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Tchaikovsky, Guide to the Practical Study of Harmony

Pyotr Ilyich Tchaikovsky · section 1 of 36

Table of contents

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First part · First section

Chapter I. The Triads of the Major Scale — 11

Chapter II. The Connection of the Triads of the Major Scale — 12

Chapter III. Connection of Triads, showing no External agreement — 15

Chapter IV. Deviations from rules governing the connection of related Triads — 17

Chapter V. Harmonic Sequences — 20

Chapter VI. The Harmony of the Minor Scale — 21

Chapter VII. Open Position — 25

Chapter VIII. The Inversions of the Triad — 26

Chapter IX. The Inversions of the Diminished and Augmented Triads — 30

First part · Second section

Chapter X. The Dominant Chord — 33

Chapter XI. Free Voice-Leading — 38

Chapter XII. The chord of the Ninth — 40

Chapter XIII. Chords of the minor and diminished Seventh — 41

Chapter XIV. The connection of dissonant Harmonies resolving into the tonic Triad — 44

Chapter XV. Chords of sequence — 47

Chapter XVI. Chords of sequence in minor — 52

Chapter XVII. The Harmonization of a given melody — 54

First part · Third section

Chapter XVIII. Direct Modulation — 63

Chapter XIX. Transient Modulation — 58

Chapter XX. Harmonization of given melodies with modulations — 72

Chapter XXI. The enharmonic properties of the chord of the diminished seventh — 75

Chapter XXII. The Organ-point — 77

Second part · First section

Chapter XXIII. Suspensions — 82

Chapter XXIV. Anticipation — 91

Chapter XXV. Passing-notes — 94

Chapter XXVI. Chords of the augmented Fifth — 100

Chapter XXVII. Chords of the augmented Sixth — 106

Chapter XXVIII. Changing-notes — 111

Second part · Second section

Chapter XXIX. Strict Part-writing — 116

Chapter XXX. The further development of Voice-leading — 126

Chapter XXXI. Harmonic figuration — 130

Chapter XXXII. The free Prelude — 134

Chapter XXXIII. Deviations from the laws of Harmony — 135

Chapter XXXIV. Cadences (closes) — 136