Arnold Schoenberg
Schoenberg, Theory of Harmony in English
Open the playable edition →- Preface
- Preface to the Third Edition
- Theory or a System of Presentation?
- The Method of Teaching Harmony
- Consonance and Dissonance
- The Major Key and Its Diatonic Chords
- The Diatonic Triads
- Setting the Chords
- Connecting the Primary and Secondary Triads of the Key
- Connecting the primary and secondary triads of the key into short passages
- Degree VII
- Inversions of triads
- a) THE SIXTH CHORD
- Parallel octaves and fifths
- Connecting triads with sixth chords, sixth chords with triads, and sixth chords with one another
- b) The Six-Four Chord
- Seventh chords
- Inversions of seventh chords
- Connecting seventh chords with one another
- The Minor Key
- Diatonic triads in minor
- Inversion of triads in minor
- Seventh chords and their inversions in minor
- Connecting Chords That Have No Harmonic Link
- Some Directions for Producing Favorable Progressions; on Melodic Movement in the Two Outer Voices; Then on Endings, Cadences, Deceptive Cadences, and the Six-Four Chord in the Cadence
- I. On Root Progressions
- A. In Major and Minor
- B. In Minor
- Iii. voice leading
- Endings and cadences