Nikolai Rimsky-Korsakov · sección 80 de 100
Voz solista con coro Lee y escucha esta sección en la edición reproducible →
Traducción automática de la lectura en inglés. Borrador; aún sin revisión por un hablante nativo.
Cuando se combina un aria o recitativo con el coro, debe cuidarse mucho la escritura coral. Una voz femenina solista destaca bien frente a un coro masculino, y una masculina frente a uno femenino, pues en ambos casos el timbre solista difiere del resto. Pero combinar una voz solista con un coro del mismo timbre o con un coro mixto crea ciertas dificultades. En tales casos, el solista debe cantar en un registro más agudo que el coro, a piena voce, mientras el coro canta piano. El solista debe colocarse lo más cerca posible de las candilejas; el coro, al fondo del escenario. La orquestación debe adaptarse al solista, no al coro.
Ejemplos:
N.º 298. Snegourotchka 143.
Ivan the Terrible. acto II 37 (véase el Ejemplo 296).
Cuando el coro canta entre bastidores, el solista siempre se oye con claridad.
Ejemplos:
Ivan the Terrible, acto I 25-26.
* The May Night, acto III Ccc.
* Sadko 102, 111.
← Acompañamiento orquestal del coro Todas las secciones Instrumentos en escena y entre bastidores →
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