Pyotr Ilyich Tchaikovsky

Tchaikovsky, Guide to the Practical Study of Harmony

1. Table of contents
2. Introduction · Intervals
3. Chapter I. The Triads of the Major Scale
4. Chapter II. The Connection of the Triads of the Major Scale
5. Chapter III. Connection of Triads, showing no External agreement
6. Chapter IV. Deviations from rules governing the connection of related Triads
7. Chapter V. Harmonic Sequences
8. Chapter VI. The Harmony of the Minor Scale
9. Chapter VII. Open Position
10. Chapter VIII. The Inversions of the Triad
11. Chapter IX. The Inversions of the Diminished and Augmented Triads
12. Chapter X. The Dominant Chord
13. Chapter XI. Free Voice-Leading
14. Chapter XII. The chord of the Ninth
15. Chapter XIII. Chords of the minor and diminished Seventh
16. Chapter XIV. The connection of dissonant Harmonies resolving into the tonic Triad
17. Chapter XV. Chords of sequence
18. Chapter XVI. Chords of sequence in minor
19. Chapter XVII. The Harmonization of a given melody
20. Chapter XVIII. Direct Modulation
21. Chapter XIX. Transient Modulation
22. Chapter XX. Harmonization of given melodies with modulations
23. Chapter XXI. The enharmonic properties of the chord of the diminished seventh
24. Chapter XXII. The Organ-point
25. Chapter XXIII. Suspensions
26. Chapter XXIV. Anticipation
27. Chapter XXV. Passing-notes
28. Chapter XXVI. Chords of the augmented Fifth
29. Chapter XXVII. Chords of the augmented Sixth
30. Chapter XXVIII. Changing-notes
31. Chapter XXIX. Strict Part-writing
32. Chapter XXX. The further development of Voice-leading
33. Chapter XXXI. Harmonic figuration
34. Chapter XXXII. The free Prelude
35. Chapter XXXIII. Deviations from the laws of Harmony
36. Chapter XXXIV. Cadences (closes)