Nikolai Rimsky-Korsakov · sección 16 de 96

Ejercicio n.º 1 (melodías dadas)

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Model: a given melody harmonized with I, IV and V in C major — Fig. 66 · Verlo en el lector

§ 14. b) Al realizar bajos dados:

1) En la melodía, prefiérase el movimiento por grados conjuntos.

2) Hágase ascender siempre la sensible. Para ello, enlácese armónicamente con el acorde de tónica el acorde del quinto grado situado bajo la sensible.

V–I in C major: good when the leading note B rises to C; bad when it falls to G — Fig. 67 · Verlo en el lector

3) Al final del ejercicio, para que una sensible situada en una de las voces interiores pueda ascender en un enlace melódico, el acorde final de tónica puede estar incompleto, es decir, con tres tónicas y sin quinta:

Final V–I with an incomplete tonic chord (three Cs and an E, no fifth), so the leading note in an inner part rises — Fig. 68 · Verlo en el lector

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