Nikolai Rimsky-Korsakov · seção 16 de 96

Exercício nº 1 (melodias dadas)

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

Model: a given melody harmonized with I, IV and V in C major — Fig. 66 · Ver no leitor

§ 14. b) Ao realizar baixos dados:

1) Na melodia, prefira o movimento por graus conjuntos.

2) Faça a sensível sempre subir. Para isso, encadeie harmonicamente ao acorde da tônica o acorde do quinto grau que se encontra sob a sensível.

V–I in C major: good when the leading note B rises to C; bad when it falls to G — Fig. 67 · Ver no leitor

3) No final do exercício, para que uma sensível em uma das vozes internas possa subir em um encadeamento melódico, o acorde final da tônica pode ser incompleto — isto é, com três tônicas e sem quinta:

Final V–I with an incomplete tonic chord (three Cs and an E, no fifth), so the leading note in an inner part rises — Fig. 68 · Ver no leitor

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