Nikolai Rimsky-Korsakov · sección 41 de 96

Una forma especial de cadencia plagal

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§ 40.—1) El acorde de sexta y quinta del segundo grado, o el acorde de cuarta y tercera del séptimo grado, forma cadencias plagales de carácter especial mediante la cuarta descendente en el bajo y el movimiento por grados conjuntos de las voces superiores.

2) En este caso, estos acordes se colocan en los distintos tiempos del compás y se preparan con la tríada del cuarto grado, a veces con la quinta duplicada.

Plagal cadences through II6/5 and VII4/3 over a held fourth-degree bass, in C major and in A minor — Fig. 143 · Verlo en el lector

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