Nikolai Rimsky-Korsakov · seção 13 de 96

Movimentos Proibidos

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

§ 12. 1) As regras de encadeamento harmônico e melódico têm as seguintes consequências. Duas tríades não podem ser encadeadas na mesma posição melódica:

I–V with both chords in octave position: parallel fifths and octaves, then fifths and octaves by contrary motion (bracketed and marked 5 and 8) — Fig. 62 · Ver no leitor

As quintas e oitavas paralelas e as quintas e oitavas por movimento contrário que surgem nesse caso são rigorosamente proibidas ao aluno; os uníssonos paralelos estão sujeitos às mesmas regras:

Two-part illustrations, bracketed: parallel fifths, fifths by contrary motion, parallel octaves, octaves by contrary motion, parallel unisons, and unison to oct — Fig. 63 · Ver no leitor

2) Entre os movimentos proibidos ao aluno estão também todos os intervalos aumentados e, portanto, o movimento de segunda aumentada nos modos menor e maior harmônicos:

Augmented seconds F–G♯, G♯–F, A♭–B, B–A♭, each marked 1½ — Fig. 64 · Ver no leitor

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