Nikolai Rimsky-Korsakov · sección 14 de 96

Capítulo II. Sucesiones de acordes dentro de una tonalidad

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Traducción automática de la lectura en inglés. Borrador; aún sin revisión por un hablante nativo.

Observación. Todos los ejemplos dados en modo mayor se aplican también al modo menor. Cuando la realización difiere, se dan ejemplos separados para menor y mayor.

Las realizaciones modelo están en Do mayor o la menor, en compás binario o ternario.

Los bajos y las melodías propuestos como ejercicios para el alumno se encuentran al final del volumen.

Siguiendo el contenido de cada § y el modelo de los ejemplos (excepto los corales), al alumno le resultará útil componer sus propios ejercicios, aplicando las reglas aprendidas.

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