Nikolai Rimsky-Korsakov · sección 40 de 96

EL ACORDE DE SÉPTIMA DEL SEGUNDO GRADO y su primera inversión

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§ 39. — 1) De todos los acordes de séptima de segundo orden, los más empleados son el acorde de sexta y quinta del segundo grado y su estado fundamental.

2) En las cadencias perfectas, o en sucesiones de acordes de carácter cadencial, estos acordes sustituyen al acorde de sexta y a la tríada del mismo grado.

3) La séptima debe prepararse mediante la nota común de la tríada precedente del primer, cuarto o sexto grado.

4) Al pasar al acorde del quinto grado, la séptima desciende a la tercera de ese acorde; al pasar al acorde de cuarta y sexta cadencial, la séptima permanece en su lugar, formando la cuarta de dicho acorde.

5) El acorde de sexta y quinta del segundo grado también puede emplearse después del acorde de sexta del cuarto grado (ej. d).

Second-degree seventh chord in C major, examples a)–d) (continued on the next page with e)–g)) — Fig. 140 · Verlo en el lector

Second-degree seventh chord in C major, examples e)–g) (continuation of the preceding examples) — Fig. 141 · Verlo en el lector

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