Nikolai Rimsky-Korsakov · sección 32 de 96

La tríada del tercer grado del modo mayor

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§ 31. — 1) Empléese para armonizar el segundo tetracordo descendente de la escala mayor, cuando este tetracordo se encuentre en la melodía:

The descending upper tetrachord of C major in the melody: C–B–A–G — Fig. 110 · Verlo en el lector

2) Colóquese después de la tríada del primer o del sexto grado, enlazándola armónicamente.

3) Después del acorde del tercer grado, colóquese el del cuarto, enlazándolos melódicamente:

Three progressions in C major: I (or VI) – III connected harmonically, then III – IV connected melodically, ending on I or V — Fig. 111 · Verlo en el lector

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