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Rimsky-Korsakov, Practical Manual of Harmony in English

Nikolai Rimsky-Korsakov · section 10 of 96

Motion of the Parts

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§ 9. There are three ways in which the harmonic parts can move.

1) Direct (similar) motion: when the parts move up or down together.

Direct motion: a) and b) parallel sixths and thirds; c) and d) similar motion into different intervals
Fig. 48 · See it in the reader

When direct motion produces a series of like intervals (examples a and b), it is called parallel motion.

2) Contrary motion: when the parts move in opposite directions.

Contrary motion: four pairs of two-part progressions
Fig. 49 · See it in the reader

3) Oblique motion: when one part stays still while the other moves.

Oblique motion: in each pair one part holds a tied note while the other moves by step
Fig. 50 · See it in the reader

To study how chords are connected we use a texture of four voices, called parts, which underlies every kind of composition.

The parts are named as follows:

The first is the upper part or soprano; the second, alto; the third, tenor; the fourth, bass.

The motion of the upper part through a succession of chords is also called the melody.

(*) Or “voices,” as the author has it.