Nikolai Rimsky-Korsakov · seção 93 de 96

Do Ornamento Harmônico e do Ornamento do Pedal

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

§ 93. — 1) Se, em vez de fazer soar simultaneamente as notas de um acorde (acorde em bloco), fizermos com que se sucedam em uma ordem qualquer, obteremos o ornamento chamado harmônico, ou acorde quebrado, arpejado ou figurado:

[Example] The C major chord C–E–G–C as a block chord, followed by seven broken (arpeggiated) figurations of it in eighth notes, separated by double bars, some o — Fig. 390 · Ver no leitor

2) O ornamento harmônico pode alternar-se com o ornamento melódico:

[Example] The C major chord as a block chord, followed by four figurations in sixteenth and eighth notes that mix chord tones with passing and neighbour notes ( — Fig. 391 · Ver no leitor

3) O ornamento harmônico serve antes para construir o acompanhamento instrumental e é matéria de estudo da composição livre.

4) Resta mencionar o pedal ornamentado, um ornamento empregado com bastante frequência:

[Example] Embellished pedal in C major, common time: over a bass pedal on C ornamented in triplet eighths with lower neighbours (C–D–C, B–C–B, …; C–A–B in bar 2 — Fig. 392 · Ver no leitor

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