" ], "reading_order": 263 }, { "id": "kitson-p036-1", "type": "paragraph", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "english": "or it may be argued that (1) and (2) form different harmonies from 3 and 4. In other words, as the fifths involved do not occur in consecutive chords, there cannot be consecutives.", "original": "or it may be argued that (1) and (2) form different harmonies from 3 and 4. In other words, as the fifths involved do not occur in consecutive chords, there cannot be consecutives.", "reading_order": 264 }, { "id": "kitson-p036-2", "type": "paragraph", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "english": "8. In technical exercises no note may be repeated in minims. The following is merely First Species:", "original": "8. In technical exercises no note may be repeated in minims. The following is merely First Species:", "reading_order": 265 }, { "id": "kitson-p036-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "asset_refs": [ "mus-036-1" ], "reading_order": 266 }, { "id": "kitson-p036-4", "type": "paragraph", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "english": "This does not, of course, preclude the leap of an octave:", "original": "This does not, of course, preclude the leap of an octave:", "reading_order": 267 }, { "id": "kitson-p036-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "asset_refs": [ "mus-036-2" ], "reading_order": 268 }, { "id": "kitson-p036-6", "type": "paragraph", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "english": "The unison may be used as in First Species, and as the second minim of the bar:", "original": "The unison may be used as in First Species, and as the second minim of the bar:", "reading_order": 269 }, { "id": "kitson-p036-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "asset_refs": [ "mus-036-3" ], "reading_order": 270 }, { "id": "kitson-p036-8", "type": "paragraph", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "english": "9. No note may be chromatically altered:", "original": "9. No note may be chromatically altered:", "reading_order": 271 }, { "id": "kitson-p036-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "asset_refs": [ "mus-036-4" ], "reading_order": 272 }, { "id": "kitson-p036-10", "type": "paragraph", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "english": "10. For harmonic reasons avoid:", "original": "10. For harmonic reasons avoid:", "reading_order": 273 }, { "id": "kitson-p036-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "asset_refs": [ "mus-036-5" ], "reading_order": 274 }, { "id": "kitson-p036-12", "type": "paragraph", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "english": "and also similar procedures where the first minim of the bass is the fifth of the chord on the second minim. The reverse procedure is good, if the second minim be quitted by step, again for harmonic reasons:", "original": "and also similar procedures where the first minim of the bass is the fifth of the chord on the second minim. The reverse procedure is good, if the second minim be quitted by step, again for harmonic reasons:", "reading_order": 275 }, { "id": "kitson-p036-13", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "asset_refs": [ "mus-036-6" ], "reading_order": 276 }, { "id": "kitson-p037-1", "type": "heading", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "heading_level": 3, "english": "11. Note.", "original": "11. Note.", "inline": [ { "text": "11. " }, { "text": "Note.", "tag": "em" } ], "reading_order": 277 }, { "id": "kitson-p037-2", "type": "paragraph", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "english": "(a) When accented minims in consecutive bars are a third apart the second minim can use a passing note:", "original": "(a) When accented minims in consecutive bars are a third apart the second minim can use a passing note:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") When accented minims in consecutive bars are a third apart the second minim can use a passing note:" } ], "reading_order": 278 }, { "id": "kitson-p037-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "asset_refs": [ "mus-037-1" ], "reading_order": 279 }, { "id": "kitson-p037-4", "type": "paragraph", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "english": "(b) When accented minims in consecutive bars are the same note, the second minim can use an auxiliary note:", "original": "(b) When accented minims in consecutive bars are the same note, the second minim can use an auxiliary note:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") When accented minims in consecutive bars are the same note, the second minim can use an auxiliary note:" } ], "reading_order": 280 }, { "id": "kitson-p037-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "asset_refs": [ "mus-037-2" ], "reading_order": 281 }, { "id": "kitson-p037-6", "type": "paragraph", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "english": "(c) Do not quit a second in similar motion:", "original": "(c) Do not quit a second in similar motion:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Do not quit a second in similar motion:" } ], "reading_order": 282 }, { "id": "kitson-p037-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "asset_refs": [ "mus-037-3" ], "reading_order": 283 }, { "id": "kitson-p037-8", "type": "paragraph", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "english": "(d) The minor seventh of a root has a natural tendency to fall one degree:", "original": "(d) The minor seventh of a root has a natural tendency to fall one degree:", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") The minor seventh of a root has a natural tendency to fall one degree:" } ], "reading_order": 284 }, { "id": "kitson-p037-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "asset_refs": [ "mus-037-4" ], "reading_order": 285 }, { "id": "kitson-p037-10", "type": "paragraph", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "english": "(e) Avoid:", "original": "(e) Avoid:", "inline": [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") Avoid:" } ], "reading_order": 286 }, { "id": "kitson-p037-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "asset_refs": [ "mus-037-5" ], "reading_order": 287 }, { "id": "kitson-p037-12", "type": "paragraph", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "english": "Regard D–B as a new chord, and follow it properly:", "original": "Regard D–B as a new chord, and follow it properly:", "reading_order": 288 }, { "id": "kitson-p037-13", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "asset_refs": [ "mus-037-6" ], "reading_order": 289 }, { "id": "kitson-p037-14", "type": "heading", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "heading_level": 3, "english": "12. The Minor Key.", "original": "12. The Minor Key.", "inline": [ { "text": "12. " }, { "text": "The Minor Key.", "tag": "em" } ], "reading_order": 290 }, { "id": "kitson-p037-15", "type": "paragraph", "sources": [ { "pdf_page": 37, "source_image": "source-pages/p-037.jpg", "printed_page": 37 } ], "english": "(a) The minor seventh of the scale can only be used as a harmony note if proceeding to the minor sixth as a harmony note:", "original": "(a) The minor seventh of the scale can only be used as a harmony note if proceeding to the minor sixth as a harmony note:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The minor seventh of the scale can only be used as a harmony note if proceeding to the minor sixth as a harmony note:" } ], "reading_order": 291 }, { "id": "kitson-p038-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "asset_refs": [ "mus-038-1" ], "reading_order": 292 }, { "id": "kitson-p038-2", "type": "paragraph", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "english": "The following is a modulation to C major, and should only be used in the middle of an exercise:", "original": "The following is a modulation to C major, and should only be used in the middle of an exercise:", "reading_order": 293 }, { "id": "kitson-p038-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "asset_refs": [ "mus-038-2" ], "reading_order": 294 }, { "id": "kitson-p038-4", "type": "paragraph", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "english": "(b) The major sixth of the scale can only be used as a harmony note if proceeding to the major seventh as a harmony note:", "original": "(b) The major sixth of the scale can only be used as a harmony note if proceeding to the major seventh as a harmony note:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") The major sixth of the scale can only be used as a harmony note if proceeding to the major seventh as a harmony note:" } ], "reading_order": 295 }, { "id": "kitson-p038-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "asset_refs": [ "mus-038-3" ], "reading_order": 296 }, { "id": "kitson-p038-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "asset_refs": [ "mus-038-4" ], "reading_order": 297 }, { "id": "kitson-p038-7", "type": "paragraph", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "english": "(2) is good music, for to our ears G♯ is essential. But (3) is more logical. There is no need for an F♯ at (2), because the minor seventh of the scale can be freely used as a passing or auxiliary note, ascending or descending:", "original": "(2) is good music, for to our ears G♯ is essential. But (3) is more logical. There is no need for an F♯ at (2), because the minor seventh of the scale can be freely used as a passing or auxiliary note, ascending or descending:", "reading_order": 298 }, { "id": "kitson-p038-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "asset_refs": [ "mus-038-5" ], "reading_order": 299 }, { "id": "kitson-p038-9", "type": "paragraph", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "english": "The major sixth of the minor scale can be used not only as an ascending passing note, but also as a descending one, but in the latter case only between two statements of the dominant chord or between VIIb and Vb.", "original": "The major sixth of the minor scale can be used not only as an ascending passing note, but also as a descending one, but in the latter case only between two statements of the dominant chord or between VIIb and Vb.", "inline": [ { "text": "The major sixth of the minor scale can be used not only as an ascending passing note, but also as a descending one, but in the latter case only between two statements of the dominant chord or between VII" }, { "text": "b", "tag": "em" }, { "text": " and V" }, { "text": "b", "tag": "em" }, { "text": "." } ], "reading_order": 300 }, { "id": "kitson-p038-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 38, "source_image": "source-pages/p-038.jpg", "printed_page": 38 } ], "asset_refs": [ "mus-038-6" ], "reading_order": 301 }, { "id": "kitson-p039-1", "type": "heading", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "heading_level": 3, "english": "13. Three parts.", "original": "13. Three parts.", "inline": [ { "text": "13. " }, { "text": "Three parts.", "tag": "em" } ], "reading_order": 302 }, { "id": "kitson-p039-2", "type": "paragraph", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "english": "(a) The third part will be in First Species.", "original": "(a) The third part will be in First Species.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The third part will be in First Species." } ], "reading_order": 303 }, { "id": "kitson-p039-3", "type": "paragraph", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "english": "(b) The Second Species may now start with an imperfect concord, as the added First Species must fulfil the convention as to starting with a perfect concord:", "original": "(b) The Second Species may now start with an imperfect concord, as the added First Species must fulfil the convention as to starting with a perfect concord:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") The Second Species may now start with an imperfect concord, as the added First Species must fulfil the convention as to starting with a perfect concord:" } ], "reading_order": 304 }, { "id": "kitson-p039-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "asset_refs": [ "mus-039-1" ], "reading_order": 305 }, { "id": "kitson-p039-5", "type": "paragraph", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "english": "(c) The Cadence.", "original": "(c) The Cadence.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") The Cadence." } ], "reading_order": 306 }, { "id": "kitson-p039-6", "type": "paragraph", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "english": "When the C. F. is in the bass, the following are the usual procedures:", "original": "When the C. F. is in the bass, the following are the usual procedures:", "reading_order": 307 }, { "id": "kitson-p039-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "asset_refs": [ "mus-039-2" ], "reading_order": 308 }, { "id": "kitson-p039-8", "type": "paragraph", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "english": "When the C. F. is in a higher part, the penultimate chord must be the dominant. The Second Species may here substitute the Fourth Species (see Chapter IV).", "original": "When the C. F. is in a higher part, the penultimate chord must be the dominant. The Second Species may here substitute the Fourth Species (see Chapter IV).", "reading_order": 309 }, { "id": "kitson-p039-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "asset_refs": [ "mus-039-3" ], "reading_order": 310 }, { "id": "kitson-p039-10", "type": "paragraph", "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "english": "(a) This substitution of Fourth Species is allowed in order to avoid consecutive octaves:", "original": "(a) This substitution of Fourth Species is allowed in order to avoid consecutive octaves:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") This substitution of Fourth Species is allowed in order to avoid consecutive octaves:" } ], "reading_order": 311 }, { "id": "kitson-p040-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "asset_refs": [ "mus-040-1" ], "reading_order": 312 }, { "id": "kitson-p040-2", "type": "paragraph", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "english": "The following can also be used:", "original": "The following can also be used:", "reading_order": 313 }, { "id": "kitson-p040-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "asset_refs": [ "mus-040-2" ], "reading_order": 314 }, { "id": "kitson-p040-4", "type": "paragraph", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "english": "The last two notes in some part must be Leading Note, Tonic, and the Leading Note may not leap an octave.", "original": "The last two notes in some part must be Leading Note, Tonic, and the Leading Note may not leap an octave.", "reading_order": 315 }, { "id": "kitson-p040-5", "type": "paragraph", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "english": "14. The Second Species should be neither too conjunct nor too disjunct. The same is true of every melodic line, in whatever species it may be written. The part should be varied in range, and should have at least one climax. A sequence of two bars pattern is useful. The examples will serve to illustrate this.", "original": "14. The Second Species should be neither too conjunct nor too disjunct. The same is true of every melodic line, in whatever species it may be written. The part should be varied in range, and should have at least one climax. A sequence of two bars pattern is useful. The examples will serve to illustrate this.", "reading_order": 316 }, { "id": "kitson-p040-6", "type": "paragraph", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "english": "15. Again, as in First Species, semibreves should be grouped either in duple or triple time, each semibreve representing a beat. But in florid Counterpoint (see Chapter V) the minim represents the beat. In order to help the student wavy lines mark what are referred to as bars in this chapter (beyond the ordinary bar-lines).", "original": "15. Again, as in First Species, semibreves should be grouped either in duple or triple time, each semibreve representing a beat. But in florid Counterpoint (see Chapter V) the minim represents the beat. In order to help the student wavy lines mark what are referred to as bars in this chapter (beyond the ordinary bar-lines).", "reading_order": 317 }, { "id": "kitson-p040-7", "type": "heading", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "heading_level": 3, "english": "Examples", "original": "Examples", "reading_order": 318 }, { "id": "kitson-p040-8", "type": "paragraph", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "english": "(Extra third part in black notes).", "original": "(Extra third part in black notes).", "reading_order": 319 }, { "id": "kitson-p040-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "asset_refs": [ "mus-040-3" ], "reading_order": 320 }, { "id": "kitson-p041-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 41, "source_image": "source-pages/p-041.jpg", "printed_page": 41 } ], "asset_refs": [ "mus-041-1" ], "reading_order": 321 }, { "id": "kitson-p041-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 41, "source_image": "source-pages/p-041.jpg", "printed_page": 41 } ], "asset_refs": [ "mus-041-2" ], "reading_order": 322 }, { "id": "kitson-p042-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 42, "source_image": "source-pages/p-042.jpg", "printed_page": 42 } ], "asset_refs": [ "mus-042-1" ], "reading_order": 323 }, { "id": "kitson-p042-2", "type": "heading", "sources": [ { "pdf_page": 42, "source_image": "source-pages/p-042.jpg", "printed_page": 42 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 324 }, { "id": "kitson-p042-3", "type": "paragraph", "sources": [ { "pdf_page": 42, "source_image": "source-pages/p-042.jpg", "printed_page": 42 } ], "english": "(1) Fill in appropriate second minims in the following bars: mark the accentuation you choose by substituting the necessary wavy lines.", "original": "(1) Fill in appropriate second minims in the following bars: mark the accentuation you choose by substituting the necessary wavy lines.", "reading_order": 325 }, { "id": "kitson-p042-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 42, "source_image": "source-pages/p-042.jpg", "printed_page": 42 } ], "asset_refs": [ "mus-042-2" ], "reading_order": 326 }, { "id": "kitson-p043-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 43, "source_image": "source-pages/p-043.jpg", "printed_page": 43 } ], "asset_refs": [ "mus-043-1" ], "reading_order": 327 }, { "id": "kitson-p043-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 43, "source_image": "source-pages/p-043.jpg", "printed_page": 43 } ], "asset_refs": [ "mus-043-2" ], "reading_order": 328 }, { "id": "kitson-p043-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 43, "source_image": "source-pages/p-043.jpg", "printed_page": 43 } ], "asset_refs": [ "mus-043-3" ], "reading_order": 329 }, { "id": "kitson-p044-2", "type": "paragraph", "sources": [ { "pdf_page": 44, "source_image": "source-pages/p-044.jpg", "printed_page": 44 } ], "english": "2. Use the Canti Fermi given in Chapter I as follows:", "original": "2. Use the Canti Fermi given in Chapter I as follows:", "reading_order": 330 }, { "id": "kitson-p044-3", "type": "paragraph", "sources": [ { "pdf_page": 44, "source_image": "source-pages/p-044.jpg", "printed_page": 44 } ], "english": "(a) To the basses given under heading A add a Soprano in Second Species.", "original": "(a) To the basses given under heading A add a Soprano in Second Species.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") To the basses given under heading A add a Soprano in Second Species." } ], "reading_order": 331 }, { "id": "kitson-p044-4", "type": "paragraph", "sources": [ { "pdf_page": 44, "source_image": "source-pages/p-044.jpg", "printed_page": 44 } ], "english": "(b) To the same basses add (i) a Soprano in Second Species, and Alto in First Species; (ii) a Soprano in First Species, and Alto or Tenor in Second Species.", "original": "(b) To the same basses add (i) a Soprano in Second Species, and Alto in First Species; (ii) a Soprano in First Species, and Alto or Tenor in Second Species.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") To the same basses add (i) a Soprano in Second Species, and Alto in First Species; (ii) a Soprano in First Species, and Alto or Tenor in Second Species." } ], "reading_order": 332 }, { "id": "kitson-p044-5", "type": "paragraph", "sources": [ { "pdf_page": 44, "source_image": "source-pages/p-044.jpg", "printed_page": 44 } ], "english": "(c) To the Soprano Canti Fermi given under heading B add a Bass in Second Species.", "original": "(c) To the Soprano Canti Fermi given under heading B add a Bass in Second Species.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") To the Soprano Canti Fermi given under heading B add a Bass in Second Species." } ], "reading_order": 333 }, { "id": "kitson-p044-6", "type": "paragraph", "sources": [ { "pdf_page": 44, "source_image": "source-pages/p-044.jpg", "printed_page": 44 } ], "english": "(d) To the same Soprano Canti Fermi add (i) Alto in First Species, Bass in Second Species, (ii) Alto in Second Species, Bass in First Species.", "original": "(d) To the same Soprano Canti Fermi add (i) Alto in First Species, Bass in Second Species, (ii) Alto in Second Species, Bass in First Species.", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") To the same Soprano Canti Fermi add (i) Alto in First Species, Bass in Second Species, (ii) Alto in Second Species, Bass in First Species." } ], "reading_order": 334 }, { "id": "kitson-p045-1", "type": "heading", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "heading_level": 2, "english": "Chapter III. Third Species", "original": "Chapter III. Third Species", "reading_order": 335 }, { "id": "kitson-p045-2", "type": "paragraph", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "english": "1. Except in the first and last bars, four notes are written in the Counterpoint to one in the C. F.", "original": "1. Except in the first and last bars, four notes are written in the Counterpoint to one in the C. F.", "reading_order": 336 }, { "id": "kitson-p045-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "asset_refs": [ "mus-045-1" ], "reading_order": 337 }, { "id": "kitson-p045-4", "type": "paragraph", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "english": "The first note of the Counterpoint must form a perfect concord with the C. F. (a), and the last two notes at the Cadence must be Leading Note, Tonic (b). Regard the semibreve as representing 2/2.", "original": "The first note of the Counterpoint must form a perfect concord with the C. F. (a), and the last two notes at the Cadence must be Leading Note, Tonic (b). Regard the semibreve as representing 2/2.", "inline": [ { "text": "The first note of the Counterpoint must form a perfect concord with the C. F. (" }, { "text": "a", "tag": "em" }, { "text": "), and the last two notes at the Cadence must be Leading Note, Tonic (" }, { "text": "b", "tag": "em" }, { "text": "). Regard the semibreve as representing 2/2." } ], "reading_order": 338 }, { "id": "kitson-p045-5", "type": "paragraph", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "english": "(2) The first note of each bar must be concordant with the C. F.; the remaining notes will be concords and discords, e.g. essential notes and diatonic passing or auxiliary notes. But the following limitations must be observed:", "original": "(2) The first note of each bar must be concordant with the C. F.; the remaining notes will be concords and discords, e.g. essential notes and diatonic passing or auxiliary notes. But the following limitations must be observed:", "reading_order": 339 }, { "id": "kitson-p045-6", "type": "paragraph", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "english": "(a) A whole bar of leaps is weak.", "original": "(a) A whole bar of leaps is weak.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") A whole bar of leaps is weak." } ], "reading_order": 340 }, { "id": "kitson-p045-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "asset_refs": [ "mus-045-2" ], "reading_order": 341 }, { "id": "kitson-p045-8", "type": "paragraph", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "english": "(b) An auxiliary discord should not be used on the third crotchet.", "original": "(b) An auxiliary discord should not be used on the third crotchet.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") An " }, { "text": "auxiliary", "tag": "em" }, { "text": " discord should not be used on the third crotchet." } ], "reading_order": 342 }, { "id": "kitson-p045-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "asset_refs": [ "mus-045-3" ], "reading_order": 343 }, { "id": "kitson-p045-10", "type": "paragraph", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "english": "(c) All discords must be approached and quitted by step.", "original": "(c) All discords must be approached and quitted by step.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") All discords must be approached and quitted by step." } ], "reading_order": 344 }, { "id": "kitson-p045-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "asset_refs": [ "mus-045-4" ], "reading_order": 345 }, { "id": "kitson-p045-12", "type": "paragraph", "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "english": "Two exceptions to this will be considered in the next paragraph.", "original": "Two exceptions to this will be considered in the next paragraph.", "reading_order": 346 }, { "id": "kitson-p046-1", "type": "paragraph", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "english": "(d) If two passing notes be used in succession, the second must proceed in the same direction till it reaches a harmony note.", "original": "(d) If two passing notes be used in succession, the second must proceed in the same direction till it reaches a harmony note.", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") If two passing notes be used in succession, the second must proceed in the same direction till it reaches a harmony note." } ], "reading_order": 347 }, { "id": "kitson-p046-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "asset_refs": [ "mus-046-1" ], "reading_order": 348 }, { "id": "kitson-p046-3", "type": "paragraph", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "english": "3. There are two exceptional uses of discords:", "original": "3. There are two exceptional uses of discords:", "reading_order": 349 }, { "id": "kitson-p046-4", "type": "paragraph", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "english": "(a) When the first and fourth crotchets are concords, the first being a third higher than the fourth, the second crotchet after coming down one step to a discord may leap a third down and then proceed a step up to the fourth crotchet. And it is a further convention that the fourth crotchet proceed one step upwards to the first crotchet of the next bar.", "original": "(a) When the first and fourth crotchets are concords, the first being a third higher than the fourth, the second crotchet after coming down one step to a discord may leap a third down and then proceed a step up to the fourth crotchet. And it is a further convention that the fourth crotchet proceed one step upwards to the first crotchet of the next bar.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") When the first and fourth crotchets are concords, the first being a third higher than the fourth, the second crotchet after coming down one step to a discord may leap a third down and then proceed a step up to the fourth crotchet. And it is a further convention that the fourth crotchet proceed one step upwards to the first crotchet of the next bar." } ], "reading_order": 350 }, { "id": "kitson-p046-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "asset_refs": [ "mus-046-2" ], "reading_order": 351 }, { "id": "kitson-p046-6", "type": "paragraph", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "english": "This idiom is also used beginning with the sixth:", "original": "This idiom is also used beginning with the sixth:", "reading_order": 352 }, { "id": "kitson-p046-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "asset_refs": [ "mus-046-3" ], "reading_order": 353 }, { "id": "kitson-p046-8", "type": "paragraph", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "english": "Note in this case only the fourth crotchet is a discord. The idiom is termed the Nota Cambiata.", "original": "Note in this case only the fourth crotchet is a discord. The idiom is termed the Nota Cambiata.", "reading_order": 354 }, { "id": "kitson-p046-9", "type": "paragraph", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "english": "(b) When the first and fourth crotchets are the same note, the second crotchet may move one step up, and then leap a third down, and proceed a step up to the fourth crotchet. And this last will again ascend by step.", "original": "(b) When the first and fourth crotchets are the same note, the second crotchet may move one step up, and then leap a third down, and proceed a step up to the fourth crotchet. And this last will again ascend by step.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") When the first and fourth crotchets are the same note, the second crotchet may move one step up, and then leap a third down, and proceed a step up to the fourth crotchet. And this last will again ascend by step." } ], "reading_order": 355 }, { "id": "kitson-p046-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "asset_refs": [ "mus-046-4" ], "reading_order": 356 }, { "id": "kitson-p046-11", "type": "paragraph", "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "english": "This should be very sparingly used, and is best reserved for the penultimate bar. It has been described as the refuge of the destitute.", "original": "This should be very sparingly used, and is best reserved for the penultimate bar. It has been described as the refuge of the destitute.", "reading_order": 357 }, { "id": "kitson-p047-1", "type": "paragraph", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "english": "4. After a scale passage, do not leap in the same direction to an accented note:", "original": "4. After a scale passage, do not leap in the same direction to an accented note:", "reading_order": 358 }, { "id": "kitson-p047-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "asset_refs": [ "mus-047-1" ], "reading_order": 359 }, { "id": "kitson-p047-3", "type": "heading", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "heading_level": 3, "english": "5. Changes of harmony.", "original": "5. Changes of harmony.", "inline": [ { "text": "5. " }, { "text": "Changes of harmony.", "tag": "em" } ], "reading_order": 360 }, { "id": "kitson-p047-4", "type": "paragraph", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "english": "As a rule, one chord in a bar will be used.", "original": "As a rule, one chord in a bar will be used.", "reading_order": 361 }, { "id": "kitson-p047-5", "type": "paragraph", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "english": "But the harmony may often be changed in the bar with good effect—once.", "original": "But the harmony may often be changed in the bar with good effect—once.", "inline": [ { "text": "But the harmony may often be changed in the bar with good effect—" }, { "text": "once", "tag": "em" }, { "text": "." } ], "reading_order": 362 }, { "id": "kitson-p047-6", "type": "paragraph", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "english": "(a) The best place for a change is the third crotchet.", "original": "(a) The best place for a change is the third crotchet.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The best place for a change is the third crotchet." } ], "reading_order": 363 }, { "id": "kitson-p047-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "asset_refs": [ "mus-047-2" ], "reading_order": 364 }, { "id": "kitson-p047-8", "type": "paragraph", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "english": "(b) Sometimes a change on the fourth crotchet is good, especially in the following idiom:", "original": "(b) Sometimes a change on the fourth crotchet is good, especially in the following idiom:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Sometimes a change on the fourth crotchet is good, especially in the following idiom:" } ], "reading_order": 365 }, { "id": "kitson-p047-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "asset_refs": [ "mus-047-3" ], "reading_order": 366 }, { "id": "kitson-p047-10", "type": "paragraph", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "english": "The fact is the ear accepts the E as an auxiliary note.", "original": "The fact is the ear accepts the E as an auxiliary note.", "reading_order": 367 }, { "id": "kitson-p047-11", "type": "paragraph", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "english": "(c) A change on the second crotchet is only good when the mental effect is that the first crotchet is an appoggiatura.", "original": "(c) A change on the second crotchet is only good when the mental effect is that the first crotchet is an appoggiatura.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") A change on the second crotchet is only good when the " }, { "text": "mental", "tag": "em" }, { "text": " effect is that the first crotchet is an appoggiatura." } ], "reading_order": 368 }, { "id": "kitson-p047-12", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "asset_refs": [ "mus-047-4" ], "reading_order": 369 }, { "id": "kitson-p047-13", "type": "heading", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "heading_level": 3, "english": "6. Consecutives.", "original": "6. Consecutives.", "inline": [ { "text": "6. " }, { "text": "Consecutives.", "tag": "em" } ], "reading_order": 370 }, { "id": "kitson-p047-14", "type": "paragraph", "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "english": "Consecutive octaves and fifths (both notes of the latter being essential) should not occur between the C. F. and the counterpoint as from:", "original": "Consecutive octaves and fifths (both notes of the latter being essential) should not occur between the C. F. and the counterpoint as from:", "reading_order": 371 }, { "id": "kitson-p047-15", "type": "paragraph", "english": "(a) The first crotchet of one bar and the first of the next;\n(b) The second crotchet of one bar and the first of the next;", "original": "(a) The first crotchet of one bar and the first of the next;\n(b) The second crotchet of one bar and the first of the next;", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The first crotchet of one bar and the first of the next;" } ], [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") The second crotchet of one bar and the first of the next;" } ] ], "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "reading_order": 372 }, { "id": "kitson-p048-1", "type": "paragraph", "english": "(c) The third crotchet of one bar and the first of the next;\n(d) The fourth crotchet of one bar and the first of the next.", "original": "(c) The third crotchet of one bar and the first of the next;\n(d) The fourth crotchet of one bar and the first of the next.", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") The third crotchet of one bar and the first of the next;" } ], [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") The fourth crotchet of one bar and the first of the next." } ] ], "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "reading_order": 373 }, { "id": "kitson-p048-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "asset_refs": [ "mus-048-1" ], "reading_order": 374 }, { "id": "kitson-p048-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "asset_refs": [ "mus-048-2" ], "reading_order": 375 }, { "id": "kitson-p048-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "asset_refs": [ "mus-048-3" ], "reading_order": 376 }, { "id": "kitson-p048-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "asset_refs": [ "mus-048-4" ], "reading_order": 377 }, { "id": "kitson-p048-6", "type": "paragraph", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "english": "In the following cases the first fifth is unessential, and the writing is correct:", "original": "In the following cases the first fifth is unessential, and the writing is correct:", "reading_order": 378 }, { "id": "kitson-p048-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "asset_refs": [ "mus-048-5" ], "reading_order": 379 }, { "id": "kitson-p048-8", "type": "paragraph", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "english": "Consecutive octaves or fifths can, of course, only occur between consecutive different chords. Thus the following are correct:", "original": "Consecutive octaves or fifths can, of course, only occur between consecutive different chords. Thus the following are correct:", "reading_order": 380 }, { "id": "kitson-p048-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "asset_refs": [ "mus-048-6" ], "reading_order": 381 }, { "id": "kitson-p048-10", "type": "paragraph", "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "english": "7. Only proceed into the unison by step if crossing through it.", "original": "7. Only proceed into the unison by step if crossing through it.", "reading_order": 382 }, { "id": "kitson-p049-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "asset_refs": [ "mus-049-1" ], "reading_order": 383 }, { "id": "kitson-p049-2", "type": "paragraph", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "english": "8. Beware of a mechanical use of unessential notes.", "original": "8. Beware of a mechanical use of unessential notes.", "reading_order": 384 }, { "id": "kitson-p049-3", "type": "paragraph", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "english": "(a) Avoid the second from the root of the mediant chord as a passing or auxiliary note:", "original": "(a) Avoid the second from the root of the mediant chord as a passing or auxiliary note:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Avoid the second from the root of the mediant chord as a passing or auxiliary note:" } ], "reading_order": 385 }, { "id": "kitson-p049-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "asset_refs": [ "mus-049-2" ], "reading_order": 386 }, { "id": "kitson-p049-5", "type": "paragraph", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "english": "(b) Passing notes between the fifth of the chord and the root ascending require care:", "original": "(b) Passing notes between the fifth of the chord and the root ascending require care:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Passing notes between the fifth of the chord and the root ascending require care:" } ], "reading_order": 387 }, { "id": "kitson-p049-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "asset_refs": [ "mus-049-3" ], "reading_order": 388 }, { "id": "kitson-p049-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "asset_refs": [ "mus-049-4" ], "reading_order": 389 }, { "id": "kitson-p049-8", "type": "paragraph", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "english": "(2), (3), and (6) sound poor because the ear is influenced by the chord as a temporary tonic. In such cases if the passing notes are not common to the scale of the tonic, and that of the chord regarded as a temporary tonic, remove them. In (5) F is really the dominant seventh, and can only stand if coming down to E on the first beat of the next bar:", "original": "(2), (3), and (6) sound poor because the ear is influenced by the chord as a temporary tonic. In such cases if the passing notes are not common to the scale of the tonic, and that of the chord regarded as a temporary tonic, remove them. In (5) F is really the dominant seventh, and can only stand if coming down to E on the first beat of the next bar:", "reading_order": 390 }, { "id": "kitson-p049-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "asset_refs": [ "mus-049-5" ], "reading_order": 391 }, { "id": "kitson-p050-1", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "The above ruling only applies when two passing notes are used in succession. The following are good:", "original": "The above ruling only applies when two passing notes are used in succession. The following are good:", "reading_order": 392 }, { "id": "kitson-p050-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "asset_refs": [ "mus-050-1" ], "reading_order": 393 }, { "id": "kitson-p050-3", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "The reason is that the combination on the fourth crotchet is really a 6/3.", "original": "The reason is that the combination on the fourth crotchet is really a 6/3.", "reading_order": 394 }, { "id": "kitson-p050-4", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "9. Do not leap a sixth in crotchets.", "original": "9. Do not leap a sixth in crotchets.", "reading_order": 395 }, { "id": "kitson-p050-5", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "10. The unison may be used in moderation except on the first crotchet of any bar but the last.", "original": "10. The unison may be used in moderation except on the first crotchet of any bar but the last.", "reading_order": 396 }, { "id": "kitson-p050-6", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "11. The following is quite common:", "original": "11. The following is quite common:", "reading_order": 397 }, { "id": "kitson-p050-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "asset_refs": [ "mus-050-2" ], "reading_order": 398 }, { "id": "kitson-p050-8", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "An intermediate concord was held to save consecutives. But the beginner should adhere to the recommendations of paragraph (6).", "original": "An intermediate concord was held to save consecutives. But the beginner should adhere to the recommendations of paragraph (6).", "reading_order": 399 }, { "id": "kitson-p050-9", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "12. A Third Species in the lower part in the first inversion of the diminished triad is awkward to manipulate. Note:", "original": "12. A Third Species in the lower part in the first inversion of the diminished triad is awkward to manipulate. Note:", "reading_order": 400 }, { "id": "kitson-p050-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "asset_refs": [ "mus-050-3" ], "reading_order": 401 }, { "id": "kitson-p050-11", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "In the above any B in the Third Species would be a bad doubled leading note; any F is in effect the dominant seventh, and requires resolution.", "original": "In the above any B in the Third Species would be a bad doubled leading note; any F is in effect the dominant seventh, and requires resolution.", "reading_order": 402 }, { "id": "kitson-p050-12", "type": "paragraph", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "english": "In the key of A minor the following is useful:", "original": "In the key of A minor the following is useful:", "reading_order": 403 }, { "id": "kitson-p050-13", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "asset_refs": [ "mus-050-4" ], "reading_order": 404 }, { "id": "kitson-p051-1", "type": "paragraph", "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "english": "13. Note the fourth from the bass is a discord:", "original": "13. Note the fourth from the bass is a discord:", "reading_order": 405 }, { "id": "kitson-p051-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "asset_refs": [ "mus-051-1" ], "reading_order": 406 }, { "id": "kitson-p051-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "asset_refs": [ "mus-051-2" ], "reading_order": 407 }, { "id": "kitson-p051-4", "type": "paragraph", "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "english": "The procedure may be thus stated:", "original": "The procedure may be thus stated:", "reading_order": 408 }, { "id": "kitson-p051-5", "type": "paragraph", "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "english": "(a) An implied arpeggio 6/4 may be used off the beat (fourth from the bass not being present). For harmonic reasons this implied fifth from the root should only leap to the third or root of the same chord. It is good quitted by step.", "original": "(a) An implied arpeggio 6/4 may be used off the beat (fourth from the bass not being present). For harmonic reasons this implied fifth from the root should only leap to the third or root of the same chord. It is good quitted by step.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") An " }, { "text": "implied", "tag": "em" }, { "text": " arpeggio 6/4 may be used off the beat (fourth from the bass not being present). For harmonic reasons this " }, { "text": "implied", "tag": "em" }, { "text": " fifth from the root should only leap to the third or root of the same chord. It is good quitted by step." } ], "reading_order": 409 }, { "id": "kitson-p051-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "asset_refs": [ "mus-051-3" ], "reading_order": 410 }, { "id": "kitson-p051-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "asset_refs": [ "mus-051-4" ], "reading_order": 411 }, { "id": "kitson-p051-8", "type": "paragraph", "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "english": "All these are technically correct according to sixteenth-century principles, but they are not all harmonically sound.", "original": "All these are technically correct according to sixteenth-century principles, but they are not all harmonically sound.", "reading_order": 412 }, { "id": "kitson-p052-1", "type": "paragraph", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "english": "(b) An actual 6/4 may be used off the beat if the bass note be approached and quitted by step.", "original": "(b) An actual 6/4 may be used off the beat if the bass note be approached and quitted by step.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") An actual 6/4 may be used off the beat if the bass note be approached and quitted by step." } ], "reading_order": 413 }, { "id": "kitson-p052-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "asset_refs": [ "mus-052-1" ], "reading_order": 414 }, { "id": "kitson-p052-3", "type": "paragraph", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "english": "14. Third Species work should be regarded as being in 2/2 time.", "original": "14. Third Species work should be regarded as being in 2/2 time.", "reading_order": 415 }, { "id": "kitson-p052-4", "type": "heading", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "heading_level": 3, "english": "15. The Cadence.", "original": "15. The Cadence.", "inline": [ { "text": "15. " }, { "text": "The Cadence.", "tag": "em" } ], "reading_order": 416 }, { "id": "kitson-p052-5", "type": "paragraph", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "english": "(a) In two parts:", "original": "(a) In two parts:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") In two parts:" } ], "reading_order": 417 }, { "id": "kitson-p052-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "asset_refs": [ "mus-052-2" ], "reading_order": 418 }, { "id": "kitson-p052-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "asset_refs": [ "mus-052-3" ], "reading_order": 419 }, { "id": "kitson-p052-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "asset_refs": [ "mus-052-4" ], "reading_order": 420 }, { "id": "kitson-p052-9", "type": "footnote", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "english": "1 Only as the completion of the ascending scale as here, and only available in two parts.", "original": "1 Only as the completion of the ascending scale as here, and only available in two parts.", "reading_order": 421 }, { "id": "kitson-p052-10", "type": "paragraph", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "english": "(b) In three parts:", "original": "(b) In three parts:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") In three parts:" } ], "reading_order": 422 }, { "id": "kitson-p052-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "asset_refs": [ "mus-052-5" ], "reading_order": 423 }, { "id": "kitson-p053-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "asset_refs": [ "mus-053-1" ], "reading_order": 424 }, { "id": "kitson-p053-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "asset_refs": [ "mus-053-2" ], "reading_order": 425 }, { "id": "kitson-p053-3", "type": "paragraph", "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "english": "Either the Third or added First Species must have the last two notes Leading Note, Tonic.", "original": "Either the Third or added First Species must have the last two notes Leading Note, Tonic.", "reading_order": 426 }, { "id": "kitson-p053-4", "type": "heading", "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "heading_level": 3, "english": "16. Three Parts.", "original": "16. Three Parts.", "reading_order": 427 }, { "id": "kitson-p053-5", "type": "paragraph", "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "english": "The extra part in First Species serves to complete the harmony as far as possible. As the First Species in bar 1 will form a perfect concord with the C. F., the Third Species need not start with a perfect concord. This applies to all three-part work. The first note added to the C. F. must form a perfect concord with it, not the first note of each part added.", "original": "The extra part in First Species serves to complete the harmony as far as possible. As the First Species in bar 1 will form a perfect concord with the C. F., the Third Species need not start with a perfect concord. This applies to all three-part work. The first note added to the C. F. must form a perfect concord with it, not the first note of each part added.", "inline": [ { "text": "The extra part in First Species serves to complete the harmony as far as possible. As the First Species in bar 1 will form a perfect concord with the C. F., the Third Species need not start with a perfect concord. This applies to all three-part work. The first note added to the C. F. must form a perfect concord with it, " }, { "text": "not", "tag": "em" }, { "text": " the first note of each part added." } ], "reading_order": 428 }, { "id": "kitson-p053-6", "type": "paragraph", "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "english": "17. In writing Third Species:", "original": "17. In writing Third Species:", "reading_order": 429 }, { "id": "kitson-p053-7", "type": "paragraph", "english": "(a) Let the part undulate.\n(b) Avoid a preponderance of disjunct or conjunct movement.\n(c) Avoid a succession of bars with auxiliary notes on the second crotchet of the bar.\n(d) Aim at variety of range, variety of curve, and some good scale passages. A sequence with a pattern of two bars is useful.\n(e) Do not double the Leading Note on the accents; do not double it at all in two parts.", "original": "(a) Let the part undulate.\n(b) Avoid a preponderance of disjunct or conjunct movement.\n(c) Avoid a succession of bars with auxiliary notes on the second crotchet of the bar.\n(d) Aim at variety of range, variety of curve, and some good scale passages. A sequence with a pattern of two bars is useful.\n(e) Do not double the Leading Note on the accents; do not double it at all in two parts.", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Let the part undulate." } ], [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Avoid a preponderance of disjunct or conjunct movement." } ], [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Avoid a succession of bars with auxiliary notes on the second crotchet of the bar." } ], [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Aim at variety of range, variety of curve, and some good scale passages. A sequence with a pattern of two bars is useful." } ], [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") Do not double the Leading Note on the accents; do not double it at all in two parts." } ] ], "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "reading_order": 430 }, { "id": "kitson-p053-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "asset_refs": [ "mus-053-3" ], "reading_order": 431 }, { "id": "kitson-p054-1", "type": "paragraph", "sources": [ { "pdf_page": 54, "source_image": "source-pages/p-054.jpg", "printed_page": 54 } ], "english": "(f) The Leading Note may fall in a scale passage or in arpeggio.", "original": "(f) The Leading Note may fall in a scale passage or in arpeggio.", "inline": [ { "text": "(" }, { "text": "f", "tag": "em" }, { "text": ") The Leading Note may fall in a scale passage or in arpeggio." } ], "reading_order": 432 }, { "id": "kitson-p054-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 54, "source_image": "source-pages/p-054.jpg", "printed_page": 54 } ], "asset_refs": [ "mus-054-1" ], "reading_order": 433 }, { "id": "kitson-p054-3", "type": "heading", "sources": [ { "pdf_page": 54, "source_image": "source-pages/p-054.jpg", "printed_page": 54 } ], "heading_level": 3, "english": "Examples", "original": "Examples", "reading_order": 434 }, { "id": "kitson-p054-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 54, "source_image": "source-pages/p-054.jpg", "printed_page": 54 } ], "asset_refs": [ "mus-054-2" ], "reading_order": 435 }, { "id": "kitson-p054-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 54, "source_image": "source-pages/p-054.jpg", "printed_page": 54 } ], "asset_refs": [ "mus-054-3" ], "reading_order": 436 }, { "id": "kitson-p055-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 55, "source_image": "source-pages/p-055.jpg", "printed_page": 55 } ], "asset_refs": [ "mus-055-1" ], "reading_order": 437 }, { "id": "kitson-p055-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 55, "source_image": "source-pages/p-055.jpg", "printed_page": 55 } ], "asset_refs": [ "mus-055-2" ], "reading_order": 438 }, { "id": "kitson-p056-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 56, "source_image": "source-pages/p-056.jpg", "printed_page": 56 } ], "asset_refs": [ "mus-056-1" ], "reading_order": 439 }, { "id": "kitson-p056-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 56, "source_image": "source-pages/p-056.jpg", "printed_page": 56 } ], "asset_refs": [ "mus-056-2" ], "reading_order": 440 }, { "id": "kitson-p057-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 57, "source_image": "source-pages/p-057.jpg", "printed_page": 57 } ], "asset_refs": [ "mus-057-1" ], "reading_order": 441 }, { "id": "kitson-p057-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 57, "source_image": "source-pages/p-057.jpg", "printed_page": 57 } ], "asset_refs": [ "mus-057-2" ], "reading_order": 442 }, { "id": "kitson-p057-3", "type": "heading", "sources": [ { "pdf_page": 57, "source_image": "source-pages/p-057.jpg", "printed_page": 57 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 443 }, { "id": "kitson-p057-4", "type": "paragraph", "sources": [ { "pdf_page": 57, "source_image": "source-pages/p-057.jpg", "printed_page": 57 } ], "english": "(1) Fill in the score with crotchets.", "original": "(1) Fill in the score with crotchets.", "reading_order": 444 }, { "id": "kitson-p057-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 57, "source_image": "source-pages/p-057.jpg", "printed_page": 57 } ], "asset_refs": [ "mus-057-3" ], "reading_order": 445 }, { "id": "kitson-p058-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 58, "source_image": "source-pages/p-058.jpg", "printed_page": 58 } ], "asset_refs": [ "mus-058-1" ], "reading_order": 446 }, { "id": "kitson-p058-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 58, "source_image": "source-pages/p-058.jpg", "printed_page": 58 } ], "asset_refs": [ "mus-058-2" ], "reading_order": 447 }, { "id": "kitson-p059-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 59, "source_image": "source-pages/p-059.jpg", "printed_page": 59 } ], "asset_refs": [ "mus-059-1" ], "reading_order": 448 }, { "id": "kitson-p059-2", "type": "paragraph", "sources": [ { "pdf_page": 59, "source_image": "source-pages/p-059.jpg", "printed_page": 59 } ], "english": "(2) Figure the following basses, and add Soprano in Third Species:", "original": "(2) Figure the following basses, and add Soprano in Third Species:", "reading_order": 449 }, { "id": "kitson-p059-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 59, "source_image": "source-pages/p-059.jpg", "printed_page": 59 } ], "asset_refs": [ "mus-059-2" ], "reading_order": 450 }, { "id": "kitson-p059-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 59, "source_image": "source-pages/p-059.jpg", "printed_page": 59 } ], "asset_refs": [ "mus-059-3" ], "reading_order": 451 }, { "id": "kitson-p059-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 59, "source_image": "source-pages/p-059.jpg", "printed_page": 59 } ], "asset_refs": [ "mus-059-4" ], "reading_order": 452 }, { "id": "kitson-p059-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 59, "source_image": "source-pages/p-059.jpg", "printed_page": 59 } ], "asset_refs": [ "mus-059-5" ], "reading_order": 453 }, { "id": "kitson-p060-1", "type": "paragraph", "sources": [ { "pdf_page": 60, "source_image": "source-pages/p-060.jpg", "printed_page": 60 } ], "english": "(3) To the above add two upper parts in two ways: (a) Soprano First Species, Alto Third; (b) Soprano Third Species, Alto First.", "original": "(3) To the above add two upper parts in two ways: (a) Soprano First Species, Alto Third; (b) Soprano Third Species, Alto First.", "inline": [ { "text": "(3) To the above add two upper parts in two ways: (" }, { "text": "a", "tag": "em" }, { "text": ") Soprano First Species, Alto Third; (" }, { "text": "b", "tag": "em" }, { "text": ") Soprano Third Species, Alto First." } ], "reading_order": 454 }, { "id": "kitson-p060-2", "type": "paragraph", "sources": [ { "pdf_page": 60, "source_image": "source-pages/p-060.jpg", "printed_page": 60 } ], "english": "(4) To the following add Bass in Third Species:", "original": "(4) To the following add Bass in Third Species:", "reading_order": 455 }, { "id": "kitson-p060-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 60, "source_image": "source-pages/p-060.jpg", "printed_page": 60 } ], "asset_refs": [ "mus-060-1" ], "reading_order": 456 }, { "id": "kitson-p060-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 60, "source_image": "source-pages/p-060.jpg", "printed_page": 60 } ], "asset_refs": [ "mus-060-2" ], "reading_order": 457 }, { "id": "kitson-p060-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 60, "source_image": "source-pages/p-060.jpg", "printed_page": 60 } ], "asset_refs": [ "mus-060-3" ], "reading_order": 458 }, { "id": "kitson-p060-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 60, "source_image": "source-pages/p-060.jpg", "printed_page": 60 } ], "asset_refs": [ "mus-060-4" ], "reading_order": 459 }, { "id": "kitson-p060-7", "type": "paragraph", "sources": [ { "pdf_page": 60, "source_image": "source-pages/p-060.jpg", "printed_page": 60 } ], "english": "(5) To the above add Alto and Bass in two ways: (a) Alto Third Species, Bass First; (b) Alto First Species, Bass Third.", "original": "(5) To the above add Alto and Bass in two ways: (a) Alto Third Species, Bass First; (b) Alto First Species, Bass Third.", "inline": [ { "text": "(5) To the above add Alto and Bass in two ways: (" }, { "text": "a", "tag": "em" }, { "text": ") Alto Third Species, Bass First; (" }, { "text": "b", "tag": "em" }, { "text": ") Alto First Species, Bass Third." } ], "reading_order": 460 }, { "id": "kitson-p061-1", "type": "heading", "sources": [ { "pdf_page": 61, "source_image": "source-pages/p-061.jpg", "printed_label": "PDF 61" } ], "heading_level": 2, "english": "Chapter IV. Fourth Species", "original": "Chapter IV. Fourth Species", "reading_order": 461 }, { "id": "kitson-p061-2", "type": "paragraph", "sources": [ { "pdf_page": 61, "source_image": "source-pages/p-061.jpg", "printed_label": "PDF 61" } ], "english": "1. If, instead of writing the counterpoint in the First Species:", "original": "1. If, instead of writing the counterpoint in the First Species:", "reading_order": 462 }, { "id": "kitson-p061-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 61, "source_image": "source-pages/p-061.jpg", "printed_label": "PDF 61" } ], "asset_refs": [ "mus-061-1" ], "reading_order": 463 }, { "id": "kitson-p061-4", "type": "paragraph", "sources": [ { "pdf_page": 61, "source_image": "source-pages/p-061.jpg", "printed_label": "PDF 61" } ], "english": "it moves one minim behind:", "original": "it moves one minim behind:", "reading_order": 464 }, { "id": "kitson-p061-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 61, "source_image": "source-pages/p-061.jpg", "printed_label": "PDF 61" } ], "asset_refs": [ "mus-061-2" ], "reading_order": 465 }, { "id": "kitson-p061-6", "type": "paragraph", "sources": [ { "pdf_page": 61, "source_image": "source-pages/p-061.jpg", "printed_label": "PDF 61" } ], "english": "the result is Fourth Species or Syncopation. Let it not be imagined, however, that any First Species can thus be turned into Fourth Species. The example was merely designed to do so for the purpose of explaining the nature of Fourth Species, e.g. syncopation.", "original": "the result is Fourth Species or Syncopation. Let it not be imagined, however, that any First Species can thus be turned into Fourth Species. The example was merely designed to do so for the purpose of explaining the nature of Fourth Species, e.g. syncopation.", "reading_order": 466 }, { "id": "kitson-p061-7", "type": "paragraph", "sources": [ { "pdf_page": 61, "source_image": "source-pages/p-061.jpg", "printed_label": "PDF 61" } ], "english": "2. From an observance of example (b) note:", "original": "2. From an observance of example (b) note:", "inline": [ { "text": "2. From an observance of example (" }, { "text": "b", "tag": "em" }, { "text": ") note:" } ], "reading_order": 467 }, { "id": "kitson-p061-8", "type": "paragraph", "english": "(a) After a minim rest, the counterpoint begins with a perfect concord.\n(b) Every second minim of the bar must be a concord.\n(c) If the syncopated minim be a concord on the first beat of the bar (1), it is free to move by leap (2), or by step (3), to another concord.\n(d) If, however, the syncopated minim on the first beat be a discord (4), it must resolve downwards one step into a concord (7).\n(e) The last two notes of the counterpoint must be Leading Note, Tonic.", "original": "(a) After a minim rest, the counterpoint begins with a perfect concord.\n(b) Every second minim of the bar must be a concord.\n(c) If the syncopated minim be a concord on the first beat of the bar (1), it is free to move by leap (2), or by step (3), to another concord.\n(d) If, however, the syncopated minim on the first beat be a discord (4), it must resolve downwards one step into a concord (7).\n(e) The last two notes of the counterpoint must be Leading Note, Tonic.", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") After a minim rest, the counterpoint begins with a perfect concord." } ], [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Every second minim of the bar must be a concord." } ], [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") If the syncopated minim be a concord on the first beat of the bar (1), it is free to move by leap (2), or by step (3), to another concord." } ], [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") If, however, the syncopated minim on the first beat be a discord (4), it must resolve downwards one step into a concord (7)." } ], [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") The last two notes of the counterpoint must be Leading Note, Tonic." } ] ], "sources": [ { "pdf_page": 61, "source_image": "source-pages/p-061.jpg", "printed_label": "PDF 61" } ], "reading_order": 468 }, { "id": "kitson-p062-1", "type": "paragraph", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "english": "3. Such syncopated discords as are seen in the above are called suspensions. (2) is the preparation of the suspended discord. (4) is the suspended discord, or suspension. (7) is its ‘resolution’.", "original": "3. Such syncopated discords as are seen in the above are called suspensions. (2) is the preparation of the suspended discord. (4) is the suspended discord, or suspension. (7) is its ‘resolution’.", "reading_order": 469 }, { "id": "kitson-p062-2", "type": "paragraph", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "english": "4. The available suspensions are here given in three and four parts, so as to show their implied harmony:", "original": "4. The available suspensions are here given in three and four parts, so as to show their implied harmony:", "reading_order": 470 }, { "id": "kitson-p062-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "asset_refs": [ "mus-062-1" ], "reading_order": 471 }, { "id": "kitson-p062-4", "type": "paragraph", "english": "(a) is the chord of C major in root position with the third suspended. 4/6 3/– is not used.\n(b) is the first inversion of the chord of A minor with the root suspended.\n(c) is the chord of C major in root position with the root suspended.\n(d) is the chord of A minor in the first inversion with the third suspended.", "original": "(a) is the chord of C major in root position with the third suspended. 4/6 3/– is not used.\n(b) is the first inversion of the chord of A minor with the root suspended.\n(c) is the chord of C major in root position with the root suspended.\n(d) is the chord of A minor in the first inversion with the third suspended.", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") is the chord of C major in root position with the third suspended. 4/6 3/– is not used." } ], [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") is the first inversion of the chord of A minor with the root suspended." } ], [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") is the chord of C major in root position with the root suspended." } ], [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") is the chord of A minor in the first inversion with the third suspended." } ] ], "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "reading_order": 472 }, { "id": "kitson-p062-5", "type": "paragraph", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "english": "The suspension 2–1 is not to be used.", "original": "The suspension 2–1 is not to be used.", "reading_order": 473 }, { "id": "kitson-p062-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "asset_refs": [ "mus-062-2" ], "reading_order": 474 }, { "id": "kitson-p062-7", "type": "paragraph", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "english": "9 8 is good.", "original": "9 8 is good.", "reading_order": 475 }, { "id": "kitson-p062-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "asset_refs": [ "mus-062-3" ], "reading_order": 476 }, { "id": "kitson-p062-9", "type": "paragraph", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "english": "6 5 or 5 6 are examples of syncopated concords:", "original": "6 5 or 5 6 are examples of syncopated concords:", "reading_order": 477 }, { "id": "kitson-p062-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "asset_refs": [ "mus-062-4" ], "reading_order": 478 }, { "id": "kitson-p063-1", "type": "heading", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "heading_level": 3, "english": "Suspensions in the Bass.", "original": "Suspensions in the Bass.", "inline": [ { "text": "Suspensions in the Bass.", "tag": "em" } ], "reading_order": 479 }, { "id": "kitson-p063-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "asset_refs": [ "mus-063-1" ], "reading_order": 480 }, { "id": "kitson-p063-3", "type": "paragraph", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "english": "(a) is the suspension of the root of the chord of C major.", "original": "(a) is the suspension of the root of the chord of C major.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") is the suspension of the root of the chord of C major." } ], "reading_order": 481 }, { "id": "kitson-p063-4", "type": "paragraph", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "english": "(b) is the suspension of the third of the chord of A minor.", "original": "(b) is the suspension of the third of the chord of A minor.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") is the suspension of the third of the chord of A minor." } ], "reading_order": 482 }, { "id": "kitson-p063-5", "type": "paragraph", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "english": "Again 6 5 or 5 6 are examples of syncopated concords:", "original": "Again 6 5 or 5 6 are examples of syncopated concords:", "reading_order": 483 }, { "id": "kitson-p063-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "asset_refs": [ "mus-063-2" ], "reading_order": 484 }, { "id": "kitson-p063-7", "type": "paragraph", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "english": "5. Do not use the augmented fourth or diminished fifth as suspensions:", "original": "5. Do not use the augmented fourth or diminished fifth as suspensions:", "reading_order": 485 }, { "id": "kitson-p063-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "asset_refs": [ "mus-063-3" ], "reading_order": 486 }, { "id": "kitson-p063-9", "type": "paragraph", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "english": "6. A suspension should only be sounded against its resolution if the latter be in the bass:", "original": "6. A suspension should only be sounded against its resolution if the latter be in the bass:", "reading_order": 487 }, { "id": "kitson-p063-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "asset_refs": [ "mus-063-4" ], "reading_order": 488 }, { "id": "kitson-p063-11", "type": "paragraph", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "english": "7. The 9 8 must not be prepared by the octave:", "original": "7. The 9 8 must not be prepared by the octave:", "reading_order": 489 }, { "id": "kitson-p063-12", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "asset_refs": [ "mus-063-5" ], "reading_order": 490 }, { "id": "kitson-p063-13", "type": "paragraph", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "english": "It should generally be approached by contrary motion:", "original": "It should generally be approached by contrary motion:", "reading_order": 491 }, { "id": "kitson-p063-14", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "asset_refs": [ "mus-063-6" ], "reading_order": 492 }, { "id": "kitson-p064-1", "type": "paragraph", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "english": "But when the exposed octave, that would result if the syncopation were omitted, is good, the suspension can be approached in similar motion:", "original": "But when the exposed octave, that would result if the syncopation were omitted, is good, the suspension can be approached in similar motion:", "reading_order": 493 }, { "id": "kitson-p064-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "asset_refs": [ "mus-064-1" ], "reading_order": 494 }, { "id": "kitson-p064-3", "type": "paragraph", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "english": "8. The following were not considered as consecutive fifths deferred:", "original": "8. The following were not considered as consecutive fifths deferred:", "reading_order": 495 }, { "id": "kitson-p064-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "asset_refs": [ "mus-064-2" ], "reading_order": 496 }, { "id": "kitson-p064-5", "type": "paragraph", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "english": "(a) does not sound very satisfactory, as the ear is inclined to accept each bar as based on one chord, A minor, G major, F major.", "original": "(a) does not sound very satisfactory, as the ear is inclined to accept each bar as based on one chord, A minor, G major, F major.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") does not sound very satisfactory, as the ear is inclined to accept each bar as based on one chord, A minor, G major, F major." } ], "reading_order": 497 }, { "id": "kitson-p064-6", "type": "paragraph", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "english": "(b) however is good, as each bar must have two harmonies.", "original": "(b) however is good, as each bar must have two harmonies.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") however is good, as each bar must have two harmonies." } ], "reading_order": 498 }, { "id": "kitson-p064-7", "type": "paragraph", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "english": "The following is of course faulty, as the syncopated note is a discord:", "original": "The following is of course faulty, as the syncopated note is a discord:", "reading_order": 499 }, { "id": "kitson-p064-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "asset_refs": [ "mus-064-3" ], "reading_order": 500 }, { "id": "kitson-p064-9", "type": "paragraph", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "english": "5 6 repeated is open to no objection:", "original": "5 6 repeated is open to no objection:", "reading_order": 501 }, { "id": "kitson-p064-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "asset_refs": [ "mus-064-4" ], "reading_order": 502 }, { "id": "kitson-p064-11", "type": "paragraph", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "english": "9. It is better for the beginner to avoid such progressions as:", "original": "9. It is better for the beginner to avoid such progressions as:", "reading_order": 503 }, { "id": "kitson-p064-12", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "asset_refs": [ "mus-064-5" ], "reading_order": 504 }, { "id": "kitson-p064-13", "type": "paragraph", "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "english": "10. The syncopation must be broken if its maintenance would produce faulty grammar or melodic repetition.", "original": "10. The syncopation must be broken if its maintenance would produce faulty grammar or melodic repetition.", "reading_order": 505 }, { "id": "kitson-p065-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "asset_refs": [ "mus-065-1" ], "reading_order": 506 }, { "id": "kitson-p065-2", "type": "paragraph", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "english": "(a) Diminished fifth from bass is a discord.", "original": "(a) Diminished fifth from bass is a discord.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Diminished fifth from bass is a discord." } ], "reading_order": 507 }, { "id": "kitson-p065-3", "type": "paragraph", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "english": "(b) False relation of tritone.", "original": "(b) False relation of tritone.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") False relation of tritone." } ], "reading_order": 508 }, { "id": "kitson-p065-4", "type": "paragraph", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "english": "11. The Unison may be used on the second minim of the bar, and the Leading Note may be doubled on the strong beat if syncopated.", "original": "11. The Unison may be used on the second minim of the bar, and the Leading Note may be doubled on the strong beat if syncopated.", "reading_order": 509 }, { "id": "kitson-p065-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "asset_refs": [ "mus-065-2" ], "reading_order": 510 }, { "id": "kitson-p065-6", "type": "heading", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "heading_level": 3, "english": "12. Cadences.", "original": "12. Cadences.", "reading_order": 511 }, { "id": "kitson-p065-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "asset_refs": [ "mus-065-3" ], "reading_order": 512 }, { "id": "kitson-p065-8", "type": "paragraph", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "english": "13. Two chords in a bar may be freely used.", "original": "13. Two chords in a bar may be freely used.", "reading_order": 513 }, { "id": "kitson-p065-9", "type": "heading", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "heading_level": 3, "english": "14. Three parts.", "original": "14. Three parts.", "reading_order": 514 }, { "id": "kitson-p065-10", "type": "paragraph", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "english": "(a) The two upper parts may form a bare fourth if the bass be a syncopated concord or discord.", "original": "(a) The two upper parts may form a bare fourth if the bass be a syncopated concord or discord.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The two upper parts may form a bare fourth if the bass be a syncopated concord or discord." } ], "reading_order": 515 }, { "id": "kitson-p065-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "asset_refs": [ "mus-065-4" ], "reading_order": 516 }, { "id": "kitson-p065-12", "type": "paragraph", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "english": "(1) is not strictly sixteenth-century technique, but it is indispensable in technical exercises in Fourth Species.", "original": "(1) is not strictly sixteenth-century technique, but it is indispensable in technical exercises in Fourth Species.", "reading_order": 517 }, { "id": "kitson-p065-13", "type": "paragraph", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "english": "When the bass is a syncopated discord, the view was that the next part above it was for the time being the real bass.", "original": "When the bass is a syncopated discord, the view was that the next part above it was for the time being the real bass.", "reading_order": 518 }, { "id": "kitson-p065-14", "type": "paragraph", "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 }, { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "english": "(b) Do not sound the discord against its resolution in the middle part, except occasionally by contrary and conjunct movement.", "original": "(b) Do not sound the discord against its resolution in the middle part, except occasionally by contrary and conjunct movement.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Do not sound the discord against its resolution in the middle part, except occasionally by contrary and conjunct movement." } ], "reading_order": 519 }, { "id": "kitson-p066-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "asset_refs": [ "mus-066-1" ], "reading_order": 520 }, { "id": "kitson-p066-3", "type": "paragraph", "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "english": "(c) the third part need not necessarily complete the chord.", "original": "(c) the third part need not necessarily complete the chord.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") the third part need not necessarily complete the chord." } ], "reading_order": 521 }, { "id": "kitson-p066-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "asset_refs": [ "mus-066-2" ], "reading_order": 522 }, { "id": "kitson-p066-5", "type": "paragraph", "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "english": "(d) Cadences. Examples.", "original": "(d) Cadences. Examples.", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Cadences. Examples." } ], "reading_order": 523 }, { "id": "kitson-p066-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "asset_refs": [ "mus-066-3" ], "reading_order": 524 }, { "id": "kitson-p066-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "asset_refs": [ "mus-066-4" ], "reading_order": 525 }, { "id": "kitson-p066-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "asset_refs": [ "mus-066-5" ], "reading_order": 526 }, { "id": "kitson-p067-1", "type": "heading", "sources": [ { "pdf_page": 67, "source_image": "source-pages/p-067.jpg", "printed_page": 67 } ], "heading_level": 3, "english": "Examples", "original": "Examples", "reading_order": 527 }, { "id": "kitson-p067-2", "type": "paragraph", "sources": [ { "pdf_page": 67, "source_image": "source-pages/p-067.jpg", "printed_page": 67 } ], "english": "(extra third part in black notes).", "original": "(extra third part in black notes).", "reading_order": 528 }, { "id": "kitson-p067-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 67, "source_image": "source-pages/p-067.jpg", "printed_page": 67 } ], "asset_refs": [ "mus-067-1" ], "reading_order": 529 }, { "id": "kitson-p067-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 67, "source_image": "source-pages/p-067.jpg", "printed_page": 67 } ], "asset_refs": [ "mus-067-2" ], "reading_order": 530 }, { "id": "kitson-p067-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 67, "source_image": "source-pages/p-067.jpg", "printed_page": 67 } ], "asset_refs": [ "mus-067-3" ], "reading_order": 531 }, { "id": "kitson-p068-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "asset_refs": [ "mus-068-1" ], "reading_order": 532 }, { "id": "kitson-p068-3", "type": "heading", "sources": [ { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 533 }, { "id": "kitson-p068-4", "type": "paragraph", "sources": [ { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "english": "1. To the following Canti Fermi add Soprano in Fourth Species, then add a middle part in First Species:", "original": "1. To the following Canti Fermi add Soprano in Fourth Species, then add a middle part in First Species:", "reading_order": 534 }, { "id": "kitson-p068-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "asset_refs": [ "mus-068-2" ], "reading_order": 535 }, { "id": "kitson-p068-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "asset_refs": [ "mus-068-3" ], "reading_order": 536 }, { "id": "kitson-p069-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "asset_refs": [ "mus-069-1" ], "reading_order": 537 }, { "id": "kitson-p069-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "asset_refs": [ "mus-069-2" ], "reading_order": 538 }, { "id": "kitson-p069-3", "type": "paragraph", "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "english": "2. To the following Canti Fermi add Bass in Fourth Species, then add a middle part in First Species:", "original": "2. To the following Canti Fermi add Bass in Fourth Species, then add a middle part in First Species:", "reading_order": 539 }, { "id": "kitson-p069-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "asset_refs": [ "mus-069-3" ], "reading_order": 540 }, { "id": "kitson-p069-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "asset_refs": [ "mus-069-4" ], "reading_order": 541 }, { "id": "kitson-p069-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "asset_refs": [ "mus-069-5" ], "reading_order": 542 }, { "id": "kitson-p069-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "asset_refs": [ "mus-069-6" ], "reading_order": 543 }, { "id": "kitson-p070-1", "type": "heading", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "heading_level": 2, "english": "Chapter V. Fifth Species", "original": "Chapter V. Fifth Species", "reading_order": 544 }, { "id": "kitson-p070-2", "type": "paragraph", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "english": "1. Fifth Species, or Florid Counterpoint, consists of a combination of the other Species, together with a few variants of them.", "original": "1. Fifth Species, or Florid Counterpoint, consists of a combination of the other Species, together with a few variants of them.", "reading_order": 545 }, { "id": "kitson-p070-3", "type": "paragraph", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "english": "2. It is generally considered poor florid Counterpoint to write a series of bars of these species unmixed in the bar.", "original": "2. It is generally considered poor florid Counterpoint to write a series of bars of these species unmixed in the bar.", "reading_order": 546 }, { "id": "kitson-p070-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "asset_refs": [ "mus-070-1" ], "reading_order": 547 }, { "id": "kitson-p070-5", "type": "paragraph", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "english": "In fact, the best florid Counterpoint is that in which no bar is in any one species excepting the third. It will be seen in the following paragraphs how this can be accomplished.", "original": "In fact, the best florid Counterpoint is that in which no bar is in any one species excepting the third. It will be seen in the following paragraphs how this can be accomplished.", "reading_order": 548 }, { "id": "kitson-p070-6", "type": "paragraph", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "english": "3. Second and Third, or Third and Fourth Species can be mixed in the bar.", "original": "3. Second and Third, or Third and Fourth Species can be mixed in the bar.", "reading_order": 549 }, { "id": "kitson-p070-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "asset_refs": [ "mus-070-2" ], "reading_order": 550 }, { "id": "kitson-p070-8", "type": "paragraph", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "english": "(a) Whenever the second minim of the bar is preceded by notes shorter than itself, it must be tied into the next bar, except at the Cadence.", "original": "(a) Whenever the second minim of the bar is preceded by notes shorter than itself, it must be tied into the next bar, except at the Cadence.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Whenever the second minim of the bar is preceded by notes shorter than itself, it must be tied into the next bar, except at the Cadence." } ], "reading_order": 551 }, { "id": "kitson-p070-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "asset_refs": [ "mus-070-3" ], "reading_order": 552 }, { "id": "kitson-p070-10", "type": "paragraph", "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "english": "4. The second of two tied notes must always be of the same length or half the length of the first. But two tied crotchets are never used. The first of two tied notes must not be shorter than a minim.", "original": "4. The second of two tied notes must always be of the same length or half the length of the first. But two tied crotchets are never used. The first of two tied notes must not be shorter than a minim.", "reading_order": 553 }, { "id": "kitson-p071-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "asset_refs": [ "mus-071-1" ], "reading_order": 554 }, { "id": "kitson-p071-2", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "(a) and (b) will be available only when other parts can maintain movement.", "original": "(a) and (b) will be available only when other parts can maintain movement.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") and (" }, { "text": "b", "tag": "em" }, { "text": ") will be available only when other parts can maintain movement." } ], "reading_order": 555 }, { "id": "kitson-p071-3", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "5. Occasionally two quavers may be used on the second and fourth crotchets.", "original": "5. Occasionally two quavers may be used on the second and fourth crotchets.", "reading_order": 556 }, { "id": "kitson-p071-4", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "(a) They must be approached and quitted by step.", "original": "(a) They must be approached and quitted by step.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") They must be approached and quitted by step." } ], "reading_order": 557 }, { "id": "kitson-p071-5", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "(b) Only one group should be used in the same part in a bar.", "original": "(b) Only one group should be used in the same part in a bar.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Only one group should be used in the same part in a bar." } ], "reading_order": 558 }, { "id": "kitson-p071-6", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "The fewer the quavers, the better.", "original": "The fewer the quavers, the better.", "reading_order": 559 }, { "id": "kitson-p071-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "asset_refs": [ "mus-071-2" ], "reading_order": 560 }, { "id": "kitson-p071-8", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "(c) Their use should not involve melodic tautology:", "original": "(c) Their use should not involve melodic tautology:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Their use should not involve melodic tautology:" } ], "reading_order": 561 }, { "id": "kitson-p071-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "asset_refs": [ "mus-071-3" ], "reading_order": 562 }, { "id": "kitson-p071-10", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "6. The first note of the Nota Cambiata idiom should always be tied to a minim in the previous bar:", "original": "6. The first note of the Nota Cambiata idiom should always be tied to a minim in the previous bar:", "reading_order": 563 }, { "id": "kitson-p071-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "asset_refs": [ "mus-071-4" ], "reading_order": 564 }, { "id": "kitson-p071-12", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "7. An ordinary Fourth Species suspended discord", "original": "7. An ordinary Fourth Species suspended discord", "reading_order": 565 }, { "id": "kitson-p071-13", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "asset_refs": [ "mus-071-5" ], "reading_order": 566 }, { "id": "kitson-p071-14", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "may be ornamentally resolved in the following ways:", "original": "may be ornamentally resolved in the following ways:", "reading_order": 567 }, { "id": "kitson-p071-15", "type": "paragraph", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "english": "(a) By anticipating the resolution on the second crotchet:", "original": "(a) By anticipating the resolution on the second crotchet:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") By anticipating the resolution on the second crotchet:" } ], "reading_order": 568 }, { "id": "kitson-p071-16", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "asset_refs": [ "mus-071-6" ], "reading_order": 569 }, { "id": "kitson-p072-1", "type": "paragraph", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "english": "(b) By interpolating two quavers before the normal resolution:", "original": "(b) By interpolating two quavers before the normal resolution:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") By interpolating two quavers before the normal resolution:" } ], "reading_order": 570 }, { "id": "kitson-p072-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "asset_refs": [ "mus-072-1" ], "reading_order": 571 }, { "id": "kitson-p072-3", "type": "paragraph", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "english": "(c) By leaping to and from another factor of the chord between the suspension and its normal resolution:", "original": "(c) By leaping to and from another factor of the chord between the suspension and its normal resolution:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") By leaping to and from another factor of the chord between the suspension and its normal resolution:" } ], "reading_order": 572 }, { "id": "kitson-p072-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "asset_refs": [ "mus-072-2" ], "reading_order": 573 }, { "id": "kitson-p072-5", "type": "paragraph", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "english": "(d) By proceeding up one step, or down three between the suspension and its normal resolution:", "original": "(d) By proceeding up one step, or down three between the suspension and its normal resolution:", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") By proceeding up one step, or down three between the suspension and its normal resolution:" } ], "reading_order": 574 }, { "id": "kitson-p072-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "asset_refs": [ "mus-072-3" ], "reading_order": 575 }, { "id": "kitson-p072-7", "type": "paragraph", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "english": "In every case the ultimate resolution of the discord must be on the second minim, but it can be a crotchet:", "original": "In every case the ultimate resolution of the discord must be on the second minim, but it can be a crotchet:", "reading_order": 576 }, { "id": "kitson-p072-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "asset_refs": [ "mus-072-4" ], "reading_order": 577 }, { "id": "kitson-p072-9", "type": "paragraph", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "english": "The ornamental resolution of discords must not form faulty grammar:", "original": "The ornamental resolution of discords must not form faulty grammar:", "reading_order": 578 }, { "id": "kitson-p072-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "asset_refs": [ "mus-072-5" ], "reading_order": 579 }, { "id": "kitson-p072-11", "type": "heading", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "heading_level": 3, "english": "8. The place for unessential notes.", "original": "8. The place for unessential notes.", "inline": [ { "text": "8. " }, { "text": "The place for unessential notes.", "tag": "em" } ], "reading_order": 580 }, { "id": "kitson-p072-12", "type": "paragraph", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "english": "(a) Do not use a passing note on the third crotchet except in a part using four crotchets in the bar:", "original": "(a) Do not use a passing note on the third crotchet except in a part using four crotchets in the bar:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Do not use a passing note on the third crotchet except in a part using four crotchets in the bar:" } ], "reading_order": 581 }, { "id": "kitson-p072-13", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "asset_refs": [ "mus-072-6" ], "reading_order": 582 }, { "id": "kitson-p073-1", "type": "paragraph", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "english": "(b) Never use an auxiliary discord on the third crotchet:", "original": "(b) Never use an auxiliary discord on the third crotchet:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Never use an auxiliary " }, { "text": "discord", "tag": "em" }, { "text": " on the third crotchet:" } ], "reading_order": 583 }, { "id": "kitson-p073-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "asset_refs": [ "mus-073-1" ], "reading_order": 584 }, { "id": "kitson-p073-3", "type": "paragraph", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "english": "(c) No second minim of the bar should be unessential.", "original": "(c) No second minim of the bar should be unessential.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") No second minim of the bar should be unessential." } ], "reading_order": 585 }, { "id": "kitson-p073-4", "type": "paragraph", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "english": "9. The use of a dotted minim on the first half of the bar is unavailable in two parts, owing to the halt on the second minim:", "original": "9. The use of a dotted minim on the first half of the bar is unavailable in two parts, owing to the halt on the second minim:", "reading_order": 586 }, { "id": "kitson-p073-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "asset_refs": [ "mus-073-2" ], "reading_order": 587 }, { "id": "kitson-p073-6", "type": "heading", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "heading_level": 3, "english": "10. The first bar.", "original": "10. The first bar.", "inline": [ { "text": "10. " }, { "text": "The first bar.", "tag": "em" } ], "reading_order": 588 }, { "id": "kitson-p073-7", "type": "paragraph", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "english": "Do not begin with a single crotchet, nor with quavers:", "original": "Do not begin with a single crotchet, nor with quavers:", "reading_order": 589 }, { "id": "kitson-p073-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "asset_refs": [ "mus-073-3" ], "reading_order": 590 }, { "id": "kitson-p073-9", "type": "paragraph", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "english": "Use only the following rhythms:", "original": "Use only the following rhythms:", "inline": [ { "text": "Use only the following " }, { "text": "rhythms", "tag": "em" }, { "text": ":" } ], "reading_order": 591 }, { "id": "kitson-p073-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "asset_refs": [ "mus-073-4" ], "reading_order": 592 }, { "id": "kitson-p073-11", "type": "heading", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "heading_level": 3, "english": "11. The Cadence.", "original": "11. The Cadence.", "inline": [ { "text": "11. " }, { "text": "The Cadence.", "tag": "em" } ], "reading_order": 593 }, { "id": "kitson-p073-12", "type": "paragraph", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "english": "The last two notes of the Counterpoint must be Leading Note and Tonic. Use a suspended discord where possible.", "original": "The last two notes of the Counterpoint must be Leading Note and Tonic. Use a suspended discord where possible.", "reading_order": 594 }, { "id": "kitson-p073-13", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "asset_refs": [ "mus-073-5" ], "reading_order": 595 }, { "id": "kitson-p073-14", "type": "paragraph", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "english": "otherwise:", "original": "otherwise:", "reading_order": 596 }, { "id": "kitson-p073-15", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "asset_refs": [ "mus-073-6" ], "reading_order": 597 }, { "id": "kitson-p074-1", "type": "paragraph", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "english": "In three parts the First Species can have the Leading Note:", "original": "In three parts the First Species can have the Leading Note:", "reading_order": 598 }, { "id": "kitson-p074-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "asset_refs": [ "mus-074-1" ], "reading_order": 599 }, { "id": "kitson-p074-3", "type": "paragraph", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "english": "12. In the intermediate bars:", "original": "12. In the intermediate bars:", "reading_order": 600 }, { "id": "kitson-p074-4", "type": "paragraph", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "english": "(a) Vary the pitch of the points of repose:", "original": "(a) Vary the pitch of the points of repose:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Vary the pitch of the points of repose:" } ], "reading_order": 601 }, { "id": "kitson-p074-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "asset_refs": [ "mus-074-2" ], "reading_order": 602 }, { "id": "kitson-p074-6", "type": "paragraph", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "english": "(b) Avoid a succession of more than two bars with the second minim tied:", "original": "(b) Avoid a succession of more than two bars with the second minim tied:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Avoid a succession of more than two bars with the second minim tied:" } ], "reading_order": 603 }, { "id": "kitson-p074-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "asset_refs": [ "mus-074-3" ], "reading_order": 604 }, { "id": "kitson-p074-8", "type": "paragraph", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "english": "(c) Do not use more than eight crotchets in succession (or their equivalent with quavers). They are better if divided between a bar and two half-bars:", "original": "(c) Do not use more than eight crotchets in succession (or their equivalent with quavers). They are better if divided between a bar and two half-bars:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Do not use more than eight crotchets in succession (or their equivalent with quavers). They are better if divided between a bar and two half-bars:" } ], "reading_order": 605 }, { "id": "kitson-p074-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "asset_refs": [ "mus-074-4" ], "reading_order": 606 }, { "id": "kitson-p074-10", "type": "paragraph", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "english": "(d) Do not use more than three untied minims in succession. Rarely use a bar of Second Species, except when there are two or more florid parts in combination.", "original": "(d) Do not use more than three untied minims in succession. Rarely use a bar of Second Species, except when there are two or more florid parts in combination.", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Do not use more than three untied minims in succession. Rarely use a bar of Second Species, except when there are two or more florid parts in combination." } ], "reading_order": 607 }, { "id": "kitson-p074-11", "type": "paragraph", "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "english": "(e) As in every other species too much conjunct movement is as bad as too much disjunct movement.", "original": "(e) As in every other species too much conjunct movement is as bad as too much disjunct movement.", "inline": [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") As in every other species too much conjunct movement is as bad as too much disjunct movement." } ], "reading_order": 608 }, { "id": "kitson-p075-1", "type": "heading", "sources": [ { "pdf_page": 75, "source_image": "source-pages/p-075.jpg", "printed_page": 75 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 609 }, { "id": "kitson-p075-2", "type": "paragraph", "sources": [ { "pdf_page": 75, "source_image": "source-pages/p-075.jpg", "printed_page": 75 } ], "english": "(extra third part in First Species given in black notes).", "original": "(extra third part in First Species given in black notes).", "reading_order": 610 }, { "id": "kitson-p075-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 75, "source_image": "source-pages/p-075.jpg", "printed_page": 75 } ], "asset_refs": [ "mus-075-1" ], "reading_order": 611 }, { "id": "kitson-p075-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 75, "source_image": "source-pages/p-075.jpg", "printed_page": 75 } ], "asset_refs": [ "mus-075-2" ], "reading_order": 612 }, { "id": "kitson-p076-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 76, "source_image": "source-pages/p-076.jpg", "printed_page": 76 } ], "asset_refs": [ "mus-076-1" ], "reading_order": 613 }, { "id": "kitson-p076-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 76, "source_image": "source-pages/p-076.jpg", "printed_page": 76 } ], "asset_refs": [ "mus-076-2" ], "reading_order": 614 }, { "id": "kitson-p077-1", "type": "heading", "sources": [ { "pdf_page": 77, "source_image": "source-pages/p-077.jpg", "printed_page": 77 } ], "heading_level": 3, "english": "Exercises.", "original": "Exercises.", "reading_order": 615 }, { "id": "kitson-p077-2", "type": "paragraph", "sources": [ { "pdf_page": 77, "source_image": "source-pages/p-077.jpg", "printed_page": 77 } ], "english": "Use the same Canti Fermi as in Chapter IV.", "original": "Use the same Canti Fermi as in Chapter IV.", "reading_order": 616 }, { "id": "kitson-p077-3", "type": "paragraph", "sources": [ { "pdf_page": 77, "source_image": "source-pages/p-077.jpg", "printed_page": 77 } ], "english": "(1) To the Bass Canti Fermi add Soprano in Fifth Species.", "original": "(1) To the Bass Canti Fermi add Soprano in Fifth Species.", "reading_order": 617 }, { "id": "kitson-p077-4", "type": "paragraph", "sources": [ { "pdf_page": 77, "source_image": "source-pages/p-077.jpg", "printed_page": 77 } ], "english": "(2) To the same add Soprano in Fifth, Alto in First Species, or Soprano in First, Alto in Fifth Species.", "original": "(2) To the same add Soprano in Fifth, Alto in First Species, or Soprano in First, Alto in Fifth Species.", "reading_order": 618 }, { "id": "kitson-p077-5", "type": "paragraph", "sources": [ { "pdf_page": 77, "source_image": "source-pages/p-077.jpg", "printed_page": 77 } ], "english": "(3) To the Soprano Canti Fermi add Bass in Fifth Species.", "original": "(3) To the Soprano Canti Fermi add Bass in Fifth Species.", "reading_order": 619 }, { "id": "kitson-p077-6", "type": "paragraph", "sources": [ { "pdf_page": 77, "source_image": "source-pages/p-077.jpg", "printed_page": 77 } ], "english": "(4) To the same add Bass in Fifth, Alto in First, or Alto in Fifth, Bass in First Species.", "original": "(4) To the same add Bass in Fifth, Alto in First, or Alto in Fifth, Bass in First Species.", "reading_order": 620 }, { "id": "kitson-p078-1", "type": "heading", "sources": [ { "pdf_page": 78, "source_image": "source-pages/p-078.jpg", "printed_label": "PDF 78" } ], "heading_level": 2, "english": "Chapter VI. Two Parts in Fifth Species against the Canto Fermo", "original": "Chapter VI. Two Parts in Fifth Species against the Canto Fermo", "reading_order": 621 }, { "id": "kitson-p078-2", "type": "paragraph", "sources": [ { "pdf_page": 78, "source_image": "source-pages/p-078.jpg", "printed_label": "PDF 78" } ], "english": "1. As this is a book for beginners, no attempt can be made to deal exhaustively and separately with all the contingencies of Combined Counterpoint. These must be studied from a larger treatise; and it is my opinion that good florid work is best arrived at through this means. Nevertheless a large number of students only need simple Counterpoint (e. g. all parts in the First Species except one) and Combined Florid (two or more parts in Fifth Species against the C.F.). In this chapter an attempt is made to give an adequate technique, without going through all the various combinations, such as First, Second, and Third Species, First, Second, and Fourth.", "original": "1. As this is a book for beginners, no attempt can be made to deal exhaustively and separately with all the contingencies of Combined Counterpoint. These must be studied from a larger treatise; and it is my opinion that good florid work is best arrived at through this means. Nevertheless a large number of students only need simple Counterpoint (e. g. all parts in the First Species except one) and Combined Florid (two or more parts in Fifth Species against the C.F.). In this chapter an attempt is made to give an adequate technique, without going through all the various combinations, such as First, Second, and Third Species, First, Second, and Fourth.", "reading_order": 622 }, { "id": "kitson-p078-3", "type": "paragraph", "sources": [ { "pdf_page": 78, "source_image": "source-pages/p-078.jpg", "printed_label": "PDF 78" } ], "english": "2. The two florid parts should be contrasted in rhythm, and crotchet movement should be fairly maintained, varied by the occasional addition of quavers.", "original": "2. The two florid parts should be contrasted in rhythm, and crotchet movement should be fairly maintained, varied by the occasional addition of quavers.", "reading_order": 623 }, { "id": "kitson-p078-4", "type": "paragraph", "sources": [ { "pdf_page": 78, "source_image": "source-pages/p-078.jpg", "printed_label": "PDF 78" } ], "english": "3. All the notes struck together on the first beat of the bar will be concordant. They will be combined here and there with a suspended discord. This must be reserved for special discussion. Let us begin with the case in which all three notes present are concords. The next important thing to consider is the second or weak accent (second minim). Now the beginner is strongly advised to make every second minim a concord. When he studies the combination of First, Second, and Third Species, he will see there exceptional uses of second minims as unessential notes. But their use in florid Counterpoint is so rare, that they can be here ignored. Further, no part may use a discord on the third crotchet, except a part using four crotchets in the bar. Again there are a few exceptions. But the rule should be kept by the tiro.", "original": "3. All the notes struck together on the first beat of the bar will be concordant. They will be combined here and there with a suspended discord. This must be reserved for special discussion. Let us begin with the case in which all three notes present are concords. The next important thing to consider is the second or weak accent (second minim). Now the beginner is strongly advised to make every second minim a concord. When he studies the combination of First, Second, and Third Species, he will see there exceptional uses of second minims as unessential notes. But their use in florid Counterpoint is so rare, that they can be here ignored. Further, no part may use a discord on the third crotchet, except a part using four crotchets in the bar. Again there are a few exceptions. But the rule should be kept by the tiro.", "reading_order": 624 }, { "id": "kitson-p078-5", "type": "paragraph", "sources": [ { "pdf_page": 78, "source_image": "source-pages/p-078.jpg", "printed_label": "PDF 78" }, { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "english": "4. Consider first the simplest case, one part moving in crotchets, and another in minims, using concords on the first and second minims:", "original": "4. Consider first the simplest case, one part moving in crotchets, and another in minims, using concords on the first and second minims:", "reading_order": 625 }, { "id": "kitson-p079-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "asset_refs": [ "mus-079-1" ], "reading_order": 626 }, { "id": "kitson-p079-3", "type": "paragraph", "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "english": "This should not cause any trouble. The two upper parts may strike a fourth on the second minim if both are harmony notes. Avoid 7 to 8 or 9 to 8 between any two parts.", "original": "This should not cause any trouble. The two upper parts may strike a fourth on the second minim if both are harmony notes. Avoid 7 to 8 or 9 to 8 between any two parts.", "reading_order": 627 }, { "id": "kitson-p079-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "asset_refs": [ "mus-079-2" ], "reading_order": 628 }, { "id": "kitson-p079-5", "type": "paragraph", "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "english": "Suppose, however, the Third Species uses a passing note on the third crotchet, the same rule holds good, the only discord allowed between it and the second minim is the fourth. But the leap of an octave in the Second Species counts as First Species.", "original": "Suppose, however, the Third Species uses a passing note on the third crotchet, the same rule holds good, the only discord allowed between it and the second minim is the fourth. But the leap of an octave in the Second Species counts as First Species.", "reading_order": 629 }, { "id": "kitson-p079-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "asset_refs": [ "mus-079-3" ], "reading_order": 630 }, { "id": "kitson-p079-7", "type": "paragraph", "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "english": "An unessential note in the Third Species will sometimes form a concord with the essential minim:", "original": "An unessential note in the Third Species will sometimes form a concord with the essential minim:", "reading_order": 631 }, { "id": "kitson-p079-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "asset_refs": [ "mus-079-4" ], "reading_order": 632 }, { "id": "kitson-p080-1", "type": "paragraph", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "english": "Two harmonies in a bar may be freely used, especially when the Second Species is conjunct.", "original": "Two harmonies in a bar may be freely used, especially when the Second Species is conjunct.", "reading_order": 633 }, { "id": "kitson-p080-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "asset_refs": [ "mus-080-1" ], "reading_order": 634 }, { "id": "kitson-p080-3", "type": "heading", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 635 }, { "id": "kitson-p080-4", "type": "paragraph", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "english": "(1) Write a Soprano in Second Species, and an Alto in Third Species above each of the following notes, in as many ways as you can, and indicate what the C. F. and the Counterpoints will have on the first beat of the next bar thus:", "original": "(1) Write a Soprano in Second Species, and an Alto in Third Species above each of the following notes, in as many ways as you can, and indicate what the C. F. and the Counterpoints will have on the first beat of the next bar thus:", "reading_order": 636 }, { "id": "kitson-p080-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "asset_refs": [ "mus-080-2" ], "reading_order": 637 }, { "id": "kitson-p080-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "asset_refs": [ "mus-080-3" ], "reading_order": 638 }, { "id": "kitson-p080-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "asset_refs": [ "mus-080-4" ], "reading_order": 639 }, { "id": "kitson-p080-8", "type": "paragraph", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "english": "(2) Add a Soprano in Second Species, and a Bass in Third Species, indicating what the first notes of the next bar will be.", "original": "(2) Add a Soprano in Second Species, and a Bass in Third Species, indicating what the first notes of the next bar will be.", "reading_order": 640 }, { "id": "kitson-p080-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "asset_refs": [ "mus-080-5" ], "reading_order": 641 }, { "id": "kitson-p081-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "asset_refs": [ "mus-081-1" ], "reading_order": 642 }, { "id": "kitson-p081-2", "type": "paragraph", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "english": "(3) To the notes given in (2) add Soprano in Third Species, Bass in Second Species.", "original": "(3) To the notes given in (2) add Soprano in Third Species, Bass in Second Species.", "reading_order": 643 }, { "id": "kitson-p081-3", "type": "paragraph", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "english": "5. A simple variation of this occurs when the Third Species is accompanied by a dotted minim and a crotchet.", "original": "5. A simple variation of this occurs when the Third Species is accompanied by a dotted minim and a crotchet.", "reading_order": 644 }, { "id": "kitson-p081-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "asset_refs": [ "mus-081-2" ], "reading_order": 645 }, { "id": "kitson-p081-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "asset_refs": [ "mus-081-3" ], "reading_order": 646 }, { "id": "kitson-p081-6", "type": "paragraph", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "english": "At (a) both notes are essential.", "original": "At (a) both notes are essential.", "inline": [ { "text": "At (" }, { "text": "a", "tag": "em" }, { "text": ") both notes are essential." } ], "reading_order": 647 }, { "id": "kitson-p081-7", "type": "paragraph", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "english": "At (b) both notes are unessential.", "original": "At (b) both notes are unessential.", "inline": [ { "text": "At (" }, { "text": "b", "tag": "em" }, { "text": ") both notes are unessential." } ], "reading_order": 648 }, { "id": "kitson-p081-8", "type": "paragraph", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "english": "At (c) and (d) there is a combination of essential and unessential notes. The latter must of course be approached and quitted by step.", "original": "At (c) and (d) there is a combination of essential and unessential notes. The latter must of course be approached and quitted by step.", "inline": [ { "text": "At (" }, { "text": "c", "tag": "em" }, { "text": ") and (" }, { "text": "d", "tag": "em" }, { "text": ") there is a combination of essential and unessential notes. The latter must of course be approached and quitted by step." } ], "reading_order": 649 }, { "id": "kitson-p081-9", "type": "paragraph", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "english": "Cases of (a) will cause no difficulty.", "original": "Cases of (a) will cause no difficulty.", "inline": [ { "text": "Cases of (" }, { "text": "a", "tag": "em" }, { "text": ") will cause no difficulty." } ], "reading_order": 650 }, { "id": "kitson-p081-10", "type": "paragraph", "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "english": "In cases of (b) the unessential notes will form the harmonic interval of a third or sixth, and should generally be quitted in similar motion.", "original": "In cases of (b) the unessential notes will form the harmonic interval of a third or sixth, and should generally be quitted in similar motion.", "inline": [ { "text": "In cases of (" }, { "text": "b", "tag": "em" }, { "text": ") the unessential notes will form the harmonic interval of a third or sixth, and should generally be quitted in similar motion." } ], "reading_order": 651 }, { "id": "kitson-p082-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "asset_refs": [ "mus-082-1" ], "reading_order": 652 }, { "id": "kitson-p082-2", "type": "paragraph", "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "english": "Or the same passing note may be taken in the two parts by contrary and conjunct movement:", "original": "Or the same passing note may be taken in the two parts by contrary and conjunct movement:", "reading_order": 653 }, { "id": "kitson-p082-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "asset_refs": [ "mus-082-2" ], "reading_order": 654 }, { "id": "kitson-p082-4", "type": "paragraph", "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "english": "Occasionally, a new concord, or part of a fundamental discord may result:", "original": "Occasionally, a new concord, or part of a fundamental discord may result:", "reading_order": 655 }, { "id": "kitson-p082-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "asset_refs": [ "mus-082-3" ], "reading_order": 656 }, { "id": "kitson-p082-6", "type": "paragraph", "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "english": "It is possible to regard A and F at (1) as two unessential notes; it is better to regard them as forming the chord of F major, and they could both be quitted by leap if the C.F. allowed of it. At (2) the combination forms an incomplete dominant seventh. In this case both D and B must be approached and quitted by step. It is necessary to appreciate these harmonic effects, otherwise when more parts are added, harmonic confusion will result. And hence the general recommendation, that true unessential thirds or sixths should move in parallels. The beginner should approach and quit them in similar motion.", "original": "It is possible to regard A and F at (1) as two unessential notes; it is better to regard them as forming the chord of F major, and they could both be quitted by leap if the C.F. allowed of it. At (2) the combination forms an incomplete dominant seventh. In this case both D and B must be approached and quitted by step. It is necessary to appreciate these harmonic effects, otherwise when more parts are added, harmonic confusion will result. And hence the general recommendation, that true unessential thirds or sixths should move in parallels. The beginner should approach and quit them in similar motion.", "reading_order": 657 }, { "id": "kitson-p082-7", "type": "paragraph", "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 }, { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "english": "In cases like (c) and (d), where one note is essential and the other unessential, the unessential note should not be the second or fourth from the root of the chord, except between two positions of the same chord, and the combination should be concordant in itself, unless the parts proceed by contrary and conjunct movement. Thus we may get:", "original": "In cases like (c) and (d), where one note is essential and the other unessential, the unessential note should not be the second or fourth from the root of the chord, except between two positions of the same chord, and the combination should be concordant in itself, unless the parts proceed by contrary and conjunct movement. Thus we may get:", "inline": [ { "text": "In cases like (" }, { "text": "c", "tag": "em" }, { "text": ") and (" }, { "text": "d", "tag": "em" }, { "text": "), where one note is essential and the other unessential, the unessential note should not be the second or fourth from the root of the chord, except between two positions of the same chord, and the combination should be concordant in itself, unless the parts proceed by contrary and conjunct movement. Thus we may get:" } ], "reading_order": 658 }, { "id": "kitson-p083-2", "type": "paragraph", "english": "(1) Root of chord + sixth from root.\n(2) Fifth of chord + seventh from root.\n(3) Third of chord + seventh from root.", "original": "(1) Root of chord + sixth from root.\n(2) Fifth of chord + seventh from root.\n(3) Third of chord + seventh from root.", "ordered": false, "list_items": [ [ { "text": "(1) Root of chord + sixth from root." } ], [ { "text": "(2) Fifth of chord + seventh from root." } ], [ { "text": "(3) Third of chord + seventh from root." } ] ], "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "reading_order": 659 }, { "id": "kitson-p083-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "asset_refs": [ "mus-083-1" ], "reading_order": 660 }, { "id": "kitson-p083-4", "type": "heading", "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 661 }, { "id": "kitson-p083-5", "type": "paragraph", "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "english": "The same as in paragraph (4) except that for Second Species substitute dotted minim followed by a crotchet.", "original": "The same as in paragraph (4) except that for Second Species substitute dotted minim followed by a crotchet.", "reading_order": 662 }, { "id": "kitson-p083-6", "type": "paragraph", "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "english": "6. Two parts will sometimes move together in crotchets either for a whole bar or for half a bar.", "original": "6. Two parts will sometimes move together in crotchets either for a whole bar or for half a bar.", "reading_order": 663 }, { "id": "kitson-p083-7", "type": "paragraph", "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "english": "We have just considered the possibilities on the fourth crotchet.", "original": "We have just considered the possibilities on the fourth crotchet.", "reading_order": 664 }, { "id": "kitson-p083-8", "type": "paragraph", "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "english": "In the large majority of cases both notes will be essential on the third crotchet. If they are not, they should both be unessential (forming a third or sixth), and then proceed to essential notes generally in the same direction on the fourth crotchet:", "original": "In the large majority of cases both notes will be essential on the third crotchet. If they are not, they should both be unessential (forming a third or sixth), and then proceed to essential notes generally in the same direction on the fourth crotchet:", "reading_order": 665 }, { "id": "kitson-p083-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "asset_refs": [ "mus-083-2" ], "reading_order": 666 }, { "id": "kitson-p083-10", "type": "paragraph", "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "english": "The use of a combination on the second crotchet requires care.", "original": "The use of a combination on the second crotchet requires care.", "reading_order": 667 }, { "id": "kitson-p084-1", "type": "paragraph", "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "english": "When we employ parallel thirds or sixths, or the same unessential note in both parts, the effect is always satisfactory:", "original": "When we employ parallel thirds or sixths, or the same unessential note in both parts, the effect is always satisfactory:", "reading_order": 668 }, { "id": "kitson-p084-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "asset_refs": [ "mus-084-1" ], "reading_order": 669 }, { "id": "kitson-p084-3", "type": "paragraph", "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "english": "An unessential third or sixth may be taken by contrary motion; it is usually better quitted in similar motion.", "original": "An unessential third or sixth may be taken by contrary motion; it is usually better quitted in similar motion.", "reading_order": 670 }, { "id": "kitson-p084-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "asset_refs": [ "mus-084-2" ], "reading_order": 671 }, { "id": "kitson-p084-5", "type": "paragraph", "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "english": "The interval of the augmented fourth formed by the fourth and seventh of the scale gives a strong impression of dominant harmony, therefore only use it over a bass which is the root of the dominant chord, or the root of the Tonic as a pedal:", "original": "The interval of the augmented fourth formed by the fourth and seventh of the scale gives a strong impression of dominant harmony, therefore only use it over a bass which is the root of the dominant chord, or the root of the Tonic as a pedal:", "reading_order": 672 }, { "id": "kitson-p084-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "asset_refs": [ "mus-084-3" ], "reading_order": 673 }, { "id": "kitson-p084-7", "type": "paragraph", "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "english": "If this fourth (F to B in Key of C) or its inversion is used with the bass as one of the parts, the only good stationary upper part is the fifth of the scale (G).", "original": "If this fourth (F to B in Key of C) or its inversion is used with the bass as one of the parts, the only good stationary upper part is the fifth of the scale (G).", "reading_order": 674 }, { "id": "kitson-p085-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "asset_refs": [ "mus-085-1" ], "reading_order": 675 }, { "id": "kitson-p085-2", "type": "paragraph", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "english": "Sometimes a harmony and unessential note are combined on the second crotchet. In this case a discord may be struck with the harmony note leaping (a) and (c):—", "original": "Sometimes a harmony and unessential note are combined on the second crotchet. In this case a discord may be struck with the harmony note leaping (a) and (c):—", "inline": [ { "text": "Sometimes a harmony and unessential note are combined on the second crotchet. In this case a discord may be struck with the harmony note leaping (" }, { "text": "a", "tag": "em" }, { "text": ") and (" }, { "text": "c", "tag": "em" }, { "text": "):—" } ], "reading_order": 676 }, { "id": "kitson-p085-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "asset_refs": [ "mus-085-2" ], "reading_order": 677 }, { "id": "kitson-p085-4", "type": "paragraph", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "english": "Care must be taken not to write these things mechanically, but to judge the effect accurately. Anything causing the effect of the confusion of two chords is bad; and there are varying degrees of harshness.", "original": "Care must be taken not to write these things mechanically, but to judge the effect accurately. Anything causing the effect of the confusion of two chords is bad; and there are varying degrees of harshness.", "reading_order": 678 }, { "id": "kitson-p085-5", "type": "heading", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 679 }, { "id": "kitson-p085-6", "type": "paragraph", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "english": "Take the same notes as set in paragraph (4) and add the two parts, both moving in crotchets, as far as the third crotchet.", "original": "Take the same notes as set in paragraph (4) and add the two parts, both moving in crotchets, as far as the third crotchet.", "reading_order": 680 }, { "id": "kitson-p085-7", "type": "heading", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "heading_level": 3, "english": "7. The use of quavers.", "original": "7. The use of quavers.", "inline": [ { "text": "7. " }, { "text": "The use of quavers.", "tag": "em" } ], "reading_order": 681 }, { "id": "kitson-p085-8", "type": "paragraph", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "english": "The beginner is advised to employ quavers as sparingly as possible.", "original": "The beginner is advised to employ quavers as sparingly as possible.", "reading_order": 682 }, { "id": "kitson-p085-9", "type": "paragraph", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "english": "There are obviously no complications when used by themselves:", "original": "There are obviously no complications when used by themselves:", "reading_order": 683 }, { "id": "kitson-p085-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "asset_refs": [ "mus-085-3" ], "reading_order": 684 }, { "id": "kitson-p086-1", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "But when combined with crotchet movement their use requires great care.", "original": "But when combined with crotchet movement their use requires great care.", "reading_order": 685 }, { "id": "kitson-p086-2", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "In all cases the first quaver and the crotchet must be concordant. But harmonic considerations require further limitations.", "original": "In all cases the first quaver and the crotchet must be concordant. But harmonic considerations require further limitations.", "reading_order": 686 }, { "id": "kitson-p086-3", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "Case I. The combination on the second crotchet.", "original": "Case I. The combination on the second crotchet.", "reading_order": 687 }, { "id": "kitson-p086-4", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "(a) The bass a semibreve.", "original": "(a) The bass a semibreve.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The bass a semibreve." } ], "reading_order": 688 }, { "id": "kitson-p086-5", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "The crotchet and the first or second quaver must form a good passing chord over a pedal:", "original": "The crotchet and the first or second quaver must form a good passing chord over a pedal:", "reading_order": 689 }, { "id": "kitson-p086-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "asset_refs": [ "mus-086-1" ], "reading_order": 690 }, { "id": "kitson-p086-7", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "In such cases the bass should be the root of the chord.", "original": "In such cases the bass should be the root of the chord.", "reading_order": 691 }, { "id": "kitson-p086-8", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "(b) When the semibreve is not in the bass, it should form a factor of the passing chord formed by the crotchet and first or second quaver; and the passing chord must be satisfactory to the ear.", "original": "(b) When the semibreve is not in the bass, it should form a factor of the passing chord formed by the crotchet and first or second quaver; and the passing chord must be satisfactory to the ear.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") When the semibreve is not in the bass, it should form a factor of the passing chord formed by the crotchet and first or second quaver; and the passing chord must be satisfactory to the ear." } ], "reading_order": 692 }, { "id": "kitson-p086-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "asset_refs": [ "mus-086-2" ], "reading_order": 693 }, { "id": "kitson-p086-10", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "Case II. The combination on the fourth crotchet.", "original": "Case II. The combination on the fourth crotchet.", "reading_order": 694 }, { "id": "kitson-p086-11", "type": "paragraph", "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "english": "Whether the semibreve be in the bass or not, it and the crotchet and one of the quavers must form a good chord (either the same chord as has been used as the centre for the bar, or a new passing chord) to the next bar. The addition of the seventh to the 5/3 or 6/3, whether fundamental or diatonic, will of course produce a good harmonic effect.", "original": "Whether the semibreve be in the bass or not, it and the crotchet and one of the quavers must form a good chord (either the same chord as has been used as the centre for the bar, or a new passing chord) to the next bar. The addition of the seventh to the 5/3 or 6/3, whether fundamental or diatonic, will of course produce a good harmonic effect.", "reading_order": 695 }, { "id": "kitson-p087-1", "type": "paragraph", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "english": "The following is a good rule: let one of the quavers be essential, let the crotchet avoid the second or fourth from the root of the chord of the bar, and let the first quaver be concordant with the crotchet.", "original": "The following is a good rule: let one of the quavers be essential, let the crotchet avoid the second or fourth from the root of the chord of the bar, and let the first quaver be concordant with the crotchet.", "reading_order": 696 }, { "id": "kitson-p087-2", "type": "paragraph", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "english": "(a) Crotchet as root of chord.", "original": "(a) Crotchet as root of chord.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Crotchet as root of chord." } ], "reading_order": 697 }, { "id": "kitson-p087-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "asset_refs": [ "mus-087-1" ], "reading_order": 698 }, { "id": "kitson-p087-4", "type": "paragraph", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "english": "(b) Crotchet as third of chord.", "original": "(b) Crotchet as third of chord.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Crotchet as third of chord." } ], "reading_order": 699 }, { "id": "kitson-p087-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "asset_refs": [ "mus-087-2" ], "reading_order": 700 }, { "id": "kitson-p087-6", "type": "paragraph", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "english": "(c) Crotchet as fifth of chord.", "original": "(c) Crotchet as fifth of chord.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Crotchet as fifth of chord." } ], "reading_order": 701 }, { "id": "kitson-p087-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "asset_refs": [ "mus-087-3" ], "reading_order": 702 }, { "id": "kitson-p087-8", "type": "paragraph", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "english": "(d) Crotchet as sixth from root (unessential or forming new chord).", "original": "(d) Crotchet as sixth from root (unessential or forming new chord).", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Crotchet as sixth from root (unessential or forming new chord)." } ], "reading_order": 703 }, { "id": "kitson-p087-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "asset_refs": [ "mus-087-4" ], "reading_order": 704 }, { "id": "kitson-p088-1", "type": "paragraph", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "english": "(e) Crotchet as seventh from root (unessential).", "original": "(e) Crotchet as seventh from root (unessential).", "inline": [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") Crotchet as seventh from root (unessential)." } ], "reading_order": 705 }, { "id": "kitson-p088-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "asset_refs": [ "mus-088-1" ], "reading_order": 706 }, { "id": "kitson-p088-3", "type": "paragraph", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "english": "Sometimes an entirely new passing chord will be produced:", "original": "Sometimes an entirely new passing chord will be produced:", "reading_order": 707 }, { "id": "kitson-p088-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "asset_refs": [ "mus-088-2" ], "reading_order": 708 }, { "id": "kitson-p088-5", "type": "paragraph", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "english": "or a passing fundamental discord:", "original": "or a passing fundamental discord:", "reading_order": 709 }, { "id": "kitson-p088-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "asset_refs": [ "mus-088-3" ], "reading_order": 710 }, { "id": "kitson-p088-7", "type": "footnote", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "english": "(a) Very rare percussion of discord, even by contrary and conjunct movement.", "original": "(a) Very rare percussion of discord, even by contrary and conjunct movement.", "reading_order": 711 }, { "id": "kitson-p088-8", "type": "heading", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 712 }, { "id": "kitson-p088-9", "type": "paragraph", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "english": "(1) Take each note of the scale of G major, and G minor as a semibreve bass, and wherever possible use the movement", "original": "(1) Take each note of the scale of G major, and G minor as a semibreve bass, and wherever possible use the movement", "reading_order": 713 }, { "id": "kitson-p088-10", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "asset_refs": [ "mus-088-4" ], "reading_order": 714 }, { "id": "kitson-p088-11", "type": "paragraph", "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "english": "for the first, second, and third crotchets:", "original": "for the first, second, and third crotchets:", "reading_order": 715 }, { "id": "kitson-p089-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "asset_refs": [ "mus-089-1" ], "reading_order": 716 }, { "id": "kitson-p089-2", "type": "paragraph", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "english": "Such a movement will be found to be musically impossible in some cases, and it is good for the pupil to make the experiments.", "original": "Such a movement will be found to be musically impossible in some cases, and it is good for the pupil to make the experiments.", "reading_order": 717 }, { "id": "kitson-p089-3", "type": "paragraph", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "english": "(2) Use the same movement over the same notes in the bass from the third and fourth crotchets, and indicate the first notes of the next bar.", "original": "(2) Use the same movement over the same notes in the bass from the third and fourth crotchets, and indicate the first notes of the next bar.", "reading_order": 718 }, { "id": "kitson-p089-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "asset_refs": [ "mus-089-2" ], "reading_order": 719 }, { "id": "kitson-p089-5", "type": "paragraph", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "english": "(3) Take the same notes as Alto or Soprano part, and go through the same two processes:", "original": "(3) Take the same notes as Alto or Soprano part, and go through the same two processes:", "reading_order": 720 }, { "id": "kitson-p089-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "asset_refs": [ "mus-089-3" ], "reading_order": 721 }, { "id": "kitson-p089-7", "type": "footnote", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "english": "(a) This discord of the fourth by contrary and conjunct movement, though not violating any vital principle, is exceedingly rare in the case of a crotchet and quaver. It is common with a minim and crotchet. It is not a question of musical effect, but of convention.", "original": "(a) This discord of the fourth by contrary and conjunct movement, though not violating any vital principle, is exceedingly rare in the case of a crotchet and quaver. It is common with a minim and crotchet. It is not a question of musical effect, but of convention.", "reading_order": 722 }, { "id": "kitson-p089-8", "type": "heading", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "heading_level": 3, "english": "8. Suspensions.", "original": "8. Suspensions.", "inline": [ { "text": "8. " }, { "text": "Suspensions.", "tag": "em" } ], "reading_order": 723 }, { "id": "kitson-p089-9", "type": "paragraph", "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "english": "(a) A suspended discord must resolve into a concordance on the third crotchet.", "original": "(a) A suspended discord must resolve into a concordance on the third crotchet.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") A suspended discord must resolve into a concordance on the third crotchet." } ], "reading_order": 724 }, { "id": "kitson-p090-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "asset_refs": [ "mus-090-1" ], "reading_order": 725 }, { "id": "kitson-p090-2", "type": "paragraph", "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "english": "Sometimes a florid part when accompanying a suspended discord uses a passing note after a minim, and then resolves into concordance:", "original": "Sometimes a florid part when accompanying a suspended discord uses a passing note after a minim, and then resolves into concordance:", "reading_order": 726 }, { "id": "kitson-p090-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "asset_refs": [ "mus-090-2" ], "reading_order": 727 }, { "id": "kitson-p090-4", "type": "paragraph", "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "english": "The beginner is advised to use this sparingly.", "original": "The beginner is advised to use this sparingly.", "reading_order": 728 }, { "id": "kitson-p090-5", "type": "paragraph", "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "english": "(b) A suspended discord can resolve into a different harmony from that which accompanies it (5/3 or 6/3).", "original": "(b) A suspended discord can resolve into a different harmony from that which accompanies it (5/3 or 6/3).", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") A suspended discord can resolve into a different harmony from that which accompanies it (5/3 or 6/3)." } ], "reading_order": 729 }, { "id": "kitson-p090-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "asset_refs": [ "mus-090-3" ], "reading_order": 730 }, { "id": "kitson-p090-7", "type": "paragraph", "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "english": "(c) The 6/4 with the fourth prepared can be used, resolving into the 5/3 on the second minim.", "original": "(c) The 6/4 with the fourth prepared can be used, resolving into the 5/3 on the second minim.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") The 6/4 with the fourth prepared can be used, resolving into the 5/3 on the second minim." } ], "reading_order": 731 }, { "id": "kitson-p090-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "asset_refs": [ "mus-090-4" ], "reading_order": 732 }, { "id": "kitson-p091-1", "type": "paragraph", "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "english": "(d) Prepared diatonic sevenths can be used in root position. first and third inversion, resolving on the second minim into a chord whose root is a fourth higher (concordances only).", "original": "(d) Prepared diatonic sevenths can be used in root position. first and third inversion, resolving on the second minim into a chord whose root is a fourth higher (concordances only).", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Prepared diatonic sevenths can be used in root position. first and third inversion, resolving on the second minim into a chord whose root is a fourth higher (concordances only)." } ], "reading_order": 733 }, { "id": "kitson-p091-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "asset_refs": [ "mus-091-1" ], "reading_order": 734 }, { "id": "kitson-p091-3", "type": "footnote", "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "english": "(a) When the suspended discord is in the bass, the two upper parts must be concordant.", "original": "(a) When the suspended discord is in the bass, the two upper parts must be concordant.", "reading_order": 735 }, { "id": "kitson-p091-4", "type": "paragraph", "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "english": "In these, either or both parts can be elaborated:", "original": "In these, either or both parts can be elaborated:", "reading_order": 736 }, { "id": "kitson-p091-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "asset_refs": [ "mus-091-2" ], "reading_order": 737 }, { "id": "kitson-p091-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "asset_refs": [ "mus-091-3" ], "reading_order": 738 }, { "id": "kitson-p091-7", "type": "paragraph", "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "english": "(e) 7 6 may be accompanied by 5 6.", "original": "(e) 7 6 may be accompanied by 5 6.", "inline": [ { "text": "(" }, { "text": "e", "tag": "em" }, { "text": ") 7 6 may be accompanied by 5 6." } ], "reading_order": 739 }, { "id": "kitson-p091-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "asset_refs": [ "mus-091-4" ], "reading_order": 740 }, { "id": "kitson-p092-1", "type": "paragraph", "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "english": "(f) No two parts should approach an octave by similar motion when one of them is resolving a discord, nor should the octave prepare the ninth:", "original": "(f) No two parts should approach an octave by similar motion when one of them is resolving a discord, nor should the octave prepare the ninth:", "inline": [ { "text": "(" }, { "text": "f", "tag": "em" }, { "text": ") No two parts should approach an octave by similar motion when one of them is resolving a discord, nor should the octave prepare the ninth:" } ], "reading_order": 741 }, { "id": "kitson-p092-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "asset_refs": [ "mus-092-1" ], "reading_order": 742 }, { "id": "kitson-p092-3", "type": "heading", "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 743 }, { "id": "kitson-p092-4", "type": "paragraph", "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "english": "(1) Add an Alto in crotchets, or crotchets and quavers.", "original": "(1) Add an Alto in crotchets, or crotchets and quavers.", "reading_order": 744 }, { "id": "kitson-p092-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "asset_refs": [ "mus-092-2" ], "reading_order": 745 }, { "id": "kitson-p092-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "asset_refs": [ "mus-092-3" ], "reading_order": 746 }, { "id": "kitson-p092-7", "type": "paragraph", "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "english": "(2) Add to (a), (b), and (c) a middle part using two conjunct minims, to (d) a bass using the same.", "original": "(2) Add to (a), (b), and (c) a middle part using two conjunct minims, to (d) a bass using the same.", "inline": [ { "text": "(2) Add to (" }, { "text": "a", "tag": "em" }, { "text": "), (" }, { "text": "b", "tag": "em" }, { "text": "), and (" }, { "text": "c", "tag": "em" }, { "text": ") a middle part using two conjunct minims, to (" }, { "text": "d", "tag": "em" }, { "text": ") a bass using the same." } ], "reading_order": 747 }, { "id": "kitson-p092-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "asset_refs": [ "mus-092-4" ], "reading_order": 748 }, { "id": "kitson-p093-1", "type": "paragraph", "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "english": "Elaborate either or both the parts, using minims, into florid idioms.", "original": "Elaborate either or both the parts, using minims, into florid idioms.", "reading_order": 749 }, { "id": "kitson-p093-2", "type": "paragraph", "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "english": "(3) Elaborate the bass into florid idiom:", "original": "(3) Elaborate the bass into florid idiom:", "reading_order": 750 }, { "id": "kitson-p093-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "asset_refs": [ "mus-093-1" ], "reading_order": 751 }, { "id": "kitson-p093-4", "type": "paragraph", "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "english": "In florid counterpoint the parts should enter imitatively, using either the opening of the C. F. in some shorter notes (not necessarily even notes), or an independent figure.", "original": "In florid counterpoint the parts should enter imitatively, using either the opening of the C. F. in some shorter notes (not necessarily even notes), or an independent figure.", "reading_order": 752 }, { "id": "kitson-p093-5", "type": "paragraph", "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "english": "(a) Imitation of opening of the C. F.:", "original": "(a) Imitation of opening of the C. F.:", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Imitation of opening of the C. F.:" } ], "reading_order": 753 }, { "id": "kitson-p093-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "asset_refs": [ "mus-093-2" ], "reading_order": 754 }, { "id": "kitson-p093-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "asset_refs": [ "mus-093-3" ], "reading_order": 755 }, { "id": "kitson-p094-1", "type": "paragraph", "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "english": "(b) The counterpoints using independent figures:", "original": "(b) The counterpoints using independent figures:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") The counterpoints using independent figures:" } ], "reading_order": 756 }, { "id": "kitson-p094-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "asset_refs": [ "mus-094-1" ], "reading_order": 757 }, { "id": "kitson-p094-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "asset_refs": [ "mus-094-2" ], "reading_order": 758 }, { "id": "kitson-p094-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "asset_refs": [ "mus-094-3" ], "reading_order": 759 }, { "id": "kitson-p094-5", "type": "paragraph", "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "english": "Aim at contrast in the rhythm of the parts. Do not let them move simultaneously for any length of time. Rarely use two groups of quavers together, or two groups in the same bar. When you have written a part for two bars sing it through, and having decided the most natural way for it to proceed for the next bar or two, try to make it do so. Then fill in the other part, and consider it from the same point of view. Avoid monotony or aimlessness. Vary the range, the rhythm, and the nature of the movement (conjunct or disjunct).", "original": "Aim at contrast in the rhythm of the parts. Do not let them move simultaneously for any length of time. Rarely use two groups of quavers together, or two groups in the same bar. When you have written a part for two bars sing it through, and having decided the most natural way for it to proceed for the next bar or two, try to make it do so. Then fill in the other part, and consider it from the same point of view. Avoid monotony or aimlessness. Vary the range, the rhythm, and the nature of the movement (conjunct or disjunct).", "reading_order": 760 }, { "id": "kitson-p094-6", "type": "paragraph", "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "english": "There is no valid reason why any procedures that the employment of words would necessitate should not be allowed in technical work. Repeated minims inside the bar would often give the music more point,", "original": "There is no valid reason why any procedures that the employment of words would necessitate should not be allowed in technical work. Repeated minims inside the bar would often give the music more point,", "reading_order": 761 }, { "id": "kitson-p094-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "asset_refs": [ "mus-094-4" ], "reading_order": 762 }, { "id": "kitson-p095-1", "type": "paragraph", "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "english": "and get rid of the dilemma that a semibreve may not be tied to a crotchet:", "original": "and get rid of the dilemma that a semibreve may not be tied to a crotchet:", "reading_order": 763 }, { "id": "kitson-p095-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "asset_refs": [ "mus-095-1" ], "reading_order": 764 }, { "id": "kitson-p095-3", "type": "paragraph", "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "english": "Further, there is much to be gained in allowing:", "original": "Further, there is much to be gained in allowing:", "reading_order": 765 }, { "id": "kitson-p095-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "asset_refs": [ "mus-095-2" ], "reading_order": 766 }, { "id": "kitson-p095-5", "type": "paragraph", "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "english": "(a) Constantly occurs with words, and stresses the discord. (b) marks the beginning of a new phrase. These procedures should be included in florid parts.", "original": "(a) Constantly occurs with words, and stresses the discord. (b) marks the beginning of a new phrase. These procedures should be included in florid parts.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Constantly occurs with words, and stresses the discord. (" }, { "text": "b", "tag": "em" }, { "text": ") marks the beginning of a new phrase. These procedures should be included in florid parts." } ], "reading_order": 767 }, { "id": "kitson-p095-6", "type": "heading", "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "heading_level": 3, "english": "Examples", "original": "Examples", "reading_order": 768 }, { "id": "kitson-p095-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "asset_refs": [ "mus-095-3" ], "reading_order": 769 }, { "id": "kitson-p095-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "asset_refs": [ "mus-095-4" ], "reading_order": 770 }, { "id": "kitson-p096-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 96, "source_image": "source-pages/p-096.jpg", "printed_page": 96 } ], "asset_refs": [ "mus-096-1" ], "reading_order": 771 }, { "id": "kitson-p097-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 97, "source_image": "source-pages/p-097.jpg", "printed_page": 97 } ], "asset_refs": [ "mus-097-1" ], "reading_order": 772 }, { "id": "kitson-p097-2", "type": "paragraph", "sources": [ { "pdf_page": 97, "source_image": "source-pages/p-097.jpg", "printed_page": 97 } ], "english": "A short study in the use of the Nota Cambiata figure derived from Gibbons’s Hosanna.", "original": "A short study in the use of the Nota Cambiata figure derived from Gibbons’s Hosanna.", "inline": [ { "text": "A short study in the use of the Nota Cambiata figure derived from Gibbons’s " }, { "text": "Hosanna", "tag": "em" }, { "text": "." } ], "reading_order": 773 }, { "id": "kitson-p097-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 97, "source_image": "source-pages/p-097.jpg", "printed_page": 97 } ], "asset_refs": [ "mus-097-2" ], "reading_order": 774 }, { "id": "kitson-p097-4", "type": "paragraph", "sources": [ { "pdf_page": 97, "source_image": "source-pages/p-097.jpg", "printed_page": 97 } ], "english": "When some proficiency has been gained, a Canon on the C. F. may be attempted.", "original": "When some proficiency has been gained, a Canon on the C. F. may be attempted.", "reading_order": 775 }, { "id": "kitson-p097-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 97, "source_image": "source-pages/p-097.jpg", "printed_page": 97 } ], "asset_refs": [ "mus-097-3" ], "reading_order": 776 }, { "id": "kitson-p098-2", "type": "footnote", "sources": [ { "pdf_page": 98, "source_image": "source-pages/p-098.jpg", "printed_page": 98 } ], "english": "(a) In accordance with the practice of the period, and no evil effect is felt.", "original": "(a) In accordance with the practice of the period, and no evil effect is felt.", "reading_order": 777 }, { "id": "kitson-p098-3", "type": "heading", "sources": [ { "pdf_page": 98, "source_image": "source-pages/p-098.jpg", "printed_page": 98 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 778 }, { "id": "kitson-p098-4", "type": "paragraph", "sources": [ { "pdf_page": 98, "source_image": "source-pages/p-098.jpg", "printed_page": 98 } ], "english": "(1) Add Soprano and Alto, both in Fifth Species.", "original": "(1) Add Soprano and Alto, both in Fifth Species.", "reading_order": 779 }, { "id": "kitson-p098-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 98, "source_image": "source-pages/p-098.jpg", "printed_page": 98 } ], "asset_refs": [ "mus-098-1" ], "reading_order": 780 }, { "id": "kitson-p098-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 98, "source_image": "source-pages/p-098.jpg", "printed_page": 98 } ], "asset_refs": [ "mus-098-2" ], "reading_order": 781 }, { "id": "kitson-p098-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 98, "source_image": "source-pages/p-098.jpg", "printed_page": 98 } ], "asset_refs": [ "mus-098-3" ], "reading_order": 782 }, { "id": "kitson-p099-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 99, "source_image": "source-pages/p-099.jpg", "printed_page": 99 } ], "asset_refs": [ "mus-099-1" ], "reading_order": 783 }, { "id": "kitson-p099-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 99, "source_image": "source-pages/p-099.jpg", "printed_page": 99 } ], "asset_refs": [ "mus-099-2" ], "reading_order": 784 }, { "id": "kitson-p099-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 99, "source_image": "source-pages/p-099.jpg", "printed_page": 99 } ], "asset_refs": [ "mus-099-3" ], "reading_order": 785 }, { "id": "kitson-p099-4", "type": "paragraph", "sources": [ { "pdf_page": 99, "source_image": "source-pages/p-099.jpg", "printed_page": 99 } ], "english": "(2) Add Alto and Bass, both in Fifth Species.", "original": "(2) Add Alto and Bass, both in Fifth Species.", "reading_order": 786 }, { "id": "kitson-p099-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 99, "source_image": "source-pages/p-099.jpg", "printed_page": 99 } ], "asset_refs": [ "mus-099-4" ], "reading_order": 787 }, { "id": "kitson-p099-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 99, "source_image": "source-pages/p-099.jpg", "printed_page": 99 } ], "asset_refs": [ "mus-099-5" ], "reading_order": 788 }, { "id": "kitson-p099-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 99, "source_image": "source-pages/p-099.jpg", "printed_page": 99 } ], "asset_refs": [ "mus-099-6" ], "reading_order": 789 }, { "id": "kitson-p100-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 100, "source_image": "source-pages/p-100.jpg", "printed_page": 100 } ], "asset_refs": [ "mus-100-1" ], "reading_order": 790 }, { "id": "kitson-p100-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 100, "source_image": "source-pages/p-100.jpg", "printed_page": 100 } ], "asset_refs": [ "mus-100-2" ], "reading_order": 791 }, { "id": "kitson-p100-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 100, "source_image": "source-pages/p-100.jpg", "printed_page": 100 } ], "asset_refs": [ "mus-100-3" ], "reading_order": 792 }, { "id": "kitson-p100-4", "type": "paragraph", "sources": [ { "pdf_page": 100, "source_image": "source-pages/p-100.jpg", "printed_page": 100 } ], "english": "(3) Add Soprano and Bass, both in Fifth Species.", "original": "(3) Add Soprano and Bass, both in Fifth Species.", "reading_order": 793 }, { "id": "kitson-p100-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 100, "source_image": "source-pages/p-100.jpg", "printed_page": 100 } ], "asset_refs": [ "mus-100-4" ], "reading_order": 794 }, { "id": "kitson-p100-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 100, "source_image": "source-pages/p-100.jpg", "printed_page": 100 } ], "asset_refs": [ "mus-100-5" ], "reading_order": 795 }, { "id": "kitson-p100-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 100, "source_image": "source-pages/p-100.jpg", "printed_page": 100 } ], "asset_refs": [ "mus-100-6" ], "reading_order": 796 }, { "id": "kitson-p101-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 101, "source_image": "source-pages/p-101.jpg", "printed_page": 101 } ], "asset_refs": [ "mus-101-1" ], "reading_order": 797 }, { "id": "kitson-p101-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 101, "source_image": "source-pages/p-101.jpg", "printed_page": 101 } ], "asset_refs": [ "mus-101-2" ], "reading_order": 798 }, { "id": "kitson-p101-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 101, "source_image": "source-pages/p-101.jpg", "printed_page": 101 } ], "asset_refs": [ "mus-101-3" ], "reading_order": 799 }, { "id": "kitson-p102-1", "type": "heading", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "heading_level": 2, "english": "Chapter VII. Counterpoint in Triple Time", "original": "Chapter VII. Counterpoint in Triple Time", "reading_order": 800 }, { "id": "kitson-p102-2", "type": "heading", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "heading_level": 3, "english": "(1) Second Species.", "original": "(1) Second Species.", "inline": [ { "text": "(1) " }, { "text": "Second Species.", "tag": "em" } ], "reading_order": 801 }, { "id": "kitson-p102-3", "type": "paragraph", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "english": "The following are additional points to those discussed under Chapter II.", "original": "The following are additional points to those discussed under Chapter II.", "reading_order": 802 }, { "id": "kitson-p102-4", "type": "paragraph", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "english": "(a) The Nota Cambiata idiom can be used between the first minims of consecutive bars.", "original": "(a) The Nota Cambiata idiom can be used between the first minims of consecutive bars.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The Nota Cambiata idiom can be used between the first minims of consecutive bars." } ], "reading_order": 803 }, { "id": "kitson-p102-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "asset_refs": [ "mus-102-1" ], "reading_order": 804 }, { "id": "kitson-p102-6", "type": "paragraph", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "english": "(b) A change of harmony in the bar is always allowable:", "original": "(b) A change of harmony in the bar is always allowable:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") A change of harmony in the bar is always allowable:" } ], "reading_order": 805 }, { "id": "kitson-p102-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "asset_refs": [ "mus-102-2" ], "reading_order": 806 }, { "id": "kitson-p102-8", "type": "paragraph", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "english": "(c) Avoid a complete bar of Arpeggio, as a rule:", "original": "(c) Avoid a complete bar of Arpeggio, as a rule:", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Avoid a complete bar of Arpeggio, as a rule:" } ], "reading_order": 807 }, { "id": "kitson-p102-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "asset_refs": [ "mus-102-3" ], "reading_order": 808 }, { "id": "kitson-p102-10", "type": "paragraph", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "english": "(d) Avoid a succession of bars with an auxiliary note on the second minim:", "original": "(d) Avoid a succession of bars with an auxiliary note on the second minim:", "inline": [ { "text": "(" }, { "text": "d", "tag": "em" }, { "text": ") Avoid a succession of bars with an auxiliary note on the second minim:" } ], "reading_order": 809 }, { "id": "kitson-p102-11", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "asset_refs": [ "mus-102-4" ], "reading_order": 810 }, { "id": "kitson-p102-12", "type": "heading", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "heading_level": 3, "english": "Third Species.", "original": "Third Species.", "inline": [ { "text": "Third Species.", "tag": "em" } ], "reading_order": 811 }, { "id": "kitson-p102-13", "type": "paragraph", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "english": "(a) The time is of course 3/2.", "original": "(a) The time is of course 3/2.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") The time is of course 3/2." } ], "reading_order": 812 }, { "id": "kitson-p102-14", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "asset_refs": [ "mus-102-5" ], "reading_order": 813 }, { "id": "kitson-p102-15", "type": "paragraph", "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "english": "(b) Avoid auxiliary discords on the accents.", "original": "(b) Avoid auxiliary discords on the accents.", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") Avoid auxiliary discords on the accents." } ], "reading_order": 814 }, { "id": "kitson-p103-1", "type": "paragraph", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "english": "(c) Examination candidates are sometimes asked to write six notes to one in 6/4 time.", "original": "(c) Examination candidates are sometimes asked to write six notes to one in 6/4 time.", "inline": [ { "text": "(" }, { "text": "c", "tag": "em" }, { "text": ") Examination candidates are sometimes asked to write six notes to one in 6/4 time." } ], "reading_order": 815 }, { "id": "kitson-p103-2", "type": "paragraph", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "english": "This can only be regarded as two bars of Second Species in Triple time with the semibreve C. F. tied each two bars. Thus:", "original": "This can only be regarded as two bars of Second Species in Triple time with the semibreve C. F. tied each two bars. Thus:", "reading_order": 816 }, { "id": "kitson-p103-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "asset_refs": [ "mus-103-1" ], "reading_order": 817 }, { "id": "kitson-p103-4", "type": "paragraph", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "english": "should be thought of as being:", "original": "should be thought of as being:", "reading_order": 818 }, { "id": "kitson-p103-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "asset_refs": [ "mus-103-2" ], "reading_order": 819 }, { "id": "kitson-p103-6", "type": "paragraph", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "english": "The first and fourth crotchets of the bar should be concords.", "original": "The first and fourth crotchets of the bar should be concords.", "reading_order": 820 }, { "id": "kitson-p103-7", "type": "heading", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "heading_level": 3, "english": "Fourth Species.", "original": "Fourth Species.", "inline": [ { "text": "Fourth Species.", "tag": "em" } ], "reading_order": 821 }, { "id": "kitson-p103-8", "type": "paragraph", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "english": "It has been pointed out that in Triple Time in sixteenth-century technique no suspended discord ever occurred on the first beat of the bar. It occurred on the second minim and resolved on the third minim. It cannot therefore be used against a dotted semibreve C. F. Here is a case where a departure may be made from sixteenth-century methods, at any rate for practical purposes. In this chapter, therefore, a suspended discord may occur on the first minim of the bar, and it will resolve either on the second or third minim:", "original": "It has been pointed out that in Triple Time in sixteenth-century technique no suspended discord ever occurred on the first beat of the bar. It occurred on the second minim and resolved on the third minim. It cannot therefore be used against a dotted semibreve C. F. Here is a case where a departure may be made from sixteenth-century methods, at any rate for practical purposes. In this chapter, therefore, a suspended discord may occur on the first minim of the bar, and it will resolve either on the second or third minim:", "inline": [ { "text": "It has been pointed out that in Triple Time in sixteenth-century technique no suspended discord ever occurred on the first beat of the bar. It occurred on the second minim and resolved on the third minim. It cannot therefore be used against a dotted semibreve C. F. Here is a case where a departure may be made from sixteenth-century methods, at any rate for practical purposes. In this chapter, therefore, a suspended discord " }, { "text": "may", "tag": "em" }, { "text": " occur on the first minim of the bar, and it will resolve either on the second or third minim:" } ], "reading_order": 822 }, { "id": "kitson-p103-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "asset_refs": [ "mus-103-3" ], "reading_order": 823 }, { "id": "kitson-p103-10", "type": "paragraph", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "english": "When the first minim of the bar is a syncopated concord, the second minim may be unessential.", "original": "When the first minim of the bar is a syncopated concord, the second minim may be unessential.", "reading_order": 824 }, { "id": "kitson-p103-11", "type": "heading", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "heading_level": 3, "english": "Fifth Species.", "original": "Fifth Species.", "inline": [ { "text": "Fifth Species.", "tag": "em" } ], "reading_order": 825 }, { "id": "kitson-p103-12", "type": "paragraph", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "english": "(a) Quavers are not used.", "original": "(a) Quavers are not used.", "inline": [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") Quavers are not used." } ], "reading_order": 826 }, { "id": "kitson-p103-13", "type": "paragraph", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "english": "(b) If either the second or third minim of the bar be preceded by crotchets, it should be tied to the next note:", "original": "(b) If either the second or third minim of the bar be preceded by crotchets, it should be tied to the next note:", "inline": [ { "text": "(" }, { "text": "b", "tag": "em" }, { "text": ") If either the second or third minim of the bar be preceded by crotchets, it should be tied to the next note:" } ], "reading_order": 827 }, { "id": "kitson-p103-14", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "asset_refs": [ "mus-103-4" ], "reading_order": 828 }, { "id": "kitson-p104-1", "type": "footnote", "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "english": "(1) Undesirable in two parts, owing to the halt on the third minim.", "original": "(1) Undesirable in two parts, owing to the halt on the third minim.", "reading_order": 829 }, { "id": "kitson-p104-2", "type": "paragraph", "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "english": "For the same reason the rhythm", "original": "For the same reason the rhythm", "reading_order": 830 }, { "id": "kitson-p104-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "asset_refs": [ "mus-104-1" ], "reading_order": 831 }, { "id": "kitson-p104-4", "type": "paragraph", "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "english": "should be rarely employed in two parts.", "original": "should be rarely employed in two parts.", "reading_order": 832 }, { "id": "kitson-p104-5", "type": "heading", "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "heading_level": 3, "english": "Examples", "original": "Examples", "reading_order": 833 }, { "id": "kitson-p104-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "asset_refs": [ "mus-104-2" ], "reading_order": 834 }, { "id": "kitson-p104-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "asset_refs": [ "mus-104-3" ], "reading_order": 835 }, { "id": "kitson-p105-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 105, "source_image": "source-pages/p-105.jpg", "printed_page": 105 } ], "asset_refs": [ "mus-105-1" ], "reading_order": 836 }, { "id": "kitson-p105-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 105, "source_image": "source-pages/p-105.jpg", "printed_page": 105 } ], "asset_refs": [ "mus-105-2" ], "reading_order": 837 }, { "id": "kitson-p105-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 105, "source_image": "source-pages/p-105.jpg", "printed_page": 105 } ], "asset_refs": [ "mus-105-3" ], "reading_order": 838 }, { "id": "kitson-p106-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 106, "source_image": "source-pages/p-106.jpg", "printed_page": 106 } ], "asset_refs": [ "mus-106-1" ], "reading_order": 839 }, { "id": "kitson-p106-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 106, "source_image": "source-pages/p-106.jpg", "printed_page": 106 } ], "asset_refs": [ "mus-106-2" ], "reading_order": 840 }, { "id": "kitson-p106-3", "type": "paragraph", "sources": [ { "pdf_page": 106, "source_image": "source-pages/p-106.jpg", "printed_page": 106 } ], "english": "Any of the Canti Fermi set in the previous chapters may be employed for exercises in Triple time.", "original": "Any of the Canti Fermi set in the previous chapters may be employed for exercises in Triple time.", "reading_order": 841 }, { "id": "kitson-p107-1", "type": "heading", "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "heading_level": 2, "english": "Chapter VIII. Applied Technique", "original": "Chapter VIII. Applied Technique", "reading_order": 842 }, { "id": "kitson-p107-2", "type": "paragraph", "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "english": "1. In this chapter the semibreve Canto Fermo is eliminated as a constant factor. But the parts are written just as if it was there, with the exception that when two different chords are used in a bar, they need not have a note in common.", "original": "1. In this chapter the semibreve Canto Fermo is eliminated as a constant factor. But the parts are written just as if it was there, with the exception that when two different chords are used in a bar, they need not have a note in common.", "reading_order": 843 }, { "id": "kitson-p107-3", "type": "paragraph", "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "english": "2. The C. F. will be:", "original": "2. The C. F. will be:", "reading_order": 844 }, { "id": "kitson-p107-4", "type": "paragraph", "english": "(a) A part in minims, or minims and semibreves, in the manner of a Chorale, to which one or more florid parts are to be added;\nor (b) a florid part to which one or more florid parts may be added.", "original": "(a) A part in minims, or minims and semibreves, in the manner of a Chorale, to which one or more florid parts are to be added;\nor (b) a florid part to which one or more florid parts may be added.", "ordered": false, "list_items": [ [ { "text": "(" }, { "text": "a", "tag": "em" }, { "text": ") A part in minims, or minims and semibreves, in the manner of a Chorale, to which one or more florid parts are to be added;" } ], [ { "text": "or (" }, { "text": "b", "tag": "em" }, { "text": ") a florid part to which one or more florid parts may be added." } ] ], "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "reading_order": 845 }, { "id": "kitson-p107-5", "type": "paragraph", "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "english": "3. In both cases a bar of 2/2 will be employed, and the procedures are the same as in a bar of technical work already studied. But for rhythmical purposes, minims may be repeated:", "original": "3. In both cases a bar of 2/2 will be employed, and the procedures are the same as in a bar of technical work already studied. But for rhythmical purposes, minims may be repeated:", "reading_order": 846 }, { "id": "kitson-p107-6", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "asset_refs": [ "mus-107-1" ], "reading_order": 847 }, { "id": "kitson-p107-7", "type": "paragraph", "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "english": "At (a) the repetition of the C is used in place of a tie, assuming a separate word or syllable necessary on the first minim. In such a case treat the repeated minim as a prepared discord.", "original": "At (a) the repetition of the C is used in place of a tie, assuming a separate word or syllable necessary on the first minim. In such a case treat the repeated minim as a prepared discord.", "inline": [ { "text": "At (" }, { "text": "a", "tag": "em" }, { "text": ") the repetition of the C is used in place of a tie, assuming a separate word or syllable necessary on the first minim. In such a case treat the repeated minim as a prepared discord." } ], "reading_order": 848 }, { "id": "kitson-p107-8", "type": "paragraph", "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "english": "At (b) the repetition of the minim marks off the phrasing. A single crotchet may repeat the same note as the previous dotted minim, or the following minim, as anticipation of resolution of discord:", "original": "At (b) the repetition of the minim marks off the phrasing. A single crotchet may repeat the same note as the previous dotted minim, or the following minim, as anticipation of resolution of discord:", "inline": [ { "text": "At (" }, { "text": "b", "tag": "em" }, { "text": ") the repetition of the minim marks off the phrasing. A single crotchet may repeat the same note as the previous dotted minim, or the following minim, as anticipation of resolution of discord:" } ], "reading_order": 849 }, { "id": "kitson-p107-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "asset_refs": [ "mus-107-2" ], "reading_order": 850 }, { "id": "kitson-p108-1", "type": "paragraph", "sources": [ { "pdf_page": 108, "source_image": "source-pages/p-108.jpg", "printed_page": 108 } ], "english": "Distinguish between the two following:", "original": "Distinguish between the two following:", "reading_order": 851 }, { "id": "kitson-p108-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 108, "source_image": "source-pages/p-108.jpg", "printed_page": 108 } ], "asset_refs": [ "mus-108-1" ], "reading_order": 852 }, { "id": "kitson-p108-3", "type": "paragraph", "english": "At (a) C must be treated as a syncopated concord, else the resolution of it as a discord would occur at the wrong place.\nat (b) C can be a suspension.", "original": "At (a) C must be treated as a syncopated concord, else the resolution of it as a discord would occur at the wrong place.\nat (b) C can be a suspension.", "ordered": false, "list_items": [ [ { "text": "At (" }, { "text": "a", "tag": "em" }, { "text": ") C must be treated as a syncopated concord, else the resolution of it as a discord would occur at the wrong place." } ], [ { "text": "at (" }, { "text": "b", "tag": "em" }, { "text": ") C can be a suspension." } ] ], "sources": [ { "pdf_page": 108, "source_image": "source-pages/p-108.jpg", "printed_page": 108 } ], "reading_order": 853 }, { "id": "kitson-p108-4", "type": "paragraph", "sources": [ { "pdf_page": 108, "source_image": "source-pages/p-108.jpg", "printed_page": 108 } ], "english": "4. When adding florid parts to a Chorale, the counterpoints should either imitate the phrases of the Chorale in some form of diminution, or use an independent figure. Rests should be used in order to re-introduce this figure. In elementary work an independent figure is recommended. For examples in which the C. F. is imitated in diminution see my Applied Strict Counterpoint.", "original": "4. When adding florid parts to a Chorale, the counterpoints should either imitate the phrases of the Chorale in some form of diminution, or use an independent figure. Rests should be used in order to re-introduce this figure. In elementary work an independent figure is recommended. For examples in which the C. F. is imitated in diminution see my Applied Strict Counterpoint.", "inline": [ { "text": "4. When adding florid parts to a Chorale, the counterpoints should either imitate the phrases of the Chorale in some form of diminution, or use an independent figure. Rests should be used in order to re-introduce this figure. In elementary work an independent figure is recommended. For examples in which the C. F. is imitated in diminution see my " }, { "text": "Applied Strict Counterpoint", "tag": "em" }, { "text": "." } ], "reading_order": 854 }, { "id": "kitson-p108-5", "type": "paragraph", "sources": [ { "pdf_page": 108, "source_image": "source-pages/p-108.jpg", "printed_page": 108 } ], "english": "In order to get a good point of imitation the first note of the Counterpoint need not form a perfect concord with the C. F.", "original": "In order to get a good point of imitation the first note of the Counterpoint need not form a perfect concord with the C. F.", "reading_order": 855 }, { "id": "kitson-p108-6", "type": "heading", "sources": [ { "pdf_page": 108, "source_image": "source-pages/p-108.jpg", "printed_page": 108 } ], "heading_level": 3, "english": "Examples", "original": "Examples", "reading_order": 856 }, { "id": "kitson-p108-7", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 108, "source_image": "source-pages/p-108.jpg", "printed_page": 108 } ], "asset_refs": [ "mus-108-2" ], "reading_order": 857 }, { "id": "kitson-p109-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 109, "source_image": "source-pages/p-109.jpg", "printed_page": 109 } ], "asset_refs": [ "mus-109-1" ], "reading_order": 858 }, { "id": "kitson-p110-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 110, "source_image": "source-pages/p-110.jpg", "printed_page": 110 } ], "asset_refs": [ "mus-110-1" ], "reading_order": 859 }, { "id": "kitson-p110-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 110, "source_image": "source-pages/p-110.jpg", "printed_page": 110 } ], "asset_refs": [ "mus-110-2" ], "reading_order": 860 }, { "id": "kitson-p111-2", "type": "heading", "sources": [ { "pdf_page": 111, "source_image": "source-pages/p-111.jpg", "printed_page": 111 } ], "heading_level": 3, "english": "Exercises", "original": "Exercises", "reading_order": 861 }, { "id": "kitson-p111-3", "type": "paragraph", "sources": [ { "pdf_page": 111, "source_image": "source-pages/p-111.jpg", "printed_page": 111 } ], "english": "Add (a) one part below the following Chorales in Fifth Species.", "original": "Add (a) one part below the following Chorales in Fifth Species.", "inline": [ { "text": "Add (" }, { "text": "a", "tag": "em" }, { "text": ") one part below the following Chorales in Fifth Species." } ], "reading_order": 862 }, { "id": "kitson-p111-4", "type": "paragraph", "sources": [ { "pdf_page": 111, "source_image": "source-pages/p-111.jpg", "printed_page": 111 } ], "english": "Add (b) two parts below the following Chorales in Fifth Species.", "original": "Add (b) two parts below the following Chorales in Fifth Species.", "inline": [ { "text": "Add (" }, { "text": "b", "tag": "em" }, { "text": ") two parts below the following Chorales in Fifth Species." } ], "reading_order": 863 }, { "id": "kitson-p111-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 111, "source_image": "source-pages/p-111.jpg", "printed_page": 111 } ], "asset_refs": [ "mus-111-1" ], "reading_order": 864 }, { "id": "kitson-p112-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 112, "source_image": "source-pages/p-112.jpg", "printed_page": 112 } ], "asset_refs": [ "mus-112-1" ], "reading_order": 865 }, { "id": "kitson-p112-2", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 112, "source_image": "source-pages/p-112.jpg", "printed_page": 112 } ], "asset_refs": [ "mus-112-2" ], "reading_order": 866 }, { "id": "kitson-p112-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 112, "source_image": "source-pages/p-112.jpg", "printed_page": 112 } ], "asset_refs": [ "mus-112-3" ], "reading_order": 867 }, { "id": "kitson-p113-1", "type": "paragraph", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "english": "Add (a) Soprano in Fifth Species.", "original": "Add (a) Soprano in Fifth Species.", "inline": [ { "text": "Add (" }, { "text": "a", "tag": "em" }, { "text": ") Soprano in Fifth Species." } ], "reading_order": 868 }, { "id": "kitson-p113-2", "type": "paragraph", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "english": "Add (b) Soprano and Alto in Fifth Species.", "original": "Add (b) Soprano and Alto in Fifth Species.", "inline": [ { "text": "Add (" }, { "text": "b", "tag": "em" }, { "text": ") Soprano and Alto in Fifth Species." } ], "reading_order": 869 }, { "id": "kitson-p113-3", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "asset_refs": [ "mus-113-1" ], "reading_order": 870 }, { "id": "kitson-p113-4", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "asset_refs": [ "mus-113-2" ], "reading_order": 871 }, { "id": "kitson-p113-5", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "asset_refs": [ "mus-113-3" ], "reading_order": 872 }, { "id": "kitson-p113-6", "type": "paragraph", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "english": "Add (a) Bass in Fifth Species.", "original": "Add (a) Bass in Fifth Species.", "inline": [ { "text": "Add (" }, { "text": "a", "tag": "em" }, { "text": ") Bass in Fifth Species." } ], "reading_order": 873 }, { "id": "kitson-p113-7", "type": "paragraph", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "english": "Add (b) Bass and Alto in Fifth Species.", "original": "Add (b) Bass and Alto in Fifth Species.", "inline": [ { "text": "Add (" }, { "text": "b", "tag": "em" }, { "text": ") Bass and Alto in Fifth Species." } ], "reading_order": 874 }, { "id": "kitson-p113-8", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "asset_refs": [ "mus-113-4" ], "reading_order": 875 }, { "id": "kitson-p113-9", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 113, "source_image": "source-pages/p-113.jpg", "printed_page": 113 } ], "asset_refs": [ "mus-113-5" ], "reading_order": 876 }, { "id": "kitson-p114-1", "type": "music", "english": "", "original": "", "sources": [ { "pdf_page": 114, "source_image": "source-pages/p-114.jpg", "printed_page": 114 } ], "asset_refs": [ "mus-114-1" ], "reading_order": 877 }, { "id": "kitson-p114-2", "type": "paragraph", "sources": [ { "pdf_page": 114, "source_image": "source-pages/p-114.jpg", "printed_page": 114 } ], "english": "Write some original examples in the same style.", "original": "Write some original examples in the same style.", "reading_order": 878 } ], "assets": [ { "id": "mus-013-1", "kind": "music", "path": "assets/reflow/mus-013-1.png", "dimensions_pixels": [ 1600, 206 ], "description": "Music example", "source_label": "Example · page PDF 13", "source_pdf": { "path": "source/pdf/book.pdf", "page": 13 }, "continuations": [], "pdf_page": 13, "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-013-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "eac9f218a790f76003de1fe657c4dad0db87ddaa80d8a612872a38e9d623a6b6", "sourceVerifiedSha256": "eac9f218a790f76003de1fe657c4dad0db87ddaa80d8a612872a38e9d623a6b6", "printed_systems": [ { "bars": 7 } ] } ], "sha256": "6dfb81b8f9163e0d37e46fbd5f755342fafea8f57b908396cbb4d86ca8442b6f" }, { "id": "mus-013-2", "kind": "music", "path": "assets/reflow/mus-013-2.png", "dimensions_pixels": [ 1600, 242 ], "description": "C.F.", "source_label": "Example · page PDF 13", "source_pdf": { "path": "source/pdf/book.pdf", "page": 13 }, "continuations": [], "pdf_page": 13, "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-013-2.musicxml", "label": "C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "331bdb5f8b53138b7af7d6b003fc0c8d144f871703f198d0ee3c56bb07e47f0a", "sourceVerifiedSha256": "331bdb5f8b53138b7af7d6b003fc0c8d144f871703f198d0ee3c56bb07e47f0a", "printed_systems": [ { "bars": 7 } ] } ], "sha256": "5b609422402b842cae6d474ad588b3ad0dff77d56853614d784002aa1608b18f" }, { "id": "mus-013-3", "kind": "music", "path": "assets/reflow/mus-013-3.png", "dimensions_pixels": [ 1600, 240 ], "description": "C.F.", "source_label": "Example · page PDF 13", "source_pdf": { "path": "source/pdf/book.pdf", "page": 13 }, "continuations": [], "pdf_page": 13, "sources": [ { "pdf_page": 13, "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13" } ], "source_image": "source-pages/p-013.jpg", "printed_label": "PDF 13", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-013-3.musicxml", "label": "C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "4c029c09711df2b3a1c363b7f3e2ddeb638f56329080f5ad00b925918496ba0f", "sourceVerifiedSha256": "4c029c09711df2b3a1c363b7f3e2ddeb638f56329080f5ad00b925918496ba0f", "printed_systems": [ { "bars": 7 } ] } ], "sha256": "bad56d7a8a014120b6f3d227857cd75d6cf563ab34b802432e820488bdd6b7a1" }, { "id": "mus-014-1", "kind": "music", "path": "assets/reflow/mus-014-1.png", "dimensions_pixels": [ 1495, 276 ], "description": "C.F. / C.F. / C.F.", "source_label": "Example · page 14", "source_pdf": { "path": "source/pdf/book.pdf", "page": 14 }, "continuations": [], "pdf_page": 14, "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "source_image": "source-pages/p-014.jpg", "printed_page": 14, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-014-1.musicxml", "label": "C.F. / C.F. / C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "42226de758d496b39e34af5c442ae44ac14031e92faff5c6978b44125529ab65", "sourceVerifiedSha256": "42226de758d496b39e34af5c442ae44ac14031e92faff5c6978b44125529ab65", "printed_systems": [ { "bars": 6 } ] } ], "sha256": "8f358d175554909d24427b5247e30bb8491437f53fcf413c5f3b2c9230b509a8" }, { "id": "mus-014-2", "kind": "music", "path": "assets/reflow/mus-014-2.png", "dimensions_pixels": [ 1600, 237 ], "description": "C.F. / C.F. / C.F. / C.F.", "source_label": "Example · page 14", "source_pdf": { "path": "source/pdf/book.pdf", "page": 14 }, "continuations": [], "pdf_page": 14, "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "source_image": "source-pages/p-014.jpg", "printed_page": 14, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-014-2.musicxml", "label": "C.F. / C.F. / C.F. / C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b281a66786efcdd90effbbd5ec0695f0ffbe41d85ee8fe9a6071d1fe7c6196e5", "sourceVerifiedSha256": "b281a66786efcdd90effbbd5ec0695f0ffbe41d85ee8fe9a6071d1fe7c6196e5", "printed_systems": [ { "bars": 8 } ] } ], "sha256": "14f2ab421cd3b5a16f05f803a04947819389758201046226bcb73176d2758c59" }, { "id": "mus-014-3", "kind": "music", "path": "assets/reflow/mus-014-3.png", "dimensions_pixels": [ 647, 231 ], "description": "C.F.", "source_label": "Example · page 14", "source_pdf": { "path": "source/pdf/book.pdf", "page": 14 }, "continuations": [], "pdf_page": 14, "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "source_image": "source-pages/p-014.jpg", "printed_page": 14, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-014-3.musicxml", "label": "C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "ed21bc1df32503dc8a716bb7d323dbb42733596c42a7ef0653ac67a9adeeb9d1", "sourceVerifiedSha256": "ed21bc1df32503dc8a716bb7d323dbb42733596c42a7ef0653ac67a9adeeb9d1", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "3d80ead57a22346d17b82fcd6a9ba5d4870b698f30439921795b835ffe322da7" }, { "id": "mus-014-4", "kind": "music", "path": "assets/reflow/mus-014-4.png", "dimensions_pixels": [ 1071, 276 ], "description": "C.F. / C.F.", "source_label": "Example · page 14", "source_pdf": { "path": "source/pdf/book.pdf", "page": 14 }, "continuations": [], "pdf_page": 14, "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "source_image": "source-pages/p-014.jpg", "printed_page": 14, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-014-4.musicxml", "label": "C.F. / C.F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "9bcb7eab75c664cf074de688a78ce1026ebd2e9ee4061475402b5387f56e8769", "sourceVerifiedSha256": "9bcb7eab75c664cf074de688a78ce1026ebd2e9ee4061475402b5387f56e8769", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "b81a61cc1427b876a0edc2fcad64e4e5ae59f220d3fdf37ab3eac34c9d90e402" }, { "id": "mus-014-5", "kind": "music", "path": "assets/reflow/mus-014-5.png", "dimensions_pixels": [ 1031, 210 ], "description": "Music example", "source_label": "Example · page 14", "source_pdf": { "path": "source/pdf/book.pdf", "page": 14 }, "continuations": [], "pdf_page": 14, "sources": [ { "pdf_page": 14, "source_image": "source-pages/p-014.jpg", "printed_page": 14 } ], "source_image": "source-pages/p-014.jpg", "printed_page": 14, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-014-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "7352291518b6778d6675db814db87da20dcfa173f15674b42c1131bd804ac266", "sourceVerifiedSha256": "7352291518b6778d6675db814db87da20dcfa173f15674b42c1131bd804ac266", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1–2 and 3–4, onset of each whole note: straight diagonal lines connect both voices, indicating ascending and descending motion. Read as analytical connectors, not ties or slurs; omitted. Checked mus-014-5-zoom.png at 3×." ] } ], "sha256": "bd06732accdde971e7fca23e3f74ffae6e2091736663bec39c229fac930b6e58" }, { "id": "mus-015-1", "kind": "music", "path": "assets/reflow/mus-015-1.png", "dimensions_pixels": [ 1600, 262 ], "description": "good / bad / bad", "source_label": "Example · page 15", "source_pdf": { "path": "source/pdf/book.pdf", "page": 15 }, "continuations": [], "pdf_page": 15, "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "source_image": "source-pages/p-015.jpg", "printed_page": 15, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-015-1.musicxml", "label": "good / bad / bad", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "5b49c5fc1471dfa4e208958db8c0b0ee2ee0d84e0e222168628a28ab8f38e720", "sourceVerifiedSha256": "5b49c5fc1471dfa4e208958db8c0b0ee2ee0d84e0e222168628a28ab8f38e720", "printed_systems": [ { "bars": 7 } ] } ], "sha256": "d2c0763f12840f6af99fae3f3fc49ced6f4cdd1adf50426fe2f37c754cf820ec" }, { "id": "mus-015-2", "kind": "music", "path": "assets/reflow/mus-015-2.png", "dimensions_pixels": [ 1455, 241 ], "description": "bad / bad / good", "source_label": "Example · page 15", "source_pdf": { "path": "source/pdf/book.pdf", "page": 15 }, "continuations": [], "pdf_page": 15, "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "source_image": "source-pages/p-015.jpg", "printed_page": 15, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-015-2.musicxml", "label": "bad / bad / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "56647fce99447bb32a50c7af62730ca3136419d097352d8b4489ea6b5d0e5328", "sourceVerifiedSha256": "56647fce99447bb32a50c7af62730ca3136419d097352d8b4489ea6b5d0e5328", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 1→2, 3→4 and 5→6, whole-note onsets: straight diagonal analytical lines run from the lower F4 toward the next upper B4. Read as comparison guides, not ties, slurs or glissandi; omitted. Checked mus-015-2-zoom.png at 3×." ] } ], "sha256": "b430a2641c7e234cb3b19cfe5467357e622da2359035bd9ca4fb80dd0d75e8ff" }, { "id": "mus-015-3", "kind": "music", "path": "assets/reflow/mus-015-3.png", "dimensions_pixels": [ 798, 219 ], "description": "Music example", "source_label": "Example · page 15", "source_pdf": { "path": "source/pdf/book.pdf", "page": 15 }, "continuations": [], "pdf_page": 15, "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "source_image": "source-pages/p-015.jpg", "printed_page": 15, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-015-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "c4e8debd526e17205e06a372ce50aeea88fcd106914e2d7664d85f78927272b3", "sourceVerifiedSha256": "c4e8debd526e17205e06a372ce50aeea88fcd106914e2d7664d85f78927272b3", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "3a5e1d23214703122618a5c695e5a99055f259d3aa886fc21451a576328ba445" }, { "id": "mus-015-4", "kind": "music", "path": "assets/reflow/mus-015-4.png", "dimensions_pixels": [ 1600, 249 ], "description": "C.F. / poor / better", "source_label": "Example · page 15", "source_pdf": { "path": "source/pdf/book.pdf", "page": 15 }, "continuations": [], "pdf_page": 15, "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "source_image": "source-pages/p-015.jpg", "printed_page": 15, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-015-4.musicxml", "label": "C.F. / poor / better", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "47701eacb9890a63c70c50e0216def9e89398303c81d018f9297c03406325c86", "sourceVerifiedSha256": "47701eacb9890a63c70c50e0216def9e89398303c81d018f9297c03406325c86", "printed_systems": [ { "bars": 8 } ] } ], "sha256": "ac29ffd81ddfd5d63fb6e44f880dc55973d970b2bb953239255294e7168c7982" }, { "id": "mus-015-5", "kind": "music", "path": "assets/reflow/mus-015-5.png", "dimensions_pixels": [ 606, 243 ], "description": "bad", "source_label": "Example · page 15", "source_pdf": { "path": "source/pdf/book.pdf", "page": 15 }, "continuations": [], "pdf_page": 15, "sources": [ { "pdf_page": 15, "source_image": "source-pages/p-015.jpg", "printed_page": 15 } ], "source_image": "source-pages/p-015.jpg", "printed_page": 15, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-015-5.musicxml", "label": "bad", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b8362d7f9a829ec579239873c068ea182f1f17f82619eb37066b634163d73a2e", "sourceVerifiedSha256": "b8362d7f9a829ec579239873c068ea182f1f17f82619eb37066b634163d73a2e", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "cb573e7dc5d6e7295b8a410f27914109707591be454553e7728d975394238c33" }, { "id": "mus-016-1", "kind": "music", "path": "assets/reflow/mus-016-1.png", "dimensions_pixels": [ 1600, 480 ], "description": "C.F. / &c. / good", "source_label": "Example · page 16", "source_pdf": { "path": "source/pdf/book.pdf", "page": 16 }, "continuations": [], "pdf_page": 16, "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "source_image": "source-pages/p-016.jpg", "printed_page": 16, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-016-1.musicxml", "label": "C.F. / &c. / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "a4b6cf695464ac2f7e48a9f09e203e1c0737ec27acd3ba905695307f0e9a3882", "sourceVerifiedSha256": "a4b6cf695464ac2f7e48a9f09e203e1c0737ec27acd3ba905695307f0e9a3882", "printed_systems": [ { "bars": 7 } ] } ], "sha256": "516c4a5bc5588142eb3b1aa4ad288c441e56830a75838567b497f1d5561bf793" }, { "id": "mus-016-2", "kind": "music", "path": "assets/reflow/mus-016-2.png", "dimensions_pixels": [ 1600, 281 ], "description": "C.F. / &c. / weak", "source_label": "Example · page 16", "source_pdf": { "path": "source/pdf/book.pdf", "page": 16 }, "continuations": [], "pdf_page": 16, "sources": [ { "pdf_page": 16, "source_image": "source-pages/p-016.jpg", "printed_page": 16 } ], "source_image": "source-pages/p-016.jpg", "printed_page": 16, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-016-2.musicxml", "label": "C.F. / &c. / weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": 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"15a4dc667eeafe73e79389e068da8709e7506b7baeca034ceffa825ceabe490f", "sourceVerifiedSha256": "15a4dc667eeafe73e79389e068da8709e7506b7baeca034ceffa825ceabe490f", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 1–3 and 4–6, beat 1: printed overhead brackets group each three-note unit. Omitted as instructed; no pitch or rhythm ambiguity. Verified in mus-017-5-zoom.png (3x)." ] } ], "sha256": "84a2c52f3964c0850b467f29c8f6cd4c7c75c9cf305f2b9c829013fdedd55320" }, { "id": "mus-017-6", "kind": "music", "path": "assets/reflow/mus-017-6.png", "dimensions_pixels": [ 1253, 195 ], "description": "Music example", "source_label": "Example · page 17", "source_pdf": { "path": "source/pdf/book.pdf", "page": 17 }, "continuations": [], "pdf_page": 17, "sources": [ { "pdf_page": 17, "source_image": "source-pages/p-017.jpg", "printed_page": 17 } ], "source_image": "source-pages/p-017.jpg", "printed_page": 17, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-017-6.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e35ccb74789a319068f71ec0699b2d0f968f8b54066a67326a6d7e1daa54608c", "sourceVerifiedSha256": "e35ccb74789a319068f71ec0699b2d0f968f8b54066a67326a6d7e1daa54608c", "printed_systems": [ { "bars": 5 } ] } ], "sha256": "ef0166b655d3a18e82718fd75b7263eac0c0c63a41862b69649d1a3421e52c83" }, { "id": "mus-018-1", "kind": "music", "path": "assets/reflow/mus-018-1.png", "dimensions_pixels": [ 1465, 313 ], "description": "Music example", "source_label": "Example · page 18", "source_pdf": { "path": "source/pdf/book.pdf", "page": 18 }, "continuations": [], "pdf_page": 18, "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "source_image": "source-pages/p-018.jpg", "printed_page": 18, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-018-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "173f9acfa7c394e480b231327d9e349ee9e0a336472c8493d9a9183c33e10d27", "sourceVerifiedSha256": "173f9acfa7c394e480b231327d9e349ee9e0a336472c8493d9a9183c33e10d27", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 1–6, beat 1: filled stemless noteheads occur alongside hollow whole-note heads. Encoded as whole-duration chord members with filled noteheads; no rhythmic value is explicit for the filled heads. Alternative: quarter-value heads with omitted stems. Checked mus-018-1-zoom.png (3×)." ] } ], "sha256": "2ceb3bd55c86d2f2dd177caff38e4581ef9c4297efe5fdb74459de4994938901" }, { "id": "mus-018-2", "kind": "music", "path": "assets/reflow/mus-018-2.png", "dimensions_pixels": [ 1597, 569 ], "description": "Key C major.", "source_label": "Example · page 18", "source_pdf": { "path": "source/pdf/book.pdf", "page": 18 }, "continuations": [], "pdf_page": 18, "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "source_image": "source-pages/p-018.jpg", "printed_page": 18, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-018-2.musicxml", "label": "Key C major.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "88a306fc8e13199f77ff9c96c106b88c5550577749bc8430880896f29151ea4a", "sourceVerifiedSha256": "88a306fc8e13199f77ff9c96c106b88c5550577749bc8430880896f29151ea4a", "printed_systems": [ { "bars": 4 }, { "bars": 3 } ] } ], "sha256": "7e6199b8ea45460ae8f206ec24136b3b69cab797c2b5ea7addd448c61054d1b9" }, { "id": "mus-018-3", "kind": "music", "path": "assets/reflow/mus-018-3.png", "dimensions_pixels": [ 1213, 199 ], "description": "Music example", "source_label": "Example · page 18", "source_pdf": { "path": "source/pdf/book.pdf", "page": 18 }, "continuations": [], "pdf_page": 18, "sources": [ { "pdf_page": 18, "source_image": "source-pages/p-018.jpg", "printed_page": 18 } ], "source_image": "source-pages/p-018.jpg", "printed_page": 18, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-018-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "d66ec3fa57a0085c6fdc6baea69a61913699c024bc2af6a8c22da2c0febca982", "sourceVerifiedSha256": 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"2651dbb6dc45f99443f57f631fd0f65a2d511e711115a7528f2089fa0176d889", "printed_systems": [ { "bars": 6 }, { "bars": 6 } ] } ], "sha256": "a166d2d9cf28b6075968c8c0b57e59b60e7e0eaf196e102aba601eccffcd534f" }, { "id": "mus-019-2", "kind": "music", "path": "assets/reflow/mus-019-2.png", "dimensions_pixels": [ 1600, 202 ], "description": "Music example", "source_label": "Example · page 19", "source_pdf": { "path": "source/pdf/book.pdf", "page": 19 }, "continuations": [], "pdf_page": 19, "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "source_image": "source-pages/p-019.jpg", "printed_page": 19, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-019-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "043ad677e9220dec35b2f3a8a2278d02a30ba7e98c0f3b296ed81adff0cff199", "sourceVerifiedSha256": "043ad677e9220dec35b2f3a8a2278d02a30ba7e98c0f3b296ed81adff0cff199", "printed_systems": [ { "bars": 8 } ] } ], "sha256": "67a4851065a251c92c440111d0126729689b65f7f939dd3a2149ef345421d925" }, { "id": "mus-019-3", "kind": "music", "path": "assets/reflow/mus-019-3.png", "dimensions_pixels": [ 1600, 448 ], "description": "Music example", "source_label": "Example · page 19", "source_pdf": { "path": "source/pdf/book.pdf", "page": 19 }, "continuations": [], "pdf_page": 19, "sources": [ { "pdf_page": 19, "source_image": "source-pages/p-019.jpg", "printed_page": 19 } ], "source_image": "source-pages/p-019.jpg", "printed_page": 19, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-019-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "a78c3d29283edb578796cca9aa8807ddd51ec33e10044453c0811804d7991364", "sourceVerifiedSha256": "a78c3d29283edb578796cca9aa8807ddd51ec33e10044453c0811804d7991364", "printed_systems": [ { "bars": 8 } ], "issues": [ "Bars 1–4, beat 1, below treble: faint irregular marks appear handwritten rather than printed notes or figures; omitted. Checked mus-019-3-zoom.png at 2×." ] } ], "sha256": "7bc75d0c569c72311582154e1b6035aeba0562a23298b6128c4958ddf46c7379" }, { "id": "mus-020-1", "kind": "music", "path": "assets/reflow/mus-020-1.png", "dimensions_pixels": [ 1600, 476 ], "description": "Music example", "source_label": "Example · page 20", "source_pdf": { "path": "source/pdf/book.pdf", "page": 20 }, "continuations": [], "pdf_page": 20, "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "source_image": "source-pages/p-020.jpg", "printed_page": 20, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-020-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "7bf5b496292254fb807c3a119244a743c30623cf661e95941702d23df4a98e63", "sourceVerifiedSha256": "7bf5b496292254fb807c3a119244a743c30623cf661e95941702d23df4a98e63", 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"printed_systems": [ { "bars": 4 } ] } ], "sha256": "1adaf42c3dd7804f7114fcc4753260d0469b0c241cc72a2d7692e02eaf3c5e70" }, { "id": "mus-020-3", "kind": "music", "path": "assets/reflow/mus-020-3.png", "dimensions_pixels": [ 1600, 206 ], "description": "Music example", "source_label": "Example · page 20", "source_pdf": { "path": "source/pdf/book.pdf", "page": 20 }, "continuations": [], "pdf_page": 20, "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "source_image": "source-pages/p-020.jpg", "printed_page": 20, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-020-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "7c380e4cb137f12d0f3b2deab91c6067ccb839a29f1adf36dbbf7f589c571207", "sourceVerifiedSha256": "7c380e4cb137f12d0f3b2deab91c6067ccb839a29f1adf36dbbf7f589c571207", 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"printed_systems": [ { "bars": 8 } ] } ], "sha256": "e01063146c057897ca7a882247223b1c14f73e0ba58c34551a04d9d9d8a66e6d" }, { "id": "mus-020-5", "kind": "music", "path": "assets/reflow/mus-020-5.png", "dimensions_pixels": [ 1600, 301 ], "description": "Music example", "source_label": "Example · page 20", "source_pdf": { "path": "source/pdf/book.pdf", "page": 20 }, "continuations": [], "pdf_page": 20, "sources": [ { "pdf_page": 20, "source_image": "source-pages/p-020.jpg", "printed_page": 20 } ], "source_image": "source-pages/p-020.jpg", "printed_page": 20, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-020-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "6a9927f7b1cadc2718d0b1fbeff23688985fc885f6942d9856405a5cbb927e50", "sourceVerifiedSha256": "6a9927f7b1cadc2718d0b1fbeff23688985fc885f6942d9856405a5cbb927e50", "printed_systems": [ { "bars": 8 } ] } ], "sha256": "ff715e8c71427fd8b9ce6d59a838ffb4195bd1580b6b7ace62be06349ec5808b" }, { "id": "mus-021-1", "kind": "music", "path": "assets/reflow/mus-021-1.png", "dimensions_pixels": [ 1101, 276 ], "description": "E♭ major", "source_label": "Example · page 21", "source_pdf": { "path": "source/pdf/book.pdf", "page": 21 }, "continuations": [], "pdf_page": 21, "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "source_image": "source-pages/p-021.jpg", "printed_page": 21, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-021-1.musicxml", "label": "E♭ major", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "c52e47659c4cbfa3dc460834f7a43d8e578f4b66ce6611db7f60bfa0c1877124", "sourceVerifiedSha256": "c52e47659c4cbfa3dc460834f7a43d8e578f4b66ce6611db7f60bfa0c1877124", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 3–4: printed bracket groups the passage under E♭ major; bracket omitted per brief, words retained at bar 3 beat 1. Checked mus-021-1-zoom.png at 2×." ] } ], "sha256": "7c370f1c6bce4fa72ac30eaa54c50ebd5de6319564b6bedb2060b37c0f6c6625" }, { "id": "mus-021-2", "kind": "music", "path": "assets/reflow/mus-021-2.png", "dimensions_pixels": [ 1041, 217 ], "description": "Music example", "source_label": "Example · page 21", "source_pdf": { "path": "source/pdf/book.pdf", "page": 21 }, "continuations": [], "pdf_page": 21, "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "source_image": "source-pages/p-021.jpg", "printed_page": 21, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-021-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "96a65cb8959fe7e3ff651f0836c7f60012ff04a97e53388183454d3bc8ee1011", "sourceVerifiedSha256": "96a65cb8959fe7e3ff651f0836c7f60012ff04a97e53388183454d3bc8ee1011", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "b27e30f23820314ecc8fec7e693a3137d10e075bc0a84be5f955d1e36f27432c" }, { "id": "mus-021-3", "kind": "music", "path": "assets/reflow/mus-021-3.png", "dimensions_pixels": [ 1101, 195 ], "description": "Music example", "source_label": "Example · page 21", "source_pdf": { "path": "source/pdf/book.pdf", "page": 21 }, "continuations": [], "pdf_page": 21, "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "source_image": "source-pages/p-021.jpg", "printed_page": 21, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-021-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "09e274946199eef8390d0075f7cbcd37f6ff6f4a22ab799ba2118ef3f8faa583", "sourceVerifiedSha256": "09e274946199eef8390d0075f7cbcd37f6ff6f4a22ab799ba2118ef3f8faa583", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "884a55a2450291e9e508c472eb116fb4f39f30d8363a9c7a5fd51d9a75a2a871" }, { "id": "mus-021-4", "kind": "music", "path": "assets/reflow/mus-021-4.png", "dimensions_pixels": [ 1101, 195 ], "description": "Music example", "source_label": "Example · page 21", "source_pdf": { "path": "source/pdf/book.pdf", "page": 21 }, "continuations": [], "pdf_page": 21, "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "source_image": "source-pages/p-021.jpg", "printed_page": 21, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-021-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "8fdd084299cc3df876fbb62bfafdf402482aafeeaeab06cc66ef4eb88e837514", "sourceVerifiedSha256": "8fdd084299cc3df876fbb62bfafdf402482aafeeaeab06cc66ef4eb88e837514", "printed_systems": [ { "bars": 4 } ], "issues": [ "Filled stemless inner heads have no explicit rhythmic value. Encoded as separate simultaneous voices of whole-note duration with filled noteheads, matching the surrounding whole-note span; quarter-note duration is an alternative. See mus-021-4-zoom.png (3x). No rests added where inner heads are absent." ] } ], "sha256": "2efb9ca10281e9c65536902ce9524aa4c0a179328245d6e55886587e0e9a657a" }, { "id": "mus-021-5", "kind": "music", "path": "assets/reflow/mus-021-5.png", "dimensions_pixels": [ 1112, 196 ], "description": "Music example", "source_label": "Example · page 21", "source_pdf": { "path": "source/pdf/book.pdf", "page": 21 }, "continuations": [], "pdf_page": 21, "sources": [ { "pdf_page": 21, "source_image": "source-pages/p-021.jpg", "printed_page": 21 } ], "source_image": "source-pages/p-021.jpg", "printed_page": 21, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-021-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "a520ab4f86c9426591f2f29fb17f862608cc80b126c6ca252056268044a7793e", "sourceVerifiedSha256": "a520ab4f86c9426591f2f29fb17f862608cc80b126c6ca252056268044a7793e", "printed_systems": [ { "bars": 4 } ], "issues": [ "Filled stemless inner heads have no explicit rhythmic value. Encoded as separate simultaneous voices of whole-note duration with filled noteheads, matching the surrounding whole-note span; quarter-note duration is an alternative. See mus-021-5-zoom.png (3x). No rests added where inner heads are absent." ] } ], "sha256": "39c27458713171c073cb8760285d9af07a53556d8b91fab3bbc27fd486ea9cdd" }, { "id": "mus-022-1", "kind": "music", "path": "assets/reflow/mus-022-1.png", "dimensions_pixels": [ 1344, 219 ], "description": "&c. / weak", "source_label": "Example · page 22", "source_pdf": { "path": "source/pdf/book.pdf", "page": 22 }, "continuations": [], "pdf_page": 22, "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "source_image": "source-pages/p-022.jpg", "printed_page": 22, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-022-1.musicxml", "label": "&c. / weak", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "6215f11d4eb57834f88884a42530d9cca54bf210ea0f3cbdcd76b04ffd1612d7", "sourceVerifiedSha256": "6215f11d4eb57834f88884a42530d9cca54bf210ea0f3cbdcd76b04ffd1612d7", "printed_systems": [ { "bars": 5 } ], "issues": [ "Final &c. appears after the last barline; attached below the final measure opening note because no following note is printed." ] } ], "sha256": "37ff379c0a21c0c25dd67f9609207ffbe8d0416175f8a1764da60ed32395611e" }, { "id": "mus-022-2", "kind": "music", "path": "assets/reflow/mus-022-2.png", "dimensions_pixels": [ 1344, 276 ], "description": "good", "source_label": "Example · page 22", "source_pdf": { "path": "source/pdf/book.pdf", "page": 22 }, "continuations": [], "pdf_page": 22, "sources": [ { "pdf_page": 22, "source_image": "source-pages/p-022.jpg", "printed_page": 22 } ], "source_image": "source-pages/p-022.jpg", "printed_page": 22, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-022-2.musicxml", "label": "good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": 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"transcriptionStatus": "two-reader-confirmed", "sha256": "20ae043dbf600491d64fe1eae7ba8b3887403c6a716730da5dcf898c5c75649e", "sourceVerifiedSha256": "20ae043dbf600491d64fe1eae7ba8b3887403c6a716730da5dcf898c5c75649e", "printed_systems": [ { "bars": 8 } ] } ], "sha256": "de330fabbe11da90d383728dfa49faea8bd0473eabae5ed97b316301ae34eb01" }, { "id": "mus-023-2", "kind": "music", "path": "assets/reflow/mus-023-2.png", "dimensions_pixels": [ 1600, 301 ], "description": "weak / good / weak / good", "source_label": "Example · page 23", "source_pdf": { "path": "source/pdf/book.pdf", "page": 23 }, "continuations": [], "pdf_page": 23, "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "source_image": "source-pages/p-023.jpg", "printed_page": 23, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-023-2.musicxml", "label": "weak / good / weak / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "7fac0b2b6bf61b5e23ae6a0b9002aee3d88dab85bbefbed686d9ec4f48dbf336", "sourceVerifiedSha256": "7fac0b2b6bf61b5e23ae6a0b9002aee3d88dab85bbefbed686d9ec4f48dbf336", "printed_systems": [ { "bars": 8 } ], "issues": [ "Filled stemless inner heads have no explicit rhythmic value. Encoded as separate simultaneous voices of whole-note duration with filled noteheads, matching the surrounding whole-note span; quarter-note duration is an alternative. See mus-023-2-zoom.png (3x). No rests added where inner heads are absent." ] } ], "sha256": "6cad39d32a71c780d2e200fc84627aeb9b7f9559f784ca2d52a012497ad254f8" }, { "id": "mus-023-3", "kind": "music", "path": "assets/reflow/mus-023-3.png", "dimensions_pixels": [ 1600, 262 ], "description": "bad / good / bad / good / good", "source_label": "Example · page 23", "source_pdf": { "path": "source/pdf/book.pdf", "page": 23 }, "continuations": [], "pdf_page": 23, "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "source_image": "source-pages/p-023.jpg", "printed_page": 23, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-023-3.musicxml", "label": "bad / good / bad / good / good", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "904823e354dfbd9d27cce6e3072fb493ab4d47a548bbfe83b0e36a1c520a8b90", "sourceVerifiedSha256": "904823e354dfbd9d27cce6e3072fb493ab4d47a548bbfe83b0e36a1c520a8b90", "printed_systems": [ { "bars": 10 } ] } ], "sha256": "5b3324a77482e1365e006326d6a7500c58e0c3a28800c8d1c54c06542edd7c57" }, { "id": "mus-023-4", "kind": "music", "path": "assets/reflow/mus-023-4.png", "dimensions_pixels": [ 1395, 273 ], "description": "poor / good", "source_label": "Example · page 23", "source_pdf": { "path": "source/pdf/book.pdf", "page": 23 }, "continuations": [], "pdf_page": 23, "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "source_image": "source-pages/p-023.jpg", "printed_page": 23, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-023-4.musicxml", "label": "poor / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "d7f02c090a91b966b030a4482793a1339d017ff4dded326de3384d8bc17bfa8a", "sourceVerifiedSha256": "d7f02c090a91b966b030a4482793a1339d017ff4dded326de3384d8bc17bfa8a", "printed_systems": [ { "bars": 6 } ] } ], "sha256": "fe86f732fa76a8d337e6e56a38c3fdfe45b54511f48da03c4140d0b9f4c813dc" }, { "id": "mus-023-5", "kind": "music", "path": "assets/reflow/mus-023-5.png", "dimensions_pixels": [ 1051, 176 ], "description": "Music example", "source_label": "Example · page 23", "source_pdf": { "path": "source/pdf/book.pdf", "page": 23 }, "continuations": [], "pdf_page": 23, "sources": [ { "pdf_page": 23, "source_image": "source-pages/p-023.jpg", "printed_page": 23 } ], "source_image": "source-pages/p-023.jpg", "printed_page": 23, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-023-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b2bd18d66e72c8ed5e94f835d2e60b8e220560ca2e7a58b99140a60d69b02e09", "sourceVerifiedSha256": "b2bd18d66e72c8ed5e94f835d2e60b8e220560ca2e7a58b99140a60d69b02e09", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "1042d0876c2e244c18be9f68f675963fc4900a95fca447210ffbc21fe380bba0" }, { "id": "mus-024-1", "kind": "music", "path": "assets/reflow/mus-024-1.png", "dimensions_pixels": [ 1101, 240 ], "description": "Music example", "source_label": "Example · page 24", "source_pdf": { "path": "source/pdf/book.pdf", "page": 24 }, "continuations": [], "pdf_page": 24, "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "source_image": "source-pages/p-024.jpg", "printed_page": 24, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-024-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "0c40fea360f62b823f98ae5161379fd2387ee95ed96884c7f67c15125c8720a0", "sourceVerifiedSha256": "0c40fea360f62b823f98ae5161379fd2387ee95ed96884c7f67c15125c8720a0", "printed_systems": [ { "bars": 4 } ], "issues": [ "QA rendering limitation: Verovio ignores the requested words font and displays natural signs in figures (bars 1 and 3) as missing-glyph boxes. Source symbols are retained as Unicode in sidecar/MusicXML; checked against the 3x original zoom. No pitch ambiguity." ] } ], "sha256": "75d799867ddf32233326c5847650265ff24e48f4fcf582edbbe8ec2a4c9213ec" }, { "id": "mus-024-2", "kind": "music", "path": "assets/reflow/mus-024-2.png", "dimensions_pixels": [ 1600, 266 ], "description": "both possible", "source_label": "Example · page 24", "source_pdf": { "path": "source/pdf/book.pdf", "page": 24 }, "continuations": [], "pdf_page": 24, "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "source_image": "source-pages/p-024.jpg", "printed_page": 24, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-024-2.musicxml", "label": "both possible", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "fb212614ea32dc4202f8f5ad83353986aab62d792ed7d3c7e4ede6622b898dcd", "sourceVerifiedSha256": "fb212614ea32dc4202f8f5ad83353986aab62d792ed7d3c7e4ede6622b898dcd", "printed_systems": [ { "bars": 7 } ], "issues": [ "QA rendering limitation: Verovio ignores the requested words font and displays cup-shaped weak-beat marks as missing-glyph boxes. Source symbols are retained as Unicode in sidecar/MusicXML; checked against the 3x original zoom. No pitch ambiguity." ] } ], "sha256": "96103d4e7d1af9c2325ef890692f835c2d24129c29e17d9f6943bd199aaa4772" }, { "id": "mus-024-3", "kind": "music", "path": "assets/reflow/mus-024-3.png", "dimensions_pixels": [ 1600, 229 ], "description": "C. F.", "source_label": "Example · page 24", "source_pdf": { "path": "source/pdf/book.pdf", "page": 24 }, "continuations": [], "pdf_page": 24, "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "source_image": "source-pages/p-024.jpg", "printed_page": 24, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-024-3.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "5079c49b3244d0f4a03354e83edf4fdcb30a441f0d3840846341b0ff2adf6cb9", "sourceVerifiedSha256": "5079c49b3244d0f4a03354e83edf4fdcb30a441f0d3840846341b0ff2adf6cb9", "printed_systems": [ { "bars": 11 } ] } ], "sha256": "fbd2f8d9c6bd2a3db5d0a10a694d4fc1fa6e4844956eda02aa5062c1d7ebaed1" }, { "id": "mus-024-4", "kind": "music", "path": "assets/reflow/mus-024-4.png", "dimensions_pixels": [ 1600, 274 ], "description": "good", "source_label": "Example · page 24", "source_pdf": { "path": "source/pdf/book.pdf", "page": 24 }, "continuations": [], "pdf_page": 24, "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "source_image": "source-pages/p-024.jpg", "printed_page": 24, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-024-4.musicxml", "label": "good", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "458856b20359582f48731c105baa7fcaa6dea09c37153cb2e5a44f2284eecd2e", "sourceVerifiedSha256": "458856b20359582f48731c105baa7fcaa6dea09c37153cb2e5a44f2284eecd2e", "printed_systems": [ { "bars": 6 } ], "issues": [ "QA rendering limitation: Verovio ignores the requested words font and displays cup-shaped weak-beat marks as missing-glyph boxes. Source symbols are retained as Unicode in sidecar/MusicXML; checked against the 3x original zoom. No pitch ambiguity." ] } ], "sha256": "a39dfad515c491cc3294e6825cfa2b524def34723fbd87471dc5ab5d0328a74f" }, { "id": "mus-024-5", "kind": "music", "path": "assets/reflow/mus-024-5.png", "dimensions_pixels": [ 1600, 269 ], "description": "weak", "source_label": "Example · page 24", "source_pdf": { "path": "source/pdf/book.pdf", "page": 24 }, "continuations": [], "pdf_page": 24, "sources": [ { "pdf_page": 24, "source_image": "source-pages/p-024.jpg", "printed_page": 24 } ], "source_image": "source-pages/p-024.jpg", "printed_page": 24, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-024-5.musicxml", "label": "weak", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "359b7f5ae6e0cdde613d0e83a5c2fe753d72492d0946cab1b9c6d8af05c7b19c", "sourceVerifiedSha256": "359b7f5ae6e0cdde613d0e83a5c2fe753d72492d0946cab1b9c6d8af05c7b19c", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bar 4 beat 2 to bar 5 beat 1 (whole-note beats): printed bracket over the weak progression omitted; word retained at bar 4 beat 2. Verified in mus-024-5-zoom.png (3x).", "QA rendering limitation: Verovio ignores the requested words font and displays cup-shaped weak-beat marks as missing-glyph boxes. Source symbols are retained as Unicode in sidecar/MusicXML; checked against the 3x original zoom. No pitch ambiguity." ] } ], "sha256": "b52c66178ba88a9d215e0eaff0150a8c34f337d421caca4a795d14e3bf5150c2" }, { "id": "mus-025-1", "kind": "music", "path": "assets/reflow/mus-025-1.png", "dimensions_pixels": [ 1600, 270 ], "description": "weak", "source_label": "Example · page 25", "source_pdf": { "path": "source/pdf/book.pdf", "page": 25 }, "continuations": [], "pdf_page": 25, "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "source_image": "source-pages/p-025.jpg", "printed_page": 25, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-025-1.musicxml", "label": "weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9b463ed7b81dd270a7a949a1dcef33e6059acfacb377ef3ec32344210eaf0aaf", "sourceVerifiedSha256": "9b463ed7b81dd270a7a949a1dcef33e6059acfacb377ef3ec32344210eaf0aaf", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bar 3 beat 3 to bar 4 beat 1 (whole-note beats): printed bracket over weak omitted; word retained. Bar 5 has undotted breves (two whole-note beats), short of printed 3/1; preserved without padding rather than inferring dotted breves. Verified in mus-025-1-zoom.png (3x)." ] } ], "sha256": "e0cecb1ab19e68024ae8d1f8ff76053f623b7b4e377ba9458af41ff989a5ed1a" }, { "id": "mus-025-2", "kind": "music", "path": "assets/reflow/mus-025-2.png", "dimensions_pixels": [ 1600, 410 ], "description": "good / weak", "source_label": "Example · page 25", "source_pdf": { "path": "source/pdf/book.pdf", "page": 25 }, "continuations": [], "pdf_page": 25, "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "source_image": "source-pages/p-025.jpg", "printed_page": 25, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-025-2.musicxml", "label": "good / weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "2ef819ee1c623d11a43714e6835393c2a3741483f68660391eee1dbdc9f6d5ba", "sourceVerifiedSha256": "2ef819ee1c623d11a43714e6835393c2a3741483f68660391eee1dbdc9f6d5ba", "printed_systems": [ { "bars": 5 } ] } ], "sha256": "0236bc986719af035e433da7a164712737797e54a57a9085da62965f0255e6c5" }, { "id": "mus-025-3", "kind": "music", "path": "assets/reflow/mus-025-3.png", "dimensions_pixels": [ 1600, 397 ], "description": "good / weak", "source_label": "Example · page 25", "source_pdf": { "path": "source/pdf/book.pdf", "page": 25 }, "continuations": [], "pdf_page": 25, "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "source_image": "source-pages/p-025.jpg", "printed_page": 25, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-025-3.musicxml", "label": "good / weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "ab9d28c2a023442a94f8465c7563b3d61b3331b72679c20c7f67f64f7b41e028", "sourceVerifiedSha256": "ab9d28c2a023442a94f8465c7563b3d61b3331b72679c20c7f67f64f7b41e028", "printed_systems": [ { "bars": 5 } ] } ], "sha256": "74b1df3207f66c1494c093f513c8fe0605beb51df3a77a4fbbb5e48ff9d9d924" }, { "id": "mus-025-4", "kind": "music", "path": "assets/reflow/mus-025-4.png", "dimensions_pixels": [ 1600, 409 ], "description": "good / weak", "source_label": "Example · page 25", "source_pdf": { "path": "source/pdf/book.pdf", "page": 25 }, "continuations": [], "pdf_page": 25, "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "source_image": "source-pages/p-025.jpg", "printed_page": 25, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-025-4.musicxml", "label": "good / weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b229149657e3b2f1158552d8cb9b3f59ef93b333cdc5056cb647bbb28b3671dd", "sourceVerifiedSha256": "b229149657e3b2f1158552d8cb9b3f59ef93b333cdc5056cb647bbb28b3671dd", "printed_systems": [ { "bars": 5 } ] } ], "sha256": "af41227eef88ee70ceb044df0844420243d3fa0ed3bfd09a9f76eecfd284ea06" }, { "id": "mus-025-5", "kind": "music", "path": "assets/reflow/mus-025-5.png", "dimensions_pixels": [ 1273, 201 ], "description": "Music example", "source_label": "Example · page 25", "source_pdf": { "path": "source/pdf/book.pdf", "page": 25 }, "continuations": [], "pdf_page": 25, "sources": [ { "pdf_page": 25, "source_image": "source-pages/p-025.jpg", "printed_page": 25 } ], "source_image": "source-pages/p-025.jpg", "printed_page": 25, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-025-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9d280ea1f1e01170f9db2aaf63fdb23e9147d5aebbbd78140dd4f4ddc9970b54", "sourceVerifiedSha256": "9d280ea1f1e01170f9db2aaf63fdb23e9147d5aebbbd78140dd4f4ddc9970b54", "printed_systems": [ { "bars": 5 } ] } ], "sha256": "6a4b8bb1581ccf6556c46aeb22177e9b6729b5cda4120c26cdbf37e4faceb0ed" }, { "id": "mus-026-1", "kind": "music", "path": "assets/reflow/mus-026-1.png", "dimensions_pixels": [ 819, 499 ], "description": "C. F. / C. F. / C.F.", "source_label": "Example · page 26", "source_pdf": { "path": "source/pdf/book.pdf", "page": 26 }, "continuations": [], "pdf_page": 26, "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "source_image": "source-pages/p-026.jpg", "printed_page": 26, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-026-1.musicxml", "label": "C. F. / C. F. / C.F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "d5d81eeb7be17c9d43f4579846bcc457a3a2eb9668b365afc5f73598236bcddb", "sourceVerifiedSha256": "d5d81eeb7be17c9d43f4579846bcc457a3a2eb9668b365afc5f73598236bcddb", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "c69d15d5351d7fa1434f3237589dff170f12ce1520eb7e7fb1f78d3951316338" }, { "id": "mus-026-2", "kind": "music", "path": "assets/reflow/mus-026-2.png", "dimensions_pixels": [ 565, 393 ], "description": "Music example", "source_label": "Example · page 26", "source_pdf": { "path": "source/pdf/book.pdf", "page": 26 }, "continuations": [], "pdf_page": 26, "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "source_image": "source-pages/p-026.jpg", "printed_page": 26, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-026-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "fb14dd5bc30898a0bdd3da93dd35cfdcfd63aa42911ad70544637b533ec305a0", "sourceVerifiedSha256": "fb14dd5bc30898a0bdd3da93dd35cfdcfd63aa42911ad70544637b533ec305a0", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "124c24e669fa74d2a17674601d3cf0cff0d7d4e1e217836a3a392289c3ba02d9" }, { "id": "mus-026-3", "kind": "music", "path": "assets/reflow/mus-026-3.png", "dimensions_pixels": [ 1011, 456 ], "description": "C. F. / C. F.", "source_label": "Example · page 26", "source_pdf": { "path": "source/pdf/book.pdf", "page": 26 }, "continuations": [], "pdf_page": 26, "sources": [ { "pdf_page": 26, "source_image": "source-pages/p-026.jpg", "printed_page": 26 } ], "source_image": "source-pages/p-026.jpg", "printed_page": 26, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-026-3.musicxml", "label": "C. F. / C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "f9e8a282a282d7576a4d3e467c8da239df2e0d0e537207592b4e892b2dd3bb1c", "sourceVerifiedSha256": "f9e8a282a282d7576a4d3e467c8da239df2e0d0e537207592b4e892b2dd3bb1c", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "bd3e60f872adc0ec6d0977c0d05f918c1f8fd185751d755f1dec1fef0dcb3196" }, { "id": "mus-027-1", "kind": "music", "path": "assets/reflow/mus-027-1.png", "dimensions_pixels": [ 1600, 922 ], "description": "C. F.", "source_label": "Example · page 27", "source_pdf": { "path": "source/pdf/book.pdf", "page": 27 }, "continuations": [], "pdf_page": 27, "sources": [ { "pdf_page": 27, "source_image": "source-pages/p-027.jpg", "printed_page": 27 } ], "source_image": "source-pages/p-027.jpg", "printed_page": 27, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-027-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "f668fbf472261356612ea2470533e6a0cb3d87fe1297258a811d343068a480c5", "sourceVerifiedSha256": "f668fbf472261356612ea2470533e6a0cb3d87fe1297258a811d343068a480c5", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ], "issues": [ "All bars, voice 2 at every printed onset: filled stemless noteheads could be pitch-only annotations rather than rhythmic notes. Encoded as an independent voice with durations matching aligned outer voices (whole notes; final breve in mus-027-1, dotted breve in mus-028-2), retaining filled noteheads. Checked full-source 2x zoom mus-027-1-zoom.png. No rests added to short opening or closing bars.", "RV-002, bar 8, staff 1 voice 2: filled stemless E4 head has no explicit duration sign. Whole-note versus full closing duration is ambiguous; choose breve (8 quarters), aligned with the printed outer-voice closing breves, retaining the filled head. Source: mus-027-1-review-3x.png. This is a duration convention, not a pitch inference." ] } ], "sha256": "8f6a632dc2c2d043fe7f4451e7cd731b8b0847c184bd91667cd8d35ddf0e88b1" }, { "id": "mus-027-2", "kind": "music", "path": "assets/reflow/mus-027-2.png", "dimensions_pixels": [ 1600, 945 ], "description": "C. F.", "source_label": "Example · page 27", "source_pdf": { "path": "source/pdf/book.pdf", "page": 27 }, "continuations": [], "pdf_page": 27, "sources": [ { "pdf_page": 27, "source_image": "source-pages/p-027.jpg", "printed_page": 27 } ], "source_image": "source-pages/p-027.jpg", "printed_page": 27, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-027-2.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "45620d99ece4ff76cd303931522766917f54aafd02c450f4098145e1dd7a6d00", "sourceVerifiedSha256": "45620d99ece4ff76cd303931522766917f54aafd02c450f4098145e1dd7a6d00", "printed_systems": [ { "bars": 4 }, { "bars": 5 } ], "issues": [ "All bars, voice 2 at every printed onset: filled stemless noteheads could be pitch-only annotations rather than rhythmic notes. Encoded as an independent voice with durations matching aligned outer voices (whole notes; final breve in mus-027-1, dotted breve in mus-028-2), retaining filled noteheads. Checked full-source 2x zoom mus-027-2-zoom.png. No rests added to short opening or closing bars.", "Bar 6, beat 1: isolated dot far below inner C4 appears to be a print speck, not an augmentation dot; omitted. Checked mus-027-2-zoom.png at 2x." ] } ], "sha256": "ac3ac631ef99d0be1652271192b4043c034150a56c0b5e4cf62041066c5e2070" }, { "id": "mus-028-1", "kind": "music", "path": "assets/reflow/mus-028-1.png", "dimensions_pixels": [ 1600, 912 ], "description": "C. F.", "source_label": "Example · page 28", "source_pdf": { "path": "source/pdf/book.pdf", "page": 28 }, "continuations": [], "pdf_page": 28, "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "source_image": "source-pages/p-028.jpg", "printed_page": 28, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-028-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e1f927b35555033bcfd1c7d4cce67dc7e853698fbc1de40693315fcf519c5676", "sourceVerifiedSha256": "e1f927b35555033bcfd1c7d4cce67dc7e853698fbc1de40693315fcf519c5676", "printed_systems": [ { "bars": 5 }, { "bars": 3 } ], "issues": [ "All bars, voice 2 at every printed onset: filled stemless noteheads could be pitch-only annotations rather than rhythmic notes. Encoded as an independent voice with durations matching aligned outer voices (whole notes; final breve in mus-027-1, dotted breve in mus-028-2), retaining filled noteheads. Checked full-source 2x zoom mus-028-1-zoom.png. No rests added to short opening or closing bars." ] } ], "sha256": "af3ebc7b9f0e79d0c3149fbcc7e05787ac05432970dba52fb9cbc105b7edc8a8" }, { "id": "mus-028-2", "kind": "music", "path": "assets/reflow/mus-028-2.png", "dimensions_pixels": [ 1600, 466 ], "description": "C. F.", "source_label": "Example · page 28", "source_pdf": { "path": "source/pdf/book.pdf", "page": 28 }, "continuations": [], "pdf_page": 28, "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "source_image": "source-pages/p-028.jpg", "printed_page": 28, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-028-2.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "ef73fddb040d73b594282988ade1620bef91b20f72bdae122326b79dfa8c5e54", "sourceVerifiedSha256": "ef73fddb040d73b594282988ade1620bef91b20f72bdae122326b79dfa8c5e54", "printed_systems": [ { "bars": 4 } ], "issues": [ "All bars, voice 2 at every printed onset: filled stemless noteheads could be pitch-only annotations rather than rhythmic notes. Encoded as an independent voice with durations matching aligned outer voices (whole notes; final breve in mus-027-1, dotted breve in mus-028-2), retaining filled noteheads. Checked full-source 2x zoom mus-028-2-zoom.png. No rests added to short opening or closing bars.", "RV-002, bar 4, staff 1 voice 2: filled stemless D4 head has no explicit duration sign. Whole-note versus full closing duration is ambiguous; choose dotted breve (12 quarters), aligned with the printed outer-voice closing breves, retaining the filled head. Source: mus-028-2-review-3x.png. This is a duration convention, not a pitch inference." ] } ], "sha256": "fbd6eca29ed9a892e8eb8ffb925215941d0945f5ee4006896b07295bdba21dd0" }, { "id": "mus-028-3", "kind": "music", "path": "assets/reflow/mus-028-3.png", "dimensions_pixels": [ 1600, 448 ], "description": "C. F.", "source_label": "Example · page 28", "source_pdf": { "path": "source/pdf/book.pdf", "page": 28 }, "continuations": [], "pdf_page": 28, "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 } ], "source_image": "source-pages/p-028.jpg", "printed_page": 28, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-028-3.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "861c0e7c53c9b2df8f1f00cb1cb9895fc0b23cee56466db88fc665d461341fb2", "sourceVerifiedSha256": "861c0e7c53c9b2df8f1f00cb1cb9895fc0b23cee56466db88fc665d461341fb2", "printed_systems": [ { "bars": 5 } ], "issues": [ "All bars, voice 2 at every printed onset: filled stemless noteheads could be pitch-only annotations rather than rhythmic notes. Encoded as an independent voice with durations matching aligned outer voices (whole notes; final breve in mus-027-1, dotted breve in mus-028-2), retaining filled noteheads. Checked full-source 2x zoom mus-028-3-zoom.png. No rests added to short opening or closing bars." ] } ], "sha256": "e499a8868f698c2327a81891f0e5b99348b2a04de94ddb81adebf910134e6397" }, { "id": "mus-028-4", "kind": "music", "path": "assets/reflow/mus-028-4.png", "dimensions_pixels": [ 1600, 480 ], "description": "C. F.", "source_label": "Example · page 28", "source_pdf": { "path": "source/pdf/book.pdf", "page": 28 }, "continuations": [ { "path": "assets/reflow/mus-028-4-p2.png", "dimensions_pixels": [ 1600, 464 ] } ], "pdf_page": 28, "sources": [ { "pdf_page": 28, "source_image": "source-pages/p-028.jpg", "printed_page": 28 }, { "pdf_page": 29, "source_image": "source-pages/p-029.jpg", "printed_page": 29 } ], "source_image": "source-pages/p-028.jpg", "printed_page": 28, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-028-4.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "c6dfe8ec52914dd9080114f8254c0e96b326d45f4eb3e9a98af157126b14657c", "sourceVerifiedSha256": "c6dfe8ec52914dd9080114f8254c0e96b326d45f4eb3e9a98af157126b14657c", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ], "issues": [ "Stemless filled noteheads encoded as separate voice 2, with whole-note durations matching their aligned open heads (final breve where applicable), and filled noteheads preserved. Alternative: duration-unspecified analytical notes. No stems or rests added. Zoom: mus-028-4-zoom.png and mus-028-4-p2-zoom.png.", "Bar 1 beat 2 (whole-note beats): sharp applies to F4 only, not D4; confirmed single sign in accidentals-zoom.png (3×).", "RV-002, bar 8, staff 1 voice 2: filled stemless Bb3 head has no explicit duration sign. Whole-note versus full closing duration is ambiguous; choose breve (8 quarters), aligned with the printed outer-voice closing breves, retaining the filled head. Source: mus-028-4-p2-review-3x.png. This is a duration convention, not a pitch inference." ] } ], "sha256": "3194b89850f6d3943ccde57aa3e3b4e9935fdb038b281ff29e154f8d50bbeb7b" }, { "id": "mus-029-1", "kind": "music", "path": "assets/reflow/mus-029-1.png", "dimensions_pixels": [ 1600, 986 ], "description": "C. F.", "source_label": "Example · page 29", "source_pdf": { "path": "source/pdf/book.pdf", "page": 29 }, "continuations": [], "pdf_page": 29, "sources": [ { "pdf_page": 29, "source_image": "source-pages/p-029.jpg", "printed_page": 29 } ], "source_image": "source-pages/p-029.jpg", "printed_page": 29, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-029-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "babe5874f75964ed3aab0dc1a05ce323412665a592dd6714a037e71227e64865", "sourceVerifiedSha256": "babe5874f75964ed3aab0dc1a05ce323412665a592dd6714a037e71227e64865", "printed_systems": [ { "bars": 5 }, { "bars": 4 } ], "issues": [ "Stemless filled noteheads encoded as separate voice 2, with whole-note durations matching their aligned open heads (final breve where applicable), and filled noteheads preserved. Alternative: duration-unspecified analytical notes. No stems or rests added. Zoom: mus-029-1-zoom.png.", "Phrase brackets omitted: bass bars 1–3 beat 1; treble bar 5 beat 2–bar 7 beat 1 and bar 7 beat 2–bar 9." ] } ], "sha256": "3b0a6c5ff1d9d47ecd3c57a440995e0646c017a02bf5802e6a6404eeffceea2d" }, { "id": "mus-029-2", "kind": "music", "path": "assets/reflow/mus-029-2.png", "dimensions_pixels": [ 1600, 955 ], "description": "C. F.", "source_label": "Example · page 29", "source_pdf": { "path": "source/pdf/book.pdf", "page": 29 }, "continuations": [], "pdf_page": 29, "sources": [ { "pdf_page": 29, "source_image": "source-pages/p-029.jpg", "printed_page": 29 } ], "source_image": "source-pages/p-029.jpg", "printed_page": 29, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-029-2.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "2090339ff7fb1174337357e379d2cb677bc448e7a3c454a7bd0c9bdcae34b524", "sourceVerifiedSha256": "2090339ff7fb1174337357e379d2cb677bc448e7a3c454a7bd0c9bdcae34b524", "printed_systems": [ { "bars": 5 }, { "bars": 4 } ], "issues": [ "Stemless filled noteheads encoded as separate voice 2, with whole-note durations matching their aligned open heads (final breve where applicable), and filled noteheads preserved. Alternative: duration-unspecified analytical notes. No stems or rests added. Zoom: mus-029-2-zoom.png.", "Phrase brackets omitted: treble bars 1–3 beat 1; bass bar 3 beat 2–bar 5 beat 1.", "Bar 3 beat 2: adjacent open and filled C4 heads encoded as simultaneous unison in separate voices, not successive notes; zoom mus-029-2-zoom.png." ] } ], "sha256": "7b0d51a68ce6011d24a2574ead85114ce59eafd53f03f65fa16a056750f8d8f0" }, { "id": "mus-030-1", "kind": "music", "path": "assets/reflow/mus-030-1.png", "dimensions_pixels": [ 1600, 966 ], "description": "C. F.", "source_label": "Example · page 30", "source_pdf": { "path": "source/pdf/book.pdf", "page": 30 }, "continuations": [], "pdf_page": 30, "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "source_image": "source-pages/p-030.jpg", "printed_page": 30, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-030-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "357d1d7bde9f77237674f5c323fb87109dd7c1c6f45e39bbd59854bebd673b28", "sourceVerifiedSha256": "357d1d7bde9f77237674f5c323fb87109dd7c1c6f45e39bbd59854bebd673b28", "printed_systems": [ { "bars": 5 }, { "bars": 4 } ], "issues": [ "Stemless filled noteheads encoded as separate voice 2, with whole-note durations matching their aligned open heads (final breve where applicable), and filled noteheads preserved. Alternative: duration-unspecified analytical notes. No stems or rests added. Voice 2 first appears at bar 3 beat 2; no earlier rests printed. Zoom: mus-030-1-zoom.png.", "Phrase brackets omitted: treble bars 1–3 beat 2; bass bar 2 beat 2–bar 4 beat 2." ] } ], "sha256": "7ac9931d90d7b5a52a520004c3f4ad72b4d2684f9d03d3c6312de0d8e87a7b85" }, { "id": "mus-030-2", "kind": "music", "path": "assets/reflow/mus-030-2.png", "dimensions_pixels": [ 1600, 373 ], "description": "(1)", "source_label": "Example · page 30", "source_pdf": { "path": "source/pdf/book.pdf", "page": 30 }, "continuations": [], "pdf_page": 30, "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "source_image": "source-pages/p-030.jpg", "printed_page": 30, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-030-2.musicxml", "label": "(1)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "c9c4f07c2ee97206858c109c91b1b8f950ba5863e8ac562f6d7cd358bf0256d1", "sourceVerifiedSha256": "c9c4f07c2ee97206858c109c91b1b8f950ba5863e8ac562f6d7cd358bf0256d1", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ] } ], "sha256": "22410dc93fb3b9bcaea59a347da5c6f02bea6aff314bae8bce8335b7876ba954" }, { "id": "mus-030-3", "kind": "music", "path": "assets/reflow/mus-030-3.png", "dimensions_pixels": [ 1600, 364 ], "description": "(2)", "source_label": "Example · page 30", "source_pdf": { "path": "source/pdf/book.pdf", "page": 30 }, "continuations": [], "pdf_page": 30, "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "source_image": "source-pages/p-030.jpg", "printed_page": 30, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-030-3.musicxml", "label": "(2)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "fbf623e4c7dd63aa6439f079e232da56dcd5428ca1ac540350c0d830ca52f39b", "sourceVerifiedSha256": "fbf623e4c7dd63aa6439f079e232da56dcd5428ca1ac540350c0d830ca52f39b", "printed_systems": [ { "bars": 5 }, { "bars": 4 } ] } ], "sha256": "7c4bb7f61b1178efdb151485632e220b8febfebc82251f25ebc0c6fe4ed538bd" }, { "id": "mus-030-4", "kind": "music", "path": "assets/reflow/mus-030-4.png", "dimensions_pixels": [ 1600, 207 ], "description": "(3)", "source_label": "Example · page 30", "source_pdf": { "path": "source/pdf/book.pdf", "page": 30 }, "continuations": [], "pdf_page": 30, "sources": [ { "pdf_page": 30, "source_image": "source-pages/p-030.jpg", "printed_page": 30 } ], "source_image": "source-pages/p-030.jpg", "printed_page": 30, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-030-4.musicxml", "label": "(3)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "d0e3ece9d7d2550062c7bfef1aaf72084621d21e35660e978116fc5e785f7b5d", "sourceVerifiedSha256": "d0e3ece9d7d2550062c7bfef1aaf72084621d21e35660e978116fc5e785f7b5d", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "f2a57f125ed9b8ccaf6114f6aed9e021de25f593f80dcf189a22b05768f49c24" }, { "id": "mus-031-1", "kind": "music", "path": "assets/reflow/mus-031-1.png", "dimensions_pixels": [ 1600, 210 ], "description": "(4)", "source_label": "Example · page 31", "source_pdf": { "path": "source/pdf/book.pdf", "page": 31 }, "continuations": [], "pdf_page": 31, "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "source_image": "source-pages/p-031.jpg", "printed_page": 31, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-031-1.musicxml", "label": "(4)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "ea1fbcae3b31e93df2587771ca9a04ee73713e236c6d50da5158852924de481d", "sourceVerifiedSha256": "ea1fbcae3b31e93df2587771ca9a04ee73713e236c6d50da5158852924de481d", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bar 5 beat 1: undotted breve (two whole-note beats) printed in 3/1; preserved short final bar. Alternative dotted breve rejected: no dot visible in mus-031-1-zoom.png (2×)." ] } ], "sha256": "16776e6d52a29520c20a894b5eb854f50387637d583e8e433b051e521f9567c3" }, { "id": "mus-031-2", "kind": "music", "path": "assets/reflow/mus-031-2.png", "dimensions_pixels": [ 1600, 396 ], "description": "(5)", "source_label": "Example · page 31", "source_pdf": { "path": "source/pdf/book.pdf", "page": 31 }, "continuations": [], "pdf_page": 31, "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "source_image": "source-pages/p-031.jpg", "printed_page": 31, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-031-2.musicxml", "label": "(5)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "49f1d83e0da6710b682b8d94cc655394053140f95483b12d36da6888e56e7797", "sourceVerifiedSha256": "49f1d83e0da6710b682b8d94cc655394053140f95483b12d36da6888e56e7797", "printed_systems": [ { "bars": 5 }, { "bars": 3 } ] } ], "sha256": "6506e89ded42a3e243cdc358ebbf47bb16ae58458ae1914a44df7f8c3234236c" }, { "id": "mus-031-3", "kind": "music", "path": "assets/reflow/mus-031-3.png", "dimensions_pixels": [ 1600, 394 ], "description": "(6)", "source_label": "Example · page 31", "source_pdf": { "path": "source/pdf/book.pdf", "page": 31 }, "continuations": [], "pdf_page": 31, "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "source_image": "source-pages/p-031.jpg", "printed_page": 31, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-031-3.musicxml", "label": "(6)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "021c8000251a4a1336b323327dc7ccc5af8279dfef378a9b2cd123fcb93302c3", "sourceVerifiedSha256": "021c8000251a4a1336b323327dc7ccc5af8279dfef378a9b2cd123fcb93302c3", "printed_systems": [ { "bars": 4 }, { "bars": 3 } ] } ], "sha256": "6fe89fc73fcda429246fe5300af31e5b6e61cbc2ea0975f3f228878e3080492c" }, { "id": "mus-031-4", "kind": "music", "path": "assets/reflow/mus-031-4.png", "dimensions_pixels": [ 1600, 223 ], "description": "(7)", "source_label": "Example · page 31", "source_pdf": { "path": "source/pdf/book.pdf", "page": 31 }, "continuations": [], "pdf_page": 31, "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "source_image": "source-pages/p-031.jpg", "printed_page": 31, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-031-4.musicxml", "label": "(7)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "91dd2ee6aa3764187113fa97055b31b3953c450f8a5419cade93d4c88991dec7", "sourceVerifiedSha256": "91dd2ee6aa3764187113fa97055b31b3953c450f8a5419cade93d4c88991dec7", "printed_systems": [ { "bars": 5 } ], "issues": [ "Short opening and closing measures preserved exactly as printed; no rests added." ] } ], "sha256": "3e8a724f32a81fc3e86e4026b2afcbab0387f5af3f21f374cc69978a47f784de" }, { "id": "mus-031-5", "kind": "music", "path": "assets/reflow/mus-031-5.png", "dimensions_pixels": [ 1600, 214 ], "description": "(8)", "source_label": "Example · page 31", "source_pdf": { "path": "source/pdf/book.pdf", "page": 31 }, "continuations": [], "pdf_page": 31, "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "source_image": "source-pages/p-031.jpg", "printed_page": 31, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-031-5.musicxml", "label": "(8)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9e768d1d36fc493dfc0390e813bd1ee3e175f7832b73a320b878d7dfbc1db571", "sourceVerifiedSha256": "9e768d1d36fc493dfc0390e813bd1ee3e175f7832b73a320b878d7dfbc1db571", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "a2135575280e0a8a9b0d1b0471548953607f6c33b579d0f1a37d1b63046f027b" }, { "id": "mus-031-6", "kind": "music", "path": "assets/reflow/mus-031-6.png", "dimensions_pixels": [ 1600, 412 ], "description": "(1)", "source_label": "Example · page 31", "source_pdf": { "path": "source/pdf/book.pdf", "page": 31 }, "continuations": [], "pdf_page": 31, "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "source_image": "source-pages/p-031.jpg", "printed_page": 31, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-031-6.musicxml", "label": "(1)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "f77e35d6169b1141b8ffd2b05c98e391b8705767d3d295ebe3475d5695fb58a5", "sourceVerifiedSha256": "f77e35d6169b1141b8ffd2b05c98e391b8705767d3d295ebe3475d5695fb58a5", "printed_systems": [ { "bars": 4 }, { "bars": 3 } ] } ], "sha256": "575ad58c4637920fc80b4ac30498a6877fa1bf6ce95514fdb5871a2445a0be5a" }, { "id": "mus-031-7", "kind": "music", "path": "assets/reflow/mus-031-7.png", "dimensions_pixels": [ 1600, 414 ], "description": "(2)", "source_label": "Example · page 31", "source_pdf": { "path": "source/pdf/book.pdf", "page": 31 }, "continuations": [], "pdf_page": 31, "sources": [ { "pdf_page": 31, "source_image": "source-pages/p-031.jpg", "printed_page": 31 } ], "source_image": "source-pages/p-031.jpg", "printed_page": 31, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-031-7.musicxml", "label": "(2)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "2425b153fbb2cf044cf787afa276dddaa4fecaafe35d5878ee78b07a04d512a7", "sourceVerifiedSha256": "2425b153fbb2cf044cf787afa276dddaa4fecaafe35d5878ee78b07a04d512a7", "printed_systems": [ { "bars": 5 }, { "bars": 3 } ], "issues": [ "Short opening and closing measures preserved exactly as printed; no rests added." ] } ], "sha256": "c31b5aea0ed261519bd0bf028b60caecde08482279ba4a4c7cce25bef877b2cf" }, { "id": "mus-032-1", "kind": "music", "path": "assets/reflow/mus-032-1.png", "dimensions_pixels": [ 1600, 241 ], "description": "(3)", "source_label": "Example · page 32", "source_pdf": { "path": "source/pdf/book.pdf", "page": 32 }, "continuations": [], "pdf_page": 32, "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "source_image": "source-pages/p-032.jpg", "printed_page": 32, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-032-1.musicxml", "label": "(3)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "f53cddf01d50f12750c2abf49eb8944d253b5eea6a7587ab86c8a8cbcadc5df3", "sourceVerifiedSha256": "f53cddf01d50f12750c2abf49eb8944d253b5eea6a7587ab86c8a8cbcadc5df3", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "9a9e8f11e1cd8c1dbb9311146440cb521ec7b772a915c675a26a735e9163ce35" }, { "id": "mus-032-2", "kind": "music", "path": "assets/reflow/mus-032-2.png", "dimensions_pixels": [ 1600, 226 ], "description": "(4)", "source_label": "Example · page 32", "source_pdf": { "path": "source/pdf/book.pdf", "page": 32 }, "continuations": [], "pdf_page": 32, "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "source_image": "source-pages/p-032.jpg", "printed_page": 32, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-032-2.musicxml", "label": "(4)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "854bdd3d9e78b36b12c266017eec626a608b4d8b9c81e1446c03f44c8253b1a7", "sourceVerifiedSha256": "854bdd3d9e78b36b12c266017eec626a608b4d8b9c81e1446c03f44c8253b1a7", "printed_systems": [ { "bars": 5 } ], "issues": [ "Short opening and closing measures preserved exactly as printed; no rests added." ] } ], "sha256": "fba23fa8f8c4548012d756de41071d3367c1eba1f8786445d31404e033dedf3a" }, { "id": "mus-032-3", "kind": "music", "path": "assets/reflow/mus-032-3.png", "dimensions_pixels": [ 1600, 423 ], "description": "(5)", "source_label": "Example · page 32", "source_pdf": { "path": "source/pdf/book.pdf", "page": 32 }, "continuations": [], "pdf_page": 32, "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "source_image": "source-pages/p-032.jpg", "printed_page": 32, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-032-3.musicxml", "label": "(5)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "6313e4531f002b00e546d40837d14bd996d0574dca222ae41f26b7ebf1ef3a7f", "sourceVerifiedSha256": "6313e4531f002b00e546d40837d14bd996d0574dca222ae41f26b7ebf1ef3a7f", "printed_systems": [ { "bars": 5 }, { "bars": 4 } ], "issues": [ "Short opening and closing measures preserved exactly as printed; no rests added." ] } ], "sha256": "0eee279f68e27a92caf712c6f955e5d3ce34ae20bbb705580612f7a69b0a10ee" }, { "id": "mus-032-4", "kind": "music", "path": "assets/reflow/mus-032-4.png", "dimensions_pixels": [ 1600, 426 ], "description": "(6)", "source_label": "Example · page 32", "source_pdf": { "path": "source/pdf/book.pdf", "page": 32 }, "continuations": [], "pdf_page": 32, "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "source_image": "source-pages/p-032.jpg", "printed_page": 32, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-032-4.musicxml", "label": "(6)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9386cc41c897824f40017ef9fe4789477db89f6db5bda7ec2b1f9fe3cb115703", "sourceVerifiedSha256": "9386cc41c897824f40017ef9fe4789477db89f6db5bda7ec2b1f9fe3cb115703", "printed_systems": [ { "bars": 4 }, { "bars": 3 } ] } ], "sha256": "bac98b6caf320a3f627d3494995453999d75ea5478be77be7699b600a28201a8" }, { "id": "mus-032-5", "kind": "music", "path": "assets/reflow/mus-032-5.png", "dimensions_pixels": [ 1600, 424 ], "description": "(7)", "source_label": "Example · page 32", "source_pdf": { "path": "source/pdf/book.pdf", "page": 32 }, "continuations": [], "pdf_page": 32, "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "source_image": "source-pages/p-032.jpg", "printed_page": 32, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-032-5.musicxml", "label": "(7)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "4bfb77102d0dbdd2dbb6e8440a5960992b6276945fec71192eab9d9ce90df42a", "sourceVerifiedSha256": "4bfb77102d0dbdd2dbb6e8440a5960992b6276945fec71192eab9d9ce90df42a", "printed_systems": [ { "bars": 4 }, { "bars": 3 } ] } ], "sha256": "67dadbfea2da1e62969dd93954757977991a88a14c7b3622801607c35c758072" }, { "id": "mus-032-6", "kind": "music", "path": "assets/reflow/mus-032-6.png", "dimensions_pixels": [ 1600, 397 ], "description": "(8)", "source_label": "Example · page 32", "source_pdf": { "path": "source/pdf/book.pdf", "page": 32 }, "continuations": [], "pdf_page": 32, "sources": [ { "pdf_page": 32, "source_image": "source-pages/p-032.jpg", "printed_page": 32 } ], "source_image": "source-pages/p-032.jpg", "printed_page": 32, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-032-6.musicxml", "label": "(8)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "ef1acb3b9b18e1ffc9f4429379148a5a1c8792b124ec4b4fc97e68aae0236da4", "sourceVerifiedSha256": "ef1acb3b9b18e1ffc9f4429379148a5a1c8792b124ec4b4fc97e68aae0236da4", "printed_systems": [ { "bars": 4 }, { "bars": 2 } ], "issues": [ "Short opening and closing measures preserved exactly as printed; no rests added.", "Bar 1 before beat 1: small irregular mark on bottom staff line read as printing blemish, not an accidental; E4 whole retained. Checked original at 3x." ] } ], "sha256": "c6376e587a4bd470e743d806a652c50261ce2dd907bb3cceae356f0d6afcb14c" }, { "id": "mus-033-1", "kind": "music", "path": "assets/reflow/mus-033-1.png", "dimensions_pixels": [ 1031, 225 ], "description": "&c.", "source_label": "Example · page PDF 33", "source_pdf": { "path": "source/pdf/book.pdf", "page": 33 }, "continuations": [], "pdf_page": 33, "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33", "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-033-1.musicxml", "label": "&c.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "67c9db7a02b147ad343dc2d13ae577afd8fd175b00e6ec112624f34016c0b2eb", "sourceVerifiedSha256": "67c9db7a02b147ad343dc2d13ae577afd8fd175b00e6ec112624f34016c0b2eb", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 3, beat 1: upper C5 is a stemmed half note, lower E4 a whole note. Preserved unequal voice durations; no rest added. Confirmed in zoom-1.png (2x)." ] } ], "sha256": "439392c9c057d12af2ffd3c4208cdfa1c557927f0956b19bdc856266d6b9f774" }, { "id": "mus-033-2", "kind": "music", "path": "assets/reflow/mus-033-2.png", "dimensions_pixels": [ 1600, 259 ], "description": "C. F. / C. F. / C. F.", "source_label": "Example · page PDF 33", "source_pdf": { "path": "source/pdf/book.pdf", "page": 33 }, "continuations": [], "pdf_page": 33, "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33", "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-033-2.musicxml", "label": "C. F. / C. F. / C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "8e1c3e85b3c2fdf2f02b673de8de43ecfcc162ed4f4596d984f5a20e4dd47807", "sourceVerifiedSha256": "8e1c3e85b3c2fdf2f02b673de8de43ecfcc162ed4f4596d984f5a20e4dd47807", "printed_systems": [ { "bars": 6 } ] } ], "sha256": "20f87e423f777639087bfa9fc3edc2051bf8f85988c6202ad46122df7c31050c" }, { "id": "mus-033-3", "kind": "music", "path": "assets/reflow/mus-033-3.png", "dimensions_pixels": [ 1600, 280 ], "description": "Music example", "source_label": "Example · page PDF 33", "source_pdf": { "path": "source/pdf/book.pdf", "page": 33 }, "continuations": [], "pdf_page": 33, "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-033-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "ffd494dc1446a0a0375a22d0f8faf2fb6a01009eb29b30134f6dc08a62e1b0f4", "sourceVerifiedSha256": "ffd494dc1446a0a0375a22d0f8faf2fb6a01009eb29b30134f6dc08a62e1b0f4", "printed_systems": [ { "bars": 8 } ], "issues": [ "Bars 2, 4, 6, 8, beat 1: upper C5/F5/C5/F5 are stemmed half notes above lower whole notes. Preserved unequal voice durations without added rests; confirmed in zoom-3.png (2x)." ] } ], "sha256": "a9a3c9e7846b1ca7c78639dd37c68b5fabb9d2186e04fcbfbcd97a0ee8cdda6b" }, { "id": "mus-033-4", "kind": "music", "path": "assets/reflow/mus-033-4.png", "dimensions_pixels": [ 1061, 260 ], "description": "bad / good", "source_label": "Example · page PDF 33", "source_pdf": { "path": "source/pdf/book.pdf", "page": 33 }, "continuations": [], "pdf_page": 33, "sources": [ { "pdf_page": 33, "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33" } ], "source_image": "source-pages/p-033.jpg", "printed_label": "PDF 33", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-033-4.musicxml", "label": "bad / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "5eec85ad7b908799c64f2c7aca49423b0fc4f092d75a39ef261c0b68e869eb4e", "sourceVerifiedSha256": "5eec85ad7b908799c64f2c7aca49423b0fc4f092d75a39ef261c0b68e869eb4e", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2 and 4, beat 1: upper F5/A4 are stemmed half notes above lower whole notes. Preserved unequal voice durations without added rests; confirmed in zoom-4.png (2x)." ] } ], "sha256": "59ac0127872fa2b1a3f5379963637b517bd8b6f4b40f294e886979b14bb0993d" }, { "id": "mus-034-1", "kind": "music", "path": "assets/reflow/mus-034-1.png", "dimensions_pixels": [ 1101, 216 ], "description": "Music example", "source_label": "Example · page 34", "source_pdf": { "path": "source/pdf/book.pdf", "page": 34 }, "continuations": [], "pdf_page": 34, "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "source_image": "source-pages/p-034.jpg", "printed_page": 34, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-034-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "478926347c0952476534265a05a2ceaeaef6659d6d4c90a9ed0b2a2e23664278", "sourceVerifiedSha256": "478926347c0952476534265a05a2ceaeaef6659d6d4c90a9ed0b2a2e23664278", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2, 4: upper voice prints one half note against a lower whole note; preserved without added rests (no metre printed)." ] } ], "sha256": "cf15e54ad04dd6571d338ee7d03ef600a308e811f9659d63ec7cc968b9efa56d" }, { "id": "mus-034-2", "kind": "music", "path": "assets/reflow/mus-034-2.png", "dimensions_pixels": [ 1101, 500 ], "description": "Music example", "source_label": "Example · page 34", "source_pdf": { "path": "source/pdf/book.pdf", "page": 34 }, "continuations": [], "pdf_page": 34, "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "source_image": "source-pages/p-034.jpg", "printed_page": 34, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-034-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "3944324e691e94adfd42bf9f2b962493bfec332b56ab166ae04ed30a745f411e", "sourceVerifiedSha256": "3944324e691e94adfd42bf9f2b962493bfec332b56ab166ae04ed30a745f411e", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 3 beat 1 to bar 4 beat 1: diagonal analytical line F4–B4 omitted (not a tie/slur). Horizontal separators between alternative figured analyses omitted; figures and continuation dashes retained. Checked mus-034-2-zoom.png at 3x.", "Bars 2, 4: upper voice prints one half note against a lower whole note; preserved without added rests (no metre printed)." ] } ], "sha256": "ec37ffd03eed8953948fadb7692a61b3426153d92339e76c0e11cf37d98b4559" }, { "id": "mus-034-3", "kind": "music", "path": "assets/reflow/mus-034-3.png", "dimensions_pixels": [ 1600, 195 ], "description": "Music example", "source_label": "Example · page 34", "source_pdf": { "path": "source/pdf/book.pdf", "page": 34 }, "continuations": [], "pdf_page": 34, "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "source_image": "source-pages/p-034.jpg", "printed_page": 34, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-034-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "ed283a703ef67450de37fcff45f3533b477c13f9790af0185518e2bbcda519a5", "sourceVerifiedSha256": "ed283a703ef67450de37fcff45f3533b477c13f9790af0185518e2bbcda519a5", "printed_systems": [ { "bars": 8 } ], "issues": [ "Bars 2, 4, 6, 8: upper voice prints one half note against a lower whole note; preserved without added rests (no metre printed)." ] } ], "sha256": "4a26f4b6b6d1f550d8f6959f91854d06f0f129bc962fa5ee8d41f8d324d18503" }, { "id": "mus-034-4", "kind": "music", "path": "assets/reflow/mus-034-4.png", "dimensions_pixels": [ 849, 214 ], "description": "Music example", "source_label": "Example · page 34", "source_pdf": { "path": "source/pdf/book.pdf", "page": 34 }, "continuations": [], "pdf_page": 34, "sources": [ { "pdf_page": 34, "source_image": "source-pages/p-034.jpg", "printed_page": 34 } ], "source_image": "source-pages/p-034.jpg", "printed_page": 34, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-034-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9ea711e8c03e4b62ded1b350d261fb4c73b69faebc4dd31d330e84467271f1e2", "sourceVerifiedSha256": "9ea711e8c03e4b62ded1b350d261fb4c73b69faebc4dd31d330e84467271f1e2", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "d62e3fd7d2655c5e553dc2251cec06a7dc59c9a9aae6a382ca7dd83248762a95" }, { "id": "mus-035-1", "kind": "music", "path": "assets/reflow/mus-035-1.png", "dimensions_pixels": [ 1313, 307 ], "description": "Music example", "source_label": "Example · page 35", "source_pdf": { "path": "source/pdf/book.pdf", "page": 35 }, "continuations": [], "pdf_page": 35, "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "source_image": "source-pages/p-035.jpg", "printed_page": 35, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-035-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "2065b5b8dc321c2d7756875cdfef4f52e0cff5a2575af8a03397c6cedb253eb9", "sourceVerifiedSha256": "2065b5b8dc321c2d7756875cdfef4f52e0cff5a2575af8a03397c6cedb253eb9", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1–2 and 3–4: straight analytical lines connect descending upper and lower notes; omitted, not interpreted as ties or slurs. Checked mus-035-1-zoom.png at 3x.", "Bars 2, 4: upper voice prints one half note against a lower whole note; preserved without added rests (no metre printed)." ] } ], "sha256": "418dfb00556a67c0cb1dbc049e7cb456f27c61d4ae2e252dc47e404c0ae2d8d8" }, { "id": "mus-035-2", "kind": "music", "path": "assets/reflow/mus-035-2.png", "dimensions_pixels": [ 1313, 294 ], "description": "Music example", "source_label": "Example · page 35", "source_pdf": { "path": "source/pdf/book.pdf", "page": 35 }, "continuations": [], "pdf_page": 35, "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "source_image": "source-pages/p-035.jpg", "printed_page": 35, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-035-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "806a44ded520aee6acfec1cd23b1aaa5bdf42dcb88244ff1840c22fa49117f67", "sourceVerifiedSha256": "806a44ded520aee6acfec1cd23b1aaa5bdf42dcb88244ff1840c22fa49117f67", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1–4 beat 1: curved vertical interval brackets omitted; printed 8/8/5/5 figures retained. Checked mus-035-2-zoom.png at 3x.", "Bars 2, 4: upper voice prints one half note against a lower whole note; preserved without added rests (no metre printed)." ] } ], "sha256": "cb8b94a25145fc34d78f8d5fc26c7a1cb143960d1b46d7956f522e78fc46b1e1" }, { "id": "mus-035-3", "kind": "music", "path": "assets/reflow/mus-035-3.png", "dimensions_pixels": [ 1495, 276 ], "description": "good / weak", "source_label": "Example · page 35", "source_pdf": { "path": "source/pdf/book.pdf", "page": 35 }, "continuations": [], "pdf_page": 35, "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "source_image": "source-pages/p-035.jpg", "printed_page": 35, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-035-3.musicxml", "label": "good / weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "81383a1d0cda7260b475f8c149314066dcd1982261638f8a7c484c7532f33388", "sourceVerifiedSha256": "81383a1d0cda7260b475f8c149314066dcd1982261638f8a7c484c7532f33388", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 1 after beat 3: isolated dot above/right of C5 appears to be a printing speck, not an augmentation dot or articulation; omitted. Checked mus-035-3-zoom.png at 3x." ] } ], "sha256": "b1eb5495960a586a59456c523698b72d068641bfc3bf8eb944bff2a8c13efa9d" }, { "id": "mus-035-4", "kind": "music", "path": "assets/reflow/mus-035-4.png", "dimensions_pixels": [ 1495, 260 ], "description": "good / weak", "source_label": "Example · page 35", "source_pdf": { "path": "source/pdf/book.pdf", "page": 35 }, "continuations": [], "pdf_page": 35, "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "source_image": "source-pages/p-035.jpg", "printed_page": 35, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-035-4.musicxml", "label": "good / weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "975731600ca05b94a265c2ee31561fff7e4f481d936d8ef3091d13c22190534c", "sourceVerifiedSha256": "975731600ca05b94a265c2ee31561fff7e4f481d936d8ef3091d13c22190534c", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "bf7f010b39c623149ffe4a838d9aa47fb01d9974eeca61528a8bbfbeebe69c1d" }, { "id": "mus-035-5", "kind": "music", "path": "assets/reflow/mus-035-5.png", "dimensions_pixels": [ 1600, 192 ], "description": "Music example", "source_label": "Example · page 35", "source_pdf": { "path": "source/pdf/book.pdf", "page": 35 }, "continuations": [], "pdf_page": 35, "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "source_image": "source-pages/p-035.jpg", "printed_page": 35, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-035-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "ed92ffaeb7a03587db6ffb48dc7aee08161d19eb847b5b751dc542e7d453f6b2", "sourceVerifiedSha256": "ed92ffaeb7a03587db6ffb48dc7aee08161d19eb847b5b751dc542e7d453f6b2", "printed_systems": [ { "bars": 8 } ], "issues": [ "Bars 3–4 and 7–8: straight analytical connectors omitted, not interpreted as ties/slurs. Three simultaneous whole-note lines encoded as three separate voices. Checked mus-035-5-zoom.png at 3x." ] } ], "sha256": "0c02b169c46340b8631f73731eeaad0932ce5b5fb096efa0c76455b093de8078" }, { "id": "mus-035-6", "kind": "music", "path": "assets/reflow/mus-035-6.png", "dimensions_pixels": [ 1600, 308 ], "description": "good / good / good", "source_label": "Example · page 35", "source_pdf": { "path": "source/pdf/book.pdf", "page": 35 }, "continuations": [], "pdf_page": 35, "sources": [ { "pdf_page": 35, "source_image": "source-pages/p-035.jpg", "printed_page": 35 } ], "source_image": "source-pages/p-035.jpg", "printed_page": 35, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-035-6.musicxml", "label": "good / good / good", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "d9bc6c0e444e9b63ac1222326ec215d3aab1a127d5a5959b7406d615e9587689", "sourceVerifiedSha256": "d9bc6c0e444e9b63ac1222326ec215d3aab1a127d5a5959b7406d615e9587689", "printed_systems": [ { "bars": 7 } ], "issues": [ "Bar 3 after beat 3: isolated dot below the staff near the barline appears to be a printing speck, not an articulation; omitted. Checked mus-035-6-zoom.png at 3x.", "Bars 5: upper voice prints one half note against a lower whole note; preserved without added rests (no metre printed).", "RV-004: good labels straddle the barlines before bars 2, 4 and 7; exact note attachment is ambiguous. Both readings attach them to the lower whole note at the start of those bars. Figure 6 and its continuation dash attach separately at bar 1 onsets 0 and 2. Checked mus-035-6-detail.png (3x)." ] } ], "sha256": "7a8cc3c61a716a429789008b2341108bd80dfa528a80e3b8133ae7869d263a78" }, { "id": "mus-036-1", "kind": "music", "path": "assets/reflow/mus-036-1.png", "dimensions_pixels": [ 1061, 182 ], "description": "Music example", "source_label": "Example · page 36", "source_pdf": { "path": "source/pdf/book.pdf", "page": 36 }, "continuations": [], "pdf_page": 36, "sources": [ { "pdf_page": 36, "source_image": "source-pages/p-036.jpg", "printed_page": 36 } ], "source_image": "source-pages/p-036.jpg", "printed_page": 36, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-036-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "6c0ad08234cbdc2b74bd0875dca4a2505269a8aec952b95ed7b4a698d332d0cd", "sourceVerifiedSha256": "6c0ad08234cbdc2b74bd0875dca4a2505269a8aec952b95ed7b4a698d332d0cd", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 1: upper C5 half note starts at quarter-beat 3, against lower E4 whole note; no initial rest printed. Encoded by placing lower voice first and backing up a half note. Confirmed in mus-036-1-zoom.png (3x).", "Bars 3: moving voice ends with a half note against a whole note in the other voice. 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Durations preserved; no rests added (3x original zoom)." ] } ], "sha256": "1b8a5cadddd57c51decaa0321ff809020bdcb60efe8ff70571b96f855e6629dc" }, { "id": "mus-039-1", "kind": "music", "path": "assets/reflow/mus-039-1.png", "dimensions_pixels": [ 869, 495 ], "description": "C. F. / C. F.", "source_label": "Example · page 39", "source_pdf": { "path": "source/pdf/book.pdf", "page": 39 }, "continuations": [], "pdf_page": 39, "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "source_image": "source-pages/p-039.jpg", "printed_page": 39, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-039-1.musicxml", "label": "C. F. / C. 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Durations preserved; no rests added (3x original zoom)." ] } ], "sha256": "e1f1709020d60ad898c0972e41b0f500c52cc5efef608e7bb3e629b146aa8313" }, { "id": "mus-039-3", "kind": "music", "path": "assets/reflow/mus-039-3.png", "dimensions_pixels": [ 1600, 468 ], "description": "C. F. / C. F.", "source_label": "Example · page 39", "source_pdf": { "path": "source/pdf/book.pdf", "page": 39 }, "continuations": [], "pdf_page": 39, "sources": [ { "pdf_page": 39, "source_image": "source-pages/p-039.jpg", "printed_page": 39 } ], "source_image": "source-pages/p-039.jpg", "printed_page": 39, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-039-3.musicxml", "label": "C. F. / C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "2ba695c02caebe8eb91b4848a1b27b13eab711662c201076648540f26c10d995", "sourceVerifiedSha256": "2ba695c02caebe8eb91b4848a1b27b13eab711662c201076648540f26c10d995", "printed_systems": [ { "bars": 8 } ], "issues": [ "Bars 5 and 7, beat 1: short curved pointers over bass C3 and treble C5 are not ties or slurs joining notes; omitted as annotation strokes. Checked mus-039-3-zoom.png (3x)." ] } ], "sha256": "b88f790a5154cab2044e421c60329e31cb60f9908904c3888307c2eb7efb830a" }, { "id": "mus-040-1", "kind": "music", "path": "assets/reflow/mus-040-1.png", "dimensions_pixels": [ 768, 457 ], "description": "Music example", "source_label": "Example · page 40", "source_pdf": { "path": "source/pdf/book.pdf", "page": 40 }, "continuations": [], "pdf_page": 40, "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "source_image": "source-pages/p-040.jpg", "printed_page": 40, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-040-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "46fbeff3b877a1ba5e4e8fa8354aa10d3e4c753057995d32b02f8cf05f98f158", "sourceVerifiedSha256": "46fbeff3b877a1ba5e4e8fa8354aa10d3e4c753057995d32b02f8cf05f98f158", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1–2: curved brackets connect the two treble lines; omitted per brief. Checked mus-040-1-zoom.png (3x)." ] } ], "sha256": "b2f2543a359be4fd23ac75f7c24685fee65504e94cc4db362b9628545a4b65ba" }, { "id": "mus-040-2", "kind": "music", "path": "assets/reflow/mus-040-2.png", "dimensions_pixels": [ 768, 415 ], "description": "Music example", "source_label": "Example · page 40", "source_pdf": { "path": "source/pdf/book.pdf", "page": 40 }, "continuations": [], "pdf_page": 40, "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 } ], "source_image": "source-pages/p-040.jpg", "printed_page": 40, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-040-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "0bde0ceb7725ff7bd7097dd096a3de62f7e7cb948d8f6f6a8202529f681fd745", "sourceVerifiedSha256": "0bde0ceb7725ff7bd7097dd096a3de62f7e7cb948d8f6f6a8202529f681fd745", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "07e38801cbccd55ea7c593090b23edf267e45de1d5a594a4e4d57457ce3b2e93" }, { "id": "mus-040-3", "kind": "music", "path": "assets/reflow/mus-040-3.png", "dimensions_pixels": [ 1600, 477 ], "description": "C. F.", "source_label": "Example · page 40", "source_pdf": { "path": "source/pdf/book.pdf", "page": 40 }, "continuations": [ { "path": "assets/reflow/mus-040-3-p2.png", "dimensions_pixels": [ 1600, 417 ] } ], "pdf_page": 40, "sources": [ { "pdf_page": 40, "source_image": "source-pages/p-040.jpg", "printed_page": 40 }, { "pdf_page": 41, "source_image": "source-pages/p-041.jpg", "printed_page": 41 } ], "source_image": "source-pages/p-040.jpg", "printed_page": 40, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-040-3.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "15d5b0449e387f78544815253b6596616134e9dbba759c94b552b683ed9de876", "sourceVerifiedSha256": "15d5b0449e387f78544815253b6596616134e9dbba759c94b552b683ed9de876", "printed_systems": [ { "bars": 3 }, { "bars": 4 } ], "issues": [ "Stemless black noteheads have no explicit rhythmic value. Encoded as a separate voice with filled, stemless heads lasting the aligned whole-note span (final breve where applicable), rather than assuming ordinary quarter-note rhythm; duration remains uncertain.", "Wavy vertical subdivisions omitted; only solid barlines delimit measures. Their positions separate whole-note beats within 2/1 or 3/1 measures.", "Bar 5, beat 2 second half: black G4 occurs under C5, not under preceding E4; encoded half-duration at that onset. Black G3 at bar 5 beat 1 lies below two ledger lines. Checked mus-040-3-zoom.png and mus-040-3-p2-zoom.png (3x).", "RV-006 bar 7, staff 1 middle voice: final filled stemless E4 has no breve side strokes, unlike outer voices. Duration is not explicit in this shorthand; choose whole (4 quarters), retaining the filled stemless head, rather than A's inferred breve. Verified in RV-006 3x crop.", "RV-006 bar 5, staff 1: filled stemless G4 aligns with C5 at quarter onset 6, not E4 at onset 4. Shorthand leaves duration implicit; choose half (2 quarters), ending at the barline. Both readers agree on this plausible placement-based reading; see mus-040-3-p2-b5-3x.png." ] } ], "sha256": "85bbd4476a013f222d92d81445af8e5a07451b594ed420dfab9e5e8e49813982" }, { "id": "mus-041-1", "kind": "music", "path": "assets/reflow/mus-041-1.png", "dimensions_pixels": [ 1600, 885 ], "description": "C. F.", "source_label": "Example · page 41", "source_pdf": { "path": "source/pdf/book.pdf", "page": 41 }, "continuations": [], "pdf_page": 41, "sources": [ { "pdf_page": 41, "source_image": "source-pages/p-041.jpg", "printed_page": 41 } ], "source_image": "source-pages/p-041.jpg", "printed_page": 41, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-041-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "0077a8fac3f645c68f0b20f7252a4e2aa638755d2cc3b9cc315a5d675c563f43", "sourceVerifiedSha256": "0077a8fac3f645c68f0b20f7252a4e2aa638755d2cc3b9cc315a5d675c563f43", "printed_systems": [ { "bars": 2 }, { "bars": 3 } ], "issues": [ "Stemless black noteheads have no explicit rhythmic value. Encoded as a separate voice with filled, stemless heads lasting the aligned whole-note span (final breve where applicable), rather than assuming ordinary quarter-note rhythm; duration remains uncertain.", "Wavy vertical subdivisions omitted; only solid barlines delimit measures. Their positions separate whole-note beats within 2/1 or 3/1 measures.", "Rendering limitation: three accidental figure words (bar 1 beat 3 sharp; bar 4 beat 3 natural5 and sharp6) are preserved as Unicode words in MusicXML but appear as boxes in the PNG.", "Bar 4 beat 3: printed B-natural4 followed by C-sharp5; final bar black F-sharp4. Checked mus-041-1-zoom.png (3x). Final breve spans only two whole-note beats in 3/1; retained without padding.", "RV-006 bar 5, staff 1 middle voice: final filled stemless F4 sharp has no breve side strokes, unlike outer voices. Duration is not explicit in this shorthand; choose whole (4 quarters), retaining the filled stemless head, rather than A's inferred breve. Verified in RV-006 3x crop." ] } ], "sha256": "83b8710e29e42414bae84dcb62d13a8ef30fc5c52a72ae310e06d75c79417743" }, { "id": "mus-041-2", "kind": "music", "path": "assets/reflow/mus-041-2.png", "dimensions_pixels": [ 1600, 1194 ], "description": "C. F.", "source_label": "Example · page 41", "source_pdf": { "path": "source/pdf/book.pdf", "page": 41 }, "continuations": [], "pdf_page": 41, "sources": [ { "pdf_page": 41, "source_image": "source-pages/p-041.jpg", "printed_page": 41 } ], "source_image": "source-pages/p-041.jpg", "printed_page": 41, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-041-2.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "cd580ee5c9ca135541d5e1e91b15eb35f432396df6adfcf99dc7b99b0e8dd35a", "sourceVerifiedSha256": "cd580ee5c9ca135541d5e1e91b15eb35f432396df6adfcf99dc7b99b0e8dd35a", "printed_systems": [ { "bars": 3 }, { "bars": 3 }, { "bars": 2 } ], "issues": [ "Stemless black noteheads have no explicit rhythmic value. Encoded as a separate voice with filled, stemless heads lasting the aligned whole-note span (final breve where applicable), rather than assuming ordinary quarter-note rhythm; duration remains uncertain.", "Wavy vertical subdivisions omitted; only solid barlines delimit measures. Their positions separate whole-note beats within 2/1 or 3/1 measures.", "Black-head ledger positions and final breve checked in mus-041-2-zoom.png (3x).", "RV-006 bar 8, staff 1 middle voice: final filled stemless E4 has no breve side strokes, unlike outer voices. Duration is not explicit in this shorthand; choose whole (4 quarters), retaining the filled stemless head, rather than A's inferred breve. Verified in RV-006 3x crop." ] } ], "sha256": "440fe33d9598dab260629748c07e700a0c49083cb496d8c74e7ba29d99fb57f6" }, { "id": "mus-042-1", "kind": "music", "path": "assets/reflow/mus-042-1.png", "dimensions_pixels": [ 1600, 944 ], "description": "C. F.", "source_label": "Example · page 42", "source_pdf": { "path": "source/pdf/book.pdf", "page": 42 }, "continuations": [], "pdf_page": 42, "sources": [ { "pdf_page": 42, "source_image": "source-pages/p-042.jpg", "printed_page": 42 } ], "source_image": "source-pages/p-042.jpg", "printed_page": 42, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-042-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "ebc0e0b32d620d4fffe4e3aea125982702e286a47f6b217c49ab7f8d84774ecd", "sourceVerifiedSha256": "ebc0e0b32d620d4fffe4e3aea125982702e286a47f6b217c49ab7f8d84774ecd", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ], "issues": [ "Stemless black noteheads have no explicit rhythmic value. Encoded as a separate voice with filled, stemless heads lasting the aligned whole-note span (final breve where applicable), rather than assuming ordinary quarter-note rhythm; duration remains uncertain.", "Wavy vertical subdivisions omitted; only solid barlines delimit measures. Their positions separate whole-note beats within 2/1 or 3/1 measures.", "Bars 1 and 8 contain only one whole-note beat in 2/1; preserved as printed. Bar 2 beat 2 black A-sharp3 lies on the second ledger line below treble; checked mus-042-1-zoom.png (3x)." ] } ], "sha256": "6dcf69b35d7712f3e0c3beb371f6119fca821720083e034be34894c5d626d99e" }, { "id": "mus-042-2", "kind": "music", "path": "assets/reflow/mus-042-2.png", "dimensions_pixels": [ 1600, 886 ], "description": "(a)", "source_label": "Example · page 42", "source_pdf": { "path": "source/pdf/book.pdf", "page": 42 }, "continuations": [], "pdf_page": 42, "sources": [ { "pdf_page": 42, "source_image": "source-pages/p-042.jpg", "printed_page": 42 } ], "source_image": "source-pages/p-042.jpg", "printed_page": 42, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-042-2.musicxml", "label": "(a)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b2bb9eba7281e6b4684b3d8109a173dbda6c6c19a7d6908c496a9aeee8b1b6b0", "sourceVerifiedSha256": "b2bb9eba7281e6b4684b3d8109a173dbda6c6c19a7d6908c496a9aeee8b1b6b0", "printed_systems": [ { "bars": 6 }, { "bars": 7 } ], "issues": [ "Interior measures show one half note in the moving voice against a whole note in the other voice, without additional rests or ties; retained unequal voice lengths exactly as printed. No time signature printed." ] } ], "sha256": "bf15d99338adabc46e6b3e66aca128089203a846d11cd412244c8cafd3232a50" }, { "id": "mus-043-1", "kind": "music", "path": "assets/reflow/mus-043-1.png", "dimensions_pixels": [ 1600, 912 ], "description": "(b)", "source_label": "Example · page 43", "source_pdf": { "path": "source/pdf/book.pdf", "page": 43 }, "continuations": [], "pdf_page": 43, "sources": [ { "pdf_page": 43, "source_image": "source-pages/p-043.jpg", "printed_page": 43 } ], "source_image": "source-pages/p-043.jpg", "printed_page": 43, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-043-1.musicxml", "label": "(b)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "09d843266fc951e938da70bcaa81d9fb865ec56ad1a54e51fb44aaf849896a9a", "sourceVerifiedSha256": "09d843266fc951e938da70bcaa81d9fb865ec56ad1a54e51fb44aaf849896a9a", "printed_systems": [ { "bars": 6 }, { "bars": 6 } ], "issues": [ "Interior measures show one half note in the moving voice against a whole note in the other voice, without additional rests or ties; retained unequal voice lengths exactly as printed. No time signature printed." ] } ], "sha256": "5f776e19d951facd1e03896bc91133c3e8749b4b1c4efa243d9f86367fc3bbd4" }, { "id": "mus-043-2", "kind": "music", "path": "assets/reflow/mus-043-2.png", "dimensions_pixels": [ 1600, 908 ], "description": "(c)", "source_label": "Example · page 43", "source_pdf": { "path": "source/pdf/book.pdf", "page": 43 }, "continuations": [], "pdf_page": 43, "sources": [ { "pdf_page": 43, "source_image": "source-pages/p-043.jpg", "printed_page": 43 } ], "source_image": "source-pages/p-043.jpg", "printed_page": 43, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-043-2.musicxml", "label": "(c)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "86fe9066a01cd1a852f0ad5971b73e179421f60becea31fc7ef859b27645df3e", "sourceVerifiedSha256": "86fe9066a01cd1a852f0ad5971b73e179421f60becea31fc7ef859b27645df3e", "printed_systems": [ { "bars": 5 }, { "bars": 4 } ], "issues": [ "Bars 2–8: bass has a single half note against a treble whole note, without printed rests or ties; retained unequal voice lengths. No time signature printed." ] } ], "sha256": "bf08bb8813efc622510bd2fc126d64254266354622b83dc082ea086da126c24e" }, { "id": "mus-043-3", "kind": "music", "path": "assets/reflow/mus-043-3.png", "dimensions_pixels": [ 1600, 447 ], "description": "(d)", "source_label": "Example · page 43", "source_pdf": { "path": "source/pdf/book.pdf", "page": 43 }, "continuations": [ { "path": "assets/reflow/mus-043-3-p2.png", "dimensions_pixels": [ 1600, 393 ] } ], "pdf_page": 43, "sources": [ { "pdf_page": 43, "source_image": "source-pages/p-043.jpg", "printed_page": 43 }, { "pdf_page": 44, "source_image": "source-pages/p-044.jpg", "printed_page": 44 } ], "source_image": "source-pages/p-043.jpg", "printed_page": 43, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-043-3.musicxml", "label": "(d)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "8757e8fd68eb74bf12153999c2ee99177b3ffeca417889555520b5e670af2cf9", "sourceVerifiedSha256": "8757e8fd68eb74bf12153999c2ee99177b3ffeca417889555520b5e670af2cf9", "printed_systems": [ { "bars": 6 }, { "bars": 6 } ], "issues": [ "Bars 2–12, bass beat 1: visibly stemmed half notes beneath whole notes in treble. Preserved unequal voice durations without added rests; no metre printed. Verified both original crops at 3×." ] } ], "sha256": "ed69ec36ea24f0dc7177fc0f95da3e092eaf445d87dc49c1da48666b0bc4e241" }, { "id": "mus-045-1", "kind": "music", "path": "assets/reflow/mus-045-1.png", "dimensions_pixels": [ 1600, 264 ], "description": "C. F.", "source_label": "Example · page PDF 45", "source_pdf": { "path": "source/pdf/book.pdf", "page": 45 }, "continuations": [], "pdf_page": 45, "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-045-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "f6447a5e722c4a10fa827a65b2506cc3a97beced6354c1705b593bc7cc460356", "sourceVerifiedSha256": "f6447a5e722c4a10fa827a65b2506cc3a97beced6354c1705b593bc7cc460356", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bar 4 beat 4: (b) is positioned over B4 within the existing bar, so preserved there as a reference label rather than splitting the printed measure." ] } ], "sha256": "83e49e267c13e80e3502e34f61eb15f8f69e62d8e13d367c1660c07622d77c44" }, { "id": "mus-045-2", "kind": "music", "path": "assets/reflow/mus-045-2.png", "dimensions_pixels": [ 606, 232 ], "description": "Music example", "source_label": "Example · page PDF 45", "source_pdf": { "path": "source/pdf/book.pdf", "page": 45 }, "continuations": [], "pdf_page": 45, "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-045-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9d23e0709ca47cf96a74239e4fbea4300cd3d4bfdba80051231fded57673ac9f", "sourceVerifiedSha256": "9d23e0709ca47cf96a74239e4fbea4300cd3d4bfdba80051231fded57673ac9f", "printed_systems": [ { "bars": 1 } ] } ], "sha256": "3423c856763ea02b0162d7fa5f81bec8681202352007bc07a4f6198828b08cf3" }, { "id": "mus-045-3", "kind": "music", "path": "assets/reflow/mus-045-3.png", "dimensions_pixels": [ 606, 225 ], "description": "Music example", "source_label": "Example · page PDF 45", "source_pdf": { "path": "source/pdf/book.pdf", "page": 45 }, "continuations": [], "pdf_page": 45, "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-045-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "a602853f1a7d135eb6f7b0fbf4333a9e40e45d93be71e09296e3a7cad8d87b57", "sourceVerifiedSha256": "a602853f1a7d135eb6f7b0fbf4333a9e40e45d93be71e09296e3a7cad8d87b57", "printed_systems": [ { "bars": 1 } ] } ], "sha256": "aa21838c2dba4b76d9df806ec46c5b1271d9bfeac5505e3cb48aa4b9a88aa24f" }, { "id": "mus-045-4", "kind": "music", "path": "assets/reflow/mus-045-4.png", "dimensions_pixels": [ 818, 235 ], "description": "Music example", "source_label": "Example · page PDF 45", "source_pdf": { "path": "source/pdf/book.pdf", "page": 45 }, "continuations": [], "pdf_page": 45, "sources": [ { "pdf_page": 45, "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45" } ], "source_image": "source-pages/p-045.jpg", "printed_label": "PDF 45", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-045-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "08b085f11747fd27ac81ef94338616c3553f0b0c85841cb4709978eb1bc01716", "sourceVerifiedSha256": "08b085f11747fd27ac81ef94338616c3553f0b0c85841cb4709978eb1bc01716", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2 beat 1: upper voice has only one quarter against a whole note in the lower voice; preserved without padding. No metre printed.", "Bar 1 beats 1–2: worn E5/D5 heads have tiny white gaps. Read as quarter notes, not halves; remaining head area is filled. Original enlarged 3×." ] } ], "sha256": "32a043353c32a82aa0edab6b71367628834c2356336e86c0f54be86e9a087a62" }, { "id": "mus-046-1", "kind": "music", "path": "assets/reflow/mus-046-1.png", "dimensions_pixels": [ 607, 228 ], "description": "Music example", "source_label": "Example · page 46", "source_pdf": { "path": "source/pdf/book.pdf", "page": 46 }, "continuations": [], "pdf_page": 46, "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "source_image": "source-pages/p-046.jpg", "printed_page": 46, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-046-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "5ea4ecc124d24e497bfffec30ee48691aaeb109e341621c22e7ec4a438bd4eb1", "sourceVerifiedSha256": "5ea4ecc124d24e497bfffec30ee48691aaeb109e341621c22e7ec4a438bd4eb1", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1 beats 2–4: printed solid continuation line after figure 6 represented by an em dash. Verified original at 3× during RV-007." ] } ], "sha256": "50af337e74d1b9f16d7a8d5e61749998c3b3e1cc7a44d57d28ee72b1c4db989d" }, { "id": "mus-046-2", "kind": "music", "path": "assets/reflow/mus-046-2.png", "dimensions_pixels": [ 1333, 255 ], "description": "Music example", "source_label": "Example · page 46", "source_pdf": { "path": "source/pdf/book.pdf", "page": 46 }, "continuations": [], "pdf_page": 46, "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "source_image": "source-pages/p-046.jpg", "printed_page": 46, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-046-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "2bb58c3b32069da21a2f6ec366d5e9c169e74fb1d321680acdb15aec52821fa1", "sourceVerifiedSha256": "2bb58c3b32069da21a2f6ec366d5e9c169e74fb1d321680acdb15aec52821fa1", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2 and 4 beat 1: upper voice has only one quarter against a lower whole note; preserved without padding. No metre printed." ] } ], "sha256": "d79a5d7f634432c09298e2ab643054faeeed6c4367ace5443d6c02aedf296579" }, { "id": "mus-046-3", "kind": "music", "path": "assets/reflow/mus-046-3.png", "dimensions_pixels": [ 809, 253 ], "description": "Music example", "source_label": "Example · page 46", "source_pdf": { "path": "source/pdf/book.pdf", "page": 46 }, "continuations": [], "pdf_page": 46, "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "source_image": "source-pages/p-046.jpg", "printed_page": 46, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-046-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "c6aae83f8ecbaf4f665baf251b623ddba90d9527250f051f5c398b0174c5656c", "sourceVerifiedSha256": "c6aae83f8ecbaf4f665baf251b623ddba90d9527250f051f5c398b0174c5656c", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2 beat 1: upper voice has only one quarter against a whole note in the lower voice; preserved without padding. No metre printed.", "Bar 2: crop ends without a closing barline; encoded bar-style none." ] } ], "sha256": "e27128614f1572a9dccd784fd44c5824b2a98ccee37e274bbb510f084c1bcf61" }, { "id": "mus-046-4", "kind": "music", "path": "assets/reflow/mus-046-4.png", "dimensions_pixels": [ 1333, 201 ], "description": "Music example", "source_label": "Example · page 46", "source_pdf": { "path": "source/pdf/book.pdf", "page": 46 }, "continuations": [], "pdf_page": 46, "sources": [ { "pdf_page": 46, "source_image": "source-pages/p-046.jpg", "printed_page": 46 } ], "source_image": "source-pages/p-046.jpg", "printed_page": 46, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-046-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "fff6fed88a217f3e2e4399e7c4b8fc4d929a9a0eb1a3998aae5e7066950d95d6", "sourceVerifiedSha256": "fff6fed88a217f3e2e4399e7c4b8fc4d929a9a0eb1a3998aae5e7066950d95d6", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 beat 1: upper voice has only one quarter against a whole note in the lower voice; preserved without padding. No metre printed." ] } ], "sha256": "d5a313567e6678a75bfe256db7bfbf65a2f87dc69c6a2a6ca6ef7ed82154ee28" }, { "id": "mus-047-1", "kind": "music", "path": "assets/reflow/mus-047-1.png", "dimensions_pixels": [ 788, 301 ], "description": "weak", "source_label": "Example · page 47", "source_pdf": { "path": "source/pdf/book.pdf", "page": 47 }, "continuations": [], "pdf_page": 47, "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "source_image": "source-pages/p-047.jpg", "printed_page": 47, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-047-1.musicxml", "label": "weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "80c3dc620f49192464687c6da96f57605655694e72c5e27f8f1ef6cf1dc5b5ae", "sourceVerifiedSha256": "80c3dc620f49192464687c6da96f57605655694e72c5e27f8f1ef6cf1dc5b5ae", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2 beat 1: upper voice has only one quarter against a whole note in the lower voice; preserved without padding. No metre printed.", "Bar 1 beats 1–2: small white gaps in G4/A4 heads read as print wear, not half-note openings; encoded quarters. Original enlarged 3×." ] } ], "sha256": "b0f12cb59fed7649101c62ea5f5203861b26895230518f860076b97e4916e361" }, { "id": "mus-047-2", "kind": "music", "path": "assets/reflow/mus-047-2.png", "dimensions_pixels": [ 788, 304 ], "description": "Music example", "source_label": "Example · page 47", "source_pdf": { "path": "source/pdf/book.pdf", "page": 47 }, "continuations": [], "pdf_page": 47, "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "source_image": "source-pages/p-047.jpg", "printed_page": 47, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-047-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "6ce920ab4f9ce49d2c2dd803167c4ccc1ae649a8be8d0fa370a4715624603669", "sourceVerifiedSha256": "6ce920ab4f9ce49d2c2dd803167c4ccc1ae649a8be8d0fa370a4715624603669", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-047-2-zoom.png (3x)." ] } ], "sha256": "4a66313941829a55453bb540fe86351ce2e10d4b9a27efd29d4e859a78eadb01" }, { "id": "mus-047-3", "kind": "music", "path": "assets/reflow/mus-047-3.png", "dimensions_pixels": [ 788, 210 ], "description": "Music example", "source_label": "Example · page 47", "source_pdf": { "path": "source/pdf/book.pdf", "page": 47 }, "continuations": [], "pdf_page": 47, "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "source_image": "source-pages/p-047.jpg", "printed_page": 47, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-047-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "1a9c7bc4627da8c1a095235eded6585d4ff68b088491b6afaa75dbd7da27d6c2", "sourceVerifiedSha256": "1a9c7bc4627da8c1a095235eded6585d4ff68b088491b6afaa75dbd7da27d6c2", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-047-3-zoom.png (3x)." ] } ], "sha256": "8d73596c97620d56547db6c0535ad402ff26cf5cd2a1106e76cd1cbc480f2d37" }, { "id": "mus-047-4", "kind": "music", "path": "assets/reflow/mus-047-4.png", "dimensions_pixels": [ 788, 207 ], "description": "Music example", "source_label": "Example · page 47", "source_pdf": { "path": "source/pdf/book.pdf", "page": 47 }, "continuations": [], "pdf_page": 47, "sources": [ { "pdf_page": 47, "source_image": "source-pages/p-047.jpg", "printed_page": 47 } ], "source_image": "source-pages/p-047.jpg", "printed_page": 47, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-047-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "c3d2271e21af275be882e1bb141f020493d8431afd255c672137b2a2c8b21c80", "sourceVerifiedSha256": "c3d2271e21af275be882e1bb141f020493d8431afd255c672137b2a2c8b21c80", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-047-4-zoom.png (3x)." ] } ], "sha256": "52f496f403dcfc19d7ce6d4408410623024372806180d8c23bc7fc4481886735" }, { "id": "mus-048-1", "kind": "music", "path": "assets/reflow/mus-048-1.png", "dimensions_pixels": [ 1354, 294 ], "description": "(a) / (a)", "source_label": "Example · page 48", "source_pdf": { "path": "source/pdf/book.pdf", "page": 48 }, "continuations": [], "pdf_page": 48, "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "source_image": "source-pages/p-048.jpg", "printed_page": 48, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-048-1.musicxml", "label": "(a) / (a)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "5d9fa5bb62c7543a96987c5d69b17193e289b2e12ff70291b69044d946f433de", "sourceVerifiedSha256": "5d9fa5bb62c7543a96987c5d69b17193e289b2e12ff70291b69044d946f433de", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 and 4, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-048-1-zoom.png (3x).", "Bars 1 and 3, beat 1, and bars 2 and 4, beat 1: vertical analytical curves omitted as brackets, not musical slurs; inspected mus-048-1-zoom.png (3x)." ] } ], "sha256": "f47c7b3466b4916653cd7de8dc3b7a6126cc1410ff10474219e8d098fdaab1ea" }, { "id": "mus-048-2", "kind": "music", "path": "assets/reflow/mus-048-2.png", "dimensions_pixels": [ 1354, 294 ], "description": "(b) / (b)", "source_label": "Example · page 48", "source_pdf": { "path": "source/pdf/book.pdf", "page": 48 }, "continuations": [], "pdf_page": 48, "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "source_image": "source-pages/p-048.jpg", "printed_page": 48, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-048-2.musicxml", "label": "(b) / (b)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "be5ef5ad26cc14e44956e51ebcd588b94ef11bcf0f34e1b46497846fa0f08f35", "sourceVerifiedSha256": "be5ef5ad26cc14e44956e51ebcd588b94ef11bcf0f34e1b46497846fa0f08f35", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 and 4, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-048-2-zoom.png (3x).", "Bars 1 and 3, beat 2, and bars 2 and 4, beat 1: vertical analytical curves omitted as brackets, not musical slurs; inspected mus-048-2-zoom.png (3x)." ] } ], "sha256": "a157a93cdfaeb1928ad03b5ecee007b90b2ff2ecf32e0325606764f9f03266c2" }, { "id": "mus-048-3", "kind": "music", "path": "assets/reflow/mus-048-3.png", "dimensions_pixels": [ 1354, 283 ], "description": "(c) / (c)", "source_label": "Example · page 48", "source_pdf": { "path": "source/pdf/book.pdf", "page": 48 }, "continuations": [], "pdf_page": 48, "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "source_image": "source-pages/p-048.jpg", "printed_page": 48, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-048-3.musicxml", "label": "(c) / (c)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "c40cc119b2e1a212498fc157b992af9e373c73cd7a8fd9f06eff5c995eb73bf7", "sourceVerifiedSha256": "c40cc119b2e1a212498fc157b992af9e373c73cd7a8fd9f06eff5c995eb73bf7", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 and 4, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-048-3-zoom.png (3x).", "Bars 1 and 3, beat 3, and bars 2 and 4, beat 1: vertical analytical curves omitted as brackets, not musical slurs; inspected mus-048-3-zoom.png (3x)." ] } ], "sha256": "99e4e086d3f42312ba47e38ce0405338f6531365ca9e141a752e15c87055a2f6" }, { "id": "mus-048-4", "kind": "music", "path": "assets/reflow/mus-048-4.png", "dimensions_pixels": [ 1354, 273 ], "description": "(d) / (d)", "source_label": "Example · page 48", "source_pdf": { "path": "source/pdf/book.pdf", "page": 48 }, "continuations": [], "pdf_page": 48, "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "source_image": "source-pages/p-048.jpg", "printed_page": 48, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-048-4.musicxml", "label": "(d) / (d)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "a9a388a188cf21eaaa4ce6a8b316c9d2f4a2af92ea72fdf7e0fe56bd4860ff55", "sourceVerifiedSha256": "a9a388a188cf21eaaa4ce6a8b316c9d2f4a2af92ea72fdf7e0fe56bd4860ff55", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 and 4, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-048-4-zoom.png (3x).", "Bars 1 and 3, beat 4, and bars 2 and 4, beat 1: vertical analytical curves omitted as brackets, not musical slurs; inspected mus-048-4-zoom.png (3x)." ] } ], "sha256": "7cc6bd7ec6542ed9ab67f0e227e7111961de3f58af62c520a306ba20a9150b6f" }, { "id": "mus-048-5", "kind": "music", "path": "assets/reflow/mus-048-5.png", "dimensions_pixels": [ 1354, 298 ], "description": "Music example", "source_label": "Example · page 48", "source_pdf": { "path": "source/pdf/book.pdf", "page": 48 }, "continuations": [], "pdf_page": 48, "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "source_image": "source-pages/p-048.jpg", "printed_page": 48, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-048-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "f9bb52ca5971efc5f3d5519dcdc37d588320b6b03697a66ca98a367c07be18d0", "sourceVerifiedSha256": "f9bb52ca5971efc5f3d5519dcdc37d588320b6b03697a66ca98a367c07be18d0", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 and 4, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-048-5-zoom.png (3x).", "Bars 1 and 3, beat 2, and bars 2 and 4, beat 1: analytical curves omitted as brackets. Figure continuation lines encoded as dash words at beat 2. Zoom: mus-048-5-zoom.png (3x).", "Bar 4, beat 1, lower G4: quarter versus half note; small pale fleck within otherwise black head read as worn quarter, matching black-head outline. Choice: quarter. Zoom: mus-048-5-zoom.png (3x)." ] } ], "sha256": "31473ea73e846e571a6ac3e7add5b2d886b182756d711c42bb2295b39a552fb5" }, { "id": "mus-048-6", "kind": "music", "path": "assets/reflow/mus-048-6.png", "dimensions_pixels": [ 1354, 313 ], "description": "Music example", "source_label": "Example · page 48", "source_pdf": { "path": "source/pdf/book.pdf", "page": 48 }, "continuations": [], "pdf_page": 48, "sources": [ { "pdf_page": 48, "source_image": "source-pages/p-048.jpg", "printed_page": 48 } ], "source_image": "source-pages/p-048.jpg", "printed_page": 48, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-048-6.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "5151e020a91bfa20e5d5759fc627b09e7cee40fe088d97bb1ba0a48d9f44a449", "sourceVerifiedSha256": "5151e020a91bfa20e5d5759fc627b09e7cee40fe088d97bb1ba0a48d9f44a449", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 and 4, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-048-6-zoom.png (3x).", "Bar 1, beats 2 and 4, lower E4: quarter versus half; pale printing flecks within black heads read as quarters. Choice: quarters. Zoom: mus-048-6-zoom.png (3x)." ] } ], "sha256": "0ff72d823056a3935963bc9cadafc7c020f675503f479ddc99e0fad044458327" }, { "id": "mus-049-1", "kind": "music", "path": "assets/reflow/mus-049-1.png", "dimensions_pixels": [ 1354, 244 ], "description": "good / poor", "source_label": "Example · page 49", "source_pdf": { "path": "source/pdf/book.pdf", "page": 49 }, "continuations": [], "pdf_page": 49, "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "source_image": "source-pages/p-049.jpg", "printed_page": 49, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-049-1.musicxml", "label": "good / poor", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b3d84f4c927369abe8b6ea6772f907932f6bf696d103f02b0f24a976e3c21aef", "sourceVerifiedSha256": "b3d84f4c927369abe8b6ea6772f907932f6bf696d103f02b0f24a976e3c21aef", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 and 4, beat 1: whole note against a lone quarter note; preserved unequal voice durations without added rests. No metre printed. Verified in mus-049-1-zoom.png (3x).", "Bar 2, beat 1: D4 quarter keeps stems-up voice 1 although below voice 2 A4 whole; crossing retained. Zoom: mus-049-1-zoom.png (3x)." ] } ], "sha256": "ee3d32749e083aebb32e12e5e56f4cfa75353753f18eb96c0dbead9c813773cc" }, { "id": "mus-049-2", "kind": "music", "path": "assets/reflow/mus-049-2.png", "dimensions_pixels": [ 586, 325 ], "description": "Key C.", "source_label": "Example · page 49", "source_pdf": { "path": "source/pdf/book.pdf", "page": 49 }, "continuations": [], "pdf_page": 49, "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "source_image": "source-pages/p-049.jpg", "printed_page": 49, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-049-2.musicxml", "label": "Key C.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "5ab8c78486f5ec3614b55b6426c3be30f20fa64508bde8b15e591ca9723138ac", "sourceVerifiedSha256": "5ab8c78486f5ec3614b55b6426c3be30f20fa64508bde8b15e591ca9723138ac", "printed_systems": [ { "bars": 1 } ] } ], "sha256": "980ffc4e6bcf14ea04067c8b005fd541ae1c9afed98cb96cc50a151946d4755d" }, { "id": "mus-049-3", "kind": "music", "path": "assets/reflow/mus-049-3.png", "dimensions_pixels": [ 1567, 315 ], "description": "good / poor / poor", "source_label": "Example · page 49", "source_pdf": { "path": "source/pdf/book.pdf", "page": 49 }, "continuations": [], "pdf_page": 49, "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "source_image": "source-pages/p-049.jpg", "printed_page": 49, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-049-3.musicxml", "label": "good / poor / poor", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "3ae0bf5ce50dae3f16c25d0ef02892fbe4d34777c9aef07ebcdf9e88e36812a7", "sourceVerifiedSha256": "3ae0bf5ce50dae3f16c25d0ef02892fbe4d34777c9aef07ebcdf9e88e36812a7", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "83d798255d201a8bb278200d06abd7923e6cb6113e08da0a61aa28d8497029d9" }, { "id": "mus-049-4", "kind": "music", "path": "assets/reflow/mus-049-4.png", "dimensions_pixels": [ 1567, 370 ], "description": "good / good (see note below) / poor", "source_label": "Example · page 49", "source_pdf": { "path": "source/pdf/book.pdf", "page": 49 }, "continuations": [], "pdf_page": 49, "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "source_image": "source-pages/p-049.jpg", "printed_page": 49, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-049-4.musicxml", "label": "good / good (see note below) / poor", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "6255b334168d04f23c08e2fbf920e07952d17d85c233d9bbc3d098437722adb1", "sourceVerifiedSha256": "6255b334168d04f23c08e2fbf920e07952d17d85c233d9bbc3d098437722adb1", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "5b69b392b32ec38307af2e61518eb37015cd26dd221ba9d2d60dd5623163ccbd" }, { "id": "mus-049-5", "kind": "music", "path": "assets/reflow/mus-049-5.png", "dimensions_pixels": [ 808, 241 ], "description": "Music example", "source_label": "Example · page 49", "source_pdf": { "path": "source/pdf/book.pdf", "page": 49 }, "continuations": [], "pdf_page": 49, "sources": [ { "pdf_page": 49, "source_image": "source-pages/p-049.jpg", "printed_page": 49 } ], "source_image": "source-pages/p-049.jpg", "printed_page": 49, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-049-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "95d3b37e5c9d265151124755b67c74d5ce50ca8572a5f36f47d4f4a3448c3bd3", "sourceVerifiedSha256": "95d3b37e5c9d265151124755b67c74d5ce50ca8572a5f36f47d4f4a3448c3bd3", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 2, beat 1: moving line ends with one printed quarter against a whole note in the sustained line; preserved unequal durations without added rests (2x zoom)." ] } ], "sha256": "74ad4e81bb7ed2ef860fd832f5f31c1f653be92b9e5bf7875f0fcbf8eb2dfc3e" }, { "id": "mus-050-1", "kind": "music", "path": "assets/reflow/mus-050-1.png", "dimensions_pixels": [ 1600, 204 ], "description": "Music example", "source_label": "Example · page 50", "source_pdf": { "path": "source/pdf/book.pdf", "page": 50 }, "continuations": [], "pdf_page": 50, "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "source_image": "source-pages/p-050.jpg", "printed_page": 50, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-050-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "1d83f6df97063117d6b3ee92276a69a76ce8a4ee35baaf260f681345984e06af", "sourceVerifiedSha256": "1d83f6df97063117d6b3ee92276a69a76ce8a4ee35baaf260f681345984e06af", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 2, 4, 6, beat 1: moving line ends with one printed quarter against a whole note in the sustained line; preserved unequal durations without added rests (2x zoom).", "Bar 1, beat 4: B4 head has a tiny white ink gap; read as quarter, not half, from its predominantly filled head (2x zoom)." ] } ], "sha256": "09fcb0a5a9f7c5df76385ccf723add56126eed155dea07aea732f794bfa3002d" }, { "id": "mus-050-2", "kind": "music", "path": "assets/reflow/mus-050-2.png", "dimensions_pixels": [ 849, 199 ], "description": "Music example", "source_label": "Example · page 50", "source_pdf": { "path": "source/pdf/book.pdf", "page": 50 }, "continuations": [], "pdf_page": 50, "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "source_image": "source-pages/p-050.jpg", "printed_page": 50, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-050-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "682ead0a00cac638b5c4f301e58a495aaeca1aee2e0ec4b3c9ad666cebb2acfd", "sourceVerifiedSha256": "682ead0a00cac638b5c4f301e58a495aaeca1aee2e0ec4b3c9ad666cebb2acfd", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 2, beat 1: moving line ends with one printed quarter against a whole note in the sustained line; preserved unequal durations without added rests (2x zoom).", "Bars 1 and 2, beat 1: vertical curved interval brackets between voices omitted as instructed; not temporal slurs (2x zoom)." ] } ], "sha256": "0090f01edbc188cb820ab895d14818cc4a37dd8fd15453f3fc6b2c33428386b0" }, { "id": "mus-050-3", "kind": "music", "path": "assets/reflow/mus-050-3.png", "dimensions_pixels": [ 1600, 516 ], "description": "C major. / good / bad / good", "source_label": "Example · page 50", "source_pdf": { "path": "source/pdf/book.pdf", "page": 50 }, "continuations": [], "pdf_page": 50, "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "source_image": "source-pages/p-050.jpg", "printed_page": 50, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-050-3.musicxml", "label": "C major. / good / bad / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "8200176e2e29facfab07caaf43a5ee885aa8ddaa9b8c012296c31fe5eee9784e", "sourceVerifiedSha256": "8200176e2e29facfab07caaf43a5ee885aa8ddaa9b8c012296c31fe5eee9784e", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 2, 4, 6, beat 1: moving line ends with one printed quarter against a whole note in the sustained line; preserved unequal durations without added rests (2x zoom).", "Bar 1, beats 2–3: tiny white gaps in E3 and D3 heads read as ink defects in quarters, not half notes; bar 1 beat 4 D4 and bar 2 C4 confirmed by ledger counting (2x zoom)." ] } ], "sha256": "47ec4701fe5d9436015087d838e34a724ead074cf0558e3d53b0d196da729fe9" }, { "id": "mus-050-4", "kind": "music", "path": "assets/reflow/mus-050-4.png", "dimensions_pixels": [ 829, 439 ], "description": "Music example", "source_label": "Example · page 50", "source_pdf": { "path": "source/pdf/book.pdf", "page": 50 }, "continuations": [], "pdf_page": 50, "sources": [ { "pdf_page": 50, "source_image": "source-pages/p-050.jpg", "printed_page": 50 } ], "source_image": "source-pages/p-050.jpg", "printed_page": 50, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-050-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "6381afa4232956a205bfcc402ee684229dbd60021c2d7f037a56108610a7e6eb", "sourceVerifiedSha256": "6381afa4232956a205bfcc402ee684229dbd60021c2d7f037a56108610a7e6eb", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 2, beat 1: moving line ends with one printed quarter against a whole note in the sustained line; preserved unequal durations without added rests (2x zoom).", "Bar 1, beat 1: small white center in D3 head read as an ink defect in a quarter, rather than a half note (2x zoom).", "Bar 2: source ends with open staff edges and no closing barline; encoded no right barline." ] } ], "sha256": "e678bec5ae9e17f2b90aa03ecd43338d5820e38e0640563f7b8a0c804637ff57" }, { "id": "mus-051-1", "kind": "music", "path": "assets/reflow/mus-051-1.png", "dimensions_pixels": [ 1600, 491 ], "description": "correct / incorrect", "source_label": "Example · page 51", "source_pdf": { "path": "source/pdf/book.pdf", "page": 51 }, "continuations": [], "pdf_page": 51, "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "source_image": "source-pages/p-051.jpg", "printed_page": 51, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-051-1.musicxml", "label": "correct / incorrect", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "cc911ef090044afe9a7b838098963d92c3b18980eac60d881ccc044a88747901", "sourceVerifiedSha256": "cc911ef090044afe9a7b838098963d92c3b18980eac60d881ccc044a88747901", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2, 4, beat 1: moving line ends with one printed quarter against a whole note in the sustained line; preserved unequal durations without added rests (2x zoom).", "Bar 3, beats 1–2: vertical dotted guide from C5 toward bass G3 omitted; adjacent dots belong to guide, not augmentation dots (2x zoom). Figure 4 preserved below marked bass note." ] } ], "sha256": "b4457f760a68b0401f79bb9b99187b7684b5cecf92668198b7ca5af3bd840d40" }, { "id": "mus-051-2", "kind": "music", "path": "assets/reflow/mus-051-2.png", "dimensions_pixels": [ 1600, 479 ], "description": "correct / incorrect", "source_label": "Example · page 51", "source_pdf": { "path": "source/pdf/book.pdf", "page": 51 }, "continuations": [], "pdf_page": 51, "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "source_image": "source-pages/p-051.jpg", "printed_page": 51, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-051-2.musicxml", "label": "correct / incorrect", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "d01010f293d2071b8e31a748d269badf3b247f8538420de053bb375e57fd20c9", "sourceVerifiedSha256": "d01010f293d2071b8e31a748d269badf3b247f8538420de053bb375e57fd20c9", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2, 4, beat 1: moving line ends with one printed quarter against a whole note in the sustained line; preserved unequal durations without added rests (2x zoom).", "Bar 3, beats 1–2: vertical dotted guide from upper staff to bass G3 omitted; dots are not augmentation dots (2x zoom).", "Upper staff whole notes encoded as two independent sustained voices (not one chord); lower staff is voice 3." ] } ], "sha256": "2661c9048900a3869890fbbd5212a9a0800931487b653a5be82c1d3c7ab8be7a" }, { "id": "mus-051-3", "kind": "music", "path": "assets/reflow/mus-051-3.png", "dimensions_pixels": [ 1600, 432 ], "description": "weak / good", "source_label": "Example · page 51", "source_pdf": { "path": "source/pdf/book.pdf", "page": 51 }, "continuations": [], "pdf_page": 51, "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "source_image": "source-pages/p-051.jpg", "printed_page": 51, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-051-3.musicxml", "label": "weak / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "033c7e3cec455dbf6bffb421a281d7963ac4ab3c284f5757a64a0f9e62eb878e", "sourceVerifiedSha256": "033c7e3cec455dbf6bffb421a281d7963ac4ab3c284f5757a64a0f9e62eb878e", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "105dce7cf5e201b48d1b44f51219e60aa01e05efbe228c5f27edfcc1c2224e28" }, { "id": "mus-051-4", "kind": "music", "path": "assets/reflow/mus-051-4.png", "dimensions_pixels": [ 1600, 454 ], "description": "weak / good", "source_label": "Example · page 51", "source_pdf": { "path": "source/pdf/book.pdf", "page": 51 }, "continuations": [], "pdf_page": 51, "sources": [ { "pdf_page": 51, "source_image": "source-pages/p-051.jpg", "printed_page": 51 } ], "source_image": "source-pages/p-051.jpg", "printed_page": 51, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-051-4.musicxml", "label": "weak / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "f1d361c7be63353af0f5fa6ee6c8cb1885251e47b9e910fa4b888e64d42cc09d", "sourceVerifiedSha256": "f1d361c7be63353af0f5fa6ee6c8cb1885251e47b9e910fa4b888e64d42cc09d", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2 and 4, bass beat 1: printed quarter notes B3 and F3 beneath treble whole notes; retained unequal voice lengths without padding. Confirmed in mus-051-4-zoom.png (3x)." ] } ], "sha256": "435c5f6096db2e3e8d85346fd8ecb12b9bc0d5782810a397029247ea59d28478" }, { "id": "mus-052-1", "kind": "music", "path": "assets/reflow/mus-052-1.png", "dimensions_pixels": [ 929, 531 ], "description": "Music example", "source_label": "Example · page 52", "source_pdf": { "path": "source/pdf/book.pdf", "page": 52 }, "continuations": [], "pdf_page": 52, "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "source_image": "source-pages/p-052.jpg", "printed_page": 52, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-052-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "6018e585f0c9b64c9bb5a1041f7b83bad1a2face3af68c3cbaa27e465da36508", "sourceVerifiedSha256": "6018e585f0c9b64c9bb5a1041f7b83bad1a2face3af68c3cbaa27e465da36508", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2, bass beat 1: F3 is a quarter beneath a whole-note treble chord; retained without padding (mus-052-1-zoom.png, 3x).", "Bar 1, beats 1–4: horizontal continuation lines following 5/3 omitted; figure retained as 5/3." ] } ], "sha256": "5d5d1e5cb7860aeab36b6607abb10d0d64fe399e4cb3930d90edb5935c758f77" }, { "id": "mus-052-2", "kind": "music", "path": "assets/reflow/mus-052-2.png", "dimensions_pixels": [ 1600, 184 ], "description": "Music example", "source_label": "Example · page 52", "source_pdf": { "path": "source/pdf/book.pdf", "page": 52 }, "continuations": [], "pdf_page": 52, "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "source_image": "source-pages/p-052.jpg", "printed_page": 52, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-052-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "5d1dc3864d41c7a486c02c9d991c87c49c98be20703b578be1a08f2d37060733", "sourceVerifiedSha256": "5d1dc3864d41c7a486c02c9d991c87c49c98be20703b578be1a08f2d37060733", "printed_systems": [ { "bars": 6 } ] } ], "sha256": "a01dc639fe7cda6e6be566576436792b13b933a4a4fc835aa1c984b3eb1464a9" }, { "id": "mus-052-3", "kind": "music", "path": "assets/reflow/mus-052-3.png", "dimensions_pixels": [ 1600, 176 ], "description": "Music example", "source_label": "Example · page 52", "source_pdf": { "path": "source/pdf/book.pdf", "page": 52 }, "continuations": [], "pdf_page": 52, "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "source_image": "source-pages/p-052.jpg", "printed_page": 52, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-052-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "28b1b8aa229aa1c5e55fd1a007a8efb688f1c94d7b6fb1cff5b5b7f79d3984c5", "sourceVerifiedSha256": "28b1b8aa229aa1c5e55fd1a007a8efb688f1c94d7b6fb1cff5b5b7f79d3984c5", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2 and 4, beat 1: overlapping whole-note heads read as two C5 whole notes in separate voices, not a breve; confirmed in mus-052-3-zoom.png (3x)." ] } ], "sha256": "0f924dfd1f6e98abc4866c8ab1b8a395b4ad0243407136621e111d7a0be9f017" }, { "id": "mus-052-4", "kind": "music", "path": "assets/reflow/mus-052-4.png", "dimensions_pixels": [ 1600, 246 ], "description": "Music example", "source_label": "Example · page 52", "source_pdf": { "path": "source/pdf/book.pdf", "page": 52 }, "continuations": [], "pdf_page": 52, "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "source_image": "source-pages/p-052.jpg", "printed_page": 52, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-052-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "3806029bf2db2ffceccc8a494c086e74bc20f75311c93593edbcd8b7402c070f", "sourceVerifiedSha256": "3806029bf2db2ffceccc8a494c086e74bc20f75311c93593edbcd8b7402c070f", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 1 lower voice: C4 D4 E4 quarters begin to the right of the upper E5 whole note. Engraving spacing favors beats 2–4, chosen for both readings; beats 1–3 remain possible because no rest is printed. No rest added. RV-009/mus-052-4-spot.png (3x).", "Bar 3, beat 1: overlapping heads read as two C5 whole notes in separate voices, not a breve (same 3x zoom)." ] } ], "sha256": "34480d8099e0d272ea4db392127cd79faa2a040f7e8b5a627caefb0b58a75bcd" }, { "id": "mus-052-5", "kind": "music", "path": "assets/reflow/mus-052-5.png", "dimensions_pixels": [ 1600, 409 ], "description": "C. F.", "source_label": "Example · page 52", "source_pdf": { "path": "source/pdf/book.pdf", "page": 52 }, "continuations": [], "pdf_page": 52, "sources": [ { "pdf_page": 52, "source_image": "source-pages/p-052.jpg", "printed_page": 52 } ], "source_image": "source-pages/p-052.jpg", "printed_page": 52, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-052-5.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "4cc33e2826a18856d9eb12670775ecd42aaa562b59b85e4bb7ed9e05c196ab84", "sourceVerifiedSha256": "4cc33e2826a18856d9eb12670775ecd42aaa562b59b85e4bb7ed9e05c196ab84", "printed_systems": [ { "bars": 6 } ] } ], "sha256": "fde1d95af47ba75522f2099f0dbe4fc77cb0ef2cfb0fb9a9c1695294174ebaa9" }, { "id": "mus-053-1", "kind": "music", "path": "assets/reflow/mus-053-1.png", "dimensions_pixels": [ 1600, 410 ], "description": "C.F.", "source_label": "Example · page 53", "source_pdf": { "path": "source/pdf/book.pdf", "page": 53 }, "continuations": [], "pdf_page": 53, "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "source_image": "source-pages/p-053.jpg", "printed_page": 53, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-053-1.musicxml", "label": "C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "7a0bc6a91faa8c0a7073b8c21825ae8dc7b1f191a9915fe4a7c83469e0e8c3be", "sourceVerifiedSha256": "7a0bc6a91faa8c0a7073b8c21825ae8dc7b1f191a9915fe4a7c83469e0e8c3be", "printed_systems": [ { "bars": 6 } ] } ], "sha256": "8a5a7e736c15dbd024322e19b82f912c7fb4114ef1ebbebabb086da81136e101" }, { "id": "mus-053-2", "kind": "music", "path": "assets/reflow/mus-053-2.png", "dimensions_pixels": [ 1600, 394 ], "description": "Music example", "source_label": "Example · page 53", "source_pdf": { "path": "source/pdf/book.pdf", "page": 53 }, "continuations": [], "pdf_page": 53, "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "source_image": "source-pages/p-053.jpg", "printed_page": 53, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-053-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "5875940529f42b226adad2643e9adfff00fe025a35594ff911964269322f3880", "sourceVerifiedSha256": "5875940529f42b226adad2643e9adfff00fe025a35594ff911964269322f3880", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1, beat 1, lower treble: worn head of F4 could resemble a half note; read as quarter matching the filled head and stem at 3x (mus-053-2-zoom.png)." ] } ], "sha256": "e66f21795b1d92f1f4d347ce93d697b4cdedfe541ec1fb14596352a37fcc2cf9" }, { "id": "mus-053-3", "kind": "music", "path": "assets/reflow/mus-053-3.png", "dimensions_pixels": [ 1293, 514 ], "description": "possible / weak", "source_label": "Example · page 53", "source_pdf": { "path": "source/pdf/book.pdf", "page": 53 }, "continuations": [], "pdf_page": 53, "sources": [ { "pdf_page": 53, "source_image": "source-pages/p-053.jpg", "printed_page": 53 } ], "source_image": "source-pages/p-053.jpg", "printed_page": 53, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-053-3.musicxml", "label": "possible / weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "c9f1e749f0495f4f69d771021a3bf1aebffab76e409de817997c1e385127c86b", "sourceVerifiedSha256": "c9f1e749f0495f4f69d771021a3bf1aebffab76e409de817997c1e385127c86b", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 2, beat 1: F5 is a quarter against two whole notes; retained unequal voice lengths without padding. Zoom: mus-053-3-zoom.png (3x).", "Bar 3: diagonal analytical line joins bass B3 at beat 1 to treble B4 at beat 3; omitted, relation recorded here. Middle voice moves to bass staff; B3 and G3 encoded separately." ] } ], "sha256": "1849f27dead804e71d872c7149465a167de0604465547c988e05777959d381ee" }, { "id": "mus-054-1", "kind": "music", "path": "assets/reflow/mus-054-1.png", "dimensions_pixels": [ 1600, 420 ], "description": "Music example", "source_label": "Example · page 54", "source_pdf": { "path": "source/pdf/book.pdf", "page": 54 }, "continuations": [], "pdf_page": 54, "sources": [ { "pdf_page": 54, "source_image": "source-pages/p-054.jpg", "printed_page": 54 } ], "source_image": "source-pages/p-054.jpg", "printed_page": 54, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-054-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "af91881320f43d7406eb07382d7edafabab8abeb5b2bf3bbdfbe15360d93497d", "sourceVerifiedSha256": "af91881320f43d7406eb07382d7edafabab8abeb5b2bf3bbdfbe15360d93497d", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1–4, bass beat 1: stemless whole-note pairs could be chords or two lines. Encoded as two independent voices, upper D4–C4–B3–C4 and lower G3–C3–G3–C3; checked at 2x.", "Bars 2 and 4: treble prints only an E4 quarter against bass whole notes. Preserved unequal durations without padding; checked at 2x." ] } ], "sha256": "fcd74786bf26e3c92f51d0cc2bd1c63e6d1dd3aa72f782659330b72b4a210b91" }, { "id": "mus-054-2", "kind": "music", "path": "assets/reflow/mus-054-2.png", "dimensions_pixels": [ 1600, 914 ], "description": "C. F.", "source_label": "Example · page 54", "source_pdf": { "path": "source/pdf/book.pdf", "page": 54 }, "continuations": [], "pdf_page": 54, "sources": [ { "pdf_page": 54, "source_image": "source-pages/p-054.jpg", "printed_page": 54 } ], "source_image": "source-pages/p-054.jpg", "printed_page": 54, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-054-2.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9d113bc2796ab19fd87b67981c62299e3d250da75b71343902e23db5696e4098", "sourceVerifiedSha256": "9d113bc2796ab19fd87b67981c62299e3d250da75b71343902e23db5696e4098", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ] } ], "sha256": "6fa465d99b33fc86c9deeef8067a39a80e6ac564bf4298b99b38025a94caf4e7" }, { "id": "mus-054-3", "kind": "music", "path": "assets/reflow/mus-054-3.png", "dimensions_pixels": [ 1600, 476 ], "description": "C. F.", "source_label": "Example · page 54", "source_pdf": { "path": "source/pdf/book.pdf", "page": 54 }, "continuations": [ { "path": "assets/reflow/mus-054-3-p2.png", "dimensions_pixels": [ 1600, 977 ] } ], "pdf_page": 54, "sources": [ { "pdf_page": 54, "source_image": "source-pages/p-054.jpg", "printed_page": 54 }, { "pdf_page": 55, "source_image": "source-pages/p-055.jpg", "printed_page": 55 } ], "source_image": "source-pages/p-054.jpg", "printed_page": 54, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-054-3.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "878b3a09cb5283a406474a52e4d60e9c5612b40704a158c5ff68f824dc009d10", "sourceVerifiedSha256": "878b3a09cb5283a406474a52e4d60e9c5612b40704a158c5ff68f824dc009d10", "printed_systems": [ { "bars": 4 }, { "bars": 4 }, { "bars": 4 } ], "issues": [ "Bar 7 beat 4: small isolated slash above the F4 stem may be a blemish or a breath mark; omitted as a blemish. Checked continuation at 2x." ] } ], "sha256": "9d799580c779b73e9bde29e570d5f88ee80b8c5b8a974c4829e5bdffc31b9c2c" }, { "id": "mus-055-1", "kind": "music", "path": "assets/reflow/mus-055-1.png", "dimensions_pixels": [ 1600, 894 ], "description": "C. F.", "source_label": "Example · page 55", "source_pdf": { "path": "source/pdf/book.pdf", "page": 55 }, "continuations": [], "pdf_page": 55, "sources": [ { "pdf_page": 55, "source_image": "source-pages/p-055.jpg", "printed_page": 55 } ], "source_image": "source-pages/p-055.jpg", "printed_page": 55, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-055-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "f45cf9807e7181246adc724ead45b1103275ce1d050d352b627c6230ee0a0506", "sourceVerifiedSha256": "f45cf9807e7181246adc724ead45b1103275ce1d050d352b627c6230ee0a0506", "printed_systems": [ { "bars": 4 }, { "bars": 5 } ] } ], "sha256": "6ec002bff7a7a29700504b27fe0a3819f0b2320615d9236fdc3f9bea00779053" }, { "id": "mus-055-2", "kind": "music", "path": "assets/reflow/mus-055-2.png", "dimensions_pixels": [ 1600, 419 ], "description": "C. F.", "source_label": "Example · page 55", "source_pdf": { "path": "source/pdf/book.pdf", "page": 55 }, "continuations": [ { "path": "assets/reflow/mus-055-2-p2.png", "dimensions_pixels": [ 1600, 807 ] } ], "pdf_page": 55, "sources": [ { "pdf_page": 55, "source_image": "source-pages/p-055.jpg", "printed_page": 55 }, { "pdf_page": 56, "source_image": "source-pages/p-056.jpg", "printed_page": 56 } ], "source_image": "source-pages/p-055.jpg", "printed_page": 55, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-055-2.musicxml", "label": "C. 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Read as incoming ties, encoded tied:stop; no preceding notes invented (2× full-crop zoom).", "Bars 1–4: lower whole notes read as separate contrapuntal voices, rather than one accompaniment chord; no stems distinguish the sustained voices (2× full-crop zoom)." ] } ], "sha256": "8d18d68e06b1bba70ebbfd608135a78a8d22466a4ba9ce3912295b4591f725d4" }, { "id": "mus-062-2", "kind": "music", "path": "assets/reflow/mus-062-2.png", "dimensions_pixels": [ 465, 199 ], "description": "Music example", "source_label": "Example · page 62", "source_pdf": { "path": "source/pdf/book.pdf", "page": 62 }, "continuations": [], "pdf_page": 62, "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "source_image": "source-pages/p-062.jpg", "printed_page": 62, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-062-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "3e82e0e8220f4c52967728cf6800af79423a0dd99372bcdee04b52ec681891e7", "sourceVerifiedSha256": "3e82e0e8220f4c52967728cf6800af79423a0dd99372bcdee04b52ec681891e7", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1, beat 1: incoming curved mark read as a tie ending on D5; starting note outside excerpt. Encoded tied:stop (2× full-crop zoom)." ] } ], "sha256": "5df6694d8dbd7cae41540c94914f89ed9e9f125d8e0b06a2fc71ec6681182df5" }, { "id": "mus-062-3", "kind": "music", "path": "assets/reflow/mus-062-3.png", "dimensions_pixels": [ 465, 204 ], "description": "Music example", "source_label": "Example · page 62", "source_pdf": { "path": "source/pdf/book.pdf", "page": 62 }, "continuations": [], "pdf_page": 62, "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "source_image": "source-pages/p-062.jpg", "printed_page": 62, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-062-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "05725d7c25177bfcb6c74d64174ae5e4b1f27c9328a972f21af00d1eb2ae05d8", "sourceVerifiedSha256": "05725d7c25177bfcb6c74d64174ae5e4b1f27c9328a972f21af00d1eb2ae05d8", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bars 1, first half-note: left-hand curved fragment read as incoming tie (tied:stop), not slur; preceding note is outside the printed sub-example. Checked in mus-062-3-zoom.png at 3x." ] } ], "sha256": "3a70cb7db05f8e609b98aba00f8a32a9fd42660752ae5d33ad11e2feb821d521" }, { "id": "mus-062-4", "kind": "music", "path": "assets/reflow/mus-062-4.png", "dimensions_pixels": [ 849, 301 ], "description": "Music example", "source_label": "Example · page 62", "source_pdf": { "path": "source/pdf/book.pdf", "page": 62 }, "continuations": [], "pdf_page": 62, "sources": [ { "pdf_page": 62, "source_image": "source-pages/p-062.jpg", "printed_page": 62 } ], "source_image": "source-pages/p-062.jpg", "printed_page": 62, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-062-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "f3c29480367915786ea940a34af1f96ba17aaf00582028bac91c4a666fae19e7", "sourceVerifiedSha256": "f3c29480367915786ea940a34af1f96ba17aaf00582028bac91c4a666fae19e7", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1, 2, first half-note: left-hand curved fragment read as incoming tie (tied:stop), not slur; preceding note is outside the printed sub-example. Checked in mus-062-4-zoom.png at 3x." ] } ], "sha256": "3fda8c08ca228b2029cbd15b740fb23511ee900a11ac15d9348daaa2b07cf656" }, { "id": "mus-063-1", "kind": "music", "path": "assets/reflow/mus-063-1.png", "dimensions_pixels": [ 869, 382 ], "description": "(a) / (b)", "source_label": "Example · page 63", "source_pdf": { "path": "source/pdf/book.pdf", "page": 63 }, "continuations": [], "pdf_page": 63, "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "source_image": "source-pages/p-063.jpg", "printed_page": 63, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-063-1.musicxml", "label": "(a) / (b)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "e76b04ac98c0b94ebd41859769495cc8e0480a807d833666fbc5c5bcd29192ec", "sourceVerifiedSha256": "e76b04ac98c0b94ebd41859769495cc8e0480a807d833666fbc5c5bcd29192ec", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1, 2, first half-note: left-hand curved fragment read as incoming tie (tied:stop), not slur; preceding note is outside the printed sub-example. Checked in mus-063-1-zoom.png at 3x." ] } ], "sha256": "bd806cba1aba14ee6f7ab6a8767de6d20bd60978989a8d9a4389bc779df6a191" }, { "id": "mus-063-2", "kind": "music", "path": "assets/reflow/mus-063-2.png", "dimensions_pixels": [ 869, 226 ], "description": "Music example", "source_label": "Example · page 63", "source_pdf": { "path": "source/pdf/book.pdf", "page": 63 }, "continuations": [], "pdf_page": 63, "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "source_image": "source-pages/p-063.jpg", "printed_page": 63, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-063-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "9a424c27fd79f8957cd6d3bbbf2688e4ce6220fe5924371be313978f595f4dc2", "sourceVerifiedSha256": "9a424c27fd79f8957cd6d3bbbf2688e4ce6220fe5924371be313978f595f4dc2", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1, 2, first half-note: left-hand curved fragment read as incoming tie (tied:stop), not slur; preceding note is outside the printed sub-example. Checked in mus-063-2-zoom.png at 3x." ] } ], "sha256": "23bff1c0b8d01bef4372dbc764d91fa2f9bd2b93bc517baad1f471d9320570cc" }, { "id": "mus-063-3", "kind": "music", "path": "assets/reflow/mus-063-3.png", "dimensions_pixels": [ 869, 183 ], "description": "Music example", "source_label": "Example · page 63", "source_pdf": { "path": "source/pdf/book.pdf", "page": 63 }, "continuations": [], "pdf_page": 63, "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "source_image": "source-pages/p-063.jpg", "printed_page": 63, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-063-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "51ed19c610c5fffe9c1d42b6c2e48a8d3673e00ff961a45e7e4eedf24cc3cfbb", "sourceVerifiedSha256": "51ed19c610c5fffe9c1d42b6c2e48a8d3673e00ff961a45e7e4eedf24cc3cfbb", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1, 2, first half-note: left-hand curved fragment read as incoming tie (tied:stop), not slur; preceding note is outside the printed sub-example. Checked in mus-063-3-zoom.png at 3x." ] } ], "sha256": "a67866bd6700438ea613172abe2bcbf6d9c25b1360973b4043adf70624926538" }, { "id": "mus-063-4", "kind": "music", "path": "assets/reflow/mus-063-4.png", "dimensions_pixels": [ 869, 292 ], "description": "good / bad", "source_label": "Example · page 63", "source_pdf": { "path": "source/pdf/book.pdf", "page": 63 }, "continuations": [], "pdf_page": 63, "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "source_image": "source-pages/p-063.jpg", "printed_page": 63, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-063-4.musicxml", "label": "good / bad", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "f795e565a89152face4f26b39b8c94e1332517c2b27432f2309180de3f10cb90", "sourceVerifiedSha256": "f795e565a89152face4f26b39b8c94e1332517c2b27432f2309180de3f10cb90", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1, 2, first half-note: left-hand curved fragment read as incoming tie (tied:stop), not slur; preceding note is outside the printed sub-example. Checked in mus-063-4-zoom.png at 3x." ] } ], "sha256": "fa15e033bc9fd183f2d6a99a1e830075848efe6ddb209490f57f0afebbf61020" }, { "id": "mus-063-5", "kind": "music", "path": "assets/reflow/mus-063-5.png", "dimensions_pixels": [ 869, 261 ], "description": "Music example", "source_label": "Example · page 63", "source_pdf": { "path": "source/pdf/book.pdf", "page": 63 }, "continuations": [], "pdf_page": 63, "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "source_image": "source-pages/p-063.jpg", "printed_page": 63, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-063-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "dcae767a79c4ea187cdaea1e71770b37e22dec5b1ef4e435cc0106b4e31e2799", "sourceVerifiedSha256": "dcae767a79c4ea187cdaea1e71770b37e22dec5b1ef4e435cc0106b4e31e2799", "printed_systems": [ { "bars": 2 } ], "issues": [ "Diagonal analytical lines joining simultaneous/later notes omitted (not glissandi): bars 1–2, lower whole-note to second-half upper note. Checked mus-063-5-zoom.png at 3x.", "Bar 1, upper voice begins at the second half of the bar; no initial rest printed. Encoded forward half, not invented rest or simultaneous onset. Checked mus-063-5-zoom.png at 3x." ] } ], "sha256": "47effc526b0d95b7e4d1818dbc90f60d28f5f9f759df0947582add4cbf4c357e" }, { "id": "mus-063-6", "kind": "music", "path": "assets/reflow/mus-063-6.png", "dimensions_pixels": [ 869, 207 ], "description": "Music example", "source_label": "Example · page 63", "source_pdf": { "path": "source/pdf/book.pdf", "page": 63 }, "continuations": [], "pdf_page": 63, "sources": [ { "pdf_page": 63, "source_image": "source-pages/p-063.jpg", "printed_page": 63 } ], "source_image": "source-pages/p-063.jpg", "printed_page": 63, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-063-6.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "d2ad398f9b479a9bb967aed37c8c27ff899f7783e1750451c85952631d5e2332", "sourceVerifiedSha256": "d2ad398f9b479a9bb967aed37c8c27ff899f7783e1750451c85952631d5e2332", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1, upper voice begins at the second half of the bar; no initial rest printed. Encoded forward half, not invented rest or simultaneous onset. Checked mus-063-6-zoom.png at 3x." ] } ], "sha256": "a97eeef5881bfaf0aef774ffe37b2177fe5d4188c2e92ece36bec2454c6f5538" }, { "id": "mus-064-1", "kind": "music", "path": "assets/reflow/mus-064-1.png", "dimensions_pixels": [ 849, 216 ], "description": "Music example", "source_label": "Example · page 64", "source_pdf": { "path": "source/pdf/book.pdf", "page": 64 }, "continuations": [], "pdf_page": 64, "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "source_image": "source-pages/p-064.jpg", "printed_page": 64, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-064-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "1b0be5907eff5922fd3b3b18ec8c4afb52f2962741c7d1a816fa554a970ac769", "sourceVerifiedSha256": "1b0be5907eff5922fd3b3b18ec8c4afb52f2962741c7d1a816fa554a970ac769", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1, upper voice begins at the second half of the bar; no initial rest printed. Encoded forward half, not invented rest or simultaneous onset. Checked mus-064-1-zoom.png at 3x." ] } ], "sha256": "0202b83f56da728b0efe72dbb6567b99e7e60d38fb55b332becc11fbbe336325" }, { "id": "mus-064-2", "kind": "music", "path": "assets/reflow/mus-064-2.png", "dimensions_pixels": [ 1600, 295 ], "description": "(a) / (b)", "source_label": "Example · page 64", "source_pdf": { "path": "source/pdf/book.pdf", "page": 64 }, "continuations": [], "pdf_page": 64, "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "source_image": "source-pages/p-064.jpg", "printed_page": 64, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-064-2.musicxml", "label": "(a) / (b)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "0baf89b80e2516a0f7402062a877d081d4367238d949bb9af064f920f164b13a", "sourceVerifiedSha256": "0baf89b80e2516a0f7402062a877d081d4367238d949bb9af064f920f164b13a", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 1, first half-note: left-hand curved fragment read as incoming tie (tied:stop), not slur; preceding note is outside the printed sub-example. Checked in mus-064-2-zoom.png at 3x.", "Diagonal analytical lines joining simultaneous/later notes omitted (not glissandi): bars 1–3 from lowest whole-note to second upper half-note; bars 4–6 from upper whole-note to second lower half-note. Checked mus-064-2-zoom.png at 3x." ] } ], "sha256": "f0588687aa5f2e9e9dc7731ef4fde50b062fdd5ca96888efe6a8167a58db9e10" }, { "id": "mus-064-3", "kind": "music", "path": "assets/reflow/mus-064-3.png", "dimensions_pixels": [ 849, 204 ], "description": "Music example", "source_label": "Example · page 64", "source_pdf": { "path": "source/pdf/book.pdf", "page": 64 }, "continuations": [], "pdf_page": 64, "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "source_image": "source-pages/p-064.jpg", "printed_page": 64, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-064-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "f8fecb336169a775201e58a4436020cf36de80a2fbbc3f89abc5ff22993d3b60", "sourceVerifiedSha256": "f8fecb336169a775201e58a4436020cf36de80a2fbbc3f89abc5ff22993d3b60", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1 beat 1, lower A4: incoming arc has no source note; encoded open tie stop, not slur. Bars 1–2 diagonal analytical connectors omitted (D5 to G4; C5 to F4). Checked mus-064-3-zoom.png at 3×." ] } ], "sha256": "6f9deb917b3e42885d246d071d59e910bd783fcb76f0a17f6f55d4a1a3663e92" }, { "id": "mus-064-4", "kind": "music", "path": "assets/reflow/mus-064-4.png", "dimensions_pixels": [ 1535, 240 ], "description": "Music example", "source_label": "Example · page 64", "source_pdf": { "path": "source/pdf/book.pdf", "page": 64 }, "continuations": [], "pdf_page": 64, "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "source_image": "source-pages/p-064.jpg", "printed_page": 64, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-064-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "72c5865c9e2b8ec151ee8a811c6b7c0be283b403be96afe5d3158ecbb9607dea", "sourceVerifiedSha256": "72c5865c9e2b8ec151ee8a811c6b7c0be283b403be96afe5d3158ecbb9607dea", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1 and 3 beat 1: incoming arcs on C5 and G4 have no source notes; encoded open tie stops, not slurs. Checked mus-064-4-zoom.png at 3×." ] } ], "sha256": "bec7af3edc581fc50a736dd7168cd9fce61468d5282cee9eb196adb7427d4e43" }, { "id": "mus-064-5", "kind": "music", "path": "assets/reflow/mus-064-5.png", "dimensions_pixels": [ 1535, 231 ], "description": "Music example", "source_label": "Example · page 64", "source_pdf": { "path": "source/pdf/book.pdf", "page": 64 }, "continuations": [], "pdf_page": 64, "sources": [ { "pdf_page": 64, "source_image": "source-pages/p-064.jpg", "printed_page": 64 } ], "source_image": "source-pages/p-064.jpg", "printed_page": 64, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-064-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "d4fb719489b773826a251ad6cb18333184c853ac50dfd6007a06a2ac86b2a504", "sourceVerifiedSha256": "d4fb719489b773826a251ad6cb18333184c853ac50dfd6007a06a2ac86b2a504", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 3 beats 1–2: no upper-voice rest printed; forward half places G5 on beat 3 without inventing a rest. Alternative half rest rejected from 3× mus-064-5-zoom.png.", "Bars 1–4: diagonal analytical connectors omitted (C4–C5, F4–F5, C5–G5, G4–D5); not ties or glissandi. Checked 3× mus-064-5-zoom.png." ] } ], "sha256": "a6a8092bf898ff318e0567388fc9017896658255f927c648868fe7d752c8e403" }, { "id": "mus-065-1", "kind": "music", "path": "assets/reflow/mus-065-1.png", "dimensions_pixels": [ 1546, 247 ], "description": "(a) / (b)", "source_label": "Example · page 65", "source_pdf": { "path": "source/pdf/book.pdf", "page": 65 }, "continuations": [], "pdf_page": 65, "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "source_image": "source-pages/p-065.jpg", "printed_page": 65, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-065-1.musicxml", "label": "(a) / (b)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "a5c13933177934e1d59e29dab4e88dd6947466548766b9cfe62c71d5e84cdc22", "sourceVerifiedSha256": "a5c13933177934e1d59e29dab4e88dd6947466548766b9cfe62c71d5e84cdc22", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 1 beats 1–2: no lower-voice rest printed; C5 half enters on beat 3 under C5 whole. Alternative two sequential halves rejected from 3× mus-065-1-zoom.png.", "Bar 3 beat 1 C5: incoming arc encoded open tie stop, not slur; source note absent. Checked 3× mus-065-1-zoom.png." ] } ], "sha256": "bad0bfb3dc0e75cb7e31aad59ea9372b8c8c8adfaad4cd847990eedcc10861bf" }, { "id": "mus-065-2", "kind": "music", "path": "assets/reflow/mus-065-2.png", "dimensions_pixels": [ 1546, 311 ], "description": "Music example", "source_label": "Example · page 65", "source_pdf": { "path": "source/pdf/book.pdf", "page": 65 }, "continuations": [], "pdf_page": 65, "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "source_image": "source-pages/p-065.jpg", "printed_page": 65, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-065-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "908dd9a9cad2a5c7e94d52a1e24bc81f2fd075db51b17a14dcdfa49fef56dbe2", "sourceVerifiedSha256": "908dd9a9cad2a5c7e94d52a1e24bc81f2fd075db51b17a14dcdfa49fef56dbe2", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1 and 3 beat 1 (G4, C5), bar 4 beat 3 (G5): incomplete arcs encoded open ties (stop, stop, start), not slurs; missing endpoints not supplied. Bar 4 lower whole is B3, below C4 ledger, not C4. Checked 3× mus-065-2-zoom.png." ] } ], "sha256": "37fbb2242afffbb27842069deb40d78ddf9c8dc2434c021a9868e5d8d5b69650" }, { "id": "mus-065-3", "kind": "music", "path": "assets/reflow/mus-065-3.png", "dimensions_pixels": [ 1600, 225 ], "description": "Music example", "source_label": "Example · page 65", "source_pdf": { "path": "source/pdf/book.pdf", "page": 65 }, "continuations": [], "pdf_page": 65, "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "source_image": "source-pages/p-065.jpg", "printed_page": 65, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-065-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "31fc4f7fa96b005fbee704d0a7930e7ea221af056a979df2efbc9ebbdfd8628d", "sourceVerifiedSha256": "31fc4f7fa96b005fbee704d0a7930e7ea221af056a979df2efbc9ebbdfd8628d", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 1, 3, 5 beat 1: incoming arcs on C5, A4, C4 encoded open tie stops, not slurs. Bar 5 beat 3 lower half is B3 below C4 ledger, not C4. Checked 3× mus-065-3-zoom.png." ] } ], "sha256": "62b3aa61da8dc21453bfbce4b0932568dbdeeee4993e7c9d958676148de2e201" }, { "id": "mus-065-4", "kind": "music", "path": "assets/reflow/mus-065-4.png", "dimensions_pixels": [ 1546, 490 ], "description": "Music example", "source_label": "Example · page 65", "source_pdf": { "path": "source/pdf/book.pdf", "page": 65 }, "continuations": [], "pdf_page": 65, "sources": [ { "pdf_page": 65, "source_image": "source-pages/p-065.jpg", "printed_page": 65 } ], "source_image": "source-pages/p-065.jpg", "printed_page": 65, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-065-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "2cc52cdab968ec08349df25b5491bf906356975511a563e8b580f3447e44278e", "sourceVerifiedSha256": "2cc52cdab968ec08349df25b5491bf906356975511a563e8b580f3447e44278e", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "d5f6feffceeda950822123e3d09d159162742f58a7fe0c52fb83ef7089bed2a3" }, { "id": "mus-066-1", "kind": "music", "path": "assets/reflow/mus-066-1.png", "dimensions_pixels": [ 565, 405 ], "description": "Music example", "source_label": "Example · page 66", "source_pdf": { "path": "source/pdf/book.pdf", "page": 66 }, "continuations": [], "pdf_page": 66, "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "source_image": "source-pages/p-066.jpg", "printed_page": 66, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-066-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "07d6df94063ee861d20a3f6a6c2410ac4c3eef941fed831bf5f1e109b756fb15", "sourceVerifiedSha256": "07d6df94063ee861d20a3f6a6c2410ac4c3eef941fed831bf5f1e109b756fb15", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1 beat 1 D5: incoming arc encoded open tie stop, not slur; source note absent. Lower staff whole notes read C4 (ledger) and E3 (space), separate voices. Checked 3× mus-066-1-zoom.png." ] } ], "sha256": "41b72754ae222f076518a2b3994e85b46bb817496cd73fa45384ddd99a1b2c03" }, { "id": "mus-066-2", "kind": "music", "path": "assets/reflow/mus-066-2.png", "dimensions_pixels": [ 910, 466 ], "description": "both good", "source_label": "Example · page 66", "source_pdf": { "path": "source/pdf/book.pdf", "page": 66 }, "continuations": [], "pdf_page": 66, "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "source_image": "source-pages/p-066.jpg", "printed_page": 66, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-066-2.musicxml", "label": "both good", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "05b3c13dce349002af92ae0e97694156eb42df84810728e8fb18a86422e6c4b3", "sourceVerifiedSha256": "05b3c13dce349002af92ae0e97694156eb42df84810728e8fb18a86422e6c4b3", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1–2 beat 1 C5: incoming arcs encoded open tie stops, not slurs; source notes absent. Checked 3× mus-066-2-zoom.png." ] } ], "sha256": "7e4ece9d966191f3feace3a66339c4e93edf7393f63ad0fed71f4ede448be03f" }, { "id": "mus-066-3", "kind": "music", "path": "assets/reflow/mus-066-3.png", "dimensions_pixels": [ 1334, 397 ], "description": "C. F.", "source_label": "Example · page 66", "source_pdf": { "path": "source/pdf/book.pdf", "page": 66 }, "continuations": [], "pdf_page": 66, "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "source_image": "source-pages/p-066.jpg", "printed_page": 66, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-066-3.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "fa0133fb40ca619e28e2ee86b1ab6aa6c33ed47570c921c6908b2be52063dd07", "sourceVerifiedSha256": "fa0133fb40ca619e28e2ee86b1ab6aa6c33ed47570c921c6908b2be52063dd07", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1 and 3 beat 1 (C5, G4): incoming arcs encoded open tie stops, not slurs; source notes absent. Checked 3× mus-066-3-zoom.png." ] } ], "sha256": "e0e95d7d74d56782529a59d79b2ceb76faad9bc600b375a188285e93d4e24bb9" }, { "id": "mus-066-4", "kind": "music", "path": "assets/reflow/mus-066-4.png", "dimensions_pixels": [ 1334, 396 ], "description": "C. F.", "source_label": "Example · page 66", "source_pdf": { "path": "source/pdf/book.pdf", "page": 66 }, "continuations": [], "pdf_page": 66, "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "source_image": "source-pages/p-066.jpg", "printed_page": 66, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-066-4.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b49c42d19658cc85a3bc0d6ce1b311cebbd4c8a677eb183dc18f6a76e228fb50", "sourceVerifiedSha256": "b49c42d19658cc85a3bc0d6ce1b311cebbd4c8a677eb183dc18f6a76e228fb50", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1 and 3, beat 1: isolated incoming curved marks end over the first upper half note. Preserved as incoming tie ends; originating notes are outside the printed excerpts (2x zoom)." ] } ], "sha256": "7a113f94510dd28047eddb27bdd8038e26d37605cd82d560fd1312cf81524406" }, { "id": "mus-066-5", "kind": "music", "path": "assets/reflow/mus-066-5.png", "dimensions_pixels": [ 1334, 442 ], "description": "C. F. / C. F.", "source_label": "Example · page 66", "source_pdf": { "path": "source/pdf/book.pdf", "page": 66 }, "continuations": [], "pdf_page": 66, "sources": [ { "pdf_page": 66, "source_image": "source-pages/p-066.jpg", "printed_page": 66 } ], "source_image": "source-pages/p-066.jpg", "printed_page": 66, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-066-5.musicxml", "label": "C. F. / C. F.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "ac9e59a0499f09fe653cc86e1eb24cdfaabcd613b2aeb9e7272cca44d64c3d50", "sourceVerifiedSha256": "ac9e59a0499f09fe653cc86e1eb24cdfaabcd613b2aeb9e7272cca44d64c3d50", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1 and 3, beat 1: isolated incoming curves above bass half notes; preserved as incoming tie ends without inventing preceding notes (2x zoom)." ] } ], "sha256": "cae3da3bf3019ccbdc63ce1e8b5f4f4b2b00a1cda2575d4196e5ceaa19824e71" }, { "id": "mus-067-1", "kind": "music", "path": "assets/reflow/mus-067-1.png", "dimensions_pixels": [ 1600, 872 ], "description": "C. F.", "source_label": "Example · page 67", "source_pdf": { "path": "source/pdf/book.pdf", "page": 67 }, "continuations": [], "pdf_page": 67, "sources": [ { "pdf_page": 67, "source_image": "source-pages/p-067.jpg", "printed_page": 67 } ], "source_image": "source-pages/p-067.jpg", "printed_page": 67, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-067-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "2997afe00fbab65bf09575fe6dc2ac48b98570d1eaeb4a99cced32e3ad67db3e", "sourceVerifiedSha256": "2997afe00fbab65bf09575fe6dc2ac48b98570d1eaeb4a99cced32e3ad67db3e", "printed_systems": [ { "bars": 5 }, { "bars": 5 } ], "issues": [ "Every bar, treble lower voice beat 1: filled stemless heads could be duration-neutral guide notes or filled semibreves. Encoded as whole-duration independent voice with filled noteheads; no stems added. Checked original at 2x." ] } ], "sha256": "5ca087e52dd585dda1e51a692d9bcb8cfa568e4fd5e51041b21ab0625acb27d1" }, { "id": "mus-067-2", "kind": "music", "path": "assets/reflow/mus-067-2.png", "dimensions_pixels": [ 1600, 860 ], "description": "C. F.", "source_label": "Example · page 67", "source_pdf": { "path": "source/pdf/book.pdf", "page": 67 }, "continuations": [], "pdf_page": 67, "sources": [ { "pdf_page": 67, "source_image": "source-pages/p-067.jpg", "printed_page": 67 } ], "source_image": "source-pages/p-067.jpg", "printed_page": 67, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-067-2.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "957a47c9e69b1814b9b584f19fbe9de3073146cbfc8c74756a8fae5aef4d84f4", "sourceVerifiedSha256": "957a47c9e69b1814b9b584f19fbe9de3073146cbfc8c74756a8fae5aef4d84f4", "printed_systems": [ { "bars": 5 }, { "bars": 6 } ], "issues": [ "Every bar, treble lower voice beat 1: filled stemless heads could be duration-neutral guide notes or filled semibreves. Encoded as whole-duration independent voice with filled noteheads; no stems added. Checked original at 2x." ] } ], "sha256": "28a92ba9e8d23ef2bd87ecc449f07d440368276cef26c72a5964113a885a90b5" }, { "id": "mus-067-3", "kind": "music", "path": "assets/reflow/mus-067-3.png", "dimensions_pixels": [ 1600, 433 ], "description": "C. F.", "source_label": "Example · page 67", "source_pdf": { "path": "source/pdf/book.pdf", "page": 67 }, "continuations": [ { "path": "assets/reflow/mus-067-3-p2.png", "dimensions_pixels": [ 1600, 396 ] } ], "pdf_page": 67, "sources": [ { "pdf_page": 67, "source_image": "source-pages/p-067.jpg", "printed_page": 67 }, { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "source_image": "source-pages/p-067.jpg", "printed_page": 67, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-067-3.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "4d46a9334d93e49c337be09db6b79855a4d8f08bb6c39527a5cb4485acdddd08", "sourceVerifiedSha256": "4d46a9334d93e49c337be09db6b79855a4d8f08bb6c39527a5cb4485acdddd08", "printed_systems": [ { "bars": 5 }, { "bars": 6 } ], "issues": [ "Every bar, treble lower voice beat 1: filled stemless heads could be duration-neutral guide notes or filled semibreves. Encoded as whole-duration independent voice with filled noteheads; no stems added. Checked original at 2x." ] } ], "sha256": "5b6c93ebb8da9fd7e00703e531676eced614d23480cbe646628c7ca8a4b3bb50" }, { "id": "mus-068-1", "kind": "music", "path": "assets/reflow/mus-068-1.png", "dimensions_pixels": [ 1600, 897 ], "description": "C. F.", "source_label": "Example · page 68", "source_pdf": { "path": "source/pdf/book.pdf", "page": 68 }, "continuations": [], "pdf_page": 68, "sources": [ { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "source_image": "source-pages/p-068.jpg", "printed_page": 68, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-068-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e3aa6b6f4549d6d6baf53515f6b16fda40e7d3a0f594bdd4fe5011161e8769c5", "sourceVerifiedSha256": "e3aa6b6f4549d6d6baf53515f6b16fda40e7d3a0f594bdd4fe5011161e8769c5", "printed_systems": [ { "bars": 6 }, { "bars": 7 } ], "issues": [ "Every bar, treble lower voice beat 1: filled stemless heads could be duration-neutral guide notes or filled semibreves. Encoded as whole-duration independent voice with filled noteheads; no stems added. Checked original at 2x." ] } ], "sha256": "0ddc13bc3b5e2979e9ee7783caac36b897de28bfbffa5922a48a407c55dde91c" }, { "id": "mus-068-2", "kind": "music", "path": "assets/reflow/mus-068-2.png", "dimensions_pixels": [ 1600, 339 ], "description": "Music example", "source_label": "Example · page 68", "source_pdf": { "path": "source/pdf/book.pdf", "page": 68 }, "continuations": [], "pdf_page": 68, "sources": [ { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "source_image": "source-pages/p-068.jpg", "printed_page": 68, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-068-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "1082e261592f4f51258e1f3e0952ee7f58a94d6c56ff58d4d279af8c3bb4653a", "sourceVerifiedSha256": "1082e261592f4f51258e1f3e0952ee7f58a94d6c56ff58d4d279af8c3bb4653a", "printed_systems": [ { "bars": 6 }, { "bars": 3 } ] } ], "sha256": "750fa54f4dc47390c5761e4a433991afb83e34c674837a1e21a4357169f9913e" }, { "id": "mus-068-3", "kind": "music", "path": "assets/reflow/mus-068-3.png", "dimensions_pixels": [ 1600, 348 ], "description": "Music example", "source_label": "Example · page 68", "source_pdf": { "path": "source/pdf/book.pdf", "page": 68 }, "continuations": [], "pdf_page": 68, "sources": [ { "pdf_page": 68, "source_image": "source-pages/p-068.jpg", "printed_page": 68 } ], "source_image": "source-pages/p-068.jpg", "printed_page": 68, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-068-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "aeefb0816654a43fbf0de3a7883acce7c3c3931fae5feb4492a35263c39b1a88", "sourceVerifiedSha256": "aeefb0816654a43fbf0de3a7883acce7c3c3931fae5feb4492a35263c39b1a88", "printed_systems": [ { "bars": 6 }, { "bars": 5 } ] } ], "sha256": "d6a84c005f389cb2a99c69d0483c367cb18782871987b8f69b15bef6334c7187" }, { "id": "mus-069-1", "kind": "music", "path": "assets/reflow/mus-069-1.png", "dimensions_pixels": [ 1600, 359 ], "description": "Music example", "source_label": "Example · page 69", "source_pdf": { "path": "source/pdf/book.pdf", "page": 69 }, "continuations": [], "pdf_page": 69, "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "source_image": "source-pages/p-069.jpg", "printed_page": 69, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-069-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "8b78bdd5c7208099835fb49cd087eaf7c082d1e9bfa24aa0367afad157c2ea58", "sourceVerifiedSha256": "8b78bdd5c7208099835fb49cd087eaf7c082d1e9bfa24aa0367afad157c2ea58", "printed_systems": [ { "bars": 7 }, { "bars": 6 } ] } ], "sha256": "a5bc7c3374d69f092cd9b13b5a8a029d113ca2e803d02dcc02ef4ad1b6e7d0b8" }, { "id": "mus-069-2", "kind": "music", "path": "assets/reflow/mus-069-2.png", "dimensions_pixels": [ 1600, 333 ], "description": "Music example", "source_label": "Example · page 69", "source_pdf": { "path": "source/pdf/book.pdf", "page": 69 }, "continuations": [], "pdf_page": 69, "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "source_image": "source-pages/p-069.jpg", "printed_page": 69, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-069-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "c24325faa2ebc2a4773466c7910e835e9200cd2195c06d6ebb1087a53cd7ffda", "sourceVerifiedSha256": "c24325faa2ebc2a4773466c7910e835e9200cd2195c06d6ebb1087a53cd7ffda", "printed_systems": [ { "bars": 6 }, { "bars": 5 } ] } ], "sha256": "1ad4d50661eb4020118e901f0f2ddc875e0e01914f918fcde091a82e07a5b023" }, { "id": "mus-069-3", "kind": "music", "path": "assets/reflow/mus-069-3.png", "dimensions_pixels": [ 1600, 367 ], "description": "Music example", "source_label": "Example · page 69", "source_pdf": { "path": "source/pdf/book.pdf", "page": 69 }, "continuations": [], "pdf_page": 69, "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "source_image": "source-pages/p-069.jpg", "printed_page": 69, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-069-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "43c1f2e0cc30a989fc3b742885b63851bcd602af531fc9d151301e878c5b6e35", "sourceVerifiedSha256": "43c1f2e0cc30a989fc3b742885b63851bcd602af531fc9d151301e878c5b6e35", "printed_systems": [ { "bars": 6 }, { "bars": 5 } ] } ], "sha256": "90030c519b48e693590b16a847ea250c6102a3f9ad1cfb0889c166b318776e97" }, { "id": "mus-069-4", "kind": "music", "path": "assets/reflow/mus-069-4.png", "dimensions_pixels": [ 1600, 377 ], "description": "Music example", "source_label": "Example · page 69", "source_pdf": { "path": "source/pdf/book.pdf", "page": 69 }, "continuations": [], "pdf_page": 69, "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "source_image": "source-pages/p-069.jpg", "printed_page": 69, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-069-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "526216a2cc0b3a89a6a02ec2855754b685e88404f2f9439be9daf462f298b8c7", "sourceVerifiedSha256": "526216a2cc0b3a89a6a02ec2855754b685e88404f2f9439be9daf462f298b8c7", "printed_systems": [ { "bars": 7 }, { "bars": 6 } ] } ], "sha256": "5eea1c95bb9cf50b163d81f222714d595d5850c42cece2b7d518e7e2cf8b19b5" }, { "id": "mus-069-5", "kind": "music", "path": "assets/reflow/mus-069-5.png", "dimensions_pixels": [ 1600, 376 ], "description": "Music example", "source_label": "Example · page 69", "source_pdf": { "path": "source/pdf/book.pdf", "page": 69 }, "continuations": [], "pdf_page": 69, "sources": [ { "pdf_page": 69, "source_image": "source-pages/p-069.jpg", "printed_page": 69 } ], "source_image": "source-pages/p-069.jpg", "printed_page": 69, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-069-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": 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"6e070a6d323ac4a441b1f2f239d6790c99538f18a7c9e5f4fd0973ec1136fbb0", "sourceVerifiedSha256": "6e070a6d323ac4a441b1f2f239d6790c99538f18a7c9e5f4fd0973ec1136fbb0", "printed_systems": [ { "bars": 7 }, { "bars": 6 } ] } ], "sha256": "0e5d1b6a5b4092662ef857092dcf4d0f49d55cc34c5de9acac25d46ec79d9b85" }, { "id": "mus-070-1", "kind": "music", "path": "assets/reflow/mus-070-1.png", "dimensions_pixels": [ 1600, 243 ], "description": "poor / &c.", "source_label": "Example · page 70", "source_pdf": { "path": "source/pdf/book.pdf", "page": 70 }, "continuations": [], "pdf_page": 70, "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "source_image": "source-pages/p-070.jpg", "printed_page": 70, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-070-1.musicxml", "label": "poor / &c.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "028bd23dfad0c526aa85df49dacf917b70630b99ba20873c779641185d4616da", "sourceVerifiedSha256": "028bd23dfad0c526aa85df49dacf917b70630b99ba20873c779641185d4616da", "printed_systems": [ { "bars": 5 } ] } ], "sha256": "20b5bd1429413549f5185b9f7237cb2f02bc86cc47e3907e809d71262da6a3b7" }, { "id": "mus-070-2", "kind": "music", "path": "assets/reflow/mus-070-2.png", "dimensions_pixels": [ 1435, 292 ], "description": "(a) / &c.", "source_label": "Example · page 70", "source_pdf": { "path": "source/pdf/book.pdf", "page": 70 }, "continuations": [], "pdf_page": 70, "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "source_image": "source-pages/p-070.jpg", "printed_page": 70, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-070-2.musicxml", "label": "(a) / &c.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e7df331f43d2a2c4697f20382ae7f8cbf5dcbbf6d4e766b6ad371dd4f3cc3cb5", "sourceVerifiedSha256": "e7df331f43d2a2c4697f20382ae7f8cbf5dcbbf6d4e766b6ad371dd4f3cc3cb5", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 4: upper F4 is a half note against lower D4 whole; no rest printed. Preserved unequal voice durations (3x zoom)." ] } ], "sha256": "ae4b66074bc121e8a34a87677b2d8bb2e958a88e085a0111b5fe894fef27838c" }, { "id": "mus-070-3", "kind": "music", "path": "assets/reflow/mus-070-3.png", "dimensions_pixels": [ 808, 186 ], "description": "Music example", "source_label": "Example · page 70", "source_pdf": { "path": "source/pdf/book.pdf", "page": 70 }, "continuations": [], "pdf_page": 70, "sources": [ { "pdf_page": 70, "source_image": "source-pages/p-070.jpg", "printed_page": 70 } ], "source_image": "source-pages/p-070.jpg", "printed_page": 70, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-070-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "3abbbee103ce17e3893cbc9791f761bdd6a9c9985b302953997eefa3c8fbb5fd", "sourceVerifiedSha256": "3abbbee103ce17e3893cbc9791f761bdd6a9c9985b302953997eefa3c8fbb5fd", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "0a362bea11d4cacf67f5e98e2f71b78a0af948bd1ab2a6aca359c4eb8d4cbd19" }, { "id": "mus-071-1", "kind": "music", "path": "assets/reflow/mus-071-1.png", "dimensions_pixels": [ 1600, 246 ], "description": "(a) / (b) / (c) / (d)", "source_label": "Example · page 71", "source_pdf": { "path": "source/pdf/book.pdf", "page": 71 }, "continuations": [], "pdf_page": 71, "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "source_image": "source-pages/p-071.jpg", "printed_page": 71, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-071-1.musicxml", "label": "(a) / (b) / (c) / (d)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "3cb856ba528f6b4da13d67be71ce1cc9c1cfbb71c6795682aedfc17de786ebef", "sourceVerifiedSha256": "3cb856ba528f6b4da13d67be71ce1cc9c1cfbb71c6795682aedfc17de786ebef", "printed_systems": [ { "bars": 8 } ], "issues": [ "Bars 4, 6, 8: upper voice stops after half, half, quarter respectively while lower whole continues; no rests printed. Bars 5 and 7: upper half begins at beat 3 above lower whole, with no preceding rest. Encoded by backup half after lower voice; no invented rests. Confirmed at 3x." ] } ], "sha256": "9145d6648fbdc471fd18e437dedd6f0e09e18292bbc3a8a823873c8bfab2fb4f" }, { "id": "mus-071-2", "kind": "music", "path": "assets/reflow/mus-071-2.png", "dimensions_pixels": [ 1273, 241 ], "description": "Music example", "source_label": "Example · page 71", "source_pdf": { "path": "source/pdf/book.pdf", "page": 71 }, "continuations": [], "pdf_page": 71, "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "source_image": "source-pages/p-071.jpg", "printed_page": 71, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-071-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9fae121375a873da5718d09544e1dfba2327bb53fe9dbf7ea1f6f024eb1a74af", "sourceVerifiedSha256": "9fae121375a873da5718d09544e1dfba2327bb53fe9dbf7ea1f6f024eb1a74af", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 3: upper G5 quarter above lower E4 whole, with no following rests printed; preserved as shown (3x zoom)." ] } ], "sha256": "cb5d5acfc044ef925f5b7e6bd615a74a161c91f17286e230bd998919ea556f0d" }, { "id": "mus-071-3", "kind": "music", "path": "assets/reflow/mus-071-3.png", "dimensions_pixels": [ 667, 240 ], "description": "poor", "source_label": "Example · page 71", "source_pdf": { "path": "source/pdf/book.pdf", "page": 71 }, "continuations": [], "pdf_page": 71, "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "source_image": "source-pages/p-071.jpg", "printed_page": 71, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-071-3.musicxml", "label": "poor", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "18ce0f610d92ad94ce7502227874e272e7da114e2919b89743e3cd9908c9a9c4", "sourceVerifiedSha256": "18ce0f610d92ad94ce7502227874e272e7da114e2919b89743e3cd9908c9a9c4", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1 beat 1: incoming curved fragment ends at C5. Read as incoming tie rather than slur; encoded tied:stop without inventing an earlier note. Origin outside excerpt; 3x zoom mus-071-3-zoom.png." ] } ], "sha256": "fc565ed6410ec70b82f0b7e7e87fc54eeda6e416a44c9d0473b8bd4a728a86ec" }, { "id": "mus-071-4", "kind": "music", "path": "assets/reflow/mus-071-4.png", "dimensions_pixels": [ 1152, 195 ], "description": "Music example", "source_label": "Example · page 71", "source_pdf": { "path": "source/pdf/book.pdf", "page": 71 }, "continuations": [], "pdf_page": 71, "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "source_image": "source-pages/p-071.jpg", "printed_page": 71, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-071-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "3094a35c617ddfac8d4e24c626405f7b7261660fa3ec2661562ca6717877795d", "sourceVerifiedSha256": "3094a35c617ddfac8d4e24c626405f7b7261660fa3ec2661562ca6717877795d", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 3, beat 1: upper C5 is a quarter against lower E4 whole; preserved unequal voice lengths without padding." ] } ], "sha256": "ac293ece1dff61cfbeabe2b398cf275777494f267dc2854112f6e319ee11b4cf" }, { "id": "mus-071-5", "kind": "music", "path": "assets/reflow/mus-071-5.png", "dimensions_pixels": [ 869, 195 ], "description": "Music example", "source_label": "Example · page 71", "source_pdf": { "path": "source/pdf/book.pdf", "page": 71 }, "continuations": [], "pdf_page": 71, "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "source_image": "source-pages/p-071.jpg", "printed_page": 71, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-071-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "a7f008aed9f589cb4aef76c2ca60eddc23f35f51ba3b6023049eba1c3df7a7ee", "sourceVerifiedSha256": "a7f008aed9f589cb4aef76c2ca60eddc23f35f51ba3b6023049eba1c3df7a7ee", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1, beat 3: D5 half enters over G4 whole; preceding upper-voice material is absent, so no rest added." ] } ], "sha256": "ec533ca7cee21a62325c4a00e2f22375260eeabb9872aac7dee90ad019edf3d8" }, { "id": "mus-071-6", "kind": "music", "path": "assets/reflow/mus-071-6.png", "dimensions_pixels": [ 586, 198 ], "description": "Music example", "source_label": "Example · page 71", "source_pdf": { "path": "source/pdf/book.pdf", "page": 71 }, "continuations": [], "pdf_page": 71, "sources": [ { "pdf_page": 71, "source_image": "source-pages/p-071.jpg", "printed_page": 71 } ], "source_image": "source-pages/p-071.jpg", "printed_page": 71, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-071-6.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "2b6ea3bba914997cb14244b2fdbd38d60aa4401a181fdce49a5474ebec7b1446", "sourceVerifiedSha256": "2b6ea3bba914997cb14244b2fdbd38d60aa4401a181fdce49a5474ebec7b1446", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1, beat 1: incoming partial arc read as tie stop on D5, rather than slur; its source note is outside example." ] } ], "sha256": "2e6bb0cf919dea33b893ed7232ec943c84a883320b94aadede9e1becf253ccd6" }, { "id": "mus-072-1", "kind": "music", "path": "assets/reflow/mus-072-1.png", "dimensions_pixels": [ 1091, 217 ], "description": "Music example", "source_label": "Example · page 72", "source_pdf": { "path": "source/pdf/book.pdf", "page": 72 }, "continuations": [], "pdf_page": 72, "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "source_image": "source-pages/p-072.jpg", "printed_page": 72, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-072-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "f3d5f85c08622116df3fd41c066504f830108d393424fec9957f05c4eebe4ca5", "sourceVerifiedSha256": "f3d5f85c08622116df3fd41c066504f830108d393424fec9957f05c4eebe4ca5", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1 and 2, beat 1: incoming partial arcs read as tie stops on D5, rather than slurs; no source notes supplied." ] } ], "sha256": "b55afceb00535828e510a32292ecedb51516e7cd85e2d284945b4f9c789efb77" }, { "id": "mus-072-2", "kind": "music", "path": "assets/reflow/mus-072-2.png", "dimensions_pixels": [ 586, 207 ], "description": "Music example", "source_label": "Example · page 72", "source_pdf": { "path": "source/pdf/book.pdf", "page": 72 }, "continuations": [], "pdf_page": 72, "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "source_image": "source-pages/p-072.jpg", "printed_page": 72, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-072-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "ceb477697bd77f19ab40556824db1bcb80e33b3d90aca1008a0ec23e1fb03fa6", "sourceVerifiedSha256": "ceb477697bd77f19ab40556824db1bcb80e33b3d90aca1008a0ec23e1fb03fa6", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1, beat 1: incoming partial arc read as tie stop on D5, rather than slur; no source note supplied." ] } ], "sha256": "642c2f129f3ea4b0117cd31913db38e26ae66963c14ce6283b353f38613798bd" }, { "id": "mus-072-3", "kind": "music", "path": "assets/reflow/mus-072-3.png", "dimensions_pixels": [ 1031, 198 ], "description": "Music example", "source_label": "Example · page 72", "source_pdf": { "path": "source/pdf/book.pdf", "page": 72 }, "continuations": [], "pdf_page": 72, "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "source_image": "source-pages/p-072.jpg", "printed_page": 72, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-072-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "5648070d6b21fa34c2e93f0722704582da807457abea6cdbbf1381d853c33eee", "sourceVerifiedSha256": "5648070d6b21fa34c2e93f0722704582da807457abea6cdbbf1381d853c33eee", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1 and 2, beat 1: incoming partial arcs read as tie stops on C5, rather than slurs; no source notes supplied." ] } ], "sha256": "5e78d3a47ebf5d2e396a96580c868b91c6828bc10d9d8c82328fc16d93d038df" }, { "id": "mus-072-4", "kind": "music", "path": "assets/reflow/mus-072-4.png", "dimensions_pixels": [ 1515, 252 ], "description": "faulty / faulty / good", "source_label": "Example · page 72", "source_pdf": { "path": "source/pdf/book.pdf", "page": 72 }, "continuations": [], "pdf_page": 72, "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "source_image": "source-pages/p-072.jpg", "printed_page": 72, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-072-4.musicxml", "label": "faulty / faulty / good", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "a86f6114ce02dffe9f4ed965bb87d5b504523d9e4e61d93314b4d1739eef4226", "sourceVerifiedSha256": "a86f6114ce02dffe9f4ed965bb87d5b504523d9e4e61d93314b4d1739eef4226", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bars 1–3, beat 1: incoming partial arcs read as tie stops on C5. Bar 1, beat 3: outgoing partial arc read as tie start on D5. These are independent snippets, not ties between the differing pitches in adjacent snippets." ] } ], "sha256": "08a551f22780d6e3d083632eefd87f7e44b86b1d13c246ed6534cb750eaaa14b" }, { "id": "mus-072-5", "kind": "music", "path": "assets/reflow/mus-072-5.png", "dimensions_pixels": [ 1600, 265 ], "description": "Music example", "source_label": "Example · page 72", "source_pdf": { "path": "source/pdf/book.pdf", "page": 72 }, "continuations": [], "pdf_page": 72, "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "source_image": "source-pages/p-072.jpg", "printed_page": 72, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-072-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "78eb1392bad9e0c34a59d50dbd7c6f4dbfe967da689c6ec306bf6e3493a22e76", "sourceVerifiedSha256": "78eb1392bad9e0c34a59d50dbd7c6f4dbfe967da689c6ec306bf6e3493a22e76", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1 and 3, beat 3: upper half notes enter over lower whole notes; no opening rests printed or added.", "Bars 1–4: diagonal analytical connectors highlighting octaves/fifths omitted; numeric labels retained." ] } ], "sha256": "1fd5efc75bacc2518a1205f3f46ae89d7d81d103a168eadbf3273f96bd2e8ebf" }, { "id": "mus-072-6", "kind": "music", "path": "assets/reflow/mus-072-6.png", "dimensions_pixels": [ 1600, 269 ], "description": "bad / bad / good / bad", "source_label": "Example · page 72", "source_pdf": { "path": "source/pdf/book.pdf", "page": 72 }, "continuations": [], "pdf_page": 72, "sources": [ { "pdf_page": 72, "source_image": "source-pages/p-072.jpg", "printed_page": 72 } ], "source_image": "source-pages/p-072.jpg", "printed_page": 72, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-072-6.musicxml", "label": "bad / bad / good / bad", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "749695171b1ef977fc69f5b35de324249e121ee8e815688be9b46cfd823e01ef", "sourceVerifiedSha256": "749695171b1ef977fc69f5b35de324249e121ee8e815688be9b46cfd823e01ef", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "4fcc41f088d1ade01176a40f132f194b1832b82466bb663920f55b3a0c03a864" }, { "id": "mus-073-1", "kind": "music", "path": "assets/reflow/mus-073-1.png", "dimensions_pixels": [ 1414, 376 ], "description": "bad / bad / good", "source_label": "Example · page 73", "source_pdf": { "path": "source/pdf/book.pdf", "page": 73 }, "continuations": [], "pdf_page": 73, "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "source_image": "source-pages/p-073.jpg", "printed_page": 73, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-073-1.musicxml", "label": "bad / bad / good", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "3315610db593107e108273273f6adafa58aa72dd9be74c392deac1f6ac860ad4", "sourceVerifiedSha256": "3315610db593107e108273273f6adafa58aa72dd9be74c392deac1f6ac860ad4", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "a4566881c518bec3d7d98b3a232dbc8b0d383ffa9e9b00550c71782da6d14c08" }, { "id": "mus-073-2", "kind": "music", "path": "assets/reflow/mus-073-2.png", "dimensions_pixels": [ 950, 208 ], "description": "Music example", "source_label": "Example · page 73", "source_pdf": { "path": "source/pdf/book.pdf", "page": 73 }, "continuations": [], "pdf_page": 73, "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "source_image": "source-pages/p-073.jpg", "printed_page": 73, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-073-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "330849088bddcdf6e4dcf54a2ba8caec5eca8892c6bce1db383fde8affa2cf91", "sourceVerifiedSha256": "330849088bddcdf6e4dcf54a2ba8caec5eca8892c6bce1db383fde8affa2cf91", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "b6aedc442690e328a924f71edd0d29949e9a5fb20b199613868f1a53fe1a2382" }, { "id": "mus-073-3", "kind": "music", "path": "assets/reflow/mus-073-3.png", "dimensions_pixels": [ 1152, 225 ], "description": "Music example", "source_label": "Example · page 73", "source_pdf": { "path": "source/pdf/book.pdf", "page": 73 }, "continuations": [], "pdf_page": 73, "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "source_image": "source-pages/p-073.jpg", "printed_page": 73, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-073-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "c826044ab680519d9792206e1d0f4509df7c59b2c9b7f2f5474863e082c477c6", "sourceVerifiedSha256": "c826044ab680519d9792206e1d0f4509df7c59b2c9b7f2f5474863e082c477c6", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1 beat 3: open outgoing tie on C5, no endpoint in this sub-example; encoded tied:start. Zoom mus-073-3-zoom.png (3x)." ] } ], "sha256": "14557045fe4b88d743a4ef9e949255f0a4321dfbedf3636560ffdc6072416ab9" }, { "id": "mus-073-4", "kind": "music", "path": "assets/reflow/mus-073-4.png", "dimensions_pixels": [ 1600, 217 ], "description": "Music example", "source_label": "Example · page 73", "source_pdf": { "path": "source/pdf/book.pdf", "page": 73 }, "continuations": [], "pdf_page": 73, "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "source_image": "source-pages/p-073.jpg", "printed_page": 73, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-073-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "b845057d41844a96ca5a410050fdae76fd87be2049c1a6c7e436ea7533f37729", "sourceVerifiedSha256": "b845057d41844a96ca5a410050fdae76fd87be2049c1a6c7e436ea7533f37729", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 beat 3: open outgoing C5 tie; encoded tied:start without inventing an endpoint. Zoom mus-073-4-zoom.png (3x)." ] } ], "sha256": "af93e44074b9b7717c15d83e5dfb8734a774cd144772d10e3cd9f26b924fe499" }, { "id": "mus-073-5", "kind": "music", "path": "assets/reflow/mus-073-5.png", "dimensions_pixels": [ 1600, 199 ], "description": "Music example", "source_label": "Example · page 73", "source_pdf": { "path": "source/pdf/book.pdf", "page": 73 }, "continuations": [], "pdf_page": 73, "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "source_image": "source-pages/p-073.jpg", "printed_page": 73, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-073-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "8b147c420fb8bed27e0a03922ad7d84b1f3af7955da39a81f4da72a3041a175a", "sourceVerifiedSha256": "8b147c420fb8bed27e0a03922ad7d84b1f3af7955da39a81f4da72a3041a175a", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 1 and 4: upper C5 half note begins at beat 3, with no preceding rest printed. Preserved empty first half using cursor placement, no rest added. Zoom mus-073-5-zoom.png (3x)." ] } ], "sha256": "5351b448be85568f22478e12a41e96512a6b49c76d02fd48807a944a33013fdf" }, { "id": "mus-073-6", "kind": "music", "path": "assets/reflow/mus-073-6.png", "dimensions_pixels": [ 1600, 203 ], "description": "&c.", "source_label": "Example · page 73", "source_pdf": { "path": "source/pdf/book.pdf", "page": 73 }, "continuations": [], "pdf_page": 73, "sources": [ { "pdf_page": 73, "source_image": "source-pages/p-073.jpg", "printed_page": 73 } ], "source_image": "source-pages/p-073.jpg", "printed_page": 73, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-073-6.musicxml", "label": "&c.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "52524088f34a9c97e82e21e74618b45f16e3f57f450360e82194f4245f971a30", "sourceVerifiedSha256": "52524088f34a9c97e82e21e74618b45f16e3f57f450360e82194f4245f971a30", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bar 6 beat 1: overlapping whole-note heads read as two unison C5 voices, not a breve. Zoom mus-073-6-zoom.png (3x)." ] } ], "sha256": "1efecbccec13580b69804b7eb7083041af5a2a7e504b546de905d87bb4917680" }, { "id": "mus-074-1", "kind": "music", "path": "assets/reflow/mus-074-1.png", "dimensions_pixels": [ 1600, 394 ], "description": "Music example", "source_label": "Example · page 74", "source_pdf": { "path": "source/pdf/book.pdf", "page": 74 }, "continuations": [], "pdf_page": 74, "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "source_image": "source-pages/p-074.jpg", "printed_page": 74, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-074-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "e325cc837eb6d3b8ef349cb71cd4698ec1e6168c8474d3a9d0bd06027e09a47c", "sourceVerifiedSha256": "e325cc837eb6d3b8ef349cb71cd4698ec1e6168c8474d3a9d0bd06027e09a47c", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bar 1: upper G4 half note begins at beat 3; no rest printed before it. Encoded cursor offset without adding a rest. Zoom mus-074-1-zoom.png (3x)." ] } ], "sha256": "08dc1cd7953111c9092711cffbcfd3904316a230cdd9ff0920dbe87fd40cada2" }, { "id": "mus-074-2", "kind": "music", "path": "assets/reflow/mus-074-2.png", "dimensions_pixels": [ 1354, 280 ], "description": "&c.", "source_label": "Example · page 74", "source_pdf": { "path": "source/pdf/book.pdf", "page": 74 }, "continuations": [], "pdf_page": 74, "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "source_image": "source-pages/p-074.jpg", "printed_page": 74, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-074-2.musicxml", "label": "&c.", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "0b76d5d17c63af1f797a39d6d7a5d420589773b0e7ceaef379e66f5420004dff", "sourceVerifiedSha256": "0b76d5d17c63af1f797a39d6d7a5d420589773b0e7ceaef379e66f5420004dff", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 3 beat 3: G5 has an open outgoing tie at excerpt end; encoded tied:start. Zoom mus-074-2-zoom.png (3x)." ] } ], "sha256": "240fe58f86e69a3b11c433ee5c0a3356882712705aee3d050f59b82c41b833c0" }, { "id": "mus-074-3", "kind": "music", "path": "assets/reflow/mus-074-3.png", "dimensions_pixels": [ 1293, 243 ], "description": "poor", "source_label": "Example · page 74", "source_pdf": { "path": "source/pdf/book.pdf", "page": 74 }, "continuations": [], "pdf_page": 74, "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "source_image": "source-pages/p-074.jpg", "printed_page": 74, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-074-3.musicxml", "label": "poor", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "5f13d126638b01bd48bcc194c4eb0da22576b137133f384ae87bcb615ef808ee", "sourceVerifiedSha256": "5f13d126638b01bd48bcc194c4eb0da22576b137133f384ae87bcb615ef808ee", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 3 beat 3: B4 has an open outgoing tie at excerpt end; encoded tied:start. Zoom mus-074-3-zoom.png (3x)." ] } ], "sha256": "eb76addde2cdf4598c22c368452d09e3067121a2ca07c6359f9a12b9d7ec91ac" }, { "id": "mus-074-4", "kind": "music", "path": "assets/reflow/mus-074-4.png", "dimensions_pixels": [ 1415, 228 ], "description": "Music example", "source_label": "Example · page 74", "source_pdf": { "path": "source/pdf/book.pdf", "page": 74 }, "continuations": [], "pdf_page": 74, "sources": [ { "pdf_page": 74, "source_image": "source-pages/p-074.jpg", "printed_page": 74 } ], "source_image": "source-pages/p-074.jpg", "printed_page": 74, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-074-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "db475f98a489aede3a48deb26bb97d0942405d28bea9c8c831081393621bd518", "sourceVerifiedSha256": "db475f98a489aede3a48deb26bb97d0942405d28bea9c8c831081393621bd518", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 3 beat 1: F5 head has a tiny white printing gap; read as filled quarter, not half. Beat 3 D5 has an open outgoing tie. Zoom mus-074-4-zoom.png (3x)." ] } ], "sha256": "7ecd28d1a8cd7fd773a87affba3c88375c8f1ab06a9a69079660a8d73b9f4349" }, { "id": "mus-075-1", "kind": "music", "path": "assets/reflow/mus-075-1.png", "dimensions_pixels": [ 1600, 872 ], "description": "C. F.", "source_label": "Example · page 75", "source_pdf": { "path": "source/pdf/book.pdf", "page": 75 }, "continuations": [], "pdf_page": 75, "sources": [ { "pdf_page": 75, "source_image": "source-pages/p-075.jpg", "printed_page": 75 } ], "source_image": "source-pages/p-075.jpg", "printed_page": 75, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-075-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "bed7ecf2230e59989276ee436dfa3ca7858e9e3a45708aaaab8a03b8a4c252fc", "sourceVerifiedSha256": "bed7ecf2230e59989276ee436dfa3ca7858e9e3a45708aaaab8a03b8a4c252fc", "printed_systems": [ { "bars": 4 }, { "bars": 5 } ], "issues": [ "All bars, treble lower voice: filled stemless heads have no explicit duration. Encoded as whole notes with filled noteheads (one per bar); quarter-note duration is an alternative if missing stems are assumed. Pitches C4 F4 G4 C4 F4 D4 C4 F4 E4 read directly. Zoom mus-075-1-zoom.png (3x)." ] } ], "sha256": "40406bfbeb370eb1bdf4c7f26855bad67f6cab69c6b31aa50c6d7aaf38f956f3" }, { "id": "mus-075-2", "kind": "music", "path": "assets/reflow/mus-075-2.png", "dimensions_pixels": [ 1600, 1325 ], "description": "C. F.", "source_label": "Example · page 75", "source_pdf": { "path": "source/pdf/book.pdf", "page": 75 }, "continuations": [], "pdf_page": 75, "sources": [ { "pdf_page": 75, "source_image": "source-pages/p-075.jpg", "printed_page": 75 } ], "source_image": "source-pages/p-075.jpg", "printed_page": 75, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-075-2.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "3baeb839dc8592286a53f5ad9a9174904ca8b6a182d70e9a15411a627dcad236", "sourceVerifiedSha256": "3baeb839dc8592286a53f5ad9a9174904ca8b6a182d70e9a15411a627dcad236", "printed_systems": [ { "bars": 4 }, { "bars": 4 }, { "bars": 3 } ], "issues": [ "Bars 1–11, beat 1, lower treble line: printed filled stemless heads (A3, D4, E4, F4, E4, A4, F4, A4, E4, D4, C4). Duration is not explicit: could be durationless illustrative pitches rather than a sustained voice. Encoded as separate whole-note voice with filled noteheads, preserving every head. Checked zoom-1.png, zoom-2.png, zoom-3.png at 2×. No time signature printed; omitted." ] } ], "sha256": "a0bef04f7b546465fbe457610f9efd6615388d8c5a5815c2c16b389634ccbb4d" }, { "id": "mus-076-1", "kind": "music", "path": "assets/reflow/mus-076-1.png", "dimensions_pixels": [ 1600, 961 ], "description": "C. F.", "source_label": "Example · page 76", "source_pdf": { "path": "source/pdf/book.pdf", "page": 76 }, "continuations": [], "pdf_page": 76, "sources": [ { "pdf_page": 76, "source_image": "source-pages/p-076.jpg", "printed_page": 76 } ], "source_image": "source-pages/p-076.jpg", "printed_page": 76, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-076-1.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "8fb0981e4d4b4e50b54a0d91b54ac416d40741beb29f7413f0e67d3db3d295f3", "sourceVerifiedSha256": "8fb0981e4d4b4e50b54a0d91b54ac416d40741beb29f7413f0e67d3db3d295f3", "printed_systems": [ { "bars": 4 }, { "bars": 5 } ], "issues": [ "All bars, beat 1, treble lower line: printed black stemless heads have no explicit duration. Chosen whole-note duration in separate voice, filled normal notehead and no stem; quarter-note duration is an alternative. No time signature printed. Checked at 2x in mus-076-1-zoom.png." ] } ], "sha256": "b5b7cc8f76069c3f5f096389c696a4b11b7d07ca1ed23d9a18c1e3545018ec6f" }, { "id": "mus-076-2", "kind": "music", "path": "assets/reflow/mus-076-2.png", "dimensions_pixels": [ 1600, 1396 ], "description": "C. F.", "source_label": "Example · page 76", "source_pdf": { "path": "source/pdf/book.pdf", "page": 76 }, "continuations": [], "pdf_page": 76, "sources": [ { "pdf_page": 76, "source_image": "source-pages/p-076.jpg", "printed_page": 76 } ], "source_image": "source-pages/p-076.jpg", "printed_page": 76, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-076-2.musicxml", "label": "C. F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "3c4fd20830b4e2d222d0e7aafec5f75910cf298013e80837837cf75a039a75f9", "sourceVerifiedSha256": "3c4fd20830b4e2d222d0e7aafec5f75910cf298013e80837837cf75a039a75f9", "printed_systems": [ { "bars": 4 }, { "bars": 4 }, { "bars": 4 } ], "issues": [ "All bars, beat 1, treble lower line: printed black stemless heads have no explicit duration. Chosen whole-note duration in separate voice, filled normal notehead and no stem; quarter-note duration is an alternative. No time signature printed. Checked at 2x in mus-076-2-zoom.png." ] } ], "sha256": "183861debe85fb1e40693539a175e6f35475f39b5eb3f98f9eaf0a5f4c9e13c9" }, { "id": "mus-079-1", "kind": "music", "path": "assets/reflow/mus-079-1.png", "dimensions_pixels": [ 1546, 440 ], "description": "Music example", "source_label": "Example · page 79", "source_pdf": { "path": "source/pdf/book.pdf", "page": 79 }, "continuations": [], "pdf_page": 79, "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "source_image": "source-pages/p-079.jpg", "printed_page": 79, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-079-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "136ad3ee1d4c8c2eb7e5ec5e54893969ce98a3bd8879471b208fd8cec0cc5b37", "sourceVerifiedSha256": "136ad3ee1d4c8c2eb7e5ec5e54893969ce98a3bd8879471b208fd8cec0cc5b37", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "6e667e941bd8fc289ac40fe8a3396926bfc21edfba4f5a469cde7d2757414d97" }, { "id": "mus-079-2", "kind": "music", "path": "assets/reflow/mus-079-2.png", "dimensions_pixels": [ 1546, 454 ], "description": "Music example", "source_label": "Example · page 79", "source_pdf": { "path": "source/pdf/book.pdf", "page": 79 }, "continuations": [], "pdf_page": 79, "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "source_image": "source-pages/p-079.jpg", "printed_page": 79, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-079-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "12b4805155be24f554b7f572b01bf4f630d18b7b23eba029e2bf1e7909d2ebfb", "sourceVerifiedSha256": "12b4805155be24f554b7f572b01bf4f630d18b7b23eba029e2bf1e7909d2ebfb", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bars 2–3: diagonal analytical connecting lines between treble notes omitted (not ties: endpoints differ in pitch). Checked at 2x in mus-079-2-zoom.png." ] } ], "sha256": "92ebf4421b12b6100e9a882bb66b99e7ce2a25a734f1835339ad4ee775105df4" }, { "id": "mus-079-3", "kind": "music", "path": "assets/reflow/mus-079-3.png", "dimensions_pixels": [ 1600, 470 ], "description": "Music example", "source_label": "Example · page 79", "source_pdf": { "path": "source/pdf/book.pdf", "page": 79 }, "continuations": [], "pdf_page": 79, "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "source_image": "source-pages/p-079.jpg", "printed_page": 79, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-079-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "ae5434d59b4a36f8fa8704df18e5eca97ab6aacdda2db6e8e4ad82c68e12a138", "sourceVerifiedSha256": "ae5434d59b4a36f8fa8704df18e5eca97ab6aacdda2db6e8e4ad82c68e12a138", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bar 1 beat 3: curved vertical analytical bracket beside F5/C5 omitted. Bars 2–3 beat 3: analytical connectors between staves omitted. Checked at 2x in mus-079-3-zoom.png.", "Bar 5 is cropped without a closing barline: C5 quarter, C4 whole, A2 half retained without padding; no missing continuation inferred." ] } ], "sha256": "2ddd6f995e3bd12499d02cb531ba7018b5f56c01a27927d7bdb0752680c21911" }, { "id": "mus-079-4", "kind": "music", "path": "assets/reflow/mus-079-4.png", "dimensions_pixels": [ 626, 379 ], "description": "Music example", "source_label": "Example · page 79", "source_pdf": { "path": "source/pdf/book.pdf", "page": 79 }, "continuations": [], "pdf_page": 79, "sources": [ { "pdf_page": 79, "source_image": "source-pages/p-079.jpg", "printed_page": 79 } ], "source_image": "source-pages/p-079.jpg", "printed_page": 79, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-079-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "95de0181acd664b9ed29ccec34d2b9704911c89e9f13a5ed850663d73affc5e4", "sourceVerifiedSha256": "95de0181acd664b9ed29ccec34d2b9704911c89e9f13a5ed850663d73affc5e4", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1 beat 3: curved vertical analytical bracket beside C5/F4 omitted; not a tie. Checked at 2x in mus-079-4-zoom.png." ] } ], "sha256": "b2fb4a39cb2df316856544487f7d9d9023873f0dc8d7b12bf2cd51e8ce336daa" }, { "id": "mus-080-1", "kind": "music", "path": "assets/reflow/mus-080-1.png", "dimensions_pixels": [ 1546, 453 ], "description": "Music example", "source_label": "Example · page 80", "source_pdf": { "path": "source/pdf/book.pdf", "page": 80 }, "continuations": [], "pdf_page": 80, "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "source_image": "source-pages/p-080.jpg", "printed_page": 80, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-080-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "d4d1e04b541f9b7fe0a042c2ee909e9b9f7cff61e948a0c1681d440c7ec6e1fd", "sourceVerifiedSha256": "d4d1e04b541f9b7fe0a042c2ee909e9b9f7cff61e948a0c1681d440c7ec6e1fd", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "30ae6e162b6c05c0cef4fd25c38d68cb100587af7a606a0805aaef4a13568225" }, { "id": "mus-080-2", "kind": "music", "path": "assets/reflow/mus-080-2.png", "dimensions_pixels": [ 1395, 423 ], "description": "Music example", "source_label": "Example · page 80", "source_pdf": { "path": "source/pdf/book.pdf", "page": 80 }, "continuations": [], "pdf_page": 80, "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "source_image": "source-pages/p-080.jpg", "printed_page": 80, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-080-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "d1fdc1ea82d21ff059166ee238812e5d2c1acf6d68401ce656cf01d308c6a9ed", "sourceVerifiedSha256": "d1fdc1ea82d21ff059166ee238812e5d2c1acf6d68401ce656cf01d308c6a9ed", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2 and 4: printed wavy continuation symbols (two on treble, one on bass), not identifiable noteheads or rests. Retained as words in empty measures, no duration invented; exact shape/vertical placement approximated. Checked at 2x in mus-080-2-zoom.png." ] } ], "sha256": "20d14a3dea5e4bf2ea8dc7a36c32e59f3fce158bc237f2d692acdc57708a4844" }, { "id": "mus-080-3", "kind": "music", "path": "assets/reflow/mus-080-3.png", "dimensions_pixels": [ 1600, 233 ], "description": "C major.", "source_label": "Example · page 80", "source_pdf": { "path": "source/pdf/book.pdf", "page": 80 }, "continuations": [], "pdf_page": 80, "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "source_image": "source-pages/p-080.jpg", "printed_page": 80, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-080-3.musicxml", "label": "C major.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "60cd46380a836b2d8dbaf21132c99dfacd8118bae695478d2d54eb76dd9edcd3", "sourceVerifiedSha256": "60cd46380a836b2d8dbaf21132c99dfacd8118bae695478d2d54eb76dd9edcd3", "printed_systems": [ { "bars": 7 } ] } ], "sha256": "f6e98d9f21ba4855fc0adc4e91af636bea7da44ac2f5bcc4d8472639e5f4844b" }, { "id": "mus-080-4", "kind": "music", "path": "assets/reflow/mus-080-4.png", "dimensions_pixels": [ 1600, 235 ], "description": "A minor.", "source_label": "Example · page 80", "source_pdf": { "path": "source/pdf/book.pdf", "page": 80 }, "continuations": [], "pdf_page": 80, "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "source_image": "source-pages/p-080.jpg", "printed_page": 80, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-080-4.musicxml", "label": "A minor.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9160eeeccb45724520c085c336e1e2e6a74b6590932b77a61290d2cc0816849e", "sourceVerifiedSha256": "9160eeeccb45724520c085c336e1e2e6a74b6590932b77a61290d2cc0816849e", "printed_systems": [ { "bars": 8 } ] } ], "sha256": "72018e90e67869526b134dc6ac422e46340b9a2cd44bd8366086c40ae57664ab" }, { "id": "mus-080-5", "kind": "music", "path": "assets/reflow/mus-080-5.png", "dimensions_pixels": [ 1600, 264 ], "description": "Alto (C major).", "source_label": "Example · page 80", "source_pdf": { "path": "source/pdf/book.pdf", "page": 80 }, "continuations": [], "pdf_page": 80, "sources": [ { "pdf_page": 80, "source_image": "source-pages/p-080.jpg", "printed_page": 80 } ], "source_image": "source-pages/p-080.jpg", "printed_page": 80, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-080-5.musicxml", "label": "Alto (C major).", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "77095f0373b346585198ed30cbed1a825de00f2c6459ced0e63c0385993dfe47", "sourceVerifiedSha256": "77095f0373b346585198ed30cbed1a825de00f2c6459ced0e63c0385993dfe47", "printed_systems": [ { "bars": 7 } ] } ], "sha256": "4bd03d746b2be4779315af370540dc7e0440aa2d19bcfdb30e0c2239dd104cfa" }, { "id": "mus-081-1", "kind": "music", "path": "assets/reflow/mus-081-1.png", "dimensions_pixels": [ 1600, 301 ], "description": "Alto (D minor).", "source_label": "Example · page 81", "source_pdf": { "path": "source/pdf/book.pdf", "page": 81 }, "continuations": [], "pdf_page": 81, "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "source_image": "source-pages/p-081.jpg", "printed_page": 81, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-081-1.musicxml", "label": "Alto (D minor).", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "f160ef9d9e2a52f9f6176b9969512b2ccf8e8ccce1561f8b0c863dd9ea20a82e", "sourceVerifiedSha256": "f160ef9d9e2a52f9f6176b9969512b2ccf8e8ccce1561f8b0c863dd9ea20a82e", "printed_systems": [ { "bars": 7 } ] } ], "sha256": "dbbfce81879369c8160379a930c1c4d19f01413d4765a36e3cdf795b4af3e5e2" }, { "id": "mus-081-2", "kind": "music", "path": "assets/reflow/mus-081-2.png", "dimensions_pixels": [ 1600, 473 ], "description": "(a) / (b) / (c)", "source_label": "Example · page 81", "source_pdf": { "path": "source/pdf/book.pdf", "page": 81 }, "continuations": [], "pdf_page": 81, "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "source_image": "source-pages/p-081.jpg", "printed_page": 81, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-081-2.musicxml", "label": "(a) / (b) / (c)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "978c6f137eaba50e69274019e7d8fcbd44e526eb5b7b35836eee737b7019c3dc", "sourceVerifiedSha256": "978c6f137eaba50e69274019e7d8fcbd44e526eb5b7b35836eee737b7019c3dc", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bars 3 and 5, undurated w-shaped signs at C5/E4/C3 and C5/E4/A3: interpreted as continuation/custos marks rather than rhythmic notes; represented by positioned w words, with no invented duration or rests. Dedicated mark-only measures retained. Checked full original at 3x.", "Engraving limitation: Verovio places the textual w substitutes above the staves at the right edge of the zero-duration measure; exact source glyph shape and staff position are not reproduced. Source pitch positions are recorded above; these signs are not included in the sounded-note count." ] } ], "sha256": "dda0b0b72c0b26a9ee631345b75d1f6d4e8bc0136ba0887bfa277606adcdc4c0" }, { "id": "mus-081-3", "kind": "music", "path": "assets/reflow/mus-081-3.png", "dimensions_pixels": [ 707, 451 ], "description": "(d)", "source_label": "Example · page 81", "source_pdf": { "path": "source/pdf/book.pdf", "page": 81 }, "continuations": [], "pdf_page": 81, "sources": [ { "pdf_page": 81, "source_image": "source-pages/p-081.jpg", "printed_page": 81 } ], "source_image": "source-pages/p-081.jpg", "printed_page": 81, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-081-3.musicxml", "label": "(d)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "d8b14ca96661958c392e709630c0fc7e1fabc7800311554a88ad6c9bb7e2114e", "sourceVerifiedSha256": "d8b14ca96661958c392e709630c0fc7e1fabc7800311554a88ad6c9bb7e2114e", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 2, undurated w-shaped signs at E4/C4/A3: interpreted as continuation/custos marks rather than rhythmic notes; represented by positioned w words, with no invented duration or rests. Dedicated mark-only measures retained. Checked full original at 3x.", "Engraving limitation: Verovio places the textual w substitutes above the staves at the right edge of the zero-duration measure; exact source glyph shape and staff position are not reproduced. Source pitch positions are recorded above; these signs are not included in the sounded-note count." ] } ], "sha256": "eee16378b5a2e4773ce241b3011263309464d39de33212f507f78ddd4397fa11" }, { "id": "mus-082-1", "kind": "music", "path": "assets/reflow/mus-082-1.png", "dimensions_pixels": [ 1354, 466 ], "description": "Music example", "source_label": "Example · page 82", "source_pdf": { "path": "source/pdf/book.pdf", "page": 82 }, "continuations": [], "pdf_page": 82, "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "source_image": "source-pages/p-082.jpg", "printed_page": 82, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-082-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "25c7dc95301c5fb4fd6b4f98b51a3e6b079be6bc6cd878a09b656c5666496c36", "sourceVerifiedSha256": "25c7dc95301c5fb4fd6b4f98b51a3e6b079be6bc6cd878a09b656c5666496c36", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2 and 4, undurated w-shaped signs at D5/G4/B3 and C5/E4/C4: interpreted as continuation/custos marks rather than rhythmic notes; represented by positioned w words, with no invented duration or rests. Dedicated mark-only measures retained. Checked full original at 3x.", "Engraving limitation: Verovio places the textual w substitutes above the staves at the right edge of the zero-duration measure; exact source glyph shape and staff position are not reproduced. Source pitch positions are recorded above; these signs are not included in the sounded-note count." ] } ], "sha256": "5f0b6ed7406d7bdf6e37577de5ad644aaf010de8d59ac2516498b6958bc8b4da" }, { "id": "mus-082-2", "kind": "music", "path": "assets/reflow/mus-082-2.png", "dimensions_pixels": [ 1394, 466 ], "description": "Music example", "source_label": "Example · page 82", "source_pdf": { "path": "source/pdf/book.pdf", "page": 82 }, "continuations": [], "pdf_page": 82, "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "source_image": "source-pages/p-082.jpg", "printed_page": 82, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-082-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "a84b71c24b91bc5806d045f57474290e14318a3ad1050c39c5e5cf2f017cadfa", "sourceVerifiedSha256": "a84b71c24b91bc5806d045f57474290e14318a3ad1050c39c5e5cf2f017cadfa", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2 and 4, undurated w-shaped signs at F5/E4/C3 and G4/E4/B2: interpreted as continuation/custos marks rather than rhythmic notes; represented by positioned w words, with no invented duration or rests. Dedicated mark-only measures retained. Checked full original at 3x.", "Bar 3: middle voice moves to bass staff (G3 whole); bass G2 dotted half–A2 quarter remains a distinct voice.", "Engraving limitation: Verovio places the textual w substitutes above the staves at the right edge of the zero-duration measure; exact source glyph shape and staff position are not reproduced. Source pitch positions are recorded above; these signs are not included in the sounded-note count." ] } ], "sha256": "f0c5041577c6d4bd72bcceae2bf69a719a25d8b4dd0d6a918f11a03172df2260" }, { "id": "mus-082-3", "kind": "music", "path": "assets/reflow/mus-082-3.png", "dimensions_pixels": [ 1597, 451 ], "description": "(1) / (2)", "source_label": "Example · page 82", "source_pdf": { "path": "source/pdf/book.pdf", "page": 82 }, "continuations": [], "pdf_page": 82, "sources": [ { "pdf_page": 82, "source_image": "source-pages/p-082.jpg", "printed_page": 82 } ], "source_image": "source-pages/p-082.jpg", "printed_page": 82, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-082-3.musicxml", "label": "(1) / (2)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "3e006febc77087f99ab2caef37b9991cbfdc7f230bf1fd490d3592160864641f", "sourceVerifiedSha256": "3e006febc77087f99ab2caef37b9991cbfdc7f230bf1fd490d3592160864641f", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 2 and 4, upper voice: lone quarter note against whole notes in the other voices; retained without padding rests (3x zoom)." ] } ], "sha256": "d11b24798f836b559fa5c96867052a5e1eb788607dfc43f4e53b4636de1205ac" }, { "id": "mus-083-1", "kind": "music", "path": "assets/reflow/mus-083-1.png", "dimensions_pixels": [ 1600, 418 ], "description": "Music example", "source_label": "Example · page 83", "source_pdf": { "path": "source/pdf/book.pdf", "page": 83 }, "continuations": [], "pdf_page": 83, "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "source_image": "source-pages/p-083.jpg", "printed_page": 83, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-083-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "143a3ab572c3a46b0d0cf850fea492570dbedcce54bb66749bce0d0defc8af48", "sourceVerifiedSha256": "143a3ab572c3a46b0d0cf850fea492570dbedcce54bb66749bce0d0defc8af48", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bars 2, 4 and 6, undurated w-shaped signs at B4/D4/G3; C5/E4/A3; C5/E4/A3: interpreted as continuation/custos marks rather than rhythmic notes; represented by positioned w words, with no invented duration or rests. Dedicated mark-only measures retained. Checked full original at 3x.", "Engraving limitation: Verovio places the textual w substitutes above the staves at the right edge of the zero-duration measure; exact source glyph shape and staff position are not reproduced. Source pitch positions are recorded above; these signs are not included in the sounded-note count." ] } ], "sha256": "9fe5ffa986fdb1e1b7b6eb08b46c37a0e14a46b3a2633546afc77ff97a5e23e5" }, { "id": "mus-083-2", "kind": "music", "path": "assets/reflow/mus-083-2.png", "dimensions_pixels": [ 1253, 451 ], "description": "(a) / (b) / (c)", "source_label": "Example · page 83", "source_pdf": { "path": "source/pdf/book.pdf", "page": 83 }, "continuations": [], "pdf_page": 83, "sources": [ { "pdf_page": 83, "source_image": "source-pages/p-083.jpg", "printed_page": 83 } ], "source_image": "source-pages/p-083.jpg", "printed_page": 83, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-083-2.musicxml", "label": "(a) / (b) / (c)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "1f6a646afcdd4e044910d6864347c3bb5ef27ed15e7a3389f8a5f44674a44006", "sourceVerifiedSha256": "1f6a646afcdd4e044910d6864347c3bb5ef27ed15e7a3389f8a5f44674a44006", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 1 beat 1: isolated dot above E5 could be a scan blemish or staccato; encoded as staccato, as visible at 3x." ] } ], "sha256": "8d592ce14e95b7773e5265460afc803fbfcb47ae53f8052996cac05e7cf5ba54" }, { "id": "mus-084-1", "kind": "music", "path": "assets/reflow/mus-084-1.png", "dimensions_pixels": [ 1011, 450 ], "description": "Music example", "source_label": "Example · page 84", "source_pdf": { "path": "source/pdf/book.pdf", "page": 84 }, "continuations": [], "pdf_page": 84, "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "source_image": "source-pages/p-084.jpg", "printed_page": 84, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-084-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "a977f8dfe8a907178fa94176e4638ad3f6a2a52dce6290bf0ee389813dec322c", "sourceVerifiedSha256": "a977f8dfe8a907178fa94176e4638ad3f6a2a52dce6290bf0ee389813dec322c", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1 beat 3 above E5 and bar 2 beat 3 below C3: open-ended curved horizontal marks, with no second note endpoint; treated as illustrative continuation brackets and omitted, not invented ties/slurs (3x zoom)." ] } ], "sha256": "86003b7c380caee0f109710e4bd8a442207979757e09d54eae764dd0fe1b8251" }, { "id": "mus-084-2", "kind": "music", "path": "assets/reflow/mus-084-2.png", "dimensions_pixels": [ 627, 435 ], "description": "Music example", "source_label": "Example · page 84", "source_pdf": { "path": "source/pdf/book.pdf", "page": 84 }, "continuations": [], "pdf_page": 84, "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "source_image": "source-pages/p-084.jpg", "printed_page": 84, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-084-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "bf3022ecceb5f2115441b213ad9b845dca0849632b831c129272cc61efac3657", "sourceVerifiedSha256": "bf3022ecceb5f2115441b213ad9b845dca0849632b831c129272cc61efac3657", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1 beat 3, bass C3: open-ended curve read as tie start, not slur; destination absent. Checked mus-084-2-zoom.png (3x)." ] } ], "sha256": "907c51920e56d0369e7bb554a0e10e83f92eb2978b00e9376aced47ce93613a6" }, { "id": "mus-084-3", "kind": "music", "path": "assets/reflow/mus-084-3.png", "dimensions_pixels": [ 1051, 465 ], "description": "Music example", "source_label": "Example · page 84", "source_pdf": { "path": "source/pdf/book.pdf", "page": 84 }, "continuations": [], "pdf_page": 84, "sources": [ { "pdf_page": 84, "source_image": "source-pages/p-084.jpg", "printed_page": 84 } ], "source_image": "source-pages/p-084.jpg", "printed_page": 84, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-084-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "a3b174ca53fa9045ed909cb514ef1c7723390fdd558b91f9ce94e2c0b789bcd2", "sourceVerifiedSha256": "a3b174ca53fa9045ed909cb514ef1c7723390fdd558b91f9ce94e2c0b789bcd2", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2 beat 3, lower treble E4: open-ended curve read as tie start; destination absent (sheet-01)." ] } ], "sha256": "e411e80b98311b0c42876bcbe2ff30ac1a95bb0839c634452e8540f0853d1231" }, { "id": "mus-085-1", "kind": "music", "path": "assets/reflow/mus-085-1.png", "dimensions_pixels": [ 1091, 472 ], "description": "Music example", "source_label": "Example · page 85", "source_pdf": { "path": "source/pdf/book.pdf", "page": 85 }, "continuations": [], "pdf_page": 85, "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "source_image": "source-pages/p-085.jpg", "printed_page": 85, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-085-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "1af21e1f7abcc7d72004f3132ce125e95511fb648d6818fa6cfbb1a8116295ba", "sourceVerifiedSha256": "1af21e1f7abcc7d72004f3132ce125e95511fb648d6818fa6cfbb1a8116295ba", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bars 1 and 2 beat 3, bass E3 and C3: open-ended curves read as tie starts; destinations absent (sheet-02)." ] } ], "sha256": "60e758010213eb2cf0eb5b20cd757523dcd9354edba396fb47c7145c9a7b5ea8" }, { "id": "mus-085-2", "kind": "music", "path": "assets/reflow/mus-085-2.png", "dimensions_pixels": [ 1495, 466 ], "description": "(a) / (b) / (c)", "source_label": "Example · page 85", "source_pdf": { "path": "source/pdf/book.pdf", "page": 85 }, "continuations": [], "pdf_page": 85, "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "source_image": "source-pages/p-085.jpg", "printed_page": 85, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-085-2.musicxml", "label": "(a) / (b) / (c)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "8f2dbf38ad2d56593b1f462523cdf94f657d5be3c6d2dbcd95c6210cf57c4177", "sourceVerifiedSha256": "8f2dbf38ad2d56593b1f462523cdf94f657d5be3c6d2dbcd95c6210cf57c4177", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 1 beat 3 C5, bar 2 beat 3 bass E3, bar 3 beat 3 bass C4: open-ended curves read as tie starts, not slurs; destinations absent. Checked mus-085-2-zoom.png (3x)." ] } ], "sha256": "3b985b4197c76f10d66ee4b04bd747f2bf04dc799fd50c555fe6d126c5e3bbe3" }, { "id": "mus-085-3", "kind": "music", "path": "assets/reflow/mus-085-3.png", "dimensions_pixels": [ 809, 406 ], "description": "Music example", "source_label": "Example · page 85", "source_pdf": { "path": "source/pdf/book.pdf", "page": 85 }, "continuations": [], "pdf_page": 85, "sources": [ { "pdf_page": 85, "source_image": "source-pages/p-085.jpg", "printed_page": 85 } ], "source_image": "source-pages/p-085.jpg", "printed_page": 85, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-085-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "fd481441e85979e74a09b17752b48316da8544ae54e458a568a349d59e24e64a", "sourceVerifiedSha256": "fd481441e85979e74a09b17752b48316da8544ae54e458a568a349d59e24e64a", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2: three W-shaped glyphs have ambiguous meaning; chosen as continuation placeholders, represented by words W with no inferred notes/rests. Preserve the visible bar boundary and outgoing C5 tie start. Empty measure uses forward/backup only. RV-021 mus-085-3-spot-1.png (3x)." ] } ], "sha256": "45ff3a84f8550a02521f8e78fd9b774220f0015d71d1a8fe76b771482a77cc6d" }, { "id": "mus-086-1", "kind": "music", "path": "assets/reflow/mus-086-1.png", "dimensions_pixels": [ 1011, 505 ], "description": "good / bad", "source_label": "Example · page 86", "source_pdf": { "path": "source/pdf/book.pdf", "page": 86 }, "continuations": [], "pdf_page": 86, "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "source_image": "source-pages/p-086.jpg", "printed_page": 86, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-086-1.musicxml", "label": "good / bad", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e4262d47601c5ee4551d8342a89d782e78d6d34e129ddaf46dac44390426eadf", "sourceVerifiedSha256": "e4262d47601c5ee4551d8342a89d782e78d6d34e129ddaf46dac44390426eadf", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 2: moving treble voices each total three quarters while bass E3 is a whole note. Preserved printed durations without padding. Checked mus-086-1-zoom.png (3x)." ] } ], "sha256": "fb5537202621ab934e5a96ebc2a2c863e2a93c35f1f311ea2c53966779a76cfd" }, { "id": "mus-086-2", "kind": "music", "path": "assets/reflow/mus-086-2.png", "dimensions_pixels": [ 1375, 547 ], "description": "good / weak / bad", "source_label": "Example · page 86", "source_pdf": { "path": "source/pdf/book.pdf", "page": 86 }, "continuations": [], "pdf_page": 86, "sources": [ { "pdf_page": 86, "source_image": "source-pages/p-086.jpg", "printed_page": 86 } ], "source_image": "source-pages/p-086.jpg", "printed_page": 86, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-086-2.musicxml", "label": "good / weak / bad", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "dbb375c40310e35e775d4dd24ce33bec2ae4b657350f5c1de4779916a0ee2862", "sourceVerifiedSha256": "dbb375c40310e35e775d4dd24ce33bec2ae4b657350f5c1de4779916a0ee2862", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bars 1–3: moving voices each total three quarters while sustained voice has a whole note. Preserved printed durations without padding. Bar 3 lower treble ledger notes read A3–B3–C4–D4 (not an octave higher). Checked mus-086-2-zoom.png (3x)." ] } ], "sha256": "e68d5f9331f16238a540828410b9f0eb106bc1898824e8f27eb3559fde8903e8" }, { "id": "mus-087-1", "kind": "music", "path": "assets/reflow/mus-087-1.png", "dimensions_pixels": [ 1576, 444 ], "description": "Music example", "source_label": "Example · page 87", "source_pdf": { "path": "source/pdf/book.pdf", "page": 87 }, "continuations": [], "pdf_page": 87, "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "source_image": "source-pages/p-087.jpg", "printed_page": 87, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-087-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e456eb064308493d80e9a8745bb751f577d352329dd2eeaa35e031f47638a5f1", "sourceVerifiedSha256": "e456eb064308493d80e9a8745bb751f577d352329dd2eeaa35e031f47638a5f1", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "0e7a2a0affeb3d23ba7deb2bdab24fdc7733969364b456e9303589a041ce7bcc" }, { "id": "mus-087-2", "kind": "music", "path": "assets/reflow/mus-087-2.png", "dimensions_pixels": [ 1576, 426 ], "description": "Music example", "source_label": "Example · page 87", "source_pdf": { "path": "source/pdf/book.pdf", "page": 87 }, "continuations": [], "pdf_page": 87, "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "source_image": "source-pages/p-087.jpg", "printed_page": 87, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-087-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e711afac45fb974340e1f702aee8c85438f7bc009619965094479adf7abe8f07", "sourceVerifiedSha256": "e711afac45fb974340e1f702aee8c85438f7bc009619965094479adf7abe8f07", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "03238fae7d2ce1260455324fc4926db9ff6f136ee1eecdbc427cca21b0a67da1" }, { "id": "mus-087-3", "kind": "music", "path": "assets/reflow/mus-087-3.png", "dimensions_pixels": [ 1576, 422 ], "description": "Music example", "source_label": "Example · page 87", "source_pdf": { "path": "source/pdf/book.pdf", "page": 87 }, "continuations": [], "pdf_page": 87, "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "source_image": "source-pages/p-087.jpg", "printed_page": 87, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-087-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "91e3757a203ebe5e6d38b5b7f4e5022bb7206446cfeb95aa0212250044a94cdd", "sourceVerifiedSha256": "91e3757a203ebe5e6d38b5b7f4e5022bb7206446cfeb95aa0212250044a94cdd", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "cb9e485bf7b502ae0b336b2ab18d0bfda229f76a791ef8a351597edd86e29a81" }, { "id": "mus-087-4", "kind": "music", "path": "assets/reflow/mus-087-4.png", "dimensions_pixels": [ 1576, 412 ], "description": "Music example", "source_label": "Example · page 87", "source_pdf": { "path": "source/pdf/book.pdf", "page": 87 }, "continuations": [], "pdf_page": 87, "sources": [ { "pdf_page": 87, "source_image": "source-pages/p-087.jpg", "printed_page": 87 } ], "source_image": "source-pages/p-087.jpg", "printed_page": 87, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-087-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "ed7cc6a440f61b1b647d1e365c6ff19c8e9ef9936718529cb672397e3c9029df", "sourceVerifiedSha256": "ed7cc6a440f61b1b647d1e365c6ff19c8e9ef9936718529cb672397e3c9029df", "printed_systems": [ { "bars": 2 } ], "issues": [ "W-shaped symbols in the terminal measure(s) are not ordinary noteheads; treated as continuation placeholders, retained as words (two upper, one lower), with no inferred pitches or durations. Their exact notation meaning remains unresolved. Bar 2, onset; 3x mus-087-4-zoom.png.", "Placeholder measures use forward/backup solely to retain an otherwise empty LMX measure; no notes or rests assigned to the w-shaped signs. Words approximate their glyphs and vertical positions." ] } ], "sha256": "499fe7a177ed4e308a6754f1a8cbdb503876514de086a0f8a02a973640ef8916" }, { "id": "mus-088-1", "kind": "music", "path": "assets/reflow/mus-088-1.png", "dimensions_pixels": [ 1465, 412 ], "description": "Music example", "source_label": "Example · page 88", "source_pdf": { "path": "source/pdf/book.pdf", "page": 88 }, "continuations": [], "pdf_page": 88, "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "source_image": "source-pages/p-088.jpg", "printed_page": 88, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-088-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "13ea080bbb8f5c1e3861bbcd5b8efe063f623d15b76fac7b2ae6d6af3f308648", "sourceVerifiedSha256": "13ea080bbb8f5c1e3861bbcd5b8efe063f623d15b76fac7b2ae6d6af3f308648", "printed_systems": [ { "bars": 4 } ], "issues": [ "W-shaped symbols in the terminal measure(s) are not ordinary noteheads; treated as continuation placeholders, retained as words (two upper, one lower), with no inferred pitches or durations. Their exact notation meaning remains unresolved. Bars 2 and 4, onset; sheet-01 and mus-087-4 3x comparison.", "Placeholder measures use forward/backup solely to retain an otherwise empty LMX measure; no notes or rests assigned to the w-shaped signs. Words approximate their glyphs and vertical positions.", "RV-022: bars [2, 4], onset: 3x spot crops show w-shaped signs, not ordinary rests. Meaning ambiguous; retain as words with no assigned pitches/durations, using forward/backup for empty measures." ] } ], "sha256": "ce48af507c4f135943c1a6e3a6ca76b7db7b0fe62ea5e0453d263585ddd0b961" }, { "id": "mus-088-2", "kind": "music", "path": "assets/reflow/mus-088-2.png", "dimensions_pixels": [ 1465, 544 ], "description": "Music example", "source_label": "Example · page 88", "source_pdf": { "path": "source/pdf/book.pdf", "page": 88 }, "continuations": [], "pdf_page": 88, "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "source_image": "source-pages/p-088.jpg", "printed_page": 88, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-088-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "01bccd8422dfb5334ffa20235afc7ce121a796bfe8a437062b615e72839eca16", "sourceVerifiedSha256": "01bccd8422dfb5334ffa20235afc7ce121a796bfe8a437062b615e72839eca16", "printed_systems": [ { "bars": 4 } ], "issues": [ "W-shaped symbols in the terminal measure(s) are not ordinary noteheads; treated as continuation placeholders, retained as words (two upper, one lower), with no inferred pitches or durations. Their exact notation meaning remains unresolved. Bars 2 and 4, onset; 3x mus-088-2-zoom.png.", "Placeholder measures use forward/backup solely to retain an otherwise empty LMX measure; no notes or rests assigned to the w-shaped signs. Words approximate their glyphs and vertical positions.", "RV-022: bars [2, 4], onset: 3x spot crops show w-shaped signs, not ordinary rests. Meaning ambiguous; retain as words with no assigned pitches/durations, using forward/backup for empty measures." ] } ], "sha256": "ffe30f82d349be3a3b23081854c5fba45324b1fe6d3d7d1f1936c88285c1d866" }, { "id": "mus-088-3", "kind": "music", "path": "assets/reflow/mus-088-3.png", "dimensions_pixels": [ 1576, 430 ], "description": "(a)", "source_label": "Example · page 88", "source_pdf": { "path": "source/pdf/book.pdf", "page": 88 }, "continuations": [], "pdf_page": 88, "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "source_image": "source-pages/p-088.jpg", "printed_page": 88, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-088-3.musicxml", "label": "(a)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "b3726f94be9961057eb24aeabea28e6495272cc24270cf896ad963a35cc4c8d9", "sourceVerifiedSha256": "b3726f94be9961057eb24aeabea28e6495272cc24270cf896ad963a35cc4c8d9", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 2 bass E3 is half against whole notes above. RV-022 bar 4: bottom treble line passes through E4 whole; bass C4 has a down stem and is half, as is upper C5. Unequal durations preserved. See mus-088-3-spot-1.png." ] } ], "sha256": "68ef9e69af1624f5ab6b99125ba71cf5d456e4c17c6811207013448059a318c9" }, { "id": "mus-088-4", "kind": "music", "path": "assets/reflow/mus-088-4.png", "dimensions_pixels": [ 364, 199 ], "description": "Music example", "source_label": "Example · page 88", "source_pdf": { "path": "source/pdf/book.pdf", "page": 88 }, "continuations": [], "pdf_page": 88, "sources": [ { "pdf_page": 88, "source_image": "source-pages/p-088.jpg", "printed_page": 88 } ], "source_image": "source-pages/p-088.jpg", "printed_page": 88, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-088-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "1fee4f744cb8ceaeb245769b0431d555568c39f78e4f22ef6d8852c4638a0ad2", "sourceVerifiedSha256": "1fee4f744cb8ceaeb245769b0431d555568c39f78e4f22ef6d8852c4638a0ad2", "printed_systems": [ { "bars": 1 } ], "issues": [ "Rhythm-only diagram: no staff, clef, pitches, metre or barlines printed. Encoded one unpitched staff with two voices (4 upper and 3 lower attacks), one unbarred measure; display positions C5/G4 are arbitrary, not pitches. 3x mus-088-4-zoom.png.", "Engraving limitation: generated XML requests no clef and zero staff lines, but QA renderer still draws five staff lines. Seven unpitched attacks and both voices verified." ] } ], "sha256": "3cb6407ff24c6b1e950b190de476a8327ffc26621b9ec80c9ac73e6ecbc8026a" }, { "id": "mus-089-1", "kind": "music", "path": "assets/reflow/mus-089-1.png", "dimensions_pixels": [ 586, 457 ], "description": "Music example", "source_label": "Example · page 89", "source_pdf": { "path": "source/pdf/book.pdf", "page": 89 }, "continuations": [], "pdf_page": 89, "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "source_image": "source-pages/p-089.jpg", "printed_page": 89, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-089-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "d8c52c15fe5e32c428a8bd45d9af98dc97a70d4dca8c6b27f70bd837147aa3a1", "sourceVerifiedSha256": "d8c52c15fe5e32c428a8bd45d9af98dc97a70d4dca8c6b27f70bd837147aa3a1", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1: both upper voices total three quarters; bass G3 is a whole note. No metre printed; preserved without padding. Sheet-03." ] } ], "sha256": "798854377c5a7e3309cfaaad64ba60adfb5a79d8f6df0175ecd63c2b01d4fb34" }, { "id": "mus-089-2", "kind": "music", "path": "assets/reflow/mus-089-2.png", "dimensions_pixels": [ 626, 441 ], "description": "Music example", "source_label": "Example · page 89", "source_pdf": { "path": "source/pdf/book.pdf", "page": 89 }, "continuations": [], "pdf_page": 89, "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "source_image": "source-pages/p-089.jpg", "printed_page": 89, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-089-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "8167d11ba71683a3fbd2fbae4ed489d3eeeb0878c445ccdc45dc7c751483c036", "sourceVerifiedSha256": "8167d11ba71683a3fbd2fbae4ed489d3eeeb0878c445ccdc45dc7c751483c036", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1: upper voices total two quarters against bass whole note; preserved without padding.", "W-shaped symbols in the terminal measure(s) are not ordinary noteheads; treated as continuation placeholders, retained as words (two upper, one lower), with no inferred pitches or durations. Their exact notation meaning remains unresolved. Bar 2, onset; sheet-04, symbol compared with 3x mus-087-4.", "Placeholder measures use forward/backup solely to retain an otherwise empty LMX measure; no notes or rests assigned to the w-shaped signs. Words approximate their glyphs and vertical positions.", "RV-022: bars [2], onset: 3x spot crops show w-shaped signs, not ordinary rests. Meaning ambiguous; retain as words with no assigned pitches/durations, using forward/backup for empty measures." ] } ], "sha256": "9554e238ab9e565a92e6bc5bd046fbf2b84cee9b81e5a50c35fcbbe8118385b6" }, { "id": "mus-089-3", "kind": "music", "path": "assets/reflow/mus-089-3.png", "dimensions_pixels": [ 1193, 463 ], "description": "(a)", "source_label": "Example · page 89", "source_pdf": { "path": "source/pdf/book.pdf", "page": 89 }, "continuations": [], "pdf_page": 89, "sources": [ { "pdf_page": 89, "source_image": "source-pages/p-089.jpg", "printed_page": 89 } ], "source_image": "source-pages/p-089.jpg", "printed_page": 89, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-089-3.musicxml", "label": "(a)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "f9d1333be4b77bbaff624001e86ed56c5c855742013315f64d7d01bedb9ae80d", "sourceVerifiedSha256": "f9d1333be4b77bbaff624001e86ed56c5c855742013315f64d7d01bedb9ae80d", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 1 outer voices total three quarters against middle G4 whole. Bar 2 upper and bass voices begin spatially halfway through the sustained G4; encoded forward half (no invented rests). Exact omitted timing remains uncertain. 3x mus-089-3-zoom.png.", "W-shaped symbols in the terminal measure(s) are not ordinary noteheads; treated as continuation placeholders, retained as words (two upper, one lower), with no inferred pitches or durations. Their exact notation meaning remains unresolved. Bar 3, onset; same zoom.", "Placeholder measures use forward/backup solely to retain an otherwise empty LMX measure; no notes or rests assigned to the w-shaped signs. Words approximate their glyphs and vertical positions.", "RV-022: bars [3], onset: 3x spot crops show w-shaped signs, not ordinary rests. Meaning ambiguous; retain as words with no assigned pitches/durations, using forward/backup for empty measures.", "RV-022 bar 2: no opening rests printed. Outer voices enter together after blank space over sustained G4. Exact offset ambiguous; choose half-bar forward (2 quarters), leaving no invented rests. See mus-089-3-spot-1.png." ] } ], "sha256": "9628446c57c1922213fbb4a8c2b37f709f438a72d22ee43c651062673045fde5" }, { "id": "mus-090-1", "kind": "music", "path": "assets/reflow/mus-090-1.png", "dimensions_pixels": [ 1395, 460 ], "description": "Music example", "source_label": "Example · page 90", "source_pdf": { "path": "source/pdf/book.pdf", "page": 90 }, "continuations": [], "pdf_page": 90, "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "source_image": "source-pages/p-090.jpg", "printed_page": 90, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-090-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "deea77d99c0b45f33545281a65fb115dd0869ffedabe279c466950118a61d7b1", "sourceVerifiedSha256": "deea77d99c0b45f33545281a65fb115dd0869ffedabe279c466950118a61d7b1", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bars 1–3, beat 1: incoming curved strokes above the opening upper half note read as incoming ties, encoded tied:stop with no invented predecessor; alternatives are detached slurs. 3x mus-090-1-zoom.png.", "Bar 1 upper voices total three quarters against bass whole note; preserved without padding.", "Engraving limitation: QA renderer suppresses unmatched incoming tie stops; they remain encoded in MusicXML." ] } ], "sha256": "3e82eda7af212b1beb317670f65a85ebc7227dbe42a49839addfce21a8e8c537" }, { "id": "mus-090-2", "kind": "music", "path": "assets/reflow/mus-090-2.png", "dimensions_pixels": [ 849, 409 ], "description": "Music example", "source_label": "Example · page 90", "source_pdf": { "path": "source/pdf/book.pdf", "page": 90 }, "continuations": [], "pdf_page": 90, "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "source_image": "source-pages/p-090.jpg", "printed_page": 90, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-090-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "5f8856aa34bdede3d56bd225627eb9080ca3ed2827fba36c878f370bfe28b6ac", "sourceVerifiedSha256": "5f8856aa34bdede3d56bd225627eb9080ca3ed2827fba36c878f370bfe28b6ac", "printed_systems": [ { "bars": 2 } ], "issues": [ "Bar 1 beat 1: cropped incoming curve below F4 read as a tie stop (alternative: slur); no predecessor invented. 3x mus-090-2-zoom.png.", "Engraving limitation: QA renderer suppresses unmatched incoming tie stop; it remains encoded in MusicXML." ] } ], "sha256": "88104bcf7ded6fc90dbc61f4f233052d6b16358284a48b2da68d058b48d00759" }, { "id": "mus-090-3", "kind": "music", "path": "assets/reflow/mus-090-3.png", "dimensions_pixels": [ 909, 505 ], "description": "Music example", "source_label": "Example · page 90", "source_pdf": { "path": "source/pdf/book.pdf", "page": 90 }, "continuations": [], "pdf_page": 90, "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "source_image": "source-pages/p-090.jpg", "printed_page": 90, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-090-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "9d8bb1721970e39d84c3c0a75100e631a6b88ecacc2d6df978d61fe8d5649706", "sourceVerifiedSha256": "9d8bb1721970e39d84c3c0a75100e631a6b88ecacc2d6df978d61fe8d5649706", "printed_systems": [ { "bars": 2 } ], "issues": [ "Incoming partial ties have no preceding note in the crop; encoded tied:stop without inventing the missing onset." ] } ], "sha256": "614ab03cb862993a3acf3d374a700565f50f277253f9e451998563dc85a394e9" }, { "id": "mus-090-4", "kind": "music", "path": "assets/reflow/mus-090-4.png", "dimensions_pixels": [ 849, 427 ], "description": "Music example", "source_label": "Example · page 90", "source_pdf": { "path": "source/pdf/book.pdf", "page": 90 }, "continuations": [], "pdf_page": 90, "sources": [ { "pdf_page": 90, "source_image": "source-pages/p-090.jpg", "printed_page": 90 } ], "source_image": "source-pages/p-090.jpg", "printed_page": 90, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-090-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "55eb9cd77081ab37176ba8dd6fcd0cf211cddfb88727238b077c55575a1f5789", "sourceVerifiedSha256": "55eb9cd77081ab37176ba8dd6fcd0cf211cddfb88727238b077c55575a1f5789", "printed_systems": [ { "bars": 2 } ], "issues": [ "Unprinted opening half-measure gaps before delayed entries are encoded with forward half, not invented rests; no time signature is printed." ] } ], "sha256": "cdfa304faa49a846024c26de7a16dfd49ae512ed78b203961f17871d9106b166" }, { "id": "mus-091-1", "kind": "music", "path": "assets/reflow/mus-091-1.png", "dimensions_pixels": [ 1600, 536 ], "description": "(a)", "source_label": "Example · page 91", "source_pdf": { "path": "source/pdf/book.pdf", "page": 91 }, "continuations": [], "pdf_page": 91, "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "source_image": "source-pages/p-091.jpg", "printed_page": 91, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-091-1.musicxml", "label": "(a)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "df6ece8fbef5dc5d9dccf7ef605993bb8dd095155332442b6c4da27d94404c87", "sourceVerifiedSha256": "df6ece8fbef5dc5d9dccf7ef605993bb8dd095155332442b6c4da27d94404c87", "printed_systems": [ { "bars": 6 } ], "issues": [ "Unprinted opening half-measure gaps before delayed entries are encoded with forward half, not invented rests; no time signature is printed." ] } ], "sha256": "3bed27cfb3b29a06682df754b13550748be8234cadd6a13e436a49acc1d5c003" }, { "id": "mus-091-2", "kind": "music", "path": "assets/reflow/mus-091-2.png", "dimensions_pixels": [ 1600, 452 ], "description": "Music example", "source_label": "Example · page 91", "source_pdf": { "path": "source/pdf/book.pdf", "page": 91 }, "continuations": [], "pdf_page": 91, "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "source_image": "source-pages/p-091.jpg", "printed_page": 91, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-091-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "a344814a9775ecca5b02158af40d4b643b441781b01a6f76e1c913a3f62d9fa8", "sourceVerifiedSha256": "a344814a9775ecca5b02158af40d4b643b441781b01a6f76e1c913a3f62d9fa8", "printed_systems": [ { "bars": 4 } ], "issues": [ "Unprinted opening half-measure gaps before delayed entries are encoded with forward half, not invented rests; no time signature is printed.", "Bar 4 beat 3: outgoing partial tie on B4 continues beyond the crop; retained tied:start." ] } ], "sha256": "c48bae893692f78e631b6d22ed240bee49a0a685af1427e9c3f823ed45ccb73f" }, { "id": "mus-091-3", "kind": "music", "path": "assets/reflow/mus-091-3.png", "dimensions_pixels": [ 899, 424 ], "description": "Music example", "source_label": "Example · page 91", "source_pdf": { "path": "source/pdf/book.pdf", "page": 91 }, "continuations": [], "pdf_page": 91, "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "source_image": "source-pages/p-091.jpg", "printed_page": 91, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-091-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "56e26981bbc824aeccfcf946ee1f376db43631c6791bf7241690c685ac991f07", "sourceVerifiedSha256": "56e26981bbc824aeccfcf946ee1f376db43631c6791bf7241690c685ac991f07", "printed_systems": [ { "bars": 2 } ], "issues": [ "Unprinted opening half-measure gaps before delayed entries are encoded with forward half, not invented rests; no time signature is printed." ] } ], "sha256": "57926aa010041ea883c63436614665b8ca2846cecad23c392253ab5de7569fa7" }, { "id": "mus-091-4", "kind": "music", "path": "assets/reflow/mus-091-4.png", "dimensions_pixels": [ 929, 406 ], "description": "Music example", "source_label": "Example · page 91", "source_pdf": { "path": "source/pdf/book.pdf", "page": 91 }, "continuations": [], "pdf_page": 91, "sources": [ { "pdf_page": 91, "source_image": "source-pages/p-091.jpg", "printed_page": 91 } ], "source_image": "source-pages/p-091.jpg", "printed_page": 91, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-091-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "be86b1829c1489bd77786ca8f73de19b43d48bcc6b6f53458815928b47a1dc7e", "sourceVerifiedSha256": "be86b1829c1489bd77786ca8f73de19b43d48bcc6b6f53458815928b47a1dc7e", "printed_systems": [ { "bars": 2 } ], "issues": [ "Incoming partial ties have no preceding note in the crop; encoded tied:stop without inventing the missing onset.", "Middle voice changes staff between the two separate examples; preserved as voice 2." ] } ], "sha256": "cab794ef95409afd2ebb4e27a8605e35cb6e8bbd969cb425f7f3c2a55344d728" }, { "id": "mus-092-1", "kind": "music", "path": "assets/reflow/mus-092-1.png", "dimensions_pixels": [ 1051, 483 ], "description": "both bad", "source_label": "Example · page 92", "source_pdf": { "path": "source/pdf/book.pdf", "page": 92 }, "continuations": [], "pdf_page": 92, "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "source_image": "source-pages/p-092.jpg", "printed_page": 92, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-092-1.musicxml", "label": "both bad", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "e0f7d78fea6cf0f426ffa35f1ba1cbcf46877872d2d921febd9cbf96bf44ce36", "sourceVerifiedSha256": "e0f7d78fea6cf0f426ffa35f1ba1cbcf46877872d2d921febd9cbf96bf44ce36", "printed_systems": [ { "bars": 3 } ], "issues": [ "Incoming partial ties have no preceding note in the crop; encoded tied:stop without inventing the missing onset.", "Bar 1 beats 1–3: straight analytical lines connect D5–C5 and E4–C4; omitted (not slurs or glissandi).", "Bar 2: second subexample begins with a half-note pickup; no rests added." ] } ], "sha256": "2f8d7fcbec89befbd4f08838ffcbec16f40a9e3233192d0572c73314c867b808" }, { "id": "mus-092-2", "kind": "music", "path": "assets/reflow/mus-092-2.png", "dimensions_pixels": [ 1313, 546 ], "description": "Music example", "source_label": "Example · page 92", "source_pdf": { "path": "source/pdf/book.pdf", "page": 92 }, "continuations": [], "pdf_page": 92, "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "source_image": "source-pages/p-092.jpg", "printed_page": 92, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-092-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "eca4938556ad0c6b4ace03febd8f72318ed6a0a898d114bb35643143012dd003", "sourceVerifiedSha256": "eca4938556ad0c6b4ace03febd8f72318ed6a0a898d114bb35643143012dd003", "printed_systems": [ { "bars": 3 } ], "issues": [ "Incoming partial ties have no preceding note in the crop; encoded tied:stop without inventing the missing onset.", "Figure continuation strokes retained as em dashes within each figure stack." ] } ], "sha256": "f6877320cf89adeaf312229067e719fac1e6aa32c4446d8e91699ca4e2f38fae" }, { "id": "mus-092-3", "kind": "music", "path": "assets/reflow/mus-092-3.png", "dimensions_pixels": [ 1313, 502 ], "description": "Music example", "source_label": "Example · page 92", "source_pdf": { "path": "source/pdf/book.pdf", "page": 92 }, "continuations": [], "pdf_page": 92, "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "source_image": "source-pages/p-092.jpg", "printed_page": 92, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-092-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "557f1af0264bd51509b2e049e0d7e097c0954cd0a60e9893c7c7fd50da2422d7", "sourceVerifiedSha256": "557f1af0264bd51509b2e049e0d7e097c0954cd0a60e9893c7c7fd50da2422d7", "printed_systems": [ { "bars": 3 } ], "issues": [ "Incoming partial ties have no preceding note in the crop; encoded tied:stop without inventing the missing onset.", "Figure continuation strokes retained as em dashes within each figure stack." ] } ], "sha256": "98988cbcb9d71030b6276b5a335b430d7ade3c4cc715014deded0a667fc40cd9" }, { "id": "mus-092-4", "kind": "music", "path": "assets/reflow/mus-092-4.png", "dimensions_pixels": [ 1600, 407 ], "description": "(a) / (b) / (c) / (d)", "source_label": "Example · page 92", "source_pdf": { "path": "source/pdf/book.pdf", "page": 92 }, "continuations": [], "pdf_page": 92, "sources": [ { "pdf_page": 92, "source_image": "source-pages/p-092.jpg", "printed_page": 92 } ], "source_image": "source-pages/p-092.jpg", "printed_page": 92, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-092-4.musicxml", "label": "(a) / (b) / (c) / (d)", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "0208e5f24139faab6d07932d31585f4c043236f45dfbd6079232b48574434d90", "sourceVerifiedSha256": "0208e5f24139faab6d07932d31585f4c043236f45dfbd6079232b48574434d90", "printed_systems": [ { "bars": 4 } ], "issues": [ "Incoming partial ties have no preceding note in the crop; encoded tied:stop without inventing the missing onset.", "Bar 4 (d): bass staff is empty; sustained D4 belongs to the treble staff. No bass rest added." ] } ], "sha256": "c3448751ca93e4cb7a07b43603ad81c5a4b95e106959bc7f91cc5e925122ac94" }, { "id": "mus-093-1", "kind": "music", "path": "assets/reflow/mus-093-1.png", "dimensions_pixels": [ 1600, 945 ], "description": "Music example", "source_label": "Example · page 93", "source_pdf": { "path": "source/pdf/book.pdf", "page": 93 }, "continuations": [], "pdf_page": 93, "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "source_image": "source-pages/p-093.jpg", "printed_page": 93, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-093-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "10b697e6e3360ac190db8871a408d8307f6a6b60cce0eddc3382806b10f0ed53", "sourceVerifiedSha256": "10b697e6e3360ac190db8871a408d8307f6a6b60cce0eddc3382806b10f0ed53", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ] } ], "sha256": "dc9efcf50b37d172b729356c439a53046415a5cea7fa25c38664c7079f7ff981" }, { "id": "mus-093-2", "kind": "music", "path": "assets/reflow/mus-093-2.png", "dimensions_pixels": [ 1600, 442 ], "description": "Music example", "source_label": "Example · page 93", "source_pdf": { "path": "source/pdf/book.pdf", "page": 93 }, "continuations": [], "pdf_page": 93, "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "source_image": "source-pages/p-093.jpg", "printed_page": 93, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-093-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "848dadaa059c6644415bd530e5a1f0db890ce07b2e7423fc235138bb0c2011c4", "sourceVerifiedSha256": "848dadaa059c6644415bd530e5a1f0db890ce07b2e7423fc235138bb0c2011c4", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 3–4: upper and bass voices end before the whole-note middle voice. Durations and blank space retained; no padding rests added. No time signature printed; omitted." ] } ], "sha256": "b4b7e5c3c957732f1da001f9d674a19aa3c6171383a2400d7acd1bc253a24c96" }, { "id": "mus-093-3", "kind": "music", "path": "assets/reflow/mus-093-3.png", "dimensions_pixels": [ 1600, 439 ], "description": "By inversion.", "source_label": "Example · page 93", "source_pdf": { "path": "source/pdf/book.pdf", "page": 93 }, "continuations": [], "pdf_page": 93, "sources": [ { "pdf_page": 93, "source_image": "source-pages/p-093.jpg", "printed_page": 93 } ], "source_image": "source-pages/p-093.jpg", "printed_page": 93, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-093-3.musicxml", "label": "By inversion.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "d29f3997febdd2ea0a081c97211e89ec5b38a341ee6c5f5ebcb9297e055e795b", "sourceVerifiedSha256": "d29f3997febdd2ea0a081c97211e89ec5b38a341ee6c5f5ebcb9297e055e795b", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 3–4: upper and bass voices end before the whole-note middle voice. Durations and blank space retained; no padding rests added. No time signature printed; omitted.", "Bar 3, beat 1, bass: heavily inked head read as G3 quarter (space below top line), not A3 or a dyad. Checked zoom-3-275.png at 3x." ] } ], "sha256": "2b1b128b272525fa04fcb915cac5a1f719a0cfd9a506194852a3716507762786" }, { "id": "mus-094-1", "kind": "music", "path": "assets/reflow/mus-094-1.png", "dimensions_pixels": [ 1600, 424 ], "description": "Music example", "source_label": "Example · page 94", "source_pdf": { "path": "source/pdf/book.pdf", "page": 94 }, "continuations": [], "pdf_page": 94, "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "source_image": "source-pages/p-094.jpg", "printed_page": 94, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-094-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9e747b8b6e336a2e18c3bcff2e284d32a13d21a49c75631c02e1ef713cce237c", "sourceVerifiedSha256": "9e747b8b6e336a2e18c3bcff2e284d32a13d21a49c75631c02e1ef713cce237c", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 4: upper voice prints only A4 quarter, middle D4 half, bass F3 whole; retained unequal durations without added rests." ] } ], "sha256": "d1c8a51481b630f004234eb90bf9a5a471aec83c8f25a3cb8b4d101664c18428" }, { "id": "mus-094-2", "kind": "music", "path": "assets/reflow/mus-094-2.png", "dimensions_pixels": [ 1600, 427 ], "description": "Music example", "source_label": "Example · page 94", "source_pdf": { "path": "source/pdf/book.pdf", "page": 94 }, "continuations": [], "pdf_page": 94, "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "source_image": "source-pages/p-094.jpg", "printed_page": 94, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-094-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e528c5271dba65f8a012a439e65fbdb1a45a029800a57237fc49161b105c8a11", "sourceVerifiedSha256": "e528c5271dba65f8a012a439e65fbdb1a45a029800a57237fc49161b105c8a11", "printed_systems": [ { "bars": 3 } ], "issues": [ "Bar 3: upper A4 quarter, middle B3 whole, bass G3 half; retained unequal printed durations without added rests." ] } ], "sha256": "c507a2918e50dff58d663a3263cfba26d736419bc7ec72120a1581bf594879bb" }, { "id": "mus-094-3", "kind": "music", "path": "assets/reflow/mus-094-3.png", "dimensions_pixels": [ 1600, 412 ], "description": "Music example", "source_label": "Example · page 94", "source_pdf": { "path": "source/pdf/book.pdf", "page": 94 }, "continuations": [], "pdf_page": 94, "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "source_image": "source-pages/p-094.jpg", "printed_page": 94, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-094-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b7741741d9b2b492b25d81055d97eadc79e56c6f6f4d1c82129e1d8057008318", "sourceVerifiedSha256": "b7741741d9b2b492b25d81055d97eadc79e56c6f6f4d1c82129e1d8057008318", "printed_systems": [ { "bars": 3 } ] } ], "sha256": "1fea70942a5797b543b97caaf3d36f2e6c590ac341f49d98b072de802b8b2ccf" }, { "id": "mus-094-4", "kind": "music", "path": "assets/reflow/mus-094-4.png", "dimensions_pixels": [ 1435, 189 ], "description": "Music example", "source_label": "Example · page 94", "source_pdf": { "path": "source/pdf/book.pdf", "page": 94 }, "continuations": [], "pdf_page": 94, "sources": [ { "pdf_page": 94, "source_image": "source-pages/p-094.jpg", "printed_page": 94 } ], "source_image": "source-pages/p-094.jpg", "printed_page": 94, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-094-4.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "9e3652f5105132006e2dace8218aeab784de7eeeb4fff7361b1e2461d6363a35", "sourceVerifiedSha256": "9e3652f5105132006e2dace8218aeab784de7eeeb4fff7361b1e2461d6363a35", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bar 1 is a half-note pickup; bar 5 is a short half-note ending. Long curves connect different pitches and are encoded as slurs." ] } ], "sha256": "02266d491d754de0521716d928f71514b28d3053823c20ca06fa0aa6fed5d81c" }, { "id": "mus-095-1", "kind": "music", "path": "assets/reflow/mus-095-1.png", "dimensions_pixels": [ 1253, 210 ], "description": "Music example", "source_label": "Example · page 95", "source_pdf": { "path": "source/pdf/book.pdf", "page": 95 }, "continuations": [], "pdf_page": 95, "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "source_image": "source-pages/p-095.jpg", "printed_page": 95, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-095-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "ddbe8450990b3f9e48704baf2098f5e625ee7bdd1ece2565b0ee3f8289d593cd", "sourceVerifiedSha256": "ddbe8450990b3f9e48704baf2098f5e625ee7bdd1ece2565b0ee3f8289d593cd", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 1 is a half-note pickup; bar 4 is a short half-note ending, with no terminal barline printed." ] } ], "sha256": "35ec64145c9dd97ee1693f8b95d90a52b1f789193c675044cd02cdca4b61e495" }, { "id": "mus-095-2", "kind": "music", "path": "assets/reflow/mus-095-2.png", "dimensions_pixels": [ 1515, 246 ], "description": "(a) / (b)", "source_label": "Example · page 95", "source_pdf": { "path": "source/pdf/book.pdf", "page": 95 }, "continuations": [], "pdf_page": 95, "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "source_image": "source-pages/p-095.jpg", "printed_page": 95, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-095-2.musicxml", "label": "(a) / (b)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "e7779147b0bc53ab9a5cc1a2389d975eb93b7c359e4469ea622b219bc6d7121c", "sourceVerifiedSha256": "e7779147b0bc53ab9a5cc1a2389d975eb93b7c359e4469ea622b219bc6d7121c", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bar 1 is a half-note pickup; bar 5 has only a quarter note and no terminal barline. Labels (a) and (b) annotate bars 2 and 4 of the continuous line. Long curves are slurs." ] } ], "sha256": "6948c5e1f0be9608eb8e3df5185543b4dbea04e56012a00777d8f99405791ff0" }, { "id": "mus-095-3", "kind": "music", "path": "assets/reflow/mus-095-3.png", "dimensions_pixels": [ 1600, 871 ], "description": "C.F.", "source_label": "Example · page 95", "source_pdf": { "path": "source/pdf/book.pdf", "page": 95 }, "continuations": [], "pdf_page": 95, "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 } ], "source_image": "source-pages/p-095.jpg", "printed_page": 95, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-095-3.musicxml", "label": "C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "93461480084c8bcb9f5ab8fd0b9529542ce5934b13270fb4d425dbb79b694d60", "sourceVerifiedSha256": "93461480084c8bcb9f5ab8fd0b9529542ce5934b13270fb4d425dbb79b694d60", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ] } ], "sha256": "7bd42ff2121027fb146cbe5005b114974f39172a4b30424e6bf082d977215337" }, { "id": "mus-095-4", "kind": "music", "path": "assets/reflow/mus-095-4.png", "dimensions_pixels": [ 1600, 416 ], "description": "C.F.", "source_label": "Example · page 95", "source_pdf": { "path": "source/pdf/book.pdf", "page": 95 }, "continuations": [ { "path": "assets/reflow/mus-095-4-p2.png", "dimensions_pixels": [ 1600, 927 ] } ], "pdf_page": 95, "sources": [ { "pdf_page": 95, "source_image": "source-pages/p-095.jpg", "printed_page": 95 }, { "pdf_page": 96, "source_image": "source-pages/p-096.jpg", "printed_page": 96 } ], "source_image": "source-pages/p-095.jpg", "printed_page": 95, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-095-4.musicxml", "label": "C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "3205aac96cda2ff33cddb12f6a3f8183d534f6749daf71939496c0b74fcb6faf", "sourceVerifiedSha256": "3205aac96cda2ff33cddb12f6a3f8183d534f6749daf71939496c0b74fcb6faf", "printed_systems": [ { "bars": 3 }, { "bars": 3 }, { "bars": 4 } ] } ], "sha256": "40e27d66691791cba88bdb5dffff57dfa9d20456e1a8ad8f4272e02c68f48cc4" }, { "id": "mus-096-1", "kind": "music", "path": "assets/reflow/mus-096-1.png", "dimensions_pixels": [ 1600, 1501 ], "description": "C.F.", "source_label": "Example · page 96", "source_pdf": { "path": "source/pdf/book.pdf", "page": 96 }, "continuations": [], "pdf_page": 96, "sources": [ { "pdf_page": 96, "source_image": "source-pages/p-096.jpg", "printed_page": 96 } ], "source_image": "source-pages/p-096.jpg", "printed_page": 96, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-096-1.musicxml", "label": "C.F.", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "b38f1a5a96a691d35d24fd9cf6a0dd8ec9aaca1354b1f28e94e4b25783100eef", "sourceVerifiedSha256": "b38f1a5a96a691d35d24fd9cf6a0dd8ec9aaca1354b1f28e94e4b25783100eef", "printed_systems": [ { "bars": 4 }, { "bars": 4 }, { "bars": 3 } ], "issues": [ "Bar 10, beat 4: tiny isolated mark above the first eighth-note beam appears to be scan/print debris; no articulation encoded." ] } ], "sha256": "f655a075fa634ed453fbd0017a03eb5e5f40b0d19f6095e37e4b5e6beb84294b" }, { "id": "mus-097-1", "kind": "music", "path": "assets/reflow/mus-097-1.png", "dimensions_pixels": [ 1600, 861 ], "description": "Music example", "source_label": "Example · page 97", "source_pdf": { "path": "source/pdf/book.pdf", "page": 97 }, "continuations": [], "pdf_page": 97, "sources": [ { "pdf_page": 97, "source_image": "source-pages/p-097.jpg", "printed_page": 97 } ], "source_image": "source-pages/p-097.jpg", "printed_page": 97, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-097-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "a262cbf3eabb96ffaf1d8cad0c96ff4998f5d7bb62442d4ef560926206ee440f", "sourceVerifiedSha256": "a262cbf3eabb96ffaf1d8cad0c96ff4998f5d7bb62442d4ef560926206ee440f", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ] } ], "sha256": "ce617f863bb9ae1d709ee299cecf7a4f372b831fdfad13f9ef9637879e7daa0d" }, { "id": "mus-097-2", "kind": "music", "path": "assets/reflow/mus-097-2.png", "dimensions_pixels": [ 1600, 829 ], "description": "Music example", "source_label": "Example · page 97", "source_pdf": { "path": "source/pdf/book.pdf", "page": 97 }, "continuations": [], "pdf_page": 97, "sources": [ { "pdf_page": 97, "source_image": "source-pages/p-097.jpg", "printed_page": 97 } ], "source_image": "source-pages/p-097.jpg", "printed_page": 97, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-097-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "fba0796a57eb8bf26b5e178a4698db585c3ad0286d3994a22879878b43bc0f88", "sourceVerifiedSha256": "fba0796a57eb8bf26b5e178a4698db585c3ad0286d3994a22879878b43bc0f88", "printed_systems": [ { "bars": 4 }, { "bars": 3 } ], "issues": [ "Bar 1: no rest is printed for the later-entering second treble voice; left absent rather than adding a whole-bar rest." ] } ], "sha256": "8c488ac38a85ba561cedf5bc083e348039d14843cdc99ec70248ce92064f6fd6" }, { "id": "mus-097-3", "kind": "music", "path": "assets/reflow/mus-097-3.png", "dimensions_pixels": [ 1600, 410 ], "description": "Music example", "source_label": "Example · page 97", "source_pdf": { "path": "source/pdf/book.pdf", "page": 97 }, "continuations": [ { "path": "assets/reflow/mus-097-3-p2.png", "dimensions_pixels": [ 1600, 904 ] } ], "pdf_page": 97, "sources": [ { "pdf_page": 97, "source_image": "source-pages/p-097.jpg", "printed_page": 97 }, { "pdf_page": 98, "source_image": "source-pages/p-098.jpg", "printed_page": 98 } ], "source_image": "source-pages/p-097.jpg", "printed_page": 97, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-097-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "0be1183ad684f3f59dc301bc0199ee057c3a94a862f95675f19f36c09d31d481", "sourceVerifiedSha256": "0be1183ad684f3f59dc301bc0199ee057c3a94a862f95675f19f36c09d31d481", "printed_systems": [ { "bars": 3 }, { "bars": 3 }, { "bars": 4 } ], "issues": [ "Bars 9–10: printed vertical braces link the lower treble voice to bass; omitted as analytical brackets. Label (a) retained beneath bar 9 beat 2." ] } ], "sha256": "2753187fd528e9698eb12df1717a1f8983e05de273c6d5c9f387efe344f08fa5" }, { "id": "mus-098-1", "kind": "music", "path": "assets/reflow/mus-098-1.png", "dimensions_pixels": [ 1600, 337 ], "description": "Music example", "source_label": "Example · page 98", "source_pdf": { "path": "source/pdf/book.pdf", "page": 98 }, "continuations": [], "pdf_page": 98, "sources": [ { "pdf_page": 98, "source_image": "source-pages/p-098.jpg", "printed_page": 98 } ], "source_image": "source-pages/p-098.jpg", "printed_page": 98, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-098-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "568c494544cab41a354ac8228c72e8a924ac1f28dda49d002265f405c789f5e8", "sourceVerifiedSha256": 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Checked full original at 3x." ] } ], "sha256": "879035211aae0d8234dd9640ee622b315941741a8d014220125d4116c92c91d7" }, { "id": "mus-102-3", "kind": "music", "path": "assets/reflow/mus-102-3.png", "dimensions_pixels": [ 545, 217 ], "description": "Music example", "source_label": "Example · page PDF 102", "source_pdf": { "path": "source/pdf/book.pdf", "page": 102 }, "continuations": [], "pdf_page": 102, "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-102-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "422b64d4ec919fd0fe99a2c8988273c35f7b27c4c1c489cb508f2fe167af42dc", "sourceVerifiedSha256": "422b64d4ec919fd0fe99a2c8988273c35f7b27c4c1c489cb508f2fe167af42dc", "printed_systems": [ { "bars": 1 } ] } ], "sha256": "0b63b02b656e6521a1d7dfa0d918f146cb7ed12cff895dd44989f2eb7cfdcbd4" }, { "id": "mus-102-4", "kind": "music", "path": "assets/reflow/mus-102-4.png", "dimensions_pixels": [ 909, 246 ], "description": "weak", "source_label": "Example · page PDF 102", "source_pdf": { "path": "source/pdf/book.pdf", "page": 102 }, "continuations": [], "pdf_page": 102, "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-102-4.musicxml", "label": "weak", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "203c014895881174b1e1fa2a4563b38e41bbd5cc0e71720c83bdda805ce1761a", "sourceVerifiedSha256": "203c014895881174b1e1fa2a4563b38e41bbd5cc0e71720c83bdda805ce1761a", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "255e6b737317a253cfe597b7dfacede9af279cc8a9ca8ea76282589782f9cdc0" }, { "id": "mus-102-5", "kind": "music", "path": "assets/reflow/mus-102-5.png", "dimensions_pixels": [ 566, 127 ], "description": "Music example", "source_label": "Example · page PDF 102", "source_pdf": { "path": "source/pdf/book.pdf", "page": 102 }, "continuations": [], "pdf_page": 102, "sources": [ { "pdf_page": 102, "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102" } ], "source_image": "source-pages/p-102.jpg", "printed_label": "PDF 102", "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-102-5.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "3f4bc5b537a0ee0d74c4e73a400d6edaee4f20dbd305a5e65ed0f3e6f5249f9d", "sourceVerifiedSha256": "3f4bc5b537a0ee0d74c4e73a400d6edaee4f20dbd305a5e65ed0f3e6f5249f9d", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1, all beats: staffless rhythm illustration, no clef, pitch, metre or barlines printed. Encoded as one unpitched voice in one measure with zero staff lines; B4 is display position only. Checked full original at 3x.", "Engraving limitation: Verovio draws five staff lines despite staff-details print-object=\"no\" and staff-lines=0; source is staffless. Unpitched notes and printed durations are preserved." ] } ], "sha256": "36eedc77ef8db9432c7535858c5194a5fd67b76ea483db1a63b839456c582cb6" }, { "id": "mus-103-1", "kind": "music", "path": "assets/reflow/mus-103-1.png", "dimensions_pixels": [ 1294, 228 ], "description": "Music example", "source_label": "Example · page 103", "source_pdf": { "path": "source/pdf/book.pdf", "page": 103 }, "continuations": [], "pdf_page": 103, "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "source_image": "source-pages/p-103.jpg", "printed_page": 103, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-103-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "147de8bc14229e03197861db29986411944ce1573d893f8ed4862a24bd63a590", "sourceVerifiedSha256": "147de8bc14229e03197861db29986411944ce1573d893f8ed4862a24bd63a590", "printed_systems": [ { "bars": 2 } ] } ], "sha256": "e1f55f8759b2b699e34f6bde8377b95d2482279cbc88dcbca5cd0e539e9b8d36" }, { "id": "mus-103-2", "kind": "music", "path": "assets/reflow/mus-103-2.png", "dimensions_pixels": [ 1576, 250 ], "description": "Music example", "source_label": "Example · page 103", "source_pdf": { "path": "source/pdf/book.pdf", "page": 103 }, "continuations": [], "pdf_page": 103, "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "source_image": "source-pages/p-103.jpg", "printed_page": 103, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-103-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "84ec3a6b8da546927529e34c8e8d404dd664611a97ec0d5d9b39147802abb84e", "sourceVerifiedSha256": "84ec3a6b8da546927529e34c8e8d404dd664611a97ec0d5d9b39147802abb84e", "printed_systems": [ { "bars": 4 } ] } ], "sha256": "59488c375bba9cff54fe04c8b421b0956f3fc337eeb88385b1eced018a151435" }, { "id": "mus-103-3", "kind": "music", "path": "assets/reflow/mus-103-3.png", "dimensions_pixels": [ 1600, 195 ], "description": "Music example", "source_label": "Example · page 103", "source_pdf": { "path": "source/pdf/book.pdf", "page": 103 }, "continuations": [], "pdf_page": 103, "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "source_image": "source-pages/p-103.jpg", "printed_page": 103, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-103-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "d0692e937617bb40577eeb44defe30e580a3ffaab1985eda86ec964ec4d6a944", "sourceVerifiedSha256": "d0692e937617bb40577eeb44defe30e580a3ffaab1985eda86ec964ec4d6a944", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bars 1 and 3: no upper rests printed; D5 enters at onset 4. Bars 2 and 4, final upper notes: short curved continuation strokes extend toward the double bars, not slash text. Read as outgoing ties to unprinted continuation notes; encoded as open tie starts without inventing endpoints. Checked RV-027 spot crops at 3x." ] } ], "sha256": "ab54b1a7ee072e506db51a928dbe4857ee67b582b0fd425507fa3383e49e067d" }, { "id": "mus-103-4", "kind": "music", "path": "assets/reflow/mus-103-4.png", "dimensions_pixels": [ 1600, 255 ], "description": "(1)", "source_label": "Example · page 103", "source_pdf": { "path": "source/pdf/book.pdf", "page": 103 }, "continuations": [], "pdf_page": 103, "sources": [ { "pdf_page": 103, "source_image": "source-pages/p-103.jpg", "printed_page": 103 } ], "source_image": "source-pages/p-103.jpg", "printed_page": 103, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-103-4.musicxml", "label": "(1)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "4413f80fcbc587ee7de37f022499f78c0aee95e3c0b9f004d7801c7e5b396754", "sourceVerifiedSha256": "4413f80fcbc587ee7de37f022499f78c0aee95e3c0b9f004d7801c7e5b396754", "printed_systems": [ { "bars": 5 } ], "issues": [ "Bars 2 and 4: upper E5 half tied from preceding bar followed by D5 half, against lower dotted whole G4. Preserved printed 4 versus 6 quarter units without added rests. Checked full original at 3x." ] } ], "sha256": "43d5903a896ea5eb556da1590b9f5e45e8b6628e32290fcf32e400512ab71d39" }, { "id": "mus-104-1", "kind": "music", "path": "assets/reflow/mus-104-1.png", "dimensions_pixels": [ 388, 114 ], "description": "Music example", "source_label": "Example · page 104", "source_pdf": { "path": "source/pdf/book.pdf", "page": 104 }, "continuations": [], "pdf_page": 104, "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "source_image": "source-pages/p-104.jpg", "printed_page": 104, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-104-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "0cf3f3d4f4840c325bd3b7fe57b4269ff5b06cbfe20b4abc286df4e1c3cfab35", "sourceVerifiedSha256": "0cf3f3d4f4840c325bd3b7fe57b4269ff5b06cbfe20b4abc286df4e1c3cfab35", "printed_systems": [ { "bars": 1 } ], "issues": [ "Bar 1, all beats: staffless rhythm illustration, no clef, pitch, metre or barlines printed. Encoded as one unpitched voice in one measure with zero staff lines; B4 is display position only. Checked full original at 3x.", "Engraving limitation: Verovio draws five staff lines despite staff-details print-object=\"no\" and staff-lines=0; source is staffless. Unpitched notes and printed durations are preserved." ] } ], "sha256": "0aac8f875b09b99bc938e610a186d2d866b1fec6aa33f1e3639918071376354f" }, { "id": "mus-104-2", "kind": "music", "path": "assets/reflow/mus-104-2.png", "dimensions_pixels": [ 1600, 855 ], "description": "Music example", "source_label": "Example · page 104", "source_pdf": { "path": "source/pdf/book.pdf", "page": 104 }, "continuations": [], "pdf_page": 104, "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "source_image": "source-pages/p-104.jpg", "printed_page": 104, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-104-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "375bfe7c6b65bb95b290deb2fd066547e92a08be049e663e78a9a3852303ec26", "sourceVerifiedSha256": "375bfe7c6b65bb95b290deb2fd066547e92a08be049e663e78a9a3852303ec26", "printed_systems": [ { "bars": 4 }, { "bars": 3 } ] } ], "sha256": "c3c036c3e5c263dbbb905023f250541d138aa44340c868e058cb9bac53cc2cdb" }, { "id": "mus-104-3", "kind": "music", "path": "assets/reflow/mus-104-3.png", "dimensions_pixels": [ 1600, 840 ], "description": "Music example", "source_label": "Example · page 104", "source_pdf": { "path": "source/pdf/book.pdf", "page": 104 }, "continuations": [], "pdf_page": 104, "sources": [ { "pdf_page": 104, "source_image": "source-pages/p-104.jpg", "printed_page": 104 } ], "source_image": "source-pages/p-104.jpg", "printed_page": 104, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-104-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "46c622770ffc765398facf37581210e68e54c944c3239f3705bc35a7697d3ff8", "sourceVerifiedSha256": "46c622770ffc765398facf37581210e68e54c944c3239f3705bc35a7697d3ff8", "printed_systems": [ { "bars": 4 }, { "bars": 3 } ] } ], "sha256": "f79fd809b03cb758b6494f31c5ea8e3835ac6a6e94663316ab6b1461d738a085" }, { "id": "mus-105-1", "kind": "music", "path": "assets/reflow/mus-105-1.png", "dimensions_pixels": [ 1600, 826 ], "description": "Music example", "source_label": "Example · page 105", "source_pdf": { "path": "source/pdf/book.pdf", "page": 105 }, "continuations": [], "pdf_page": 105, "sources": [ { "pdf_page": 105, "source_image": "source-pages/p-105.jpg", "printed_page": 105 } ], "source_image": "source-pages/p-105.jpg", "printed_page": 105, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-105-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "86ea8bf179e48b1808e86e03aa2cfcc918bc0f3c116877b5c74129273d4881ff", "sourceVerifiedSha256": "86ea8bf179e48b1808e86e03aa2cfcc918bc0f3c116877b5c74129273d4881ff", "printed_systems": [ { "bars": 3 }, { "bars": 4 } ] } ], "sha256": "143db25486c0b1f843bc61c12d3b9b16596be42e259ad0fb99332e8df381a544" }, { "id": "mus-105-2", "kind": "music", "path": "assets/reflow/mus-105-2.png", "dimensions_pixels": [ 1600, 799 ], "description": "Music example", "source_label": "Example · page 105", "source_pdf": { "path": "source/pdf/book.pdf", "page": 105 }, "continuations": [], "pdf_page": 105, "sources": [ { "pdf_page": 105, "source_image": "source-pages/p-105.jpg", "printed_page": 105 } ], "source_image": "source-pages/p-105.jpg", "printed_page": 105, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-105-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "fe438f6b50541b628e0ddae1c5ab431838f855cad06ae57fd266c16a0c68c04f", "sourceVerifiedSha256": "fe438f6b50541b628e0ddae1c5ab431838f855cad06ae57fd266c16a0c68c04f", "printed_systems": [ { "bars": 3 }, { "bars": 4 } ] } ], "sha256": "423299ba246b011132541f471a817e9c3b220a32168c4ad08235bf56fc13ec30" }, { "id": "mus-105-3", "kind": "music", "path": "assets/reflow/mus-105-3.png", "dimensions_pixels": [ 1600, 826 ], "description": "Music example", "source_label": "Example · page 105", "source_pdf": { "path": "source/pdf/book.pdf", "page": 105 }, "continuations": [], "pdf_page": 105, "sources": [ { "pdf_page": 105, "source_image": "source-pages/p-105.jpg", "printed_page": 105 } ], "source_image": "source-pages/p-105.jpg", "printed_page": 105, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-105-3.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "00b859d6eaf4d8d3a14ada9d88a533261554df9ce4a6802066c76e4fc8eb7230", "sourceVerifiedSha256": "00b859d6eaf4d8d3a14ada9d88a533261554df9ce4a6802066c76e4fc8eb7230", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ], "issues": [ "Bar 7 bass, beat 1: no clear augmentation dot follows D3; encoded whole (4 quarters), leaving this voice short by 2 quarters. A small mark below the head could be damaged printing, but is not at the normal dot position. Checked mus-105-3-zoom.png (3x).", "RV-027 review: damaged mark lies below D3, not to its right at augmentation-dot position. Choose undotted whole from visible engraving; both readings agree, without filling the short voice. See mus-105-3-spot-1.png." ] } ], "sha256": "09c383bb4c27c3e7be4c9c2510c2510d5af01f1e0300c5a2fff0ae66d1a52e5f" }, { "id": "mus-106-1", "kind": "music", "path": "assets/reflow/mus-106-1.png", "dimensions_pixels": [ 1600, 901 ], "description": "Music example", "source_label": "Example · page 106", "source_pdf": { "path": "source/pdf/book.pdf", "page": 106 }, "continuations": [], "pdf_page": 106, "sources": [ { "pdf_page": 106, "source_image": "source-pages/p-106.jpg", "printed_page": 106 } ], "source_image": "source-pages/p-106.jpg", "printed_page": 106, "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-106-1.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "8f326f8163dcc413aaec95d6cdf16455abcee4cffae77f7de28122617520a72c", "sourceVerifiedSha256": "8f326f8163dcc413aaec95d6cdf16455abcee4cffae77f7de28122617520a72c", "printed_systems": [ { "bars": 3 }, { "bars": 4 } ] } ], "sha256": "2cd5af02e370b342fe71c14df541f75ea0aeb9fc8941bf516d69f27dcc28e37e" }, { "id": "mus-106-2", "kind": "music", "path": "assets/reflow/mus-106-2.png", "dimensions_pixels": [ 1600, 860 ], "description": "Music example", "source_label": "Example · page 106", "source_pdf": { "path": "source/pdf/book.pdf", "page": 106 }, "continuations": [], "pdf_page": 106, "sources": [ { "pdf_page": 106, "source_image": "source-pages/p-106.jpg", "printed_page": 106 } ], "source_image": "source-pages/p-106.jpg", "printed_page": 106, "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-106-2.musicxml", "label": "Music example", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "fe1a1e14341e6f42190519b70455473d3c56bfad2d499559d27673b5656a494f", "sourceVerifiedSha256": "fe1a1e14341e6f42190519b70455473d3c56bfad2d499559d27673b5656a494f", "printed_systems": [ { "bars": 4 }, { "bars": 4 } ] } ], "sha256": "012fc1ae48a7d72a4a6c504ac49a88a936252e54f47c998bb81e93688b470a55" }, { "id": "mus-107-1", "kind": "music", "path": "assets/reflow/mus-107-1.png", "dimensions_pixels": [ 1600, 271 ], "description": "(a) / (b)", "source_label": "Example · page PDF 107", "source_pdf": { "path": "source/pdf/book.pdf", "page": 107 }, "continuations": [], "pdf_page": 107, "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107", "music_transcription_status": "two-reader-confirmed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-107-1.musicxml", "label": "(a) / (b)", "playbackAvailable": true, "transcriptionStatus": "two-reader-confirmed", "sha256": "da8110654900dc49ff940c0801f0be372d4dd828f139bd85e21441d2aa1d1e61", "sourceVerifiedSha256": "da8110654900dc49ff940c0801f0be372d4dd828f139bd85e21441d2aa1d1e61", "printed_systems": [ { "bars": 6 } ], "issues": [ "Bar 6 lower voice: printed F4 quarter beneath D5 half; retained unequal voice lengths. Bars 1 and 4 are half-note pickups; bar 3 is a short half-note ending. Checked mus-107-1-zoom.png (3x)." ] } ], "sha256": "7cd2e3ec5e5886a8b5a216fdd2055c5128b92c84db980c909c76b6f6b0151b27" }, { "id": "mus-107-2", "kind": "music", "path": "assets/reflow/mus-107-2.png", "dimensions_pixels": [ 1415, 265 ], "description": "good / bad / good", "source_label": "Example · page PDF 107", "source_pdf": { "path": "source/pdf/book.pdf", "page": 107 }, "continuations": [], "pdf_page": 107, "sources": [ { "pdf_page": 107, "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107" } ], "source_image": "source-pages/p-107.jpg", "printed_label": "PDF 107", "music_transcription_status": "print-reviewed", "playback_status": "ready", "default_view": "rendered", "musicxml": [ { "path": "musicxml/mus-107-2.musicxml", "label": "good / bad / good", "playbackAvailable": true, "transcriptionStatus": "print-reviewed", "sha256": "46213e342919520822c2ab733650e1f5104917db8e15f9e0589dd420fcad5dcc", "sourceVerifiedSha256": "46213e342919520822c2ab733650e1f5104917db8e15f9e0589dd420fcad5dcc", "printed_systems": [ { "bars": 4 } ], "issues": [ "Bar 4 beat 1: incoming tie stub on D5 has no visible starting endpoint. Encoded tied:stop; no connection invented across the preceding example boundary. Checked mus-107-2-zoom.png (3x). 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First Species", "group": "Contents", "page": "" }, { "blockId": "kitson-p033-1", "title": "Chapter II. Second Species", "group": "Contents", "page": "" }, { "blockId": "kitson-p045-1", "title": "Chapter III. Third Species", "group": "Contents", "page": "" }, { "blockId": "kitson-p061-1", "title": "Chapter IV. Fourth Species", "group": "Contents", "page": "" }, { "blockId": "kitson-p070-1", "title": "Chapter V. Fifth Species", "group": "Contents", "page": "70" }, { "blockId": "kitson-p078-1", "title": "Chapter VI. Two Parts in Fifth Species against the Canto Fermo", "group": "Contents", "page": "" }, { "blockId": "kitson-p102-1", "title": "Chapter VII. Counterpoint in Triple Time", "group": "Contents", "page": "" }, { "blockId": "kitson-p107-1", "title": "Chapter VIII. 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