Nikolai Rimsky-Korsakov · sección 19 de 96

Sucesión de los dos acordes de sexta de los grados cuarto y quinto

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§19. — 1) En el acorde de sexta del cuarto grado, duplíquese la fundamental y, en el acorde de sexta del quinto grado, duplíquese la quinta de la fundamental.

2) Dos de las voces superiores se mueven paralelamente y una por movimiento contrario al bajo:

Two pairs of chords illustrating rules 1-2: the sixth chord of IV to the sixth chord of V, two upper parts moving in parallel and one in contrary motion to the — Fig. 78 · Verlo en el lector

3) En el modo menor, el bajo del acorde de sexta del cuarto grado lleva una alteración para evitar el movimiento de segunda aumentada:

Minor-mode illustration of rule 3 (A minor): the bass of IV6 is raised to F sharp; caption 'Melodic minor scale' — Fig. 79 · Verlo en el lector

OBSERVACIÓN. — En este caso, para evitar sucesiones prohibidas (quintas paralelas), el acorde de sexta del cuarto grado debe tener su fundamental en posición melódica (en la soprano).

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