Nikolai Rimsky-Korsakov · seção 68 de 100
Método de enfatizar determinadas notas e acordes Leia e ouça esta seção na edição reproduzível →
Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.
Para salientar ou enfatizar determinada nota ou acorde, além das indicações de expressão decrescendo e sf, podem-se inserir acordes de 2, 3 e 4 notas na progressão melódica pelos instrumentos do quarteto de cordas, cada um tocando uma única nota; também se podem usar notas curtas nas madeiras, assim como uma sequência de três ou quatro notas de ornamento, em forma de escala, nas cordas ou nas madeiras. Essas notas não acentuadas (anacruse), geralmente escritas muito pequenas, formam uma espécie de deslize ascendente, sendo menos comum a direção descendente. Em regra, são ligadas à nota principal por uma ligadura. Nas cordas, não devem conduzir a acordes de três ou quatro notas, pois isso seria incômodo para o arco.
Fig. 117 · Ver no leitor
Exemplos:
Nº 254. The Tsar's Bride 142—Anacruse nas cordas.
* Nº 255. Shéhérazade, 2º movimento C—Acordes pizz. curtos.
* """ P—Acordes curtos nos sopros (cf. Ex. 19).
← Acordes sforzando-piano e piano-sforzando Todas as seções Crescendo e diminuendo →
Mais Playable Books Forsyth, Orchestration A witty, thorough guide to every orchestral instrument, with the original pages. Fux, Gradus ad Parnassum Learn how independent voices work together, one species at a time. Goetschius, Exercises in Elementary Counterpoint Build independent melodies through graded exercises, with 471 recorded examples. Goetschius, Counterpoint Applied Study imitation, canon, and fugue with 393 recorded examples. Kitson, Counterpoint for Beginners Strict counterpoint in two and three parts, species by species, with every example playable. Prout, Analysis of J. S. Bach’s Forty-Eight Fugues Follow Prout through all 48 fugues of the Well-Tempered Clavier, every example playable. Rameau, Treatise on Harmony Explore the foundations of harmony, composition, and accompaniment. Rimsky-Korsakov, Practical Manual of Harmony The classic harmony course, newly translated from the 1910 French edition, with all 640 examples playable. Tchaikovsky, Guide to the Practical Study of Harmony Tchaikovsky’s Moscow Conservatory harmony course, with playable examples. Fenaroli, Partimenti Six books of partimenti, with playable basses, contrapuntal exercises, and bilingual rules. Reger, Supplement to the Theory of Modulation Explore Reger’s modulation method with 100 analyses and 102 playable examples. Cutter, Harmonic Analysis Learn to name every chord and non-harmonic tone in real music, from Bach to Wagner, with the passages playable. Schoenberg, Theory of Harmony Read all 22 chapters, with the original German beside a new English translation. Forsyth, Choral Orchestration A whole Te Deum orchestrated bar by bar, with Forsyth’s reasons, the full score and the vocal score playable. Berlioz, Treatise on Instrumentation Berlioz’s treatise on the orchestra, revised by Richard Strauss, with the original pages. McKay, Creative Orchestration Ranges, transpositions, texture and balance, taught through projects, with the supplied examples played by orchestral samples. Sanganeria, Arrival Build jazz lines that land, with 30 original playable examples. Bona, Complete Method for Rhythmical Articulation Practice rhythm through 120 graded studies, with playable notation and original scans. Hanon, The Virtuoso-Pianist Practise all 60 exercises with playable notation, original scans and supplied Mutopia playback. Mathews, Standard Graded Course of Studies, Grade I A first year of piano: 136 short pieces by many composers, every one playable, with Mathews’s teaching notes. Goetschius, Lessons in Music Form Hear how figures become phrases, periods, rondos and sonata forms, with the printed examples beside their playable notation. ← Todos os Playable Books