Nikolai Rimsky-Korsakov · seção 95 de 96

Particularidades de Algumas Sucessões Politonais

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

a) A harmonização da escala cromática descendente no baixo, com acordes de quinta e sexta aumentada.

Example on one treble staff, whole notes, no barlines until the closing double bar and "etc.": the bass descends chromatically C4, B3, B-flat3, A3, G-sharp3, G3 — Fig. 401 · Ver no leitor

b) A harmonização da escala descendente no baixo por tons inteiros, com acordes de sétima da dominante.

Two examples on one treble staff, whole notes, separated by a double bar; the bass descends by whole tones G, F, E-flat, D-flat, B, A, G. (1) G major (G4 B4 D5 — Fig. 402 · Ver no leitor

c) Sucessões cromáticas de acordes de sétima diminuta em movimento ascendente e descendente.

Two examples on one treble staff, whole notes, each ending with "etc." and a double bar. (1) Ascending: D4 F4 A-flat4 B4 (figured 6/5); E-flat4 F-sharp4 A4 C5 ( — Fig. 403 · Ver no leitor

d) Sucessões de acordes de sexta sobre um pedal, em movimento ascendente e descendente.

Two examples on one treble staff, each over a pedal G3 held as a whole note, the sixth chords in stemless black note heads; double bar between and at the end. ( — Fig. 404 · Ver no leitor

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