Pasquale Bona · sección 4 de 4

Ejemplos de ejecución

Lee y escucha esta sección en la edición reproducible →

Traducción automática de la lectura en inglés. Borrador; aún sin revisión por un hablante nativo.

Las cifras 1, 2, 3, 4 indican las negras que constituyen los tiempos, y la sílaba Do-o-o-o indica la prolongación de la pronunciación, con un ligero acento en cada negra. Las palabras Uno, Dos, Tres, Cuatro indican los silencios de negra.

Para figuras con valor de cuatro negras, sean notas o silencios.

For characters of the value of four quarters—notes, or rests. — Fig. 1 · Reproducir este ejemplo en el lector ▶

Para figuras con valor de dos negras.

For characters of the value of two quarters. — Fig. 2 · Reproducir este ejemplo en el lector ▶

Para figuras con valor de una negra.

For characters of the value of one quarter. — Fig. 3 · Reproducir este ejemplo en el lector ▶

Para notas o silencios con puntillo y para el silencio de corchea.

For dotted notes or rests, and for the rest of one eighth value. — Fig. 4 · Reproducir este ejemplo en el lector ▶

Para notas agrupadas.

For notes in groups. — Fig. 5 · Reproducir este ejemplo en el lector ▶

Más Playable Books

Hanon, The Virtuoso-PianistPractise all 60 exercises with playable notation, original scans and supplied Mutopia playback.
Fux, Gradus ad ParnassumLearn how independent voices work together, one species at a time.
Goetschius, Exercises in Elementary CounterpointBuild independent melodies through graded exercises, with 471 recorded examples.
Goetschius, Counterpoint AppliedStudy imitation, canon, and fugue with 393 recorded examples.
Kitson, Counterpoint for BeginnersStrict counterpoint in two and three parts, species by species, with every example playable.
Prout, Analysis of J. S. Bach’s Forty-Eight FuguesFollow Prout through all 48 fugues of the Well-Tempered Clavier, every example playable.
Rameau, Treatise on HarmonyExplore the foundations of harmony, composition, and accompaniment.
Rimsky-Korsakov, Practical Manual of HarmonyThe classic harmony course, newly translated from the 1910 French edition, with all 640 examples playable.
Tchaikovsky, Guide to the Practical Study of HarmonyTchaikovsky’s Moscow Conservatory harmony course, with playable examples.
Fenaroli, PartimentiSix books of partimenti, with playable basses, contrapuntal exercises, and bilingual rules.
Reger, Supplement to the Theory of ModulationExplore Reger’s modulation method with 100 analyses and 102 playable examples.
Cutter, Harmonic AnalysisLearn to name every chord and non-harmonic tone in real music, from Bach to Wagner, with the passages playable.
Schoenberg, Theory of HarmonyRead all 22 chapters, with the original German beside a new English translation.
Rimsky-Korsakov, Principles of OrchestrationDiscover instrumental colors through scores and orchestral recordings.
Forsyth, OrchestrationA witty, thorough guide to every orchestral instrument, with the original pages.
Forsyth, Choral OrchestrationA whole Te Deum orchestrated bar by bar, with Forsyth’s reasons, the full score and the vocal score playable.
Berlioz, Treatise on InstrumentationBerlioz’s treatise on the orchestra, revised by Richard Strauss, with the original pages.
McKay, Creative OrchestrationRanges, transpositions, texture and balance, taught through projects, with the supplied examples played by orchestral samples.
Sanganeria, ArrivalBuild jazz lines that land, with 30 original playable examples.
Mathews, Standard Graded Course of Studies, Grade IA first year of piano: 136 short pieces by many composers, every one playable, with Mathews’s teaching notes.

← Todos los Playable Books