Nikolai Rimsky-Korsakov · section 57 of 96
INFLUENCE OF THE ARTIFICIAL CHORD of the IVth degree of the melodic minor scale Read and hear this section in the playable edition →
§ 55. — The artificial major chord of the IVth degree of the melodic minor scale, altered into the chord of the same degree of the natural minor mode, and vice versa, gives the following means of modulation:
1) By ascending chromatic motion — to major keys.
2) By descending chromatic motion — to minor keys.
← Chromatic modulation All sections Definitive and transient modulation →
More Playable Books Tchaikovsky, Guide to the Practical Study of Harmony Tchaikovsky’s Moscow Conservatory harmony course, with playable examples. Fux, Gradus ad Parnassum Learn how independent voices work together, one species at a time. Goetschius, Exercises in Elementary Counterpoint Build independent melodies through graded exercises, with 471 recorded examples. Goetschius, Counterpoint Applied Study imitation, canon, and fugue with 393 recorded examples. Kitson, Counterpoint for Beginners Strict counterpoint in two and three parts, species by species, with every example playable. Prout, Analysis of J. S. Bach’s Forty-Eight Fugues Follow Prout through all 48 fugues of the Well-Tempered Clavier, every example playable. Rameau, Treatise on Harmony Explore the foundations of harmony, composition, and accompaniment. Fenaroli, Partimenti Six books of partimenti, with playable basses, contrapuntal exercises, and bilingual rules. Reger, Supplement to the Theory of Modulation Explore Reger’s modulation method with 100 analyses and 102 playable examples. Cutter, Harmonic Analysis Learn to name every chord and non-harmonic tone in real music, from Bach to Wagner, with the passages playable. Schoenberg, Theory of Harmony Read all 22 chapters, with the original German beside a new English translation. Rimsky-Korsakov, Principles of Orchestration Discover instrumental colors through scores and orchestral recordings. Forsyth, Orchestration A witty, thorough guide to every orchestral instrument, with the original pages. Forsyth, Choral Orchestration A whole Te Deum orchestrated bar by bar, with Forsyth’s reasons, the full score and the vocal score playable. Berlioz, Treatise on Instrumentation Berlioz’s treatise on the orchestra, revised by Richard Strauss, with the original pages. McKay, Creative Orchestration Ranges, transpositions, texture and balance, taught through projects, with the supplied examples played by orchestral samples. Sanganeria, Arrival Build jazz lines that land, with 30 original playable examples. Bona, Complete Method for Rhythmical Articulation Practice rhythm through 120 graded studies, with playable notation and original scans. ← All Playable Books