Nikolai Rimsky-Korsakov · sección 42 de 96

EMPLEO DE LOS ACORDES DE SÉPTIMA en la realización de corales

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§ 41.—En la realización de los corales siguientes, empléense el acorde de séptima de dominante, sus inversiones y el acorde de sexta y quinta del segundo grado.

La séptima se emplea con mayor frecuencia como séptima de paso sobre el acorde de dominante; evítese este acorde en estado fundamental en la medida de lo posible (*), sobre todo con la séptima en la melodía. Sus inversiones se emplean con bastante frecuencia, especialmente el acorde de sexta y quinta y el acorde de segunda (cuarta y segunda) (**).

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