Nikolai Rimsky-Korsakov · sección 56 de 96

Modulación cromática

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Traducción automática de la lectura en inglés. Borrador; aún sin revisión por un hablante nativo.

§ 54. — La modulación cromática se basa en lo siguiente:

El acorde de transición mediante el cual se realiza la modulación, perteneciente a un modo natural e inmediatamente alterado por la nota característica (**) de los modos armónicos, conduce así a los acordes de la nueva tonalidad.

El movimiento cromático ascendente que resulta:

Example: ascending chromatic motion, G to G♯. — Fig. 219 · Verlo en el lector

modula a la tonalidad menor; está representado por los acordes de los grados quinto y séptimo.

Para la modulación cromática son indispensables los intervalos melódicos fáciles de cantar afinadamente y las notas comunes.

(El movimiento cromático cuenta como nota común).

Durante el movimiento cromático ascendente, el bajo debe proceder bien por grados conjuntos diatónicos descendentes, bien por movimiento cromático ascendente; pero no debe permanecer en su lugar ni regresar a la nota del acorde anterior.

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