Nikolai Rimsky-Korsakov · seção 34 de 96

A Tríade do Sétimo Grau do Modo Menor Natural (Cadência Frígia do Segundo Tipo)

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

§ 33. — 1) Emprega-se para harmonizar o segundo tetracorde descendente da escala menor, quando esse tetracorde está no baixo:

The second tetrachord of the natural A minor scale, descending in the bass: A–G–F–E — Fig. 114 · Ver no leitor

Isso produz a seguinte sucessão de acordes: as tríades do primeiro grau e do sétimo grau natural, o acorde de sexta do quarto grau e a tríade da dominante.

2) Nas três vozes superiores, evite o movimento defeituoso:

The faulty melodic motion G–A–G♯ (natural seventh degree, back through A to the raised leading note) — Fig. 115 · Ver no leitor

Phrygian succession in A minor with the natural seventh-degree triad: three good versions (I–VII nat.–IV6–V) and a bad one (I–VII nat.–IV6–V with the alto movin — Fig. 116 · Ver no leitor

Cada grupo de acordes acima também é chamado de Sucessão Frígia; empregados como semicadência no modo menor, esses grupos são chamados de Cadência Frígia.

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