Nikolai Rimsky-Korsakov · seção 79 de 96

Exercício nº 31 (melodias sem baixo dado)

Leia e ouça esta seção na edição reproduzível →

Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

Model realization in F major, 4/4, four bars, with free ornamentation in the melody — Fig. 331 · Ver no leitor

OBSERVAÇÃO.— As quintas paralelas resultantes da apojatura são justificadas por esse próprio fato (ver o primeiro compasso do modelo).

§ 76.— Resta-nos indicar os seguintes ornamentos melódicos livres:

4) A antecipação: uma nota que, pertencendo a um tempo forte ou à parte forte de um tempo, é colocada prematuramente na mesma voz no tempo fraco ou na parte fraca do tempo precedente. A antecipação deve ser bastante curta.

A antecipação pode preceder a nota do acorde em uma voz ou em várias vozes ao mesmo tempo:

Four cadential fragments with anticipations (marked +): in the soprano alone; in soprano and tenor; in soprano, alto and tenor; and in all four parts. — Fig. 332 · Ver no leitor

A antecipação é empregada mais frequentemente nas cadências conclusivas.

A antecipação também pode ser empregada antes de uma nota de passagem diatônica ou cromática, antes de uma bordadura e antes de uma apojatura:

instead of: … etc. one writes: … etc. — Fig. 333 · Ver no leitor

Mais Playable Books

Tchaikovsky, Guide to the Practical Study of HarmonyTchaikovsky’s Moscow Conservatory harmony course, with playable examples.
Fux, Gradus ad ParnassumLearn how independent voices work together, one species at a time.
Goetschius, Exercises in Elementary CounterpointBuild independent melodies through graded exercises, with 471 recorded examples.
Goetschius, Counterpoint AppliedStudy imitation, canon, and fugue with 393 recorded examples.
Kitson, Counterpoint for BeginnersStrict counterpoint in two and three parts, species by species, with every example playable.
Prout, Analysis of J. S. Bach’s Forty-Eight FuguesFollow Prout through all 48 fugues of the Well-Tempered Clavier, every example playable.
Rameau, Treatise on HarmonyExplore the foundations of harmony, composition, and accompaniment.
Fenaroli, PartimentiSix books of partimenti, with playable basses, contrapuntal exercises, and bilingual rules.
Reger, Supplement to the Theory of ModulationExplore Reger’s modulation method with 100 analyses and 102 playable examples.
Cutter, Harmonic AnalysisLearn to name every chord and non-harmonic tone in real music, from Bach to Wagner, with the passages playable.
Schoenberg, Theory of HarmonyRead all 22 chapters, with the original German beside a new English translation.
Rimsky-Korsakov, Principles of OrchestrationDiscover instrumental colors through scores and orchestral recordings.
Forsyth, OrchestrationA witty, thorough guide to every orchestral instrument, with the original pages.
Forsyth, Choral OrchestrationA whole Te Deum orchestrated bar by bar, with Forsyth’s reasons, the full score and the vocal score playable.
Berlioz, Treatise on InstrumentationBerlioz’s treatise on the orchestra, revised by Richard Strauss, with the original pages.
McKay, Creative OrchestrationRanges, transpositions, texture and balance, taught through projects, with the supplied examples played by orchestral samples.
Sanganeria, ArrivalBuild jazz lines that land, with 30 original playable examples.
Bona, Complete Method for Rhythmical ArticulationPractice rhythm through 120 graded studies, with playable notation and original scans.
Hanon, The Virtuoso-PianistPractise all 60 exercises with playable notation, original scans and supplied Mutopia playback.
Mathews, Standard Graded Course of Studies, Grade IA first year of piano: 136 short pieces by many composers, every one playable, with Mathews’s teaching notes.
Goetschius, Lessons in Music FormHear how figures become phrases, periods, rondos and sonata forms, with the printed examples beside their playable notation.

← Todos os Playable Books