Nikolai Rimsky-Korsakov · section 58 of 96
Definitive and transient modulation Read and hear this section in the playable edition →
§ 56. — Modulation is subdivided into definitive and transient.
When the following key lasts for a more or less long time, the modulation is definitive.
When the following key is touched only lightly, even by a single chord, in order to return to the preceding key or to pass to another related key, the modulation is transient.
For the modulation to be fully accomplished, there is no need to mark the following key by the tonic chord in root position; and although the sixth chord of the first degree is sufficient, it is evident that the modulation is then not definitive, and requires a few chords or else a cadence to establish the following key firmly. In the same way, to define the preceding key, the tonic chord alone is not sufficient.
← INFLUENCE OF THE ARTIFICIAL CHORD of the IVth degree of the melodic minor scale All sections Assignments →
More Playable Books Tchaikovsky, Guide to the Practical Study of Harmony Tchaikovsky’s Moscow Conservatory harmony course, with playable examples. Fux, Gradus ad Parnassum Learn how independent voices work together, one species at a time. Goetschius, Exercises in Elementary Counterpoint Build independent melodies through graded exercises, with 471 recorded examples. Goetschius, Counterpoint Applied Study imitation, canon, and fugue with 393 recorded examples. Kitson, Counterpoint for Beginners Strict counterpoint in two and three parts, species by species, with every example playable. Prout, Analysis of J. S. Bach’s Forty-Eight Fugues Follow Prout through all 48 fugues of the Well-Tempered Clavier, every example playable. Rameau, Treatise on Harmony Explore the foundations of harmony, composition, and accompaniment. Fenaroli, Partimenti Six books of partimenti, with playable basses, contrapuntal exercises, and bilingual rules. Reger, Supplement to the Theory of Modulation Explore Reger’s modulation method with 100 analyses and 102 playable examples. Cutter, Harmonic Analysis Learn to name every chord and non-harmonic tone in real music, from Bach to Wagner, with the passages playable. Schoenberg, Theory of Harmony Read all 22 chapters, with the original German beside a new English translation. Rimsky-Korsakov, Principles of Orchestration Discover instrumental colors through scores and orchestral recordings. Forsyth, Orchestration A witty, thorough guide to every orchestral instrument, with the original pages. Forsyth, Choral Orchestration A whole Te Deum orchestrated bar by bar, with Forsyth’s reasons, the full score and the vocal score playable. Berlioz, Treatise on Instrumentation Berlioz’s treatise on the orchestra, revised by Richard Strauss, with the original pages. McKay, Creative Orchestration Ranges, transpositions, texture and balance, taught through projects, with the supplied examples played by orchestral samples. Sanganeria, Arrival Build jazz lines that land, with 30 original playable examples. Bona, Complete Method for Rhythmical Articulation Practice rhythm through 120 graded studies, with playable notation and original scans. ← All Playable Books