Nikolai Rimsky-Korsakov · sección 13 de 96

Movimientos prohibidos

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§ 12. 1) Las reglas del enlace armónico y melódico tienen las siguientes consecuencias. Dos tríadas no pueden enlazarse en la misma posición melódica:

I–V with both chords in octave position: parallel fifths and octaves, then fifths and octaves by contrary motion (bracketed and marked 5 and 8) — Fig. 62 · Verlo en el lector

Las quintas y octavas paralelas, así como las quintas y octavas por movimiento contrario que se producen en este caso, están estrictamente prohibidas al alumno; los unísonos paralelos están sujetos a las mismas reglas:

Two-part illustrations, bracketed: parallel fifths, fifths by contrary motion, parallel octaves, octaves by contrary motion, parallel unisons, and unison to oct — Fig. 63 · Verlo en el lector

2) Entre los movimientos prohibidos al alumno se encuentran también todos los intervalos aumentados y, por tanto, el movimiento de segunda aumentada en los modos menor y mayor armónicos:

Augmented seconds F–G♯, G♯–F, A♭–B, B–A♭, each marked 1½ — Fig. 64 · Verlo en el lector

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