Nikolai Rimsky-Korsakov · sección 74 de 96

Retardo de octava disminuida o de unísono aumentado

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En ciertos casos, por ejemplo en la modulación cromática en el modo menor, en la cadencia rota en el modo mayor, en la semicadencia en el modo menor, con una nota de paso cromática, etc., el acorde de séptima disminuida puede producir un retardo que forma una octava disminuida con el bajo:

Two progressions separated by a double bar. First: G major chord, then the bass moves chromatically to G sharp while the alto G is held as a suspension, a dimin — Fig. 303 · Verlo en el lector

2) Al cambiar la disposición de las voces, puede resultar un retardo poco usado que forma un unísono aumentado:

The alto holds G as a suspension while the soprano rises from G to G sharp, forming an augmented unison; the alto then falls to F and E, the soprano rises to A — Fig. 304 · Verlo en el lector

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