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Rimsky-Korsakov, Principles of Orchestration

Nikolai Rimsky-Korsakov · section 93 of 100

Chorus in unison

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The simplest and most natural combination of voices is sopranos and altos, or tenors and basses. These combinations produce ample and vigourous tone, and the mixed timbres serve to give prominence to a melody in the upper or bass parts. In practice the other voices are often divided to thicken the harmony. The combination of altos and tenors produces a peculiar mixed tone quality, somewhat bizarre and seldom used.

Examples:

Snegourotchka 64.

Sadko 208 (cf. Ex. 14).