Percy Goetschius
Goetschius, Exercises in Elementary Counterpoint
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- Preface
- Introduction
- Chapter I. The Single Melodic Line
- Chapter II. Wider Leaps
- Chapter III. Exceptional Progressions. Minor Mode
- Chapter IV. The Association Of Two Melodic Lines
- Chapter V. The Minor Mode
- Chapter VI. Exceptional Intervals
- Chapter VII. Rhythmic Diversity. Two Notes To A Given Beat
- Chapter VIII. Modulations
- Chapter IX. Three Notes To A Beat
- Chapter X. Syncopation, Or Shifted Rhythm
- Chapter XI. The Tie, Continued. Rests
- Chapter XII. Four Notes To A Beat
- Chapter XIII. Four Notes To A Beat, As Amplified Forms
- Chapter XIV. Diversity Of Rhythmic Movement
- Chapter XV. Motive-Development. Imitation
- Chapter XVI. Three-Part Harmony
- Chapter XVII. Secondary Chords
- Chapter XVIII. With Modulations
- Chapter XIX. Contrapuntal Harmony
- Chapter XX. Three-Part Counterpoint
- Chapter XXI. Motive-Development
- Chapter XXII. Four-Part Harmony
- Chapter XXIII. Modulations
- Chapter XXIV. Contrapuntal Harmony
- Chapter XXV. Four-Part Counterpoint
- Chapter XXVI. Motive-Development
- Appendix