Nikolai Rimsky-Korsakov · seção 8 de 96

Tríades

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A) Natural major mode: triads on each degree of C major — Fig. 28 · Ver no leitor

B) Harmonic major mode: triads on each degree of C harmonic major; the augmented triad on VI is bracketed — Fig. 29 · Ver no leitor

C) Natural minor mode: triads on each degree of A natural minor — Fig. 30 · Ver no leitor

D) Harmonic minor mode: triads on each degree of A harmonic minor; the augmented triad on III is bracketed — Fig. 31 · Ver no leitor

Deixando de lado a tríade aumentada sobre o sexto grau do modo maior harmônico e a do terceiro grau do modo menor harmônico, há nove tríades diferentes nos dois modos maiores e nove nos dois modos menores.

Os três acordes dos graus fortes, ou acordes de primeira ordem, na escala maior são:

O acorde da tônica:

Tonic triad of C major — Fig. 32 · Ver no leitor

O acorde da subdominante:

Subdominant triad of C major — Fig. 33 · Ver no leitor

O acorde da dominante:

Dominant triad of C major — Fig. 34 · Ver no leitor

Os três acordes de primeira ordem na escala menor harmônica são:

O acorde da tônica:

Tonic triad of A minor — Fig. 35 · Ver no leitor

O acorde da subdominante:

Subdominant triad of A minor — Fig. 36 · Ver no leitor

O acorde da dominante:

Dominant triad of A harmonic minor — Fig. 37 · Ver no leitor

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