Nikolai Rimsky-Korsakov · sección 47 de 96

B) en el modo menor

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Sequence of seventh chords by descending fifths in A minor (natural minor, harmonic V at the cadence) — Fig. 167 · Verlo en el lector

Es fácil ver que cada acorde de séptima va seguido de otro situado una cuarta más arriba o una quinta más abajo, y que la tercera de uno prepara la séptima del otro, resolviéndose esta séptima a su vez en la tercera del acorde siguiente.

Un acorde de séptima completo va seguido de uno incompleto, y viceversa.

En las progresiones formadas por inversiones, los acordes de sexta y quinta alternan con acordes de segunda (cuarta y segunda), y los de cuarta y tercera con acordes de séptima completos.

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