Nikolai Rimsky-Korsakov · sección 20 de 96

Cadencias, o conclusiones completas — Auténticas y plagales

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Traducción automática de la lectura en inglés. Borrador; aún sin revisión por un hablante nativo.

§ 20. 1) La terminación armónica de las ideas musicales se denomina cadencia.

2) Una terminación en el acorde de tónica se denomina cadencia completa.

3) Entre las cadencias completas distinguimos las cadencias auténticas (dominante–tónica) y las cadencias plagales (subdominante–tónica).

A) Authentic cadences (V–I): perfect, perfect, imperfect, imperfect, imperfect — Fig. 81 · Verlo en el lector

B) Plagal cadences (IV–I): perfect, perfect, imperfect, imperfect, imperfect — Fig. 82 · Verlo en el lector

4) Cuando los dos acordes de cierre están en estado fundamental, el último acorde tiene su fundamental en posición melódica (en la soprano) y cae en el tiempo fuerte del compás, la cadencia es perfecta; si no se cumplen estas condiciones, es imperfecta.

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