Nikolai Rimsky-Korsakov · seção 72 de 100

Efeitos artificiais

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Tradução automática da leitura em inglês. Rascunho; ainda sem revisão por um falante nativo.

Aplico esse nome a algumas operações orquestrais baseadas em certos defeitos da audição e da faculdade de percepção. Sem desejar especificar as que já existem nem prever as que ainda possam ser inventadas, mencionarei de passagem algumas que utilizei em minhas próprias obras. A essa classe pertencem escalas ou arpejos em glissando na harpa cujas notas não correspondem às tocadas simultaneamente por outros instrumentos, mas que são usados porque os glissandi longos são mais ressonantes e brilhantes que os curtos.

Exemplos:

Snegourotchka 325 (cf. Ex. 95).

Nº 275. Pan Voyevoda 128.

* Shéhérazade, 3º movimento M, 5º compasso (cf. Ex. 248).

* Russian Easter Fête D (cf. Ex. 248).

* Também se deve mencionar o glissando enarmônico nas cordas.

Nº 276. The Christmas Night 180, 13º compasso—Vcs glissando.

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