Johann Joseph Fux

Fux, Gradus ad Parnassum in English

1. The opening dialogue of Gradus ad Parnassum
2. First species counterpoint: note against note
3. Second species counterpoint: two notes against one
4. Third species counterpoint: four notes against one
5. Fourth species counterpoint: syncopation and suspensions
6. Fifth species counterpoint: florid counterpoint
7. First species in three voices
8. Second species in three voices
9. Third species in three voices
10. Fourth species in three voices: ligatures
11. Florid counterpoint in three voices
12. Four-part counterpoint: first species
13. Second species in four voices
14. Third species in four voices
15. Fourth species in four voices
16. Florid counterpoint in four voices
17. Imitation
18. Fugue in general
19. Fugue in two parts
20. Fugue in three parts
21. Fugue in four parts
22. Double counterpoint
23. Double counterpoint at the tenth
24. Double counterpoint at the twelfth
25. On the figures of variation and anticipation
26. On modes
27. On various fugue subjects
28. On taste
29. On ecclesiastical style
30. On a cappella style
31. On mixed style
32. On recitative style