Nikolai Rimsky-Korsakov · seção 56 de 96

Modulação cromática

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

§ 54. — A modulação cromática baseia-se no seguinte:

O acorde de transição pelo qual se realiza a modulação, pertencente a um modo natural e imediatamente alterado pela nota característica (**) dos modos harmônicos, conduz assim aos acordes da nova tonalidade.

O movimento cromático ascendente resultante:

Example: ascending chromatic motion, G to G♯. — Fig. 219 · Ver no leitor

modula à tonalidade menor; é representado pelos acordes do quinto e sétimo graus.

Para a modulação cromática, são indispensáveis intervalos melódicos fáceis de entoar com afinação e notas comuns.

(O movimento cromático conta como nota comum.)

Durante o movimento cromático ascendente, o baixo deve proceder por movimento diatônico descendente por graus conjuntos ou por movimento cromático ascendente; mas não deve permanecer no mesmo lugar nem retornar à nota do acorde anterior.

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