Nikolai Rimsky-Korsakov · seção 73 de 96

Retardos ascendentes e simultâneos

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§ 71.— 1) Os retardos ascendentes de segunda menor são mais satisfatórios que os de segunda maior; os retardos ascendentes mais empregados são sensíveis que retardam a tônica.

A nota de resolução não deve estar em uma voz mais aguda que a do retardo:

Tampouco deve estar no contralto, nem no acorde de sexta:

2) Nos retardos duplos e triplos, as vozes devem mover-se em terças e sextas paralelas ou em movimento contrário:

3) Às vezes, dois retardos, cada um incorreto isoladamente, tornam-se corretos ao serem combinados:

Bad: the soprano suspension D sounds against C, its note of resolution, in the tenor. Bad: the tenor suspension B sounds against C, its note of resolution, in t — Fig. 300 · Ver no leitor

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