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Rimsky-Korsakov, Principles of Orchestration

Nikolai Rimsky-Korsakov · section 17 of 100

a) Violins

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Melody in the soprano-alto register and an extra-high compass usually falls to the lot of the 1st Violins, sometimes to the 2nd Violins or to both in unison, a process which produces fuller resonance without impairing quality of tone.

Examples:

The Tsar's Bride 84.[C]—Pianissimo melody (Vns I) of a troubled dramatic character. Harmonic accompaniment (Vns II and Violas tremolando—middle parts; the Violoncellos forming the bass).

Antar, before 70.—Descending melodic phrase, Vns I con sordini piano.

No. 1. Shéhérazade 2nd movement B. A piano melody (Vns I) graceful in character.

Antar 12. Light graceful melody, oriental in style; a dance measure (Vns I con sord.), the mutes producing a dull ethereal quality of tone.

No. 2. The Legend of the Invisible City of Kitesh 283.

No. 3. Spanish Capriccio J. Vns I in the upper register doubling the high register of the wood-wind. Choice resonance.