Nikolai Rimsky-Korsakov · sección 45 de 96

B) progresiones armónicas de segundas y terceras

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Traducción automática de la lectura en inglés. Borrador; aún sin revisión por un hablante nativo.

§ 44.—1) El modelo que surge del enlace del cuarto grado con el quinto, repetido simétricamente una segunda más abajo sobre distintos grados, da lugar a progresiones armónicas de segunda y tercera descendentes.

En el modo menor, todos los acordes del quinto grado se basan en el modo natural, salvo el último, que pertenece al modo armónico.

A) In the major mode: the sequence IV–V, III–IV, II–III, I–II, VII–I, VI–VII, V–VI, IV–V in C major — Fig. 152 · Verlo en el lector

B) In the minor mode: the same sequence in A minor, every fifth-degree chord natural except the last (harmonic, with G♯) — Fig. 153 · Verlo en el lector

En las progresiones armónicas de segundas y terceras, el enlace melódico de acordes a distancia de segunda va seguido del enlace armónico de acordes a distancia de tercera. Esta sucesión de acordes a distancia de segunda y tercera es tan practicable como la de acordes a distancia de cuarta y quinta.

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