Nikolai Rimsky-Korsakov · sección 93 de 100
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La combinación más sencilla y natural es sopranos y contraltos, o tenores y bajos. Estas combinaciones producen un sonido amplio y vigoroso, y los timbres mixtos sirven para destacar una melodía en las voces superiores o graves. En la práctica, las demás voces suelen dividirse para dar cuerpo a la armonía. La combinación de contraltos y tenores produce un peculiar timbre mixto, algo extraño y poco utilizado.
Ejemplos:
Snegourotchka 64.
Sadko 208 (véase el Ejemplo 14).
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