Nikolai Rimsky-Korsakov · section 46 of 96

Harmonic sequences with seventh chords

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§ 45. 1) By repeating a second lower the model formed by the resolution of the dominant seventh chord to the tonic chord, the following harmonic sequences result:

A) In the major mode: sixteen chords descending by fifths in C major, seventh chords (figured 7) alternating with triads, the common notes tied — Fig. 159 · See it in the reader

or: the same sequence beginning with an incomplete V7 (no fifth) resolving to a complete tonic triad — Fig. 160 · See it in the reader

B) In the minor mode: the same sequence in A minor, harmonic V with G♯ at the start and end, natural (G♮) forms of VII, III, V and I in between — Fig. 161 · See it in the reader

or: the minor sequence beginning with an incomplete V7 (no fifth) resolving to a complete tonic triad — Fig. 162 · See it in the reader

These sequences show us the most natural resolution of the seventh chords of the second order: each resolves to the triad a fourth above or a fifth below. Complete seventh chords resolve to incomplete triads, and conversely.