Nikolai Rimsky-Korsakov · sección 44 de 96
B) en el modo menor Lee y escucha esta sección en la edición reproducible →
Traducción automática de la lectura en inglés. Borrador; aún sin revisión por un hablante nativo.
En estas progresiones, los acordes pertenecen al modo menor natural debido al movimiento de segunda aumentada; sin embargo, el acorde inicial y el último acorde del V grado pertenecen al modo menor armónico:
Fig. 149 · Verlo en el lector
Las progresiones armónicas por cuartas y quintas muestran las relaciones más naturales que existen entre los acordes de una misma tonalidad. En ellas, el enlace es alternativamente armónico y melódico; los acordes de quinta disminuida, que en sucesiones sin progresiones se emplean solo como acordes de sexta, pueden aparecer en estado fundamental en las progresiones armónicas.
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