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Goetschius, Exercises in Elementary Counterpoint

Percy Goetschius

Goetschius, Exercises in Elementary Counterpoint

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  1. Preface
  2. Introduction
  3. Chapter I. The Single Melodic Line
  4. Chapter II. Wider Leaps
  5. Chapter III. Exceptional Progressions. Minor Mode
  6. Chapter IV. The Association Of Two Melodic Lines
  7. Chapter V. The Minor Mode
  8. Chapter VI. Exceptional Intervals
  9. Chapter VII. Rhythmic Diversity. Two Notes To A Given Beat
  10. Chapter VIII. Modulations
  11. Chapter IX. Three Notes To A Beat
  12. Chapter X. Syncopation, Or Shifted Rhythm
  13. Chapter XI. The Tie, Continued. Rests
  14. Chapter XII. Four Notes To A Beat
  15. Chapter XIII. Four Notes To A Beat, As Amplified Forms
  16. Chapter XIV. Diversity Of Rhythmic Movement
  17. Chapter XV. Motive-Development. Imitation
  18. Chapter XVI. Three-Part Harmony
  19. Chapter XVII. Secondary Chords
  20. Chapter XVIII. With Modulations
  21. Chapter XIX. Contrapuntal Harmony
  22. Chapter XX. Three-Part Counterpoint
  23. Chapter XXI. Motive-Development
  24. Chapter XXII. Four-Part Harmony
  25. Chapter XXIII. Modulations
  26. Chapter XXIV. Contrapuntal Harmony
  27. Chapter XXV. Four-Part Counterpoint
  28. Chapter XXVI. Motive-Development
  29. Appendix