Johann Joseph Fux · section 31 of 32

On mixed style

By mixed style I understand a composition sometimes concerted for one, two, three, or more voices with instruments intermingled, sometimes furnished with a full choir, which is chiefly used in churches today. Since it is common and very frequently heard, I do not consider it worthwhile to discuss it at length or illustrate it with examples. I shall only remind you, Joseph, not to forget the purpose and aim of ecclesiastical music: namely, to arouse devotion and serve divine worship, lest you confuse this style with theatrical and dance styles, as many do. On the other hand, do not, under the notion of sacred music, take up barren and pointless ideas and fall into a tiresome austerity that produces weariness rather than devotion. Let your concern be for harmony pleasing to the ear and entering the listeners’ minds with delight. Finally, mindful of all the admonitions given throughout this long course, construct your composition so that it is meritorious before God and not without praise among people.