Percy Goetschius · section 29 of 29
Appendix
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Solutions Of Some Of The Given Exercises
Ap.4-4a
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Ap.4-4b
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Ap.5-1a
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Ap.5-1b
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Exercise 5, Melody 1
Ap.6-5a
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Ap.6-5b
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Exercise 6, Melody 5
Ap.7-6a
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Ap.7-6b
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Exercise 7, Melody 6
i. As lower part (transposed).
Ap.8-IIa
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Ap.8-IIb
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Exercise 8, Melody 11
Ap.9-4a
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Ap.9-4b
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Exercise 9, Melody 4
Ap.11-3a
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Ap.11-3b
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Ap.12-2a
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Ap.12-2b
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Exercise 12, Melody 2
Ap.15-5
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Exercise 15, Motive 5
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Episode: Mod. back to orig. 1
Ap.16-6v1
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Ap.16-6v2
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Ap.16-6v3
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Exercise 16, Melody 6
Ap.17-8v1
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Ap.17-8v2
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Ap.17-8v3
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Ap.17-8v4
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Exercise 17, Melody 8
Ap.18-7v1
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Ap.18-7v2
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Ap.18-7v3
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Exercise 18, Melody 7
Ap.19-3a
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Ap.19-3b
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Ap.19-3c
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Exercise 19, Melody 3
Ap.19b
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Ap.20-1
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No. 1. Upper part given. ^-offl I-*,,
No. 2. Inner part given.
Ap.20-2
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No. 3. Lower part given.
Ap.20-3
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Ap.21-6
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Exercise 21, Motive 6
Episode: Mod. to C, and a minor.
Episode: Mod. back to orig. key.
Ap.23-5
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Exercise 23, Melody 5
Ap.24-1b
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Ap.24-1c
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i. The given melody as Tenor part.
Exercise 24, Melody 1
t. As Alto part (transposed.)
Ap.24-2d
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Ap24.2b
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b. The given melody as Tenor part.
Exercise 24, Melody 2
<f. As Bass part (transposed).
£• The given melody as Tenor part.
Ap.24-3b
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Ap.24-3c
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Ap.24-3d
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Exercise 24, Melody 3
*. As Alto part (transposed).
d. As Bass part (transposed).
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Each of these versions of Exercise 24 is to be amplified, in the usual manner, to 2-note,
3-note, and 4-note groups.
Ap.26-5
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Exercise 26, Motive 5
Episode: Mod. back to At?.
Motive in Bass ( Dom. key).
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