Hector Berlioz · section 36 of 67
The Alto Ophicleide Read and hear this section in the playable edition →
There are alto ophicleides in F and in E®; their range = is the same as that of the bass ophicleide. Both are F-clef == and is the same as this C in the G-clef written in the G-clef, like the horns; and their pitch, like that cf the horns, is an octave below the written =
Fig. 798 · See it in the reader
notes. This C ——— corresponds with this C of the The transpositions caused by the different keys of the. instrument result in the following scales:
Fig. 799 · See it in the reader
Fig. 800 · See it in the reader
Alto ophicleides are used in some military bands for rather commonplace and their intonation is inaccurate. filling out the harmony snd sometimes even for melodic This is probably the reason why these instruments have
passages; bat their tone is generally unpleasant and almost completely fallen into disuse.
← The Bass Ophicleide All sections The Double-Bass Ophicleide →
More Playable Books McKay, Creative Orchestration Ranges, transpositions, texture and balance, taught through projects, with the supplied examples played by orchestral samples. Fux, Gradus ad Parnassum Learn how independent voices work together, one species at a time. Goetschius, Exercises in Elementary Counterpoint Build independent melodies through graded exercises, with 471 recorded examples. Goetschius, Counterpoint Applied Study imitation, canon, and fugue with 393 recorded examples. Kitson, Counterpoint for Beginners Strict counterpoint in two and three parts, species by species, with every example playable. Prout, Analysis of J. S. Bach’s Forty-Eight Fugues Follow Prout through all 48 fugues of the Well-Tempered Clavier, every example playable. Rameau, Treatise on Harmony Explore the foundations of harmony, composition, and accompaniment. Rimsky-Korsakov, Practical Manual of Harmony The classic harmony course, newly translated from the 1910 French edition, with all 640 examples playable. Tchaikovsky, Guide to the Practical Study of Harmony Tchaikovsky’s Moscow Conservatory harmony course, with playable examples. Fenaroli, Partimenti Six books of partimenti, with playable basses, contrapuntal exercises, and bilingual rules. Reger, Supplement to the Theory of Modulation Explore Reger’s modulation method with 100 analyses and 102 playable examples. Cutter, Harmonic Analysis Learn to name every chord and non-harmonic tone in real music, from Bach to Wagner, with the passages playable. Schoenberg, Theory of Harmony Read all 22 chapters, with the original German beside a new English translation. Rimsky-Korsakov, Principles of Orchestration Discover instrumental colors through scores and orchestral recordings. Forsyth, Orchestration A witty, thorough guide to every orchestral instrument, with the original pages. Forsyth, Choral Orchestration A whole Te Deum orchestrated bar by bar, with Forsyth’s reasons, the full score and the vocal score playable. Sanganeria, Arrival Build jazz lines that land, with 30 original playable examples. Bona, Complete Method for Rhythmical Articulation Practice rhythm through 120 graded studies, with playable notation and original scans. Hanon, The Virtuoso-Pianist Practise all 60 exercises with playable notation, original scans and supplied Mutopia playback. Mathews, Standard Graded Course of Studies, Grade I A first year of piano: 136 short pieces by many composers, every one playable, with Mathews’s teaching notes. ← All Playable Books