Pyotr Ilyich Tchaikovsky · seção 34 de 36

Capítulo XXXII. O prelúdio livre

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

§ 137. Um exercício valioso é escrever progressões livres de acordes, sem domínio de uma voz específica, passando por todos os tipos de modulação. Esses exercícios, que não precisam adotar nenhuma das formas definidas da composição musical, devem caracterizar-se sobretudo por harmonização habilidosa *). Podem terminar na tonalidade original ou constituir uma modulação indireta; no final, pode-se empregar o pedal.

Example 349 — Fig. 364 · Reproduzir este exemplo no leitor ▶

*) O aluno conhecerá mais adiante as diferentes formas de apresentação do pensamento musical.

Nota. Por clareza, convém usar uma pauta separada para cada voz e escrevê-las em suas claves próprias.

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