Hector Berlioz
Berlioz, Traité d’instrumentation · Français Ouvrir l’édition jouable →
Lecture française composite : passages originaux de Berlioz rétablis lorsque leur contenu concorde avec l’anglais ; ailleurs, nouvelle traduction automatique de l’édition anglaise Berlioz/Strauss de 1948. Brouillon, sans relecture par un locuteur natif. Provenance et ambiguïtés : fr-sources.html.
Traité d’instrumentation Avant-propos de Richard Strauss Introduction Le violon L’alto La viole d’amour La viole de gambe Le violoncelle La contrebasse La harpe La guitare La mandoline Le piano Instruments à vent Le hautbois Le cor anglais Le Basson Le Contrebasson Les Clarinettes La Clarinette alto La Clarinette basse Le Cor de basset La Flûte Le Piccolo La Flûte alto L’Orgue Le Cor Le Cor à pistons La Trompette Le Cornet Les Trombones Les Tubas Le Bugle Le Bugle à pistons L’Ophicléide basse L’Ophicléide alto L’Ophicléide contrebasse Le Bombardon Le Tuba basse Le Serpent Le Basson russe Les Voix Les Timbales Les Cloches Jeux de petites cloches L’Harmonica à clavier Les Cymbales antiques La Grosse Caisse Les Cymbales Le Tam-tam Le Tambour de basque Le Tambour La Caisse roulante Le Triangle Le Pavillon chinois Instruments nouveaux Les Saxophones Les Saxhorns Les Saxotrombas Les Saxtubas Le Concertina L’Orgue mélodium Pianos et mélodiums à sons prolongés L’Octobasse L’Orchestre De la direction d’orchestre Glossaire
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