Nikolai Rimsky-Korsakov · section 10 of 96
Motion of the Parts
Read and hear this section in the playable edition →§ 9. There are three ways in which the harmonic parts can move.
1) Direct (similar) motion: when the parts move up or down together.

When direct motion produces a series of like intervals (examples a and b), it is called parallel motion.
2) Contrary motion: when the parts move in opposite directions.

3) Oblique motion: when one part stays still while the other moves.

To study how chords are connected we use a texture of four voices, called parts, which underlies every kind of composition.
The parts are named as follows:
The first is the upper part or soprano; the second, alto; the third, tenor; the fourth, bass.
The motion of the upper part through a succession of chords is also called the melody.
(*) Or “voices,” as the author has it.