Nikolai Rimsky-Korsakov · seção 7 de 96

Acordes dos Graus Fortes e Fracos, ou Acordes de Primeira e Segunda Ordem

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

§ 5. Neste Manual, empregamos quatro tipos de escala para construir acordes:

a) O modo maior natural:

C natural major scale — Fig. 24 · Ver no leitor

b) O modo maior harmônico artificial:

C harmonic major scale, with A♭; “1½” marks the augmented second (a tone and a half) A♭–B — Fig. 25 · Ver no leitor

c) O modo menor natural:

A natural minor scale — Fig. 26 · Ver no leitor

d) O modo menor harmônico artificial:

A harmonic minor scale, with G♯; “1½” marks the augmented second F–G♯ — Fig. 27 · Ver no leitor

§ 6. Os acordes construídos sobre esses quatro modos são os seguintes:

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